There once was a club swinging Swede
Determined to pillage and breed
But sweet miss O’conner
Defended her honor
Refusing to welcome his seed

There once was a red-bearded Viking
To the emerald land he went hiking
And trying to be wily
Snuck up Miss Reilly
But his salmon was not to her liking

There’s a viking name Erik the Erring
On a voyage he lost all his bearing
Instead of New York
He landed in Cork
And alone he became hard of herring

There was an Old Man of Japan
Whose lim-er-icks never would scan.
     When they said, "What the fu?"
     He replied, "They're haiku!"
That Irish Old Man of Japan.

If it's not something others will do,
If their governments will not hold their leaders accountable,
Then we need the Paddys, the Svens, the Pablos to;
You cannot wait for a criminal
To turn themselves in,
For they never shall.
At their level,
They will avoid prosecution
Till they swim in the lakes of hell.
And meanwhile, how many
Will they facilitate in the deaths of?
How many innocents murdered?
How many must be "martyred?"

Irish aer
brings the sweetest rain
from the bluest sky
which fills her streams
of brackish runs and rills
and paints the green
on lush and fond remembered hills

Connemara morning early
iron grey sky
scarping waves
of sharp and tempered steel
and a sun barely creeping
on peaty bog
and marshy sheep-shod field
here dwelt the silent ones
fertile gods of Erin's clan
who fed the earth
and coaxed the land
solemn faces watch us still
through smoky mist
on emerald hill

Galway's tears are grey
soft they fall upon her cheeks
scarred and rutted with her age
weathered by storms
kissed by the sea
a faithful and remembered love
he visits often
and tries to bend her to his will
but she is strong
resoulute she will not change
only time can rearrange her features
often she is mild
her temper only stirred by the restless wind
who is her neighbour
always rapping on the doors
of her crouched and hunkered homes
yes, Galway’s tears are grey
but her grassy smile is warm and wide
she gets into the bones of you
until you know that can never really leave her loving arms
and if you do, know a little of her will be coming too

Sparse
bronze brown heather
wet and tangled from the rain
beaten smooth
as is the rough ill tempered land
no gentle hand has brushed these clouds
of wind-whipped winter sky
reflected fish skin waves skim white
shallows in blue,
mourning deep among the painted grey
a solemn yet a not unpeaceful day
of drinking moorland streams
which river run
to feed the misty sheep strewn hills
all dappled winter appled green
and on and down through ancient peat
so black and rich and free
to the breeze bent grass at waters edge
which sings of you Lough Fee

We barged hard against the old door and managed to get in
Dark corridors led to a back alley where fantasy met reality
There they were, hundreds a shiny boxed small windows waiting for us
Richard picked up a stone, pulled his home made catapult and released.
Bam, a broken window now more broken
You have a go
I took it and hit a window, amazing sound and joy
The windows were in our sights

Left a bit, right a bit...
Patang, reload, hutchuck, dut, snnuuuck,
Missed
Adjust scope a little to the right
This time a hit, no movement from the crow
A small troop are marching up towards our house
Door bell rings
dad looks concerned
'There's a report of a youngster with a rifle?'
It's the UDR
dad looks very nervous
'Its just my son with an air rifle'
dad brings the rifle to the door and the gun licence he had
Firkin wee Duffie the headmaster has seen me with his binoculars
The wee sneak ..I rumble under my breath
'No problem sir, we're on our way out of here'
Wee Duffie had me in his sights

Returning from England the green walk up the Dungannon road is a fresh change from the hustle and bustle
Passing a bungalow on the right a man stares out at me, hands by his side
I take a left up a hill past Derek's place
We rode his white horse bare back in that field
Suddenly a car pulls up with the man and he winds the window down
'What's the name?' he growls
'What do you mean what's the name, I'm just out for a walk?' I retort
He reaches for the glove box, I stop
'What's the name?' he shouts again
I ignore him and continue walking
He accelerates quickly forwards stops and manages to make a U turn

Walking back home I'm confronted a small troop of soldiers marching the other way
A car pulls up
'What's the name?'
'Turner' I say
"It's the bank manager's son, stand down'
On reflection I processed this situation years later
The big man Stewart had thought I was a 'spotter' from the IRA spotting him an off duty policeman in his home so that a shooter could take him out
He had his hand on his pistol in his glove box with a view to pull the trigger
He had me in his sights