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Man Feb 13
In I came to Dublin town,
Riding one fine morning,
I spied some Johnny Bullies
And I started off a'cussing!

Leave my home,
Go on get out.
Leave the whiskey,
Leave the grub.
Tell the king
To go *******
And stay in his doe-hog hovel.

O'er glens of An Cabhán
There flew a rag of red,
I tore it off from where it hung
And ripped it all to shreds!

Leave my house,
You're unwelcome.
Leave the rope & iron.
Tell the king
To go *******,
Lest he would rather violence.

In Londonderry & Belfast,
Pleasant little branches,
We'll grow ourselves gigantic oaks
Uproot their picket fences!

Leave my home,
Go on get out.
Leave the whiskey,
Leave the grub.
Tell the king
To go *******
And stay in his doe-hog hovel.

Say the hounds are all but slept,
Yet I still hear the barking.
I think it restful pouting
Readying for a real good bouting!

Leave my house,
You're unwelcome.
Leave the rope & iron.
Tell the king
To go *******,
Lest he would rather violence.

Hard to find good honest work,
When of royal or noble;
Hard to find good honest work
If they claim you're not loyal!

Leave my home,
Go on get out.
Leave my house,
You're unwelcome.
Tell the king
To go *******,
And kindly don't respond.
Johnny Poodle/Noodle - Yankee Doodle

John Bull - Personification of England
A'cussing - Cussing, as in cursing, but also accusing.
Doe-hog hovel - Buckingham Palace
Rag of Red - Union Jack
Grub - Foodstuffs
Rope & Iron - Noose & Cutlass
Pleasant little branches - Douglas Ross Hyde, first President of the Irish Democratic Republic. Young advocates of full Irish independence.

Just a fun shanty
You do not belong to this soil,
not the way they did—
feet sinking into peat,
lungs lined with salt and prayer,
bodies turning to moss before memory.

But still, you stand here,
four generations late,
hands in your Primark pockets,
mouthing names you were never meant to carry,
even as they sit inside you,
your first name stamped with their last,
a borrowed relic you never earned.

Your brother gripped the wheel like a lifeline,
right-side driving out of Dublin,
left shoulder braced against muscle memory,
like he expected the road to turn on him.
Mom rode shotgun,
printed-out censuses fanned across her lap,
highlighted, annotated, dog-eared—
a roadmap made of the dead.

You sat in the backseat,
cheek against the window,
watching Ireland unfold in slow exhales—
stone walls dividing nothing from nothing,
a horizon stitched with ruins,
the color of a postcard left too long in the sun.

Mom recited their names like prayer beads,
rolling them through her fingers,
waiting for recognition
that did not come.

And then you were there—
the grass, damp and grasping,
twined around your ankles,
softened under your weight,
pulling you down like something remembered.

The graveyard was older than the road that brought you there.
Headstones leaned like tired men,
softened by wind, by rain,
by the weight of a hundred years unspoken.
Their names smoothed into murmurs,
the dates washed into dashes.

And at every grave,
a small stone sign,
half-buried in moss,
letters chipped but certain:
KNEEL AND PRAY.
Not a suggestion. A sentence.

You did not kneel.
You touched the name instead,
ran your fingers over the grooves,
over the letters that built you
without ever knowing you would come.

A crow clicked its beak from the low wall,
watching the three of you like it had seen this before,
like it knew how this ended.

You whispered something you could not name.
The wind took it from your mouth,
tucked it into the tall grass,
laid it at their feet.

And then you left,
but the wet earth held its claim,
clinging to your soles,
like it knew you’d be back.
There once was a club swinging Swede
Determined to pillage and breed
But sweet miss O’conner
Defended her honor
Refusing to welcome his seed

There once was a red-bearded Viking
To the emerald land he went hiking
And trying to be wily
Snuck up Miss Reilly
But his salmon was not to her liking

There’s a viking name Erik the Erring
On a voyage he lost all his bearing
Instead of New York
He landed in Cork
And alone he became hard of herring
This month, 100% of proceeds from custom limericks will go directly to hurricane victims (personal friends of mine who are now homeless with their 1-year-old). These 3 were written for a strange and specific request: "Looking for a limerick about the early days of the Vikings when they invaded Ireland and their exploits. Funny if possible."
MetaVerse Jul 2024
There was an Old Man of Japan
Whose lim-er-icks never would scan.
     When they said, "What the fu?"
     He replied, "They're haiku!"
That Irish Old Man of Japan.


David P Carroll Jul 2024
Green clovers
Blowing gently
In the field of green
And the little leprechauns
Are dancing all through the
night and the local's
Are drunk on whiskey
On Saint Patrick's Night.
Saint Patrick's Day 😻
Man May 2024
If it's not something others will do,
If their governments will not hold their leaders accountable,
Then we need the Paddys, the Svens, the Pablos to;
You cannot wait for a criminal
To turn themselves in,
For they never shall.
At their level,
They will avoid prosecution
Till they swim in the lakes of hell.
And meanwhile, how many
Will they facilitate in the deaths of?
How many innocents murdered?
How many must be "martyred?"
Unpolished Ink May 2024
Irish aer
brings the sweetest rain
from the bluest sky
which fills her streams
of brackish runs and rills
and paints the green
on lush and fond remembered hills
Unpolished Ink Mar 2024
Connemara morning early
iron grey sky
scarping waves
of sharp and tempered steel
and a sun barely creeping
on peaty bog
and marshy sheep-shod field
here dwelt the silent ones
fertile gods of Erin's clan
who fed the earth
and coaxed the land
solemn faces watch us still
through smoky mist
on emerald hill
Unpolished Ink Mar 2024
Galway's tears are grey
soft they fall upon her cheeks
scarred and rutted with her age
weathered by storms
kissed by the sea
a faithful and remembered love
he visits often
and tries to bend her to his will
but she is strong
resoulute she will not change
only time can rearrange her features
often she is mild
her temper only stirred by the restless wind
who is her neighbour
always rapping on the doors
of her crouched and hunkered homes
yes, Galway’s tears are grey
but her grassy smile is warm and wide
she gets into the bones of you
until you know that can never really leave her loving arms
and if you do, know a little of her will be coming too
Unpolished Ink Mar 2024
Sparse
bronze brown heather
wet and tangled from the rain
beaten smooth
as is the rough ill tempered land
no gentle hand has brushed these clouds
of wind-whipped winter sky
reflected fish skin waves skim white
shallows in blue,
mourning deep among the painted grey
a solemn yet a not unpeaceful day
of drinking moorland streams
which river run
to feed the misty sheep strewn hills
all dappled winter appled green
and on and down through ancient peat
so black and rich and free
to the breeze bent grass at waters edge
which sings of you Lough Fee
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