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I walk into the woods
Taking the one less worn
Headed east
On a westbound path

Foliage thinner at times
Mountains peak through
I long for those mountains
Heading east on this westbound trail

Keep the sun at my back
As I gaze at the darkening sky
The moon shall rise
In the east on this westbound line

I want to stop
Turn around
But my heart lays at the end
East on this westbound route
Does he even know?
Chris Fortune Jun 2016
Westbound is where my heart has always been.
Every time I turn around I always go back again.
Senses are renewed and my spirit brings forth.
Telling me to head west and the notice is short.
Before I get moving there is something I have to say.
Over and over again you always take my breath away.
Under the canyons and over the hills of my heart.
Now I know what I really need and that is a start.
Deliver me on a westbound train and ignite the spark.
The spark that was always in me waiting to be unfurled.
Red hues of a western sky take me to a different world.
Always looking before I jump not knowing where I go.
I made the right choice and this I do surely know.
Now I go westbound and into a new tomorrow.
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
John F McCullagh Jan 2012
I’d worked late the previous night,
programing applications.
When the alarm went off at four A.M.
I hit snooze- no hesitation.
Eventually my feet found floor,
I stumbled to the shower.
A routine usually done in ten
took me a half an hour.
I was running up the platform steps
but my train just left the station.
Great, I will be late for sure,
I thought, in consternation.
At least the day was perfect,
Warm and clear, no threat of rain.
I fished and found my ticket
and took the next westbound train.
The ”E” was fairly crowded
When I boarded it at Penn
I’d missed the first and I was glad
Another quickly came.
Beneath the streets of Gotham
The subway lurched downtown.
Above all hell was breaking loose
as two large planes were down.
I climbed the stairs up to the street
And entered the inferno
The sky now black from billowing smoke
Bright day turning nocturnal.

A Seven thirty Seven’s wheel-
I heard a woman screaming
I saw a body at my feet
Were we at war or was I dreaming?
I stared up at my window-
where I worked the night before.
Where flames and smoke leapt to the sky-
where my co workers were no more.
They’re jumping, someone shouted
I saw black specks launch from on high.
Better to die upon the street
Than to suffocate or fry.

I turn and ran, I am ashamed.
No Hero’s tale to tell.
I was a safe way away
when the first tower fell.

Had I not hit the button
or dawdled in the shower.
Had I caught my usual train
I’d be dead in the tower.

This is my shame and burden
To live when others died.
Preserved by fate and circumstance
From terror from the sky.
Kyle Kulseth Aug 2013
Push a day off to one side
drink in the citrus street light
           lock arms with the night

Forty minutes, fifteen thoughts,
a hundred steps to next time
          check off the prayers you've tried--

--on frozen fingers. Through
your wind-chapped lips let one more dangle
              off your westbound life.
You've been here too long;
             You got nothing to lose left,
              quiet, spit it out
                             into the sky
                             Turn right.

Lay my 20's down to sleep
slept my way through a decade
             now open pint glass eyes.

Pushing thirty, since I'm ten
I've been grasping at something--
           something undefined

     On frozen feet been walk-
-ing south-by-southwest, hands in pockets
                clawing empty space.
Haven't got one dime
               to toss into the water
               but Northwest winds
                                  frame my North-        
                                   east face.
prairiegrass dreams

Across the Sandhills
wading into the untamed Niobrara
barebacked.. brown,  and beautiful

Within her Misty Mountain dreams
she is heading my way.
Ah, sweet lord God almighty,
look at her go..

Westbound,  she is best-found

    right there..  on the edge
    of these dreams of my own

Oh my lord..
look at that beautiful horsedream  go
Will I be able to survive her..

  I don't know
.  .  .  

You feel him..  don't you, sweet one..
my beautiful Snickers
on that Gordon, Nebraska hill--
his home,  his birthplace..

Until his beautiful spirit
one day..  finally found me

Striated and stoic
he is waiting for you..
To bring, you
the rest of the way home.

North now,  into Dakota
as you bleed  
with the Lakhóta
on a trail,  split

   between Pine Ridge..
   and Wounded Knee.

Feel your war-torn  Spirit
melt  in to them
(you will not fall)

As you ride this black-maned  dream
just a bit further North..
towards a man, named Paul

Within my own,  I can feel you both

Ah hell, babe..
I can feel you all


hold on to your dream of this dream..
remember every-thing
https://youtu.be/fqCGidfNG0M


Rough draft, this feels inadequate
to the picture I want to convey.
His likeness is in the sixth frame shown,
and again, between the two  of her;

His eyes.. in the two, up close.
You will not go lonely

https://hellopoetry.com/poem/3369599/snickers-on-a-hill/
xoxo
Aaron LaLux Nov 2017
Who cares who shot JFK I wanna know who shot Tupac,
who cares about the CIA's JFK Files release date,
it’s 2017 and I’m on a plane watching All Eyez On Me,
flying westbound outta the Westside of LA,
on All Hallow’s Eve and it’s all feeling kinda spooky,
because I’m on this plane with another Libra The Boy Drake,

and I don’t care who shot JFK,
I want to know who shot Tupac,
met Suge two times and got the feeling he didn’t,
plus when they hit Pac even Suge got two shots,

so who shot Tupac,
as I write with all I’ve got,
in red ink as my red eyes blink,
pen lines looking like blood drops,

all eyes on me,
until my eternal slumber,
but enough about the words,
what about the numbers,

75 million albums sold,
713 songs,
7 films that’s 777,
same as the title of the latest book I put out,

seems Tupac and I,
share a mutual obsession with the #7,
plus his last album Killuminati was subtitled 7 Day Theory,
not to mention the fact that Pac was shot on September 7th,

as I trace the early similarities,
between me and Tupac,
I think back to when I almost signed with Suge,
and I too feel like Tupac,

I too was raised in New York,
I too got put on in LA,
I too almost lost my soul in Vegas,
I too am both profane and a saint,
I too feel confused and conflicted,
I too both sin and pray,
I too write with a sense of urgency,
because I too know tomorrow isn’t promised today,

I too have found my street instincts to be risky,
I too have gotten it on at the Luxor,
I too know there’s a thin line,
between Love & Hate and between Enemies & Lovers,

trapped between over the top celebrities,
and detectives undercover,
and I’ll a pirate sailor sailing high,
but still I have to fight from going over,

oh Lord,
forgive me for I know not what I do,
and maybe the reason I feel guilty,
is because I waste my gifts on **** and *****,

choose,
your own adventure,

lost,
caught up in the trap that’s why they call it a trap,
winnin’ till when that window rolls down and you don’t know,
if it’s gonna be a gun shot or a camera snap,

I know what’s coming even though I don’t know when,

signing my own death certificate,
like Pac signing to Death Row,
see he thought he was just giving Suge his Music,
but really what he was giving him was his soul,

nobody know when they’re gonna go,
we’re at the table at the Last Supper till they pull our card,
which I guess is sickeningly befitting,
considering Tupac was shot in Vegas on Las Vegas Blvd.,

and all that’s left of him,
is this movie that I watch on this plane,
and what’s happened to our music,
lost Tupac and gained Drake,

and that’s not a shot at Drake,
I mean Drake’s cool,
I’m flying with him to Australia,
but Drake doesn’t have Tupac’s soul,

our music has been watered down,
now Hip Hop sounds like Pop Rock,
I mean how can you even compare,
Hotline Bling to Keep Your Head Up,

what the fck,

how’d we go from Black Panther,
to ***** cat,
how’d we go from I Ain’t Mad At Cha,
to Best I Ever Had,

and I’m not even mad,
I mean I respect Drake for sure,
he gets that money and has always been good to me,
but Drake is no Tupac that’s for sure,

but I won’t elaborate further because,
we all know what happens when you ask too many questions,
so I’ll just keep getting my money and writing my books,
& keep going to church without admitting confessions,

and I’m ending,
this poem right here with an RIP,
RIP to Tupac,
Rest In Peace,

another leader slain,
and I’m so caught up I forgot what I was saying,
even forgot where I was,
which is flying westbound on this plane,

writing verses in blood red ink,
feeling like Pac All Eyes on me,
wondering who shot Tupac pen lines like blood drops,
as I write what I think with all that I’ve got in ink,

ink as red as my red eyes that blink,
sending this poem off as a literary Hail Mary,
with California Love even those it’s Me Against the World,
Keep Your Head Up & congratulations Brenda’s Got A Baby,

and I know I’ll likely Live & Die in LA,
so I wonder if there’s a Heaven for a G,
& if there is Dear Mama I’ll meet you at **** Mansion,
& please know I Ain’t Mad At Cha but I’ve gotta go so peace…

∆ Aaron LA Lux ∆

30/10/17
I've never told anyone about this, but I've met Suge Knight several times and he was always cool with me. We flew to JFK airport in NYC & discussed a lot of things. I wasn't going to mention this but a combination of factors led me to coming out about it. 1st of all a photo of me and Suge popped up online, 2nd, the JFK papers were released last week, 3rd, I flew with Drake to New Zealand, and 4th, I watched All Eyez On Me on the flight... Which led me to writing the following poem. Please let me know your thoughts on this, or anything else related to Tupac, Suge Knight, JFK, Drake, or your boy Aaron La Lux... ∆
J Arturo  Jan 2014
kafka
J Arturo Jan 2014
the hills were beginning to grow
the grass greening on the approach
to Blue Earth, and how
in summer
Minnesota shed her old coat
to shy guilty into brief silty lakes
like the
joy of a little kid, sneaking a forbidden dip.

remarking, casually, about
white warm flowers hung low from
planned oaks, and the impossible way the town
pulled local hills close, to coat
in dandelions. and cultivate
all under an ambitious midwestern sun.


          rolling through the stop sign, hand on mine
          you told me if you’re moving at all

          you should keep it in second gear.


and we had so far to go, but in the light that
broke through westbound clouds,
we became less so.
contented to spread toes out in earth we
dug into Minnesota, the middle coast:
a land we could like to get to know.



and you:
looking down at the salt, the sand, the scars of
the grand american plantation:
the last coast.
knowing that by the next coast, we
you and me.
we'd be through.

          saying, ‘how could anybody die?’

          saying,
          ‘how could anybody tell you anything true?’



undercut by the honest waves of the little lake,
the hum that drummed in my gas tank.
trying, for once, at a little piece of truth:

          when I leave this place I leave
          a part of me behind.

          and that part of me
          will be you.



saying there’s only so much sweetness in the soil,
only so long after the thaw,
and grief is rich and dark and made for sowing:
must be, for maintaining verdant local hills, must be
for to keep corn sweet. must be for to put
grief
on the table. must be for to
keep with us.

          for to keep a little bit to eat.

saying, we bleed but together we make a hole
to bury both our bodies in.
saying there’s a west out west but too late it’s
already hemmed us in.

          saying now I am only a fragile assimilation of this weak
          and fractured purpose that drives me, and you are

          beautiful enough I would lie to let you love me.


even I would scorch this soil if only things wouldn’t grow I would
saying Blue Earth is still in the trucker's atlas is
only an excuse for sunshine. a point,
where freeways go.
saying,
“with earth, so green, that here they call it 'Blue'.”


          saying
          “I could learn to love a leopard.”

          saying
          “how dare you.”
Anne Sexton  Feb 2010
Just Once
Just once I knew what life was for.
In Boston, quite suddenly, I understood;
walked there along the Charles River,
watched the lights copying themselves,
all neoned and strobe-hearted, opening
their mouths as wide as opera singers;
counted the stars, my little campaigners,
my scar daisies, and knew that I walked my love
on the night green side of it and cried
my heart to the eastbound cars and cried
my heart to the westbound cars and took
my truth across a small ****** bridge
and hurried my truth, the charm of it, home
and hoarded these constants into morning
only to find them gone.
David Bremner  Sep 2018
Traffic
David Bremner Sep 2018
The M6 is slow southbound north of Lymm.
Queuing likely Junctions 4 through to 3.
Accident on the slip-road at Strensham
South. Rubberneckers slowing just to see.
Busy clockwise on the M25.
Overturned tanker - now down to one lane.
Rush-hour traffic, best avoid the drive.
M62 heavy westbound again.
Ongoing road works on the A1 (M).
High sided vehicles avoid the Forth
Bridge. Reports of a breakdown just come in
For those leaving the M5 heading north.........
  Felicity comes, I turn off the dial
  The traffic has cleared - if just for a while.
Simon Piesse  Jul 2021
The Flood
Simon Piesse Jul 2021
No service to all westbound destinations due to flooding . . .


At Ravenscourt Park, it rained apocalyptically.

Then, God said:

‘Let go of point-to-point.

Paddle properly, like you mean it.

Hear the gentle song of the hummingbird.

Sip the sweet cup of the orchid.

Steer clear of the piranhas that are possessions;
Swim away from the caiman, who can drag you under.  

Take it stroke by stroke.  Do not splash about.

Go with my flow.

When your meanderings meet the mighty ocean of my love

Be ready.

This is just the beginning.’

— The End —