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Dark green urban tumbleweeds
Roll on up the road
Bouncing off the passing cars
Dispensing their rotting  load
Garbage bags full of waste
Full of the remnants of the week
Don't let one ever hit you though
They all have quite the reek
Urban, plastic, tumbleweeds
Put out early for the trash
They blow in all directions
Not knowing where they'll crash
Blue boxes trail them on their path
Leaving plastics  in their wake
It's only one plastic bin
But, the mess that it can make
Blue and green, like bulbous flies
Full of garbage and the dead
meat, and tins and paper
decayed food stuff and old bread
Urban plastic tumbleweeds
Every week blow in the wind
Scattering their insides on the landscape
Things that should be binned
It doesn't matter where you travel
But I know you're sure to find
Urban plastic tumbleweeds
holding garbage as designed.
Jesse stillwater Aug 2018
.
I’m just a lonely traveler
   on this earth
Sometimes it feels as if I'm
waiting for the sky to fall
with each passing breathe
       of wind

   Standing alone,
   a windswept tree
   leans downwind;
conspicuously wrought,
   naked and bowed
   by the grinding
      silent forces
  at nature's whim

Rootless tumbleweeds
roll by randomly:
    broken off,
spinning clockwise,
never looking back,
timeworn and tired
of resisting the prevailing
    high desert wind
and its unheld temper

Rattling the tinder
   dry sagebrush
like songless wind-chimes;
    voiceless fugitives
wreathing a bellowing silence


    Jesse Stillwater
Thank you for reading
Duncan Leugs May 2013
Across dry plains the tumbleweed dances
          off the dusty floor
As a renounced ballerina reminisces
          in her old studio
          On the corner of the street
                    towards the west
                              following the sun
                                        where all dreams go
And where the wind carries the tumbleweed.

The air rustles in the drift
          as she sighs
Breathing in the dusty smell
          of the grass
          Of the room
                    where she once performed
                              for her beloved
                                        now carried away
                                                  by the same wind
                                                  that carries tumbleweeds
                                                  and­ caused dust to dance.

A tear soaks the wooden floor
          a small relief from the barren span
                    for the lonely ballerina
                              who is forever carried
                              along the scalding land.
Lost.
          Like words unsaid
                    on lips untouched
                              cracked by the sun
                                        where all dreams go
And where the wind carries the tumbleweed.
When referring to grammer, the term "tumbleweed" is given to a sentence that continues on, jumping from thought to thought. In this poem, I attempt to intertwine the definition of "tumbleweed" with the structure and imagery of the poem, creating an analogy for a tumbleweed and a ballerina who is facing a loss of a friend, a career, a lover ... I'll let you decide. Enjoy.
tumbleweeds they roll and tumble on the plain
rolling round and round and rolling back again
rolling in the wind drifting in the sand
tumbling wild and free across the barron land
rolling very freely rolling in the breeze
all across the desert and passed the cactus trees
Alan S Bailey Jul 2017
The past
It's always on my mind
The grassy backyard I grew up in
This and that-memories of
Halloween, rabbits, fall, you.
All the things that pass in time.
I pick up this notion that
One may recall what happened to
Them when they were a young kid.
The balloons touching the ceiling of
My pre-school, the quiet time when
We supposedly slept but never did.
Like the color yellow, how I loved it,
The '89 earthquake, being shocked by it.
Songs in Kindergarten. Art, pictures, music.
Summer camp, exploring the wild, love, light,
And wind. I remember my brother
And I playing tag as the sun went
Down in the first house I moved in.
Running along the fields in the day,
Swimming, or memories of the
Tumbleweeds performance,
Being In the play.
All of the times I would always
Watch the sun on the swing as it rose
In the morning. I remember the vast
Wheat fields, a sense of calm quiet,
As if there were no place more peaceful.
Climbing my favorite pine tree in my back yard.
But one thing I remember more than ever
Was being on a field of my own.
The sky is filled with clouds always
Floating off like they
Were from an endless world of tranquility,
This warm sun, this was and-I forever remember
It to be-my one true home.

But that is another story...
Well, at least I tried!
Mateuš Conrad Jan 2017
thankfully my nostalgia concerning the late
20the century, coincides with my youth,
i mean youth, and that i also mean
****** idealism, when women were phantoms
and could never be girlfriends or
widows, or tears shed at the grave,
or nothing needy, nothing clinging,
nothing resembling mussels...
         i have to admit, i got ***** the moment
i detached myself from thinking about god...
the third partisan of the a priori
implant dictated by time & space...
            i didn't only shove my genitals into
her genitals, i shoved my ego into her
concept of god... and i subsequently became
a dimmed version of st. augustine...
              because that part of me didn't exactly
make confetti from her reasoning....
shoom!
          scalped me and dragged about 1000
tumbleweeds in its travels...
             the grand point? i didn't see
   a hairdresser, for the next never ever...
unless they do trim ***** to coincide with
      funny tattoos...
                     i don't know... maybe i was really
ultra-idealistic about women before i lost
my virginity, that after i lost it, after i lost
the foremost grace, i didn't learn the gorilla
impetus to keep one... let alone a harem...
   women really were fun and beautiful and
mysterious when i had them in my head...
      after the fact that i learned too late that they
also took a ****, i couldn't believe it!
        me, adapting to this? this fog-smeared
creature? yes, i can see my nihilism,
                    i''ve been burning that amber light
of a litre of whiskey per night for quiet some time,
drop by Collier Row's Tesco and look at the c.c.t.v.,
but then i put on some creedance clearwater revival
(not cool, aha, used the whole name, right?
cooler me saying c.c.r.? bukowski, lebowski...
same ****, different cover) -
   but i really did experience love... i know... huh ha...
did i recover from it? i'd probably have
recovered from 20 ****** over-doses...
        she got married, obviously...
  because women, don't idealise men...
  unless they meet the criteria of what men are supposed
to own... man idealising woman is a woman per se...
woman idealising man is a man contra per se...
                     after all, a man idealises
thinking about a temp. storage space for his
*******...
              which later turns into offspring...
   any woman could agree to being part of that phlegm
and being content at housing those "lucky" offshoots
in her kangaroo rucksack...
           it's as ugly as European thinking is going
to get, it can't get more scientific than this...
   i really do need a square on a rectangular canvas
to prompt a generous conversation about redifing
the point: we're not going back to the Milan school of
oil on canvas... or Rembrandt...
      it's not happening.
so creedance clearwater revival and graveyard train...
how we have bass guitar, and it's nibbling,
just nibbling... just grooving...
                  more like stalking but keep in mind
nibbling... and the there's no rhythm guitar,
because the guitar is just making accents,
the guitar is just twitching... i can't believe how
un-jazz comprehensive modern music is...
                   rhythm doesn't belong to the guitar,
there shouldn't be a rhythm guitar...
rhythm is all bass and drums...
          and i say that: because i hate metallica and how
i can never hear the bass guitar when i listen to them...
no wonder the original bassist got scribbled off...
   i love bass, don't you love bass?
something has to overpower the strength of drums
in modern music, something has to restrain
drums... needs to set the soothing rhythm,
rhythm guitar can't do that, you need the bass
guitar... bass guitar is, quiet frankly,
the most underrated instrument in modern composition...
techno techno! bongo bongo parties of
               berlusconi... bongo bongo... hatchet plus!
yes... silvio... we have the guillotine around here
too... choppy waters... plenty of sharks...
   enough to take a bite, though.
   and i thought naked lunch was bad...
well, i didn't, i didn't even want to plagiarise the Tristian
Tzara bound to it, reminiscent of cabaret voltaire.
huh?   ah yes... creedence clearwater revival,
and the bass on graveyard train, like water coming
down from a leaking tap...
  tum dum doom ta dollop... and it sounds nothing
like that... but something to allow the guitar what
it does best, sure, it joins in the rhythm section at
the beginning of the track... but then the guitar
sets up a momentum of creating accents,
  no rhythm = no solo... accents...
   little licks of being there... very ******* jazzy...
my my, so jazzy... and that's the safe ground to have
in music, retaining the jazz...
             otherwise you get into territory akin to
classical music's anithesis... the opposite of classical
music is... earthquakes... techno techno... drum drum...
drum drum... drum, drum... drum drum drum...
classical music was all about breathing...
  césar franck's les éolides (the breezes) -
and the antithesis? techno techno... muffed up techno:
ambient music... refrigerator sounds...
muffer up drums...
               don't get me wrong, i do listen to
e.g. man with no name...
         but it's rare to hear the jazzy side of things...
  it's just such a waste to see the bass guitar
not used as it should be, i.e. being over-powered
by drums... and using so much rhythm with
a guitar... having the rhythm and the solo...
  like squeezing a pair of testicles of a celibate monk...
god, that hush hush: tone down, tone, tone down,
tone, down... down... down...
             pst... kaput....
                                      i really did start talking
about something else, didn't i?
                this is new... digression as a column of
rhetorical perfection... fair enough having the rhetorical
skills, talking persuasively (well, just lying)
    about the same topic... but find me the rhetorician
than utilises digression, and forgets his talking
because he's changing subjects without really
    categorising them as being different....
    it's a trance state akin to eastern meditative practices...
digression as the most pleasing form of rhetoric,
teachers' oratory technique... not politicians' oratory...
   i never understood why digression was
not the foremost element of rhetoric...
                    political rhetoric is always about
ensuring people remember something,
they never do...
                        politicians drill in the points...
   and for some reason, they never talk to rhetorical
perfection, i.e. being able to digress...
                the most persuasive rhetoric is the rhetoric
with digression at its core...
                       or at least that's how i learned
english from a scotsman...
                                just blah blah blah blah
and at some point, there always will come an aha!
which is the next best thing to an eureka.
b e mccomb Aug 2016
nothing has changed
in years
at least not when i look
out the window and see
the same sunsets
i've been seeing every
night when i don't want
to be inside.

there are people
who were born looking
like poetry
pink toenails
swaying to some
soft song.

there are people
who were born looking
like music
hair flowing
feet dancing to some
wild jig.

there are people
who were born looking
like a painting
their skin
harmonizing to every
untamed color.

and then there are people
who were born looking
like trees
standing straight and tall
unbending
in the wind.

looking like trees
and feeling like
tumbleweeds
born to love and
leave before the
desert storm.

blowing their way
through life.

people looking like trees
and feeling like
tumbleweeds
tumbleweeds like me.

my cracked
toenails growing down
into the floor and twisting
for something to hold onto
my hair growing upwards
through the roof and
towards the late
afternoon sun
and my skin slowly separating
into layers of bark.

every
fiber
screaming
run.

a tumbleweed
born and formed
into a tree
no longer a sapling
too late to leave
too early to die.

go home all of you
and i'll be happy
alone in the dark
the only place where a
tree can truly be
a tumbleweed.
Copyright 4/1/16 by B. E. McComb
You broke the umbilical cord attached to this earth . With the south by southwest winds you rode a baleful streak . Like Poncho your life was left untold . Like a desert prayer that's just a whisper in the cold evening air .
Where they laid your body to rest , no one said . Now it's too late .
The virga falls never to quench the thirsty sands . The sorrow is planted as corn in rows of fertile futility . And dust is harvested , dust and tumbleweeds .
Reasons are the excuses we need to answer all the questions why . There is no reason in the south by southwest wind . And the tumbleweeds bend to the sympathy of an incessant desire .

— The End —