ϖ↑∅⊕↓☺↨☼♀


The dawn is nigh at hand. The clouds
begin to lift above the grange.
Arise, O Phoebus, bless the crowds—
let poultry roam the range.

I’ll bind a broom of gathered hay
to sweep the hen-house free of hate.
Let roosters hail the crack of day
and chicks with ***** tempt fate.

A fractured self and a challenge hurled:
they left the shell, but found it rough
because our bigoted barnyard world
cannot get queer enough fast enough.

They flutter through the *******’s farm
subverting gender’s useless role.
We feel their pain, and mean no harm—
yet question this progressive goal.

They cluck a brand-new barnyard song:
Gender Identity Obsolete!
(As long as they claim God hatched them wrong,
biology signals their defeat.)

While poultry scratches rhymes for “hen”
and chicks are combing crests for *****
let’s ring the dinner bell and then
we’ll synchronize the global clocks.

Let Mankind’s unmanned race delight
at Jesus’ gender-free return.
Soon Africa shall see the light
and Araby’s sun more brightly burn.

Then dawn shall break o’er Russian plains
to liberate the Tartar races;
loose their limbs from Gender’s chains
to stride with polymorphous paces.

China too, and Southeast Asia
swift shall follow in their train
celebrating ***-aphasia
joining in the West’s refrain.

Hindu multitudes will rise
to vanquish gender, caste aside
and shake the slumber from their eyes
with metro-ambisexual pride.

Carib isles, with Latin kingdoms
From the tropics to the mountains
Shall announce they too are Wisdom’s,
drinking from de-gendered fountains.

Juveniles, raised to simply be
shall pioneer new modes of life;
explore horizons happily
set free from biologic strife.

Then shall our earth, in glad array
***** dirt upon Tradition’s tomb;
unshackled from that dark dismay
to grieve—but nevermore exhume.

Alas, the global dreams descend.
We’re back in the barnyard, gender-queer…
where hens have ***** and eggshells bend
transcending Nature’s reign of fear.

The henhouse still votes hetero;
their eggless chickens cluck for rights
biologists, ex utero
are born to further futile flights.

(Because I was almost one of them
I’ve earned the right to make fun of them.
Time alone will tell if the trend
remains coherent to the end.)

Months of stale, cigarette smoke
and spilt **** water pleasantly
offset the stench of cheap cologne
and ratty, abused furniture.
    
Fictitious stories occupy this tiny, dim
apartment, birthed on the lips of
rebellious juveniles whose tongues
pierce the ears of our elders.

In a forsaken corner, Jeremy lounges
awkwardly on a grubby-plaid sofa that
suitably complements his button-down shirt.  
I join him.

Behind his right ear rests a lonely cigarette, while
another sits snug between his lips, set ablaze
by the 1968 Slim Model Zippo he inherited from
his beloved grandfather.

His transparent sense of self-worth emanates
from his grubby, grease-stained hands, scuffed boots,
blotchy-checkered flannels, and faded blue jeans
that are completely obliterated with holes.

I look into his pale blue eyes, the depth of which
often goes unrecognized.  Jeremy is a soft-hearted,
pudgy youngster with the kind of chunky cheeks
that all grandparents love to torture.  

But his marred, acne-ridden face betrays the transition
that has been forced upon him.  Slowly, his trademark
grin appears across his face – subtle, mischievous, and
typically without reason.  But this time it appears justified.

Jeremy takes a moment’s break from his cigarette to drop two
hits of acid.  A new drug for him, he hopes to find relief from
his seething anxiety, evidenced now by the wide expansion of his
chest as he takes another, more lengthy and powerful pull from his cigarette.

The mundane chatter that fills the room continues, a seeming
necessity to offset any potential awkward silence. I feel as if
this noise is closing in around us.  But just as suddenly as I
feel overwhelmed by this sensation, the noise stops.

I look around, noticing everyone’s eyes staring in my
direction.  Jeremy is still next to me, now giggling
like a little school girl.
I begin to feel sick.

Jeremy swiftly leans forward, giving his
cigarette a premature but honorable
death, eliminating its glow as he smashes
the cherry into tiny bits against the ashtray.

As he sits back against the couch, I can see that
his eyes are now indifferent. Foreign.  With a perplexed
and fascinated stare, he watches the pearly-white smoke
slowly slither upwards towards the ceiling.

There’s no question in my mind that his
soul has fled. Jeremy sinks further into the
couch, turning his vacant eyes in my direction.
I want to *****.

His high-pitched giggle has now subsided into a
low whimper.  Gradually extending his left arm into
the air, he tilts it from side-to-side, examining it as if
an infant discovering his genitals for the first time.  

Bike wheels appear in the corners of the room.
Entertained, his eyes rapidly zigzag from the
corners of the walls to his hands. He asks me
if I can see the wheels. I don’t respond.

Intervals of psychotic emotion begin to cycle. Jeremy’s eyes
fill with tears as he tries to understand the hallucinations
engulfing him.  The expression on his face betrays the reality that
he has stepped onto the never-ending theme-park ride from hell.  

Together we leave and walk to the bus station, Jeremy
walking slowly and whimsically. The bus arrives,
and I hand him a few crumpled, single-dollar
bills as I attempt to instruct him where to get off.  

All I can envision is his mother’s first reaction to her son’s arrival.  
Would she collapse at her son’s knees, crying like a mother whose boy
has come home from war?  Would he forever be an awkward guest
at the dinner table? Would she disown him?  Would he become a feral child?






I no longer know what day it is. I am surrounded by lockers
and students, trapped in a tunnel of shadowy walls.  As I stand
alone, I find myself entranced by the blinding, January sunlight
that floods through the double doors a mile away.

My vision is unexpectedly blocked by a figure
standing in front of me. Clothed in little but jeans
and a bright, white t-shirt, Jeremy stares at me, his eyes
mirroring the emptiness I now feel.  

“Do you have a lighter?”  My hands pointlessly search my pockets for
what I already know is not there. “No, man. Sorry.” A look of confusion
spreads over his face, and I suddenly cannot help but notice the sick irony
of the scene in front of me - Jeremy flooded in light as if born again.  

My thoughts linger here too long, and just as swiftly as Jeremy
appeared, he is a mile away sauntering out through those double
doors. Estranged, I continue to stand here, hoping with
futility that this isn’t the last time I have looked upon him.

When they get to the aquarium, the  kid asks if they have a Great White shark exhibit.


The volunteer says no, we don’t.


The kid asks, “Why? are you afraid he might try to eat people?”


The volunteer chuckles at this and tells him no. no aquarium has successfully held a Great White shark live for more than a few days.


You see, in order to stay alive, Great Whites and other sharks, like hammerheads, swim on their own continuously through the ocean, never stopping, never slowing, tramping a perpetual journey with many miles to go before they finally reach “sleep”. If they stop, the oxygen rich water around them no longer flows over their gills and into their bodies and they suffocate from the strain of being at rest. So they keep going, like lost children searching for their parents in a very large amusement park.


This need to keep moving, this need for space, has made it extremely difficult to keep them in our meager glass human death cages. When the Monterey bay aquarium managed to capture a juvenile that didn’t thrash itself to death like the adult sharks they netted before, it bashed its head against the tank’s sturdy walls until the shock of being dragged out of its home and put in the equivalent of a coffin killed it.


But, the volunteer continued cheerfully, we have other kinds of sharks here. We have zebra sharks, which don’t need to swim nonstop. In their natural habitat, they just lie on the ocean floor all day. The kid agrees to go see them


The zebra sharks are not lying on the floor nor do they look like zebras. They swim slowly  past him, leopard spots dotting their ridges on their backs, their fins, their long tails. “They’re called zebra sharks because of the zebra like patterns of the juveniles,” the volunteer explains. The ones we have here are adults.When they become adults, they get the spots and those ridges you see. Sometimes people mistake them for leopard sharks, which are a totally different species.”
The kid stares at the zebra sharks for a full ten minutes, looking for a sign of resignation at being called something they weren’t anymore, at collectively being referred to by a childhood nickname they had long outgrown. They did not seem to care.


He gets bored and goes to other exhibits, the split fin flashlight fish blinking on and off in their darkened tank, the touch pool, the medusa jellyfish with their trailing tentacles. But the sharks are what he remembers when he leaves, and they’re what he remember when he returns three months later, six months later, two years later, three, five, ten, this is what stays with him, the sharks in our tanks and the sharks in the ocean.

Where are all the anarchist tonight?
Have they all disappeared
under disgruntled lovers throwing acid,
bleeding misbeloved employees glocking no joy,
displaced juveniles servicing denial
at station number 3?
Where are all the anarchist,
my friends, the needles of hay,
stacked balefully, systematically
against the marginalized barn
side door beneath exit sign 4.
Where are all the anarchist tonight?
Have they drunk too many Molotov
and can't find the Way,
and instead burn car, smell bushes burnt
and forgotten the **** up?

Hey flossy! Don’t offer this smile anymore
Mysterious smile torments the heart
That smile raises up the thirst.
If you agree to surrender all your mysterious smiles to me  
In return I will return your love with the usury of love
And with time’s compound interest rate.

If you turn down to surrender your smile
Then know the consequences of it,
Taking incalculable stars as my co – operator
I will abduct the  celestial curve moon on the land.

Hey belle! Don’t turn your face away
Tell me,
You will be the reason of how many wars,
And the cause of scrimmage amongst the juveniles?

If you don’t pay attention to me today
Then know it, You spectacular lady,
In the theater of mysterious smile
I prosecute for the execution
Of your heart snatching smile….

Lights and colors, Lights and colors dwindle in numbers

Set a step in coordination

Fully exasperated

nonsense passes by, through images

Lenses smudged by illusive thumbprints

Who are you

Are you speaking cordially

heart trusted intuition and guts mustered

Seeping into the depths of darkness

see a surprise unseen by eyes of seekers and juveniles

Founded a resolve

Sturdy foundation like a trunk of a tree

Feed me turds quench my thirst with poison

Wrap a child sleeping soundly in a blanket of lava

Let's follow the righteous side even when full of lies

Stray from a darker path were the light of truth is easier to find

Follow the good where everything a light

and turn so you won't have to face the knife

Inject a form of lies and cast the mirage of truth over your eyes

I can smell their cowardly fear
their frantic desperation is palpable
they stink frustration and boiling envy
their lies, scams and foul smears unravelling
coercised crowd seeing them for the scums  they are
they garner contempt hidden for fear of not belonging
a lot afraid to tell them they no longer buy into their mischief
behind their wicked backs the immigrants are disgusted and sick
sick of their characters, their indulgences and their empty arrogance

The immigrants know it's all racist hatred
they now know the poor man did nothing wrong
know how pathetic and sick these wanton devils are
know these spoilt ignorant rabbles are souless juveniles saps
laugh at them behind closed doors amongst themselves silently
while pathetic thieves and dim-wit associates boast of their power
power of cowards and scums and workshy semi-illiterates sad fools
resenting success and hard working people who put in the hard graft
jokers and fantasists too stupid to really see what's happening in light

We have touched so much since December,
steeping teas torrid and arctic ice cubes
a thousand fibers, prince bee his princess
generous blankets papering flu
the drizzle on wedding dawns or departure’s eve
pieces of candy for holiday celebrations
even the ending of a movie –

these are wild fingers that we have
rebellious, juveniles in mind
singing summer stories through knuckles  
bodies long slenderized
and they are more than myself

to them, I have no name
but my brain and I are their mother
a well-mannered woman in command

I feed them lotion,
then play in the sand apathetic
whistles papercuts that sting with
mouths as lions tigers bears sharks leaves
asking which hurts most significantly of all we
have loved –

and then again, what enduring does not belong?

The adolescents scoff at each of their
five circadian baths, and I hear cries
for showers because soap makes them crack

but it is in your best interest, I say;
you touch everything that gets in your way

to move is beauty and transitioning more so:
my hands are dancers, pirouetting
on stage to fall harmoniously with
bashes, revelations, words I care to mean
yes, these are what causes the bleed of
my aging hands, and throughout their years,
rings dying them green.

I see you trying to play the badass
In a Japanese car, I would have to
Only laugh and say you ain't going far
So many ******* juveniles clamor for this and that
They only have to ask their mommies and daddies
For **** that their too lazy to do themselves

Get me this, get me that
I want this, I want that
Christmas comes and they get it
Because if they don't they'll throw a fit
A ******* disrespectful fit to their parents
No kid has any ******* respect anymore
What the **** happen to respect your elders
No, they would rather steal from them
And push them out in front of a bus

I say punish these kids
Take away everything the parents bought for them
Because they feel guilty they didn't grow up with
Much of anything. And if that doesn't work
Use the ******* belt on these ungrateful pukes

This is the story of the Central Park 5

Background.
5 young black boys who were picked up in Central Park 1989, after a white female jogger was ***** and left for dead. They were among over 30 youths in the park that night, they were also the youngest.

Antron McCray, Kevin Richardson, Yusef Salaam and Raymond Santana - All under the age of 16
And Korey Wise who was 16 at the time and who only went to the police station to keep his friend Yusef company.
Other than Corey and Yusef, they boys had never even seen each other before the night of their arrests.

The boys were coaxed into signing a Miranda card that waives their right to representation,
They were bullied and coerced during interrogation, into signing false statements, without their parents or any guardian present,
Corey, who remained in the station for Yusef, was later pulled in by detectives who needed someone to make the story fit. Suffering with both hearing and learning difficulties he was the perfect patsy for the police to force into a false confession.
The boys were all found guilty despite the lack of any DNA or physical evidence placing them at the scene, All but Corey were detained as juveniles for 5-10 years, whilst Corey was tried as an adult and sentenced to 15 years in an adult prison.
he spent the majority of his sentence in isolation to escape the beatings and abuse for a crime he didn’t commit.

Injustice -
When every bone in your body is screaming out your innocence,
yet the world has you on mute.
The hope that tortures you everyday, waiting for someone to hear you, believe you and
set you free.
How long before that hope fades, how long before the last glimmers of light extinguish , how long before you sink into the dark places that you can never fully come back from.

“Their story - My words”
Written with love and respect.

It’s the narrative that leads the pack,
Change that - and watch them stutter,
A verdict is more addictive than crack,
Whilst the truth melts away like butter.
The lies and scheming  - leading us screaming,
To a sentence we didn’t  deserve,
An innocent teen can ever be seen,
If justice has lost its nerve.

Politics reign over the rules of the game,
The scales have lost their balance,
Democracy has taken flight,
With  innocence in its talons,
It’s never about only us  in chains,
Not of prejudice and pride,
Our fathers and mothers,
Sisters and brothers,
Are imprisoned on the outside,

What have they created,
Other than hatred,
The voice of what’s right sounds so wrong
Our downfall is imminent,
They lock up the innocent,
The resistance to change is too strong.

There’s no adverts for convicted,
Our fate was predicted,
No Vacancies found for the lost,
They created us guilty,
It’s their hands that are filthy,
But they’ll never know the true cost.

So what are we supposed to do,
We’re free for sure - but free for who,
We can’t escape the stares or guilty whispers,
No matter where we’re always seen,
As guilty kids from that tragic scene,
We’re a haunted story played out in tainted pictures.

we can never be like you
We’ll always be last in the queue
We’ll never get to leave this social prison,
Victims of forced circumstance,
A twisted chance  of happenstance .
They took our chance away so none would listen,

What’s done is done - they’d made up their mind,
Irrelevant of what they’d find,
Once started they never turn back,
So our story is thus -
That when they see us,
It’s the narrative that leads the pack,
—————————-
Corey went up for parole several times, but part of the process is the verbal acceptance of your guilt for 5e sentenced being served. Corey wouldn’t confess to the crime he didn’t commit. After several rejected hearings Corey stopped going.
In 2002 Corey and the 4 boys were exonerated after the confession of a fellow inmate ‘Matias Reyes’ stated that he acted alone. DNA backed this up.
Corey was released and the 5 eventually won $41million in damages,
To this day the 5 men acknowledge that money can never give them what they lost.
Justice took them from themselves, now they must spend the rest of their lives being who they are.

"Don't tell me the poets ... "

I write poetry that is both incorporated
And incorporeal ... and un and un and un
It is done

On the pad : and off

Hop - Lily

On the tailgate
In the truck
Boots on the ground
In the muck

Put on your Carhartt's
It's time to get *****
Even better

Grab your Old Man's work clothes
Finish the job
That He didn't want to start

Don't tell me the poets are ******* crying

We're living
And we're dying

Careful though
The warlords have come into the jungle and slaughtered before

But we live again
A little more angry
A little less wise

--> **** **** up, juveniles

Shoplifters of the world ...
untie

The decrepit and the sacrificial juveniles
sit like stones
behind tarnished shadows
and I wonder how grandma can age alone
not missing the empty echo of orange juice
on good porcelain
never used for breakfast
until the tumor spread past his eye
but her eyes
still veil something
hollow

she says deeshes
just like she did before
when he was fighting
to find her
through chemicals
where syllables are
out of order

despite my best half-holiday smile
she still takes care of that
40 year old teenage aunt
still a victim
of a world that will never give her children a chance
but maybe it’s healthy
healthy
like orange juice
just before
chemo

I could still see
in the shadows behind of a vacant pupil
nothing
had changed