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J Arturo Dec 2017
A little bird tried to fly through the screen door and I thought, 'if only there were more air up here'.

The view from the second story deck encompassed miles of low scrub hills, piñon, and was daily growing less hazy as the fires subsided. The little bird was dead. Was not even twitching or rolling or whatever idiot birds do to fight or hold onto life. Or maybe it was unconscious. If it was a head impact, it could just be out cold. I could take it in for a bit, see if it revives. But the brains of birds are very small... maybe not large enough to switch out of consciousness without damaging the whole system. It could wake up brain damaged: amnesic, whistling gibberish, unable to collaborate or co-worm-locate or sit on eggs or whatever other higher functions birds perform. Angry, all the time. Likely a burden and a danger to the community. Condemned to either death or a life of lonely suffering. I'd rather not be culpable for that.

Prospective buyers are arriving at four, the realtor as well, for a tour, so I grabbed a broom and swept the quiet body into the shaggy juniper that surrounded the house. Swept up with maple leaves that had settled on the porch since this time yesterday, together a mass of decomposing matter, under the railing and into the dark.

I'd spent a lot of time alone in the house on Grand. Watched nature slowly creep through the iron fence and into the faux-pond, up under the patio bricks, purple flowered and needley plants growing taller and more hostile daily. Increasing numbers of little brown birds mistaking the reflected sunset in the plate glass doors for real sky.

"If only there were more air up here." A little joke I repeat out loud while sweeping broken bodies into shrubs. The thickest places, where they wouldn’t be seen when (if) someone ever dropped by to view the house.


I don't live here, the house is soon to be foreclosed. But a friend of mine knew I needed a place to stay and offered this, his third home, empty of everything except a coffee maker, some landscaping tools, a few boxes that had yet to be moved. I have a twin sized mattress in what must have been a child's room: a strip of Denver Broncos wallpaper runs the circumference, every other surface painted complimentary blue.


The couple arrived at five. She wears a salmon coloured shawl over a white blouse. They’re performing the theatric act of young couples in love (with the idea of a larger house): she ecstatic over the seven jets in the master Jacuzzi tub, he hesitant about the people-paths in the wall-to-wall-carpet, the everpresent pastels we know were once in vogue but will take weeks and at least two layers of base to fully eradicate. It’s the realtor’s job to showcase the place but I often stand outside the plate glass windows of the living room, keeping an eye. Playing the role of groundskeeper because hitchhiker is so much less glorious.

So far it’s been the same. Always she with a genuine smile that will be gone forty minutes after she’s left the driveway. He, always in t-shirt and “trying to be casual” jacket calculating the square footage of each room, the viability of the fireplace. Opening cabinets, but not concerned with storage space. He wants to see if the brass hinges really have brass pins. Is it wood, linoleum? Look closely at his eyes and watch them dance across a virtual blackboard, adding up the gallons of primer and paint needed to cover up the colour mistakes of a before-his-decade.

  2

You can almost watch his eyes dart across the blackboard. A house is a house but the home must be shredded, burned, before making it yours.


But they all do this. A dozen or so now, this summer. And I spend a lot of time alone. Injecting my thoughts into people who think they know what they need next, before getting in a small car and checking out a properly closer to town. Making little jokes to myself as I sweep the porch. The isolation even maybe altering small parts of my self. The social parts, perhaps. I feel good, most days, but find myself repeating the same phrases: “****. Shower. Shave”, “If only there were more air up here.”, “I could learn to love a leopard”, even recently a little Old Testament, which like a ******* I’ve been taking to bed with increasing frequency and a growing selfish guilt, repeating,

“As the sun was setting, Abram fell into a deep sleep, and a thick and dreadful darkness came over him.”


They won’t be back, but for the first time now there’s a deer in the yard. Meaning there must be a hole in the fence. A doe, and fawn too, and I can sit and stare with my broom in hand because my job is to sweep the deck. Dead birds and maybe rats, leaves of course, but with all the water the bank is wasting on this waste of a lawn, come deer: come all ye deer, come and eat. Maybe you will even eat the frighteningly thistly things. Regardless, in exchange for this room I was given a broom and deer are far too large to sweep.



When my student visa expired in Canada I left the country with no identification, five Canadian dollars, a five litre backpack mostly occupied by a camera, and in my mind some distillation of the romanticism from On The Road that I’d managed to power-read in a Heathrow bookstore four years before (lacking the pounds to actually purchase the book). I crossed the border via ferry, and entered the country without identification. I thought this was impossible but it turns out that when you have no time but your whole future ahead of you, and nowhere to get to anyway, insisting “I am a U.S. citizen and you need to let me into this country” does in fact work, if you repeat it enough, and are willing to wait. In my case border patrol even gave me a twenty note and a pat on the back before sending me on my way.


How I ended up sitting on the floor watching birds die, backlit by a desert sunset, in the mountains of New Mexico, is a long story, and to be honest the details have largely escaped me. I do remember I was reading Hemingway. “The Innocents Abroad”, and trying to find myself in any character I could lay my hand on. The word “Innocent” in the title, I suppose, far moreso any actual character, struck the most.


It’s the middle of The Great Recession. Or The Great Depression. The Great Compression. I can’t remember any longer which economic period this particular episode occupied (why can’t they name them more sensibly, like hurricanes?) Call it, then, The Great Introspection, as I narrated myself through the dozen rooms of a million-dollar house: the material self still alive and thriving inside in a self-congratulatory spiral over the personal ROI that left Canada on five dollars and put me, rent free, in a home worth that multiplied 200,000 times. The home where I first had my own key. The home where I learned to drink a glass of water before my morning coffee.

(Five years and $98,000 in college expenses later that was, easily, the best advice I’ve ever received.)


Eventually the phone was disconnected, the water, the power. The jacuzzi, though dry, was still a good place to lie and read. And the piñon and snakes, cacti and juniper, then inklings of pine trees came in steadily. When you would look at them they would freeze. But every morning something new was growing, some new pink flower popped up promisingly to crack the mortar in front of the door. Sweetly at first, then growing thorns, and I walking the perimeters saying “if only there were more air out here”, saying, “can not feel her anymore”, as if the decadent madness of the lawn could be silenced by speaking out loud. Trying to walk the edge of the fence, increasingly losing it in the encroaching bush, then resigning myself to the living room, the **** carpet flattening into a forest path while I impressed miles into that offensive floor.



words. seeds. thistles. marvin morales.


Sleeping on that filthy mattress, the Denver Broncos looking down, still optimistic about their upcoming trophy, or cup. Whatever it was that a bunch of cartoon horses could win. But the sweeping gave me solace, even though the growing thistles made the bricks uneven and caught in the bristles of the broom, leaving little shards of transplanted pink flowers emedded in the yellow polyethylene. I loathed them, but looking back I can see I played straight into their plan. Transplanting little seeds to new weak places in the cement, where they could grow tall again and **** up what little good was left of the land. Bring deer to eat them. Bring little idiot birds to pick the seeds out of the faeces, recycling with pure intent, and flying off into the bright light of sunset. Then crashing broken to the floor.

And like the lawn, like the porch, like what happens when you read Twain, something in me changed. “If only there were more air”, yes, but there is never enough air. Piling up among the deer, among the doe, among my now all-consuming pacing and talking to ghosts who don’t live here anymore, among the many birds who ate their worms and went on to hatch a dozen more, flew into a plate glass sunset, and were ignored.
9/22/2014
Nicholas N Jan 2018
(Hypnos- God of Sleep
Eros- God of Love
Nyx- Goddess of Night)

ME:
I closed my eyes
And met 3 strangers
Whose names I knew but,
Could not express.
They stood with grace and prowess,
Each one grander than the next.
They petitioned me to ask them,
Anything at all,
So I asked them about dreams,
Given to us by gods.

HYPNOS:
A weak internal monologue,
Lapsing into night.
They sleep and breathe
So slowly,
They sleep; and breathe so deep.

EROS:
Their dreams I clouded,
Tinged, with crimson haze.
They long for one another,
They long;
To find each other.

NYX:
The dream ends now!
As my darkness overwhelms.
They no longer need to think,
They drink;
As to forget.

ME:
Pretence keeps up my dreaming,
Innerspeaker of my thoughts,
Past tense reveals it all:
Groundskeeper
To my soul.

An arrow from your quivers
Surely would do the job,
Of a thousand
Quarts of liqour
Or novocaine, or god.

NYX:
When you see light
You will see clearly,
The truth of misery.
Though I know nothing of such light,
The darkness lives in me.

EROS:
Soon your day will come,
To feel as all the rest.
The burning fire of passion,
Bellowing wild,
A fire without smoke.

HYPNOS:
And now as you awake,
Arise! Dear sir, go forth,
Knowing of what you learned,
In this episode,
This dream.
He's a rat in a cage
Strolling down his lonesome trails
around the grounds.
His knees are shaky and he's working minimum wage.
He tries to unlock the door to the gymnasium,
but his fragile hands can't still the keys.
Every day he rode his bike to work
And his grey appearance would turn sour in the cold morning wind.

Every day at 9 am, he would take a deep breath, and upon exhaling, he would raise the flag on the grounds square.
It was a ragged, pale old flag stained with the tears of time and his years at the gates.

He would sit in the afternoon sun, after the sound of the bells and all the kids were gone. In his dark blue jumpsuit, unable to remember how he felt before. When he was the one on the grounds, climbing the pine trees.
Suzanne S Feb 2017
I found a heart on my doorstep
And rushed to bring it inside
To put it in a new ***,
With good soil from the nice patch of grass,
And fresh water from the tap,

Wondering

who could ever have thought
That I was responsible enough
To care for something like this
When they could see all the planters by my door
Have withered away to dust?
sofolo Dec 2022
he called from the edge
of a cliff
             “look to the stars”

a peach pit
or plum stem
in orbit

adrift

he thinks
about
being forgotten

in the garden
overgrown
no chemical
in the memory

and the room
is more open now
halved
with nectar
dripping

the cosmos
exposed
and he
enters
through the
stone
of a
lychee
david badgerow Nov 2011
i want to be
your paper shooting-target
i will absorb every bullet you spit at me
and i will drift back to you
as you press a button

i want to be
your ant eater
your vaccuum cleaner
your band leader
i want to be
your Derek Jeter

you are a mansion,
i am your humble groundskeeper
Mike Bergeron Oct 2012
The last drops have been swallowed,
And the last vestiges
Of post-wage labor
Libationary sorrow
Swagger slowly off
Into the night
Across cracked pavement
Like slugs after rain.
I pick up the chemtrail
Left by my father
And follow it to
A makeshift master suite
Wedged between a
Rundown groundskeeper
Shed and the unkempt
Wilderness beside the
Desolate bike path
In rural Seekonk.
The rest of this comatose
Town in this overdosed
Commonwealth
Are separated
By enough trees
And undergrowth
And small
Night creatures
Calling to each other
In the dark
That they can't hear
The nightly
Rattle of .38
Rounds my father
Sends flying into the trees.
The pistol was my
Grandfather's,
Brought over from France
In 1947.
My father cries
As he pulls the trigger
Over and over
Sporatically,
Like a Sung Tong,
His eyes wild,
Darting side to side
In milky blue trails
Back and forth
And up and down
Across the dark
Chasms of his
Eye sockets.
When the chambers
Of his firearm
Run dry he fills them
From the box
He took from my basement,
In his old house,
Where he stockpiled
Ammunition for
Twenty two years.
I've learned to stand east
Of my father when
I make the visits
Expected of children
When their parents
Are old and trapped
In the recesses of
Their insanity
Or nursing home
Or empty nest,
Because he always
Aims west.
I wait for tonight's
Box to be empty,
Then slowly walk
To where my father
Is huddled,
Clutching the pistol
Like a teddy bear.
He is breathing heavy,
And has **** himself.
He hears me coming,
Turns, and smiles
Upon recognition.
"I got em good mikey,
Got good, not taking
My land from ME
Mickey, never going
Blow south,
See it?"
I pull the pistol I've
Brought from my waistband,
The one my father,
Gregory Bishop,
Gave me on my
Eighteenth birthday.
The weight in my hand
Is deafening,
The illegal ivory
Is seamless
And cold against
My palm.
I raise my arm,
Aim,
And pull the trigger.
Cali Jul 2012
stuffing stolen oxygen
into my secondhand bag,
and smiling up at the
butter sun;
the ancient groundskeeper says,
earth mama, you should be
doing pirouettes
in Santa Ana, stumbling
barefoot bright sidewalks
in Albuquerque.

I nod and get in my car
feel my soul twitch
and I am astounded that
the trees haven't
found me out
yet, that the lilies
haven't strangled me
in my sleep
yet.

maybe I’ve been here
too long too long
maybe I need to go
where the sun is
relentless..

1500 miles to Albuquerque
James Jarrett Jan 2014
I still can't go there.
To that little swatch of grass
bathed in sunlight
without even a dappling of shade
It seems like a  green field of memories
with almost no one left to remember
Even the words  subscribed on the tiny brass plaques
seem somehow belittling  
With them set into the ground
for the convenience of mowers
to pass over
It makes her seem
so inconsequential
that she shouldn't trouble the groundskeeper
with her monument
It makes me think of the mundane consequences of death
that overshadow the greatness of life
Like the simple economics
of  maintenance
I can't look at the life of such a beautiful women
summed up in such a small way
it seems  so common
so trite
I know that she would have told you
that she was common
but she wasn't
She had a greatness in her soul and being
that transcended the normal
that transcends death
I am overwhelmed by that little plaque
and it's insignificance
Enough to paralyze me from going there
I know that if I see it it will push
the other memories from my mind  
and supplant her
She will become a place in a cemetery
with a little map on the grounds keeping shed
gridded and numbered
number 6 in row B
a little part of the order in a small field
and I can't have that
For My mother, Charlotte Jarrett with all my love
Aliya Smith Mar 2014
My night, under opaque wraps, collects my candid questions —
unkept before the walls crept back up on me and
crammed my thorough thoughts
into sufficient suffocation and disallowed my dislocation
from total cerebral closure —
and covers cognative wonders with a dense fence-like stone cure.

The clean-cut cold sheets, tucked beneath the bed springs
spring my curiosity through layer after layer
of teeming tides of blockades and prohibition
but someone sits at the edge of the road, just before crack
drops to cliff and he catches my despair, tangled in the rye, and
before my in-experience allows me to cry,
he hurls my candid questions back my way and continues
my disallowance of detaching myself from purity.

But despite his baseball mitts, he can’t catch my verbal fits
so I scream, “My wants can’t be blocked forever and Holden,
I’m holding onto my life for the sake of avoiding strife with you but
celibacy of the mind can only lead to our true demise.”

He looks me in the eyes, scared he’d been outdone,
so he tries to run but the cliff leaves him hanging and
I reach for his undemanding hand that swats my offer
with a backwards hat.
But his fear subsides in his recollection of his misinterpretation of
a silly old poem that led him to believe he could catch our innocence.
So wear your hat straight, Holden, ‘cause in the rye,
you’re not the groundskeeper, but keep your ground and
catch yourself before you fall off the cliff and lose yourself
in your selfless tantrums and your disregard for your need for wondering.

Let me break through my caul, ‘cause it’s burning of decay and
I’ve overstayed my welcome in this amniotic gate, devoid of vitality,
and I like my life in my own hands, so I’ll tell you now:
I’m holdin’ on, Holden. Get a grip and hold on, yourself.
Saint Audrey Jul 2017
Just for a time
I thought it might be nice
To hold onto something fleeting
Something outside my might

Like, a few notes played over ivory keys
Plastic and pristine as they still seem
Can make something change for a day or so
There's something to be said about the whole
Being more
Than the sum

Old grounds
Older groundskeeper
Feeble and perturbed
A victim of himself
And his age

Mental anomaly still feels fine
Tiny little levers getting flipped around
Creating new demons to exorcise
But barring sudden
Static shock
It might as well happen

Can't change
Won't change

It would happen anyway

****

I haven't felt too happy, as of late
Questioning just how long to wait
Before dropping off the map
A whole new life tempts and attracts
Closer and closer

Drifting into the unknown
****, the magic only comes around once
Barring me out
Leaving me stuck
Bricked up the ways in which I've come
To each new dead end
Hungry for change
But unwilling to amend

And I don't know why this world keeps turning
Tried and true
As I keep burning through
Exhausting words, and things to prove
Thoughts

— The End —