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Riding backwards on a train
Leaning my head into the window
Seeing my own reflection – Clackity
Clack – Clickity Clackity Clickety Clack,
Don’t talk back, Clackity Clack.

What I see in the passing frames
Bridges, houses, brown fields
And rough terrains.
Clackity Clack, Clickity Clack
Don’t talk back, Clackity Clickety Clack.

There goes an old barn beside an Azores tree
There goes an Azores tree beside an old barn
My God there goes another one – that’s three
Clackity Clack, Clackity Clack, Clickity, Clickity
Don’t talk back, Clickity Clack.

Telephone poles all passing as one
Streets and warehouses, street signs
And red lights – green and now a nun
Clackity Clack, Clackity Clack
Don’t talk back, Clackity Clickity Clack.

Into the tunnel we clamber and scramble
Concrete walls all painted with daises
So close to the glass we go into this gamble.
Clackity Clack, Clickity Clack, Clackety Clickety
Are we coming back, Clackity Clack.

Deep under the bay we travel
As loud and deep as the devil.
All held back by nothing but gravel.
Clackity Clack, Clickity Clack
Please don’t crack, Clackity Clack

When all at once into the terminal we fly
We made it – me – myself and I
Slowing to almost a crawl - good-bye!
Clackity, Clackity, Clackity Clack
Next time I’ll check my Zodiac.
Me trying to describe riding on the San Franciso Bay Area Rapid Transit system. Better known as BART.
If you care to listen to my musical interpretation of this train ride you can listen to it on YouTube available at the following URL; You will need to copy and paste the URL into your browser and once it loads click on the arrow in the bottom left of The YouTube player to start up the music.

https://www.youtube.com/watch?v=Js4JzBmPY0c
SP Blackwell  Mar 2013
Wet Cement
SP Blackwell Mar 2013
I am sitting on a broken branch

under the drug addled canopy of insecurities and lies.

I am feeling the steady sway of an oxycontin daze.

Walking slowly through a ketamine daydream that pulls at my core

like a phantom puppet master controlling my limbs.

It crashes into my brain like the breaking waves on the shore.

Breathing in nicotine filtered filth as I wait to catch a breath of fresh air.

Lungs filled with recycled tar that prevents me from gasping.

In darkened corners where lies sleep and rumors are hidden,

I wait.

I dance on a tightrope between conscious and subconscious

that is held by reality and dreams.

Dark sunglasses on to avoid

the blinding stinging light of what is real.

Mirrored glasses are reflecting the reflections back at intruders.

Deflecting glances, shifty eyes, and dilated pupils

searching for a focus point of truth  

in a neon technicoloured blur of hypocrisy.

The background blaring horns blended with a steady bass line

mimics my heartbeat.

Thump thump. Thump thump.

The fading noises pass quickly,

highlighted with insults and curses of hate and gossip

that are forgotten before you can make them out.

Spun truths turned into lies

intermixed with resin

left from yesterday.

The litter paved streets break under my heels.

Click clack. Click clack.

Broken and cracked

like the false promises

And hopes

And dreams

of those who have walked here before.

The monotonous pace is repeated

only pausing to notice the gum under the stiletto

that fails to hold her in place

as she runs towards the wet cement that has replaced

another sheet of cracked concrete.

The wet cement that has covered another lie

in order to show the simplicity of fake appearances.

A reminder of how easy it is to replace and mask

the hate filled holes that get trampled on.

The flicker of hope is suddenly unseen

like the street light lined alley that is now dark.

The stench of garbage, decay, and rotting flesh

is mixed with expensive perfume, sweat, make-up, and spilled *****.

Garbage cans are filled with the leftovers of last night.

A *** stained dress with no owner draws no attention

as the sound of snapping latex is muffled

by the screams of ecstasy that rapidly fade

like the fleeting feeling of MDMA.

Thick white ****** fluid oozes out like human glue

in an attempt to mend the lack of connection.

Strangers intertwined in hasty conversations

waiting for human contact to forget

that they are in dark alleys.

To forget

that they live in dark places

where no one lays down wet cement.

The distorted reality of alleys deceive passer bys

into thinking that they are not menacing

has been weaved like a web by street sweepers and garbage men.

The pressing sense of the need to avoid the sweepers

is unsaid but felt.

They falsely clean what will always be *****.

The *** filled backstreets yearn for love

like the treacherous woman guarding its corner.

Daddy issue lined dresses are asking to be undone

just like her lost innocence that can never be mended.

The issues and clothing that can never be fixed

abandoned on top of garbage cans for someone else to pick up.

Patches of dead grass are left

untended, unwatered, and unwanted

waiting to be replaced by wet cement.

Wet cement that soon enough will crack and break

under the heavy heated pressure of the stomping heels

of lost Girls in a desolate city.

Blood trickled trails are left behind

that have dried into the cigarette lined streets that lead nowhere.

The injured egos of men are left to linger at back doors

that will never be opened.

******* induced insanity whirls around a flurry

of whispers and paranoia wanting to here the Truth

between the spewed anger and rage of the low toned hushed voices

that wish not to be heard.

Whiskey hinted murmurs pressing on the sidewalk cracks

knowing that they will never be heard.

Looking into the dark where

Truth will never be seen.

The constant beat of narcotic users searching

for salvation in pre-packed bags of white powder,

digging for redemption in empty bottles of multi-colored pills.

Screaming through the silence,

They are not heard.

The desperation can be heard through the whining moans

of the junkies that are tethered to addiction.

The over whelming sound of

Want and Need and Lust

move through the streets like the overflowing gutter water.

Heartbeats are replaced with the impatient pacing of

her stilettos waiting for her pain to cease.

Stilettos stomping on broken dreams

waiting to cross broken streets.

She gazes at the other side as if it is different.

Stilettos tapping on the street

waiting for the firm grasp of a sweaty hand to distract her from reality.

Waiting to be touched

And grabbed

And ******

                                              In hopes that love will arise from ****** ****** encounter with

strange men in uncomfortable places.

Clothes are feverishly removed with the promise of

flesh on flesh enveloped in a hazy cloud of body heat

that warns off the internal coldness.

Heavy breath and touch and kiss release chemicals

to replace the drug depleted emptiness.

The rhythmic sound of rubbing flesh mingles with

the moaning of the streets.

It fuses with the short lived pleasure laden moans of

lonely people and un-climatic *******.

Awkward silences are brief as the sound of her heels owns the street.

Click clack. Click clack.

The sound of stilettos on cement hurriedly walking away when there is

no longer a need for his body heat.

That unmistakable click clack click clack

on uneven, *****, dangerous streets.

Red lipstick smeared stains are the only trace of her that is.

That is the only trace of me that is left.

Click clack steady on the street.

Steady like mimicking bass line

Click clack heartbeat.

The crunch of broken glass under the stiletto

echoes her broken dreams.

Click clack.

Head held high never looking at the ground as she walks forward.

Click clack. Click clack.

Click clack.

The urban mud of

Wet cement goes

Squish!

under her stiletto.



V.Mata
Paul Gilhooley May 2016
Clickety click, Clickety clack,
The train it rolls along the track.
The kids all get restless the parents all natter,
But at least they aren’t crying, so that doesn’t matter.

Clickety clack, Clickety click,
A child hollers out “mum I feel sick!”
“What did I tell you about eating those sweets?”
“Don’t make a mess all over these seats!”

Clickety click, Clickety clack,
The guard sitting bored, in his cab at the back.
We thunder through towns and all of its people,
Passing by churches, and that old pointed steeple.

Clickety clack, Clickety click,
A drinks cart on the train? Ah just the trick,
A nice cup of coffee and a cold can of beer,
“How much?  You’re kidding!”  I won’t get much change here!

Clickety click, Clickety clunk,
Oops, sounds like that rail's missing a chunk.
We cross over bridges, spanning their rivers,
I must close that window, it’s giving me shivers.

Clickety click, Clickety clack,
I’m getting hungry; I could use a good snack.
Back comes the hostess with her goods laden trolley,
No chance I’m parting with even more lolly.

Clickety clack, Clickety click,
So many destinations, which one should I pick?
Should I stay local, or should I go far?
It’s certainly more peaceful than driving a car.

Clickety click, Clickety clack,
It feels like we’re speeding along a fair whack.
The seconds to minutes, the minutes to hours,
From towns and their houses, to fields and their flowers.

Clickety clack, Clickety click,
Wherever I’m going, I’m getting there quick.
Bright eyed young faces, an adventure, exciting,
The doddery old folk, complain when alighting

Clickety click, Clickety clack,
We pass many crossings and a ***** old shack.
How many golf courses and quaint country pubs?
And weekend gardeners out pruning their shrubs.

Clickety clack, Clickety click,
These seats so uncomfy, now my neck's got a crick!
Now finally I've reached my long journey’s end,
And I'm glad that I've shared it with you my dear friend.

© Cinco Espiritus Creation
2012
Clickety-clack
Clickety-clack
Here on the railroad track

Shadows dance around me
Unknown if they are real
Cool fingers touch me
Up my spine sending chills

But I hear nothing except the
Clickety-clack, Clickety-clack
As I walk down
The railroad track

Under a ladder
I have walked
A black cat in front of me did dart
the mirror I was holding
Fell and shattered
Now perches an owl in my path
Beak opening to speak
All I hear is *Clickety-clack


Clickety-clack
Clickety-clack

As I stand now
Upon the railroad track

Bright light in my view
I know what it's of
Horn blares into the night
It's sound envelopes me like a glove

But I am deaf to it
For all I hear is
Clickety-clack
Clickety-clack

As I lay down
On the railroad track

Silence is best
Laying here to rest
The last sound I hear
Clickety-clack, Clickety-clack
                    *my heart, give it back...
R Dickson May 2016
Clickety clack clickety clack,
Suitcase wheels over the cracks,
Business men and business ladies,
Men and women some with babies,

The noise they make with heavy pacing,
Sends my heart heavily racing,
Pneumatic tyres would be better,
I'll need to send the makers a letter,

Small cases with high pitch sound,
Ladies with fast walking grace,
Heavy gait of business men,
Large cases with a steady bass,

Trip trap across the road,
Off the pavement to the gutter,
Checking left and right for traffic,
Straight across without a stutter,

Clickety clickety clickety clack,
Two abreast and walking past,
Clickety clickety clickety clack,
Like a train approaching fast.
Katlyn Orthman Feb 2015
Click Clack
Click Clack
My throat is burning
My skin is dry; barely clinging to my bones
My eyes are glued shut by exhaustion
But I know I should open them
Click Clack
The rough surface of the floor beneath me
Scrapes my fragile skin
Help me
Click Clack
With the rest of the strength I harbor inside me
I open my eyes
Click Clack
A dim light looming above me, flickers as it swings side to side
The only source of light
The only source of hope
Click Clack
Time eludes me
There are no windows in my prison
Click Clack
No, there is only Time and Pain
My two closest friends
Click Clack
Exhaustion sweeps over my protesting body once again
And my eyes drape in defeat
My muscles sag their heads in despair
And my bones creak as they settle back into place
Click Clack
My mind flickers into a dream
Where I live vicariously through my inner self
Click Clack*
It's safer this way.
Robert Ronnow Aug 2015
How many poetry books = 1 Nissan Pathfinder exhaust
      system.
How many bluebirds? Money is how we thank people for
      what makes them special
How we express our love and gratitude.

Weight and moods, up and down, with weather and outcome
      of meetings.
I am so sick of humanity, people. Wouldn't I prefer
      chickadees?
Then I get home, that is the comfortable tree hole I've been
      longing for.

Aaron pitches and plays piano. Zach likes lacrosse and math.
The mound was soft, sand, with a hole big enough for an urn
      or to hide a plover
But Aaron pitched carefully anyway, slow strikes and the
      opposing team scored.

What would God's work be? Meaningless question. Today's
      schedule:
Write fund raising letters, conserve small farms. Local food,
      local jobs. Don't transport food coast to coast. Save fuel,
      less CO2.
In my opinion the dislocations resulting from climate change
      and global warming will be within man's adaptive capacity.
      On the other hand.
Also, green industry will open a vast employment market, a
      job for every grackle, crow.

The good life, unsustainable, we're poisoning our children
      although my children are not so poisoned. They're bald.
      Unusually bald. Good looking bald. Future of man bald.
      Happy bald.
Bald eagle. Nesting, mating near Karen Sheldon's, a
      conservationist, philanthropist, on the river, whose
      husband recently died. During romantic dinner on a
      second honeymoon in Paris, so I've heard.
That's Jake's spirit come home as an eagle, Karen said. Isn't
      that great, I said, and the she-eagle he's nesting with!
--I'm gonna **** that *****.

Compare Captain Carpenter and In a Prominent Bar in
      Secaucus One Day. In each case the hero's (heroine's)
      body declining
Under life's duress. Anything located in Secaucus, NJ could
      not be considered prominent, could it?
In the end, clack clack takes all. Hard to end a poem better
      than that. Clack clack the crow's beak, upper and lower
      mandibles meeting. From hunger, or it just does. Crows
      clack clack to communicate.
Whitman's greatest poem is Out of the Cradle . . . also
      involving communicating birds, in what is initially an
      embarrassingly emotional display. All that italicized
      moaning and yearning. Get away.
Then, clack clack, he turns on you. Death lisping, straight into
      your eyes. Suddenly you realize you should have taken
      him seriously, been paying attention.

In the meantime, traffic, corn, new exhaust system, ask for
      money, save farms, poor people, sun on garden, whole
      wide world, wars, stars.
I gave up long ago on a quiet world. Now going deaf. Then it
      will be quiet, too quiet.
No more birding by ear. "No more *******." I mean really . . .
      I was moved as anyone by Hall's honest poem about Jane
      dying and I guess ******* can be music to someone's
      melody, stand for living, but not me.
No more birding would have had more meaning. I'd rather
      bird than ****. No more *******, no more worry, no more
      war.

Which is why I'm gonna **** that ***** is so funny, such a
      life-affirming comeback.
At first I worried Karen really believed the eagle is her
      husband. Maybe she does,
But that punch line makes her the kind of woman I want to
      know.
www.ronnowpoetry.com
Rebecca Kane Jun 2012
It’s funny how when I see these guys I know who are really tall and skinny, their bodies are such that whenever they move,
    I expect to hear some sort of clack-clack noise of their joints and arms and legs
    as if they were marionette puppets being dangled by some unseen force and they go clack-clack in and out of rooms and doorways
    But they don’t go clack-clack
    Now that I’ve figured out what noise they should be making,
    I have to spend my **** time trying to figure out what noise they ARE making.
    But I’m not really close enough to hear.
Jayne E Apr 2020
I'm not a game to be played
when feeling bold
then quickly dropped into cold
once your nerve wavers thin
affection shifting to chagrin
looks like I am tricked again
as inauthentic you crept in.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

you are not some toying thing
to be cajoled to dance and sing
as my will does ebb and flow
this is it, there you go, there you go
you hot you cold you shy you bold.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

we are not we and never where
distant boy and gold hair girl
so I do you and you do me
across the sea to shining sea
if we could I think we would
it's written now so should be good
the feels were felt deep under hood.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

there still will be the filling up
your nectar unto my loving cup
I pulled you in you pushed away
the push and pull is how we play
a pretty glisten on the morn
did offer stickily sweet to adorn
fingers tips and lips did drip.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

we switch it up we switch it down
in penners pens a friendship found
and so unbidden feels abound
I'm laid bare across your knee
my breath held pulse running round
I know you know I want it now 'la fessee'
this newly new thing sees me free

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

© J.C.
This is a slightly tweaked rewrite of an older poem...brought back to mind after listening to train sounds during lockdown...go figure lolz.. (originally written on a train ride)
Jayne E Apr 2019
I'm not a game to be played
when feeling bold
then quickly dropped into cold
once your nerve wavers thin
affection shifting to chagrin
looks like I am tricked again
as inauthentic you crept in.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

you are not some toying thing
to be cajoled to dance and sing
as my will does ebb and flow
this is it, there you go, there you go
you hot you cold you shy you bold.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

we are not we and never where
distant boy and gold hair girl
so I do you and you do me
across the sea to shining sea
if we could I think we would
it's written now so should be good
the feels were felt deep under hood.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

there still will be the filling up
your nectar unto my loving cup
I pulled you in you pushed away
the push and pull is how we play
a pretty glisten on the morn
did offer stickily sweet to adorn
fingers tips and lips did drip.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

we switch it up we switch it down
in penners pens a friendship found
and so unbidden feels abound
I'm laid bare across your knee
my breath held pulse running round
I know you know I want it now 'la fessee'
this newly new thing sees me free

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

J.C. 08/03/2019

— The End —