Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.

Before I met her, I wanted to be her. Does that sound stupid? I wanted to be that ****** up ****** that did a bunch of drugs and always had money because she led men on and lived free and just lived life despite a daily brush with death. I was eventually, and I had an amazingly horrible experience.

I met her when I was 13. I spent a lot of time just "babysitting" her really. My other friends hated her. We'd come over and she'd literally go in the closet to shoot up and we'd just be chilling in her bedroom listening to Hole and being really confused as to why she didn't just use the bathroom. But she liked the attention and audience. This might seem cliche or mean or whatever, but it's true.

As my decent friends grew further away from me because I continuously grew closer and closer to her, I did a lot of *******, not nearly as much as I would later on in life. but enough to say, "wow I did a lot of ******* when I was 15" and at the time, it seemed like an accomplishment. Maybe I thought I was cool, I don't know, now I just think I was stupid and weak and regret being like my father.

Obviously, as time went on, I did ******. The first 500 times Natalie offered me it, I said no. I always said no, but she still always asked. If you know a ****** addict, there's something else you probably know. ****** addicts love having other ****** addicts around because you guys will work together to make money and get more. This will probably turn into what it really is and what we were really were, and that's a co-dependent platonic couple, but I didn't know that until just now.

The day I finally did it, my god. My god. My god. My god. My god.

I feel slightly guilty writing this because I don't want to glorify drug abuse but Christ, did it feel good.

We were downstairs watching Hedwig and she gave me the eye to start talking to her mom so she could go upstairs discreetly. Then her mom was like "where'd she go?" so I went to go check, even though I knew.

I walk into the bathroom, scaring the **** out of her. She had lines of ******, diesel, whatever. We called it diesel, I don't know if that's like a common name for it? Is it? Whatever, I said "let me try it."

Why? I don't know why. To this very second I can't remember what I was thinking. She didn't ask, and maybe that's why. But she put some on her hand and I snorted it. I hated the taste. Sometimes I smell it, and I don't know what it is that smells like ******, but I find myself saying out loud, when people are around, "ugh it smells like ******."

This is one of my catchphrases I think, and I am not proud of it anymore.

People always ask me what it felt like the first time. I remember not feeling anything. I remember not feeling guilty for helping Natalie remain a drug addict in her parents house. I remember her pinching me and telling me not be obvious, but oh, I'm sorry, I didn't know that it was going to make me feel like a warm pancake that just wanted to sleep wide awake.

Sleeping wide awake, that's a good way to describe how it feels.

I tell people this a lot, this process of drug use, and how I ended up shooting ****** and kind of just ignoring that I was.

I smoked *** and said "well it's not like I'm doing E"
then I did E and said "I'm not doing coke"
then it was "it's not ******"
and then it was "it's not like I'm shooting it."

Once I started shooting it, I didn't have any excuse or cop out, I was just curious as to what else I could inject into my body and became that glorified drug addict who lived free and did anything she wanted and felt like she came out of a book or a movie or a ****** up story you only hear strangers gabbing about on the train.

I was that girl. Natalie was much worse though. But that didn't come until I was about 18.

I had morals, yes even heavily addicted to ******, I had morals. I didn't steal from my family. This was one thing that would not break for me even when I was maybe putting **** in my mouth for money. But that's not even entirely true because I didn't do it for the money, it just happened that way.

So I'm probably 16 at this point in the story. I'm meeting guys off MySpace with her, guys from rich towns that want *** or coke or ******, just guys who can't get it in their towns. She's ******* them, I'm stealing from them. We don't keep friends very long because they know what we're up to after a few times.

She also sold her parents wedding rings, I didn't even know until after the fact, or I would have tried to stop her.

Her mother was so good to me. I spent a lot of time at their house. Her mom always invited me for holidays, despite the huge family they already had coming, because she knew my home life wasn't too good and she just treated me like I imagine you're supposed to treat a daughter you like. She was also very religious, which added to the blinders she had when it came to Natalie. She thought she could pray the drugs away, the way she tried to pray my gay away.

I was absolutely heart broken and completely beside myself the day her mother yelled, "she told me what you did. She told me you took the rings."

I didn't take the rings but what was I supposed to do? Try and convince her that Natalie did? She knew, somewhere she knew, but she didn't want to believe it so I just walked out of the house and never came back. I cried about that for a long time because I loved her mother, so much more than I am trying to say here. She might have been oblivious, but she was the sweetest woman in the world and I feel horrible that she had a daughter like Natalie.

I met so many characters. Chris. I don't remember his last name but it was something really white boyish. He would drive 45 minutes to us so we could get him 8 bags of ****** when he paid for 10, but we'd pocket two. We did this a lot during the day actually. We'd get drugs for people and just never tell them you get a bundle (10 bags) for 80$, and they'd tell their friends we'd go for them, and they'd think the same thing. Why? Oh, because these were very white people that were afraid of the "ghetto." And it was the ghetto, it was Newark, NJ. The corner of Victoria and Garside, what up, what up. Come see me.

I never really liked Chris. He was a musician but he wasn't that good. I think he thought he was Conor Oberst, and at that time, he kind of looked like him. But he was just some rich white kid with an inflated ego and I didn't feel bad ripping him off, or his Trust Fund Baby friends.

I did feel bad though when one of them died in front of us.

So I guess this is where I'll start writing the "**** got real real fast" stuff, now that I've hopefully explained the type of person I am and how I got to this point.


Why drug dealers cut their drugs with poison and whatever else, I'll never know. Bad for business if you ask me, but I've never been a big fan of the business world, but this seems pretty similar.

Natalie is driving Chris' car and we didn't snort any ****** yet, which was weird, but I'm grateful we didn't. We bring it back to Chris and his friends, who are waiting a few towns over for us. They get in the car and are like "just drive around for a bit so we can do this."

They all have separate bags, and I feel terrible I can't remember the girl's name that died, I want to say it was Karen or something like that but I know it wasn't. She just rolls up a bill and snorts out of the bag and within like 10 seconds she's screaming and everyone in the backseat is screaming and I turn around and there's blood pouring out of her nose and it's all over her hands and the car and her boyfriend and Chris and I think her eyes are bleeding but I'm not entirely sure if that's what was happening. And I'm like "What the **** what the ****" because it wasn't a normal nose bleed, this girl was just, flowing blood out of her face.

Natalie is emotionless as always. I'm screaming "get to the hospital get to the ******* hospital" and the girl is like screaming "it hurts oh my god oh my god it hurts" and her boyfriend is like "yo man, what the **** bb are you okay bb."

It's weird that in situations like this everyone repeats themselves but I think your brain kind of stops working and you need to repeat yourself so the rest of you can process the magnitude of ****** up that your eyes are seeing.

Needless to say, Natalie didn't go straight to the hospital, she stopped the car a few blocks away. The girl died within 15 minutes. I don't know why Natalie or I wasn't held accountable for what happened, but I think it had something to do with me telling Chris who the dealer was, and this was the only time in my life I ever gave out a name, even when I was in jail, I didn't rat anyone out. But death is different and anyone who doesn't believe in being a rat when you're faced with that kind of guilt, is a *******.

Natalie got out and started walking, Chris got in the front seat and I followed after Natalie. He did take his friend to the hospital immediately after but Natalie was being inhumane, and it was just better she got out of the car because she probably would have driven us all into a river to avoid being arrested.

I really have no idea why she got out of the car though, she had no fear, I think she was just annoyed, like this girl's death ruined her day when it ruined my life. I guess making a joke out of it makes it easier for me to deal with, but it still isn't. For me, it was monstrous, it was desensitizing, it was mortality showing itself and I was like "I'll never do ****** again." But that was a lie. I found out a week later via MySpace message that the girl had glass (!?) in her bag as well as ****** and I have no idea. I have no ******* idea what why how. I just don't understand that.

Chris still came around for ****** though. And he still brought his friends, just not the ones that were there that day.

What am I, like 17? I'm still senior in high school and I have really ****** concept of age, and I meet this other guy.

MY GOD WHAT A MAN.

Yeah, I said it. He was 38, built like Hulk Hogan, and had the sweetest smile and the most honest blue eyes I have ever seen.

He also had been out of jail for a whole year before we met him. He was tied to a car ring where people would pay him to steal cars. He was in jail for 6 years and when I turned 21, I heard he landed himself back in jail for trying to **** someone or something.

He was nice though. I couldn't figure out why he was so obsessed with Natalie. But the niceness wore out and I finally learned what a creepy ******* he was.

He used to ride his bicycle to meet up with us and he had a lot of money, he just wasn't allowed a license. He was a construction worker for the union, made like 60$ an hour and what do you know, he was a ****** addict.

He told me how they get drugs inside jail. You get a girl to come visit you and sit down with you. You kiss them, like make out kissing because that's all you need. That like 4 seconds before someone is like HEY CUT IT OUT, and they have the drugs wrapped up in their mouth, and you get the picture. Just in case you were wondering how that works.

He also told me that I reminded him of his sister, that died of a drug overdose.
He also showed me his **** one day when he was at my house alone with me.
He also ****** off on my couch and tried to get me to **** it.
Then he tried to get me just to touch it.
Then I asked him to leave.
And then some other stuff happened that I don't feel comfortable writing about but I probably will another day.

He turned out to be a ******* ****** and I don't really trust anyone with pretty eyes anymore. But he was fun. Once he started trying to impress me, a 17 year old girl, and Natalie who was like 22, he decided he'd go back to his old ways and steal cars. I can't count the amount of porsches I've been in or how many miles per hour we went or how many car accidents there were that we shouldn't have walked away from it unharmed. He never hit anyone else, just walls and guardrails, rolled into ditches.

Seat belts, seriously, wear them. I don't anymore, but I'm going to start again.

He used to give me a lot of money. A Lot Of Money, just to hang out with him and watch him ******* and ****. I don't know sometimes when I think about these things.

Natalie did something stupid, she got caught stealing from him. He didn't mind giving us money and I think that's why he was so mad. He would have just handed it to her if she asked. So he started coming to my house a lot in stolen cars, then I introduced him to my other teenager female friends and it worked out really well for me.

He was gone for good and it was better that way.

I was still only snorting ****** up until this time of my life. The taste of ****** and the amount I puked from it was becoming too much and I was losing a lot of weight and it wasn't healthy looking so I decided to start shooting. I didn't even do it for the normal reason which is, you get higher, faster and harder.

Natalie and I are in a bathroom of my friend's house whose mother is handicapped, bed bound, so we just go there all the time to get high. The mother is also diabetic so there's a lot of unused empty needles. I help her shoot. And it's scary, she would shake and tremble and it was really bad. Sometimes I'd think to myself, "it's like your body is trying to stop you from doing it."

But if you like blood, watching someone shoot up is really cool. You mix water with the powder and, ew now that I'm thinking about it, what the ****. You wrap your arm up, so your veins pop up, put the needle into a vein and you pull some blood out, I don't know the reason behind this, and you shoot it back into yourself.

I'm really uncomfortable with the whole idea of shooting so I shot into my hands because I had very prominent veins there. I eventually started shooting speed *****, ****** and coke, which was too much fun for someone as emotionally unstable as I was, to be doing something so completely unpredictable. The first time I shot ******, I never snorted it again.

I shot Jack Daniels once and never did that again either. I figured I'd get drunk really fast, right? Wrong, it burned like a ***** and I started smashing my hand into the bathroom sink screaming "WHAT THE **** WHY DOES IT BURN."

It's whiskey, Audrey. Whiskey.

I met so many more people when I was shooting. I became friends with an entire *******, all the strippers, their boyfriends, their "daddies" and just, those kinds of people, and like I said before, I'll write about that another day. But that is where I met Janelle and Kevin, aka, Jack and Sally. They were these really gothy ****** addicts and this is going to be ridiculous, but it was so beautiful when they shot up.  

Kevin would be like "okay, baby, ready?" and he'd caress her arm and she'd wrap it, and he'd kiss her and then kiss her arm, then he'd put the needle in and I'd be sitting on the bed sobbing because I thought it was so cute, in like, a really disgusting "I'm clearly on drugs" kind of way.

I didn't hang out with them for that long, Natalie ****** Kevin and that ****** because Kevin and I used to make forts inside the house and talk a lot about nothing, but it was fun and I felt like a child, and I liked feeling like I was a child and that it was okay I was acting the way I was.

A bunch of people that hung out there eventually started doing ****** and I couldn't stand it so I had to get away from a bit because my guilt came back and I felt like I was killing everyone.


Natalie started setting up drug deals so they'd get ripped off if they went without her, she started turning on me, stealing from me, she had me set up for a deal and her dealer put a gun in my mouth when I started arguing with him about how he gave me like wood chips or whatever. It was not ******, but we still ran like thieves together.

She introduced me to the next guy we were going to use, his name was Pablo. He was about 42 and lived in his parents basement. He was an outstanding artist, I mean, I couldn't figure out why he was in his parents basement with the amount of talent he had. We used to smoked embalming fluid with him and angel dust.

Now, if you ever want to know what it feels like to be Alice in Thunderland, smoke embalming fluid. I went on a 4 day drug binge that consisted of nothing but dust, fluid, her

The first time I saw him, it was through the glass window of the space that he moved into right around the corner. I thought it was a weird spot to move into but shrugged it off because it was none of my business.

The first time I met him, he was wearing the exact pattern of red and black plaid that I’ve been looking for whenever I shop. I stared at it and felt a little defeated that someone found it before I did! But I made no comment.

The first time I spoke to him, I thought nothing much of him at first. the words I used to describe him were “ordinary, typical, run-of-the-mill”. He was…simple. he spoke like he would steal those cheesy catchphrases like “she was like a shot of espresso” — which is what Andrew Garfield said about Emma Stone. And so I walked out of there as if it was just another Monday.

Several Mondays and cheesy catchphrases later, that little place around the corner that was made of brick started to feel more comfortable, and I saw him more often. Slowly, I realized that there is some charm in simplicity. Eventually, I stopped using the words “ordinary, typical, run-of-the-mill”, and I started using the word: familiar. There is so much comfort in the familiar.

At this point in time I seem to always find myself back at that familiar little brick place around the corner. at the end of each day, I go there hoping to find solace. And I always do. If I was into those cliché phrases I would describe it as a warm cup of hot chocolate after a long, rainy drive. It’s a fireplace during a snowstorm. But saying those cheesy catchphrases would be really lame of me, so…

If I were to put into words how I now feel about this person… This must be how it feels when people are looking for a new place to move into. They have this image of their dream house or fantasy apartment. maybe they picture a place with a marble countertop, a dining table made of mahogany, and a ceiling high enough to hang a glass chandelier from. But then, just as they had given up on searching for that dream place, they come across this little cottage made of brick and hardwood floors. There is a leather couch in the middle. They take a seat. Suddenly, they can picture their life there so clearly: nothing but the pitter-patter of the rain drumming on the window pane, the sound of the coffee machine running in the background, and a slice of chocolate cake waiting for them in the refrigerator. It was the familiar feeling of comfort after a tiring day. It was so far from what they had first pictured, but they are absolutely certain that they want to make a home here.

That is how he feels to me now. So far from what I had pictured, but certainly where I want to be at the end of each day. But the funniest part of all of this is: He was the one that arrived there in the first place. He was the one who moved into that quaint little building around the corner. He was the one who found me. And I am the one waiting here; hoping he finds a home within me.

Thugs with Pens & Aerosol Cans

Thugs with Pens
Hell-bent; not on cultism
Just airing the other sentiments
That don’t make it to primetime

Thugs with pens
Not poking out eyes
Just venting spleen
Sick of the lies

Thugs with pens
Deserve to be heard
They don’t poison your brain
With stacks of *****

Thugs with pens
And aerosol cans
Can change your mind
In ******* time

Thugs with pens
Can make a dent
They don’t need to insert
Un-readable, un-interesting
Covert small print....

Thugs with pens
Don’t need no script writers
Or advisors nor signatories
Witnesses, nor dodgy men
With gold plated fountain pen nibs
To make amends
Or throw in no hidden clauses
That secretly **** your life blood

Thugs with pens
Don’t aim to pierce your skin
But make their mark
Deeper within

Thugs with pens
And aerosol cans
Completely uncensored
champions of free speech
The establishment want suppressed,
silenced, deleted; terminated.

Thugs with pens
And aerosol cans don’t
Schedule meetings
To fix the minutes
And schedule another meeting
And keep ‘minutes’
As square angled
And unproductive
As formal conversation

Thugs with pens
Aim venomous ink
At headless politicians
That squawks like chickens
Bending over
For the *******
Bank-beefing corporations,
Controlling the masses
With ***** little catchphrases
And mounds of munitions
And illegally enforced restrictions
On your movement and free expression


Honest men
Have nothing to fear
From Thugs with Pens & Aerosol Cans
These “thugs” seek asylum
From countries
Where the law’s
Not bought and bent
Thugs with pens & aerosol cans
Are made to wear monikers and masks

Thugs with pens
Don’t turn on its own
Neighbours and citizens
To perpetuate myths:
A ****** ******* lie…
A thing that never happened!
(That’s for all of you dumb wits
out there
Who believe most of the ****
That’s drip fed
Your sensation addicted minds
Most of the time,)
Time you started reading between the lines

In fact get a pen
Or an aerosol can
Write your own lines
Start broadcasting
Reclaim your space
Before you’re completely neoned
Into the shade
And corralled under the spell
Of a TV screen
Or an anger raising headline
That conducts the flow
Of the status quo

Load up your magazines
With ball point pens
And sharp edged writing nibs,
******* a belt of aerosol cans
Reclaim your right to free expression
In public spaces
Join the rag-tag army
Of intuitive
Self-knowing men

The End: is well begun,
George Orwell
Should never have written
That blueprint,
‘1984’

The television is getting worse, I have noticed on its viewing
What the **** is going on, what do you think your doing ?
Maybe its ungrateful, but our minds are just left stewing
Why must people endure repeats, through years of program queuing?
An example is the game shows, there on every side just brewing
We're paying for the privilege, its the public that your *******

We don't want Deal Or No Deal, with all those crap crisp boxes
Q.I. is not that interesting, it has too many paradoxes
Who Wants To Be A Millionaire ? is that just a stupid question?
I would love to Strike It Lucky, so what is your suggestion?

Pointless has the correct name, cos that's exactly what it is
Has Jasper Carrot got Golden *****, or is he *******
Why is there ***** Money, did they ran out of toilet tissues
Julian Clary had Sticky Moments, and outrageous camping issues

Whenever Opportunity Knocks, well just open the door
If your going to Take Me Out, then what are you waiting for?
Don't Name That Tune In One, I'd rather hear it all
A Question Of Sport is so boring, its hardly on the ball

Is it the Weakest Link, because the chain is full of rust?
Didn't Blockbusters close down, and the video shop go bust ?
Why Should I Supermarket Sweep, Dale can sweep it himself
The pyramid Game is just, an apex polyhedron triangular shelf

I Don't want to go on Mastermind, and look like a ******* fool
If I went Through The Keyhole, then I must be minuscule
Why Would I Lie To You? wouldn't that be a bit two faced
I'm not sure if Celebrity Squares, are really all straight laced?
Could you please repeat yourself, I did not Catch that Phrase
Just how many crystals where there, in the Crystal Maze?

Was Spin Star cancelled, because celebrities where break dancing
Or was it Bradley Walsh's giant fruit, that needed some enhancing?
Why is it called The Chase, when there's no chasing involved?
The Chasers are sat on there arses, so The Chase is never solved

I don't think it is the Wheel Of Fortune, even if you do
You don't really get much fortune, till you solve the final clue
Paul Daniels said Every Second Counts, so forget the introductions
Just get on with the game play, don't even bother with instructions

Philip Schofield played with Five Gold Rings, isn't that just wrong
I thought that Five Gold Rings, belonged to a Christmas song
Ted Rogers read such stupid clues, it made it hard to win
No wonder 3.2.1 contestants, usually won poor Dusty Bin

I would really love to drink, some of that Celebrity Juice
But first I'll have to find out, which ones are tight or loose
I'm not lucky enough to have 300 Blanks, with a lovely lady in a bed
I'll have to hand it to myself, and have a Blankety Blank instead

Mr & Mrs is outdated, most Marriages are not enforced
Those couples who where happy once, are probably divorced
Treasure Hunt used a Helicopter, clues found by Anneka Rice
She ran around quite frantically, but her **** was rather nice

Isn't Ann Widdecombe a dark horse, she liked a Cleverdick
I Suspect if she had the chance, she'd like a **** that's thick
There used to be Telly Addicts, but now they are history
We no longer want Noel Edmunds, or crap games on our TV

Poor Bully tried to play Darts, but his aim was far to high
It isn't all that great or Super, missing the Bullseye
Come on now Jim its not fare, making the contestants cry
To look at what you could have won, and kiss the prize goodbye

Naked Jungle was a one off, Keith Chegwin in the buff
I'm glad it did not continue, so please don't Call My Bluff
Countdown has been on for years, we've had a ****** enough
Only Connect and 15 to 1, are hard and far too tough

Family fortunes and Eggheads, we don't want all this stuff
Fort Boyard and Mock The Week, stick them up you chuff
Going For Gold and Gladiators, too old and looking rough
University Challenge and Impossible, there really dull and duff

Never Mind The Buzzcocks, it's a forgotten piece of Fluff
Crosswits and Chain Letters, should be dragged of by the scuff
Hole in the wall and Alphabetical, are so right of the cuff
The Cube and The Million Pound Drop, I'd walk of in a huff

Many game shows throughout the years, all needed a good host
But there isn't any spontaneity, so none of them can boast
Instead of reading from a script,and acting liked their dosed
Take the plunge make it your own, don't be a mindless ghost
Why don't hosts try to be their best, and try to be their most
Wouldn't it make more sense, to keep your audience engrossed

Ben Shepherd comes to mind, he doesn't seem all there
With his ****** expressions, weird smile and stupid stare
How did he become a host, was it all based on a dare
Why is his act robotic, its more than we can bare

Its like watching a recording, this isn't really fare
If we are subjected to this crap, then we deserve a share
I guess its our misfortune, its enough to make you swear
We're already at our Tipping Point, so we no longer care

Now I'm not saying that every host, is as bad as old Ben Shep
In fact there is at least one guy,who has a better Rep
He may not be a large man, in fact he played a Lep
But at least he isn't wooden, and he's with you every step

Warwick Davis's Act is Tenable, and he has not compromised
With good hosting skills, jokes and quips Warwick has realized
Although I'm not a game show fan, I am pleasantly surprised
He stands tall over the other hosts, even though he is pintsized

Why keep making game shows, was there a voting pole?
I believe there are too many, they are so ******* droll
As bad as all reality, the schedules they both stole
Axe the ******* lot of them, and chuck them down a hole

Just take a look at Brucie, may god rest his soul
He was around for decades, and hosting was role
Taking over all the shows, seemed to be old Brucie's goal
The years weren't kind to old Bruce, they definitely took there toll

There is a Brucie Bonus, available for every Generation
All you really needed, was the right kind of motivation
Nice to see you to see you nice, was Bruce's obligation
Life was the name of the game, in a family situation

A cuddly toy on a conveyer belt, in a prize observation
Didn't he do well all, depends on your own determination
If You Play Your Cards Right, Dollies Dealing a sensation
You don't get anything for a pair, maybe its infatuation

You can freeze but you cant stick, all dealt in isolation
Do you want to bet on it, was a gambling invitation
The price was always right, just use your imagination
Come on down to old Bruce, win a car and a vacation

Maybe he's a legend, with Bruce's game show graduation
A chance to host a new show, a Good Game realization
What's on the board miss ford, moving on to a new creation
It turned camp when they shut that door, and hired Larry Grayson

What was it with Bruce Forsyth, he was far too keen
He monopolised the hosting, on the game show scene
Seizing every opportunity, ever since he was fourteen
Just like Command and Conqueror, on the TV screen
He took on all the game shows, maybe he's just mean
But I cant help but to wander, where else has he been?

With all of his catchphrases, and a chin that was obscene
A wig that was like shredded wheat, it never should be seen
I don't know if I'm being harsh, it maybe his routine
And its all in his makeup, and part of Bruce's gene
Perhaps he liked the studio, and had too much caffeine
Along with the all dodgy food, in the BBC canteen

Now Challenge screens the game shows, but there all so ******* old
We've already seen all these games, they've already all been sold
I do not mean to sound too flippant, but why wont you be told
Your sending your viewers up the wall, and your audiences cold
Now let me state what's obvious, I hope I am not too bold
We don't want all these rehashed games, there hardly TV gold

you see, i came to england when i was eight years old, and i still retain the primitive early structuring of being born in poland, e.g. i identify my father from the ages of 4 to 8 as a voice on a telephone and the odd package of gifts, my mother between the age of 6 to 8 as a mad doberman a parting gift... and the fact that i can't read philosophy books in english but in polish, whereby i translate what i read into english... the english language is terrible at expressing itself philosophically, too much shrapnel (i.e. too many little words in between graffiti like usage of the bigger words: conjunctions, prepositions, articles over-burden such catchphrases like zeitgeist, global capitalism etc.), i read poetry and fiction in english, but philosophy i read in polish; and i do speak four languages in that i can speak posh anti-essex-accent english, speak a polish accentuation of english, speak plain polish and speak pleb village-idiot polish; polish immigrants are overweight to soar like canadian geese introduced into england because of the trill of the r (mind you, introducing grey squirrels mirrored the seemingly perpetual overcast of the english weather) - indeed, the english use of the letter r is tongue-numbing-curl - instead of trilling the r the english curl it like an apprehensive turtle / hedgehog - and too the oddity of the h, hatch hay-puck-itch hey-a-haystack? two of the many more linguistic anomalies in the english tongue included.*

that's the problem i have integrating
into a post-colonial multicultural
society, i know i should celebrate
the english defence of poland should
a war with germany take place,
the short lived re-emergence of poland
quickly gulped up by the joint
expedition of **** german and soviet russia,
the exported government of poland
to london, the plight of polish and english
pilots over the skies of england in
the battle of britain, i should technically
be experiencing a great assimilation sensation,
but multiculturalism has really complicated
things, esp. when you turn on the radio
a first hear things about the emergence of
recorded sound, the gramophone,
the iconic jack terrier before the machine
and a very old acronym of music outlets:
h.m.v. (his master's voice),
or that in poland - knowing of the mass emigration
of poles to england the tabloid newspaper
the sun is cited with the highest credibility
(never mind the toned down **** on page 3
of that newspaper, which prompted *******
to do likewise) - currently i'm sifting through
the power broker pages of the newspaper
the times, i.e. the editorial pages, just
after the opinion pages... you see, the editorial
pages are almost anonymous, they're filled
with a major investment, high profile
people (usually professors and sirs and what not)
seeking attention of the editor, beginning with
something like: sir, at a time when european
challenges of security... and then indeed about
three articles of unchallenged dialectics by
the editor himself, e.g. (monday march 7 2016)
headlines: an autocrat in ankara; plan obsolescence;
cripes! (https://goo.gl/EzCbDO),
as i said, i find it overbearing to integrate into
english society, it's paradoxical actually,
so i have to integrate (tick), speak the tongue (tick),
become eloquent and gentlemanly (tick)...
but i can't acquire the history (a prime social
relation coordinate), and i certainly can't feel
pride... unlike those from the colonies integrating
and feeding this strange strange national pride
of identifying england as if by them originally
possessed; maybe three years in scotland fed
my alienation, i really did love mingling with
the scots, the only place on these islands where
the presence of the irish is limited by that
funny existential curiosity of a sikh speaking
a wee trill here, a wee trill there...
maybe that's it... because, you see, the oddity
comes after hearing the story of rash behari bose,
the one who was the shadow of peaceful gandhi...
who spoke like adolf ****** who actually
collaborated with ****** to no avail, who
then collaborated with the japanese -
how am i to assimilate into english society if english
society is a barren wasteland where newton
and michael faraday used to roam?
i'm just too bewildered in this sense of integrating
like a prerequisite of becoming a chameleon -
it's nauseating just to think of it - all this
psychological complexity to simply use a tongue
that's favoured for commerce and political
stagnation into the iron stage of a status quo
of russian and chinese oligarchs creating
a mortgage inflation from their power-source
that's london? this immediate sense of what used
to be mass propaganda has turned into
mass political correctness, same ****, different cover,
i really don't know how to integrate fully,
esp. with faked results that disallow falsification
because they're already false in that would-be
"science" of psychology which is just a crippled
humanism... how can you be a serious psychologist
when you focus on the interchange of the invading
barbarian word self and then become pompous
with so many theorisations of a single sound, ego?
after all we're, in the majority using the sound self
as an affirmative of 'i'm here, yes, check the utility
manual of my spine moving my fingers typing,
no descartes wasn't trying to prove he existed,
don't be stupid, what, because such a proof is
not compatible with you after his death proves
he was trying to prove himself a recipient? i too
buckle on the nonsense of some people, even my own
is worth a rusty door hinge and doorknob.'
and poetry will always remain the safeguard medium
of abstracting, poetry isn't a happy science as one
man suggested dying at the dawn of the 20th century...
poetry's eager spontaneity makes it an abstracting science,
there's no point arguing truth, in that abstraction is
required to cite a momentary pigmentation of
the everyday grey realism with a poem.

(not a poem i guess but eh)


–

Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.

–

'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'

–

I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.

–

We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.

–

The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'

–

We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.

–

'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.

–

It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.

–

'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  

–

'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'

–

We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.

–

‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’
…
…
‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’

–

We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.

–

The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.

–

A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  

–

I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries

poetry can resemble a jackson ******* method - but it can also resemble sitting on the stairs in the garden, just when winter starts to dig into it's cold at night (but still not cold enough) for a man drinking beer and smoking cigarettes to feel the skin etch out in itches from the mild freeze, and imagining himself holding the beer bottle with skeletal fingers... then the thoughts come... nothing is really planned by a narrator working out a fictional linear process, it's more like that soviet invention of a game of tetris, thoughts come, the ego disappears, thoughts arrange for a brief narrative, then disappear, new thoughts come, then a randomisation process takes over, until ex nihil complete dispersion, the faculty of thinking is exiled, and the faculty of memory takes over.*

after watching two grand movies in one day,
it felt really sour to return to the grand stasis of things,
the only constellations that are visible
without any ******* notion of light pollution
are scorpio and the big dipper...
the litter dipper is more dim this year,
so dim i mistook the earth's celestial geographic
route as spring summer the big dipper is
when in autumn winter the big dipper is
the small dipper... but seeing the two in the night
once i became aspirational in my error -
if only the prefix aspi- existed, derived from
aspen to the added continuance of the word
left: rational: rationality based upon unforced error?
but these two films: kingsman: the secret service
& the hobbit: the desolation of smaug
you get penetrated by so many active ingredients
for the narration via images, that when you
un-glue your eyes from plato's cave (actors
are the best conclusive interpretation of shadows,
no rabbits in the hand to be mistaken for the real things)
you get this drawback sensation of having to focus
on inanimate things in stasis -
and it can & does become pretty glum,
esp. if you want to return to the realm of using
phonetic symbols, to not speak in reserve for
an up-and-coming stage performance
but to see the glaring starry composition of hidden
things in the things already seen...
so there with the beer, scorpio elsewhere
the big dipper only thing providing me with
a workable dynamic: in schematic
          
       .         .
                    
                       .
                .

       .
            .

               .

i had to active this arrangement of stars
to negated feeding my exposure to
so many images...
i began by coupling the stars: three couplets
one star the odd one out...
then i started to create a dynamic
on the basis of geometry, a geometric
non-linear representation of infinity,
but the constellation into a circle,
and therefore thought of infinity as not
beginning                         sequence                    end,
after all, infinity as a constant interchange
of 10 distinctions 0 - 9 can be ridiculous,
whereby infinity just becomes a randomisation:
either 14123480345792340834 etc.
or 12300984393657499393030, etc.
so using geometry i need to acquire
a infinite parallelism, infinite parallelism
implied as non-convergence.... two points
small enough (atoms, sub-atomic particles,
stars) to interact in parallel, but never converge,
for if convergence was possible...
i wonder: me being conscious of being
the olympic gold swimmer to the ****?
i hardly think so.
i can perceive atoms via the greek imagination
or with the galileo of small-print via the microscope,
but i can't individuate an atom of some sort
to a specified functional guarantee: well yeah,
sulphur stinks... but i could technically
atomise the one unit in my capacity to a state
of an atom... my self... given the number of people
and all the chance interactions in an environment
big enough to all a minuteness of the atomised self...
which is perhaps the counter to that old chestnut
known as solipsism: how to get the right phonetically
chemical concoction to get an etymologically word
out of this? atomipsism? no philology in me just
yet to open the bible of philology (the dictionary)
or bother thesaurus rex for comparative literature.
but anyway, as things go i was musing this other thing,
the fame of achilles with the modern fame machinery...
back then you really had to push the right buttons,
and your actual fame was post-mortem, in order
that you might be glorified in some way...
modern fame seems like a bad orwellian joke...
it's translated into our modern themes of catchphrases
slogans and trademarks as c.c.t.v., a ****** camera
on your shoulder... it actually is a bad orwellian joke...
no double think i rephrased into:
there are more c.c.t.v. cameras in england than in
all of europe put together... so the double think
is as this:
a. should i be bothered, or
b. should i not be bothered?
i'll answer with my usual enigmatic methodology by
just changing the subject -
we left the realm of philosophic doubt and thinking,
we entered the realm of modern denial and thinking,
i dare say i prefer doubt to denial,
it makes all our apprehensions, petty fears and
all petty concerns a bit smaller - via the maxim:
the only fear to fear is fear itself... denial doesn't
provide what doubt provides, doubt is like
cushioned fear... if there's a fear to fear as simply itself
doubt puts a lid on it, a spontaneity,
a kantian noumenon by definition, fear-in-itself.

I always thought one day I’d write something worth reading
So far, just lines and lines, used up catchphrases
I slumber in the pine needles and breathe in the scent of cut
Juniper
Bathe in the shadow of sundials as the day fades, turns smiles to
moonlit slumber
In the green grass among the dead leaves I lay my head and listen to
leaves changing color
On the cold sand I listen to high tide turn to low, the rolling of the rocks and the
breaking waves of foam
The birds in the trees sing of bamboo forests in her backyard, blue room where she
collected rocks and lucky charms
Books with pages torn out, arrowheads she found in the field, a feather in
her hair
Pale blue eyes which reflected my dullness, reading Camus by the door
She used to read to me, when the sun was sinking and my head was spinning from the
last cigarette
And hold me like a child, hold me with my eyes shut and my lungs screaming to speak one
simple phrase
To grab the pen, to open my eyes and speak symbols onto the page, make my ballpoint
sing
To read a word worth reading, to write a line worth writing, this is my desire