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Styles  May 2017
Pulse
Styles May 2017
As night falls, the air thickens
her pulse races and his pulse quickens
the depths of their thoughts rise to the surface
her body language speaking tongues
their eyes contact and the translation is done
his soul listens
heart beating fast
flesh burning like a furnace
flame lasting longer than they last
lust coursing through her body's viens
like lava melting a porous surface
her window panes with purpose
as their bodies join like cursive
bulging with awareness
his presence is her nearness
their bareness
flipping her world
altering her state of mind
impulse triggerin pulse
a his embrace
tightens
Thomas Wolfe  Oct 2009
Last Poem
Oh, will you ever return to me,
My wild first force, will you return
When the old madness comes to
Blacken in me and to burn
Slow in my brain like a slow fire
In a blackened brazier - dull
like a smear of blood,
Humid and hot evil, slow-sweltering
up in a flood!
Oh, will you not come back, my fierce song?
Jubilant and exultant, triumphing over
the huge wrong
of that slow fire of madness that feeds
on me - the slow mad blood
thick with its hate and evil, sweltering
up in its flood!
Oh! will you not purge it from me -
my wild lost flame?
Come and restore me, save me from the
intolerable shame
Of that huge eye that eats into my
Naked body constantly
And has no name,
Gazing upon me from the immense and
Cruel bareness of the sky
That leaves no mercy of concealment
That gives no promise of revealment
And that drives us on forever with its
lidless eye
Across a huge and houseless level of
a planetary vacancy
Oh, wild song and fury, fire and flame,
Lost magic of my youth return, defend
me from this shame!
And Oh! You golden vengeance of bright
song
Not cure but answer to earth's wrong
Ah, Yorkshire, thou art purer than Coventry;
and thy promises whiter; than my fluid poetry.
Thou art braver, prudent, and all the way more intelligent;
thy lands are mightier; and perhaps in every possible way-more imminent.
Thou art sincere-and so more delicate than wine, and thoughtful;
Thou adored my words, and made everything else healing, and more beautiful.

In my heart but there might have been no Yorkshire at all-
had I attended not one Coventry last fall.
I witnessed not-at t'at time, all t'is rude twilight-and toughness and madness;
and every chapped breath it had in its roughness, and hilarious-though indeed fake, felicity.
No soul has even bits of a heart, here, to forgive others' soreness,
No being wants to share; no human lives in joy, nor simplicity.
No delight indeed; as I stream my way through every roads;
Everyone is either busy with their selfishness or their coats.
No living is cared for; for humans are phantoms at night and on morns;
Vulnerability is mocked, and demised and often slyly torn.
Ah! Coventry is but a sphere of hell!
For even hell is still lighter when has it not hellfire;
As well cities are, when there is no scoundrel nor liar;
But Coventry is not at all tender;
Its wicked gasp is alive, and never to heartily surrender.
It falls for glory; it bows to such fears for pleasure;
And wanes by the light of whose death; the end of whose allure.
But thou art true-thou art as shy as every flash of virtue;
Thou art indeed-everything t'at is solemnly agreeable and brand new.
Ah, and just now-I had dreams of a fine image of thee;
Smiling within thy fullest verdure, bushes, and lavish undergrowth.
And thy summer is but vivid and friendlier;
Healing every sore heart, and turning 'em all, merrier.
Thou adored the nouns and verbs I wrote,
and admired such simple notions I quoted;
Thou shine upon me-asthe light that shall makest me grow
and the promising dim, faraway region, that lets me glow.
O, Yorkshire, this is still but too early in the transparent evening;
But I am deeply endorsed yet, by t'is poetry writing-
And with thy soul that remains but too witty,
Tearing me away, but with loveliness-
from my cautious present engagement,
Thy charms might be just too hard to bear,
for thy tongue is too sweet;
and thy veracity too chaotic, ye' imminent.
In thee shall I find peace-of that I am convinced,
Peace whose soul is calm, neat and on all occasions, careful-
Unlike t'is bustle which is at times perpetual, and sorrowful;
Unlike t'is very city of Coventry,
Which is damp with exultant bareness, and haziness,
In many ways exalted, but indeed too proud;
And its tongue which is blurred with sin and poison-
Its all-too-loud excitement makes everything but faint,
And at times sends my heart to exile, sends my heart to pain,
In every possible way too unlike thee,
With an imagery, and coaxing voices so sweet
Thou shall leave all my poems bright and freshly lit,
Even though I am still here, even though we are still yet-to meet.

Coventry is too proud and vibrant-yes, too vibrant,
Amidst its own foolishness, which sadly made itself formerly too elegant.
Too elegant to me-in various shapes, and keenly cloaked in unseen deceit,
But only by some beings, whom I was to meet, and my breath to greet.
And as I wake up to an early morning hour,
the plain summer strangely makes me thirst for honest water.
And should I love still-one intelligence t'at is so bitterly repugnant?
I shall certainly not; I shall turn to thee, Yorkshire, who is truer ye' far above, tolerant.
Ah, Yorkshire, but honesty is something Coventry promises not;
for its soul has been maliciously beheaded, and twitched,
It has been paled, corrupted, and despaired-
by its own claws, derived from the jaws of those evil souls
Veiled by their even still inhuman, disguises,
And shall still be wicked, otherwise.
In t'is sea of hate, and these waves of despondency,
I shall think of thee with tantalising depth and scrutiny,
Though thou art still imprisoned in my soul,
Thou who hath flattered and accepted me as a whole.
But Coventry is-still, accidental with some of its bindings,
For mortal as thou art, itself, and is unable to escape its fate,
Still I canst think only of the beauty of thy linings,
And upon thy lands shall I venture to fill my plate.
Ah, Yorkshire, remember that virtue is in thy hand,
but neither is vice-thy dormant enemy, is in its therein,
Virtue who is vile to all of t'is world's inconsolable men,
like in Coventry, as deemed it is, unreasonable and ungenerous, within.
Virtue which is tragically abandoned, in its pursuit of honour;
virtue which was rich, but flattened, and dismayed and disfigured
within the course of one unsupervised hour.
Ah, York, Yorkshire, when shall I ever taste the grandeur
And the very superiority of thy dignity?
For in yon picture, thou art still but a comely neighbour,
Which endorses and attests to my mute, yet unaffected-virginity.

Ah, but Coventry shall despise thee, and with its stubbornness
and overwhelming pride, shall jostle and taunt thee;
Shall defect and isolate thee-when I am but by thy side,
But God be with me still, and blind shall not, my virtuous sight.
Detesting and confronting thee for the remainders of years-as 'tis to be,
Which for thee lie ahead; as how hath it deluded me-just now!
I, who, disconcertingly, placed my heart within its sacred vow,
hath been robbed of my satisfactions, and utmost fortune,
All were perused in centuries and gone in one moon.
Ah, Yorkshire, shall I continue my poetry here-but call out endlessly to thee?
And shall I abandon this tiny caprice of mine-which is a fine, tiny desire of glory
And let myself on the loose, and for evermore be in search
of thee, whom I shall've lost-under the very indulgence of their mirth?
O, I think not!
For I shall mount my poetry-and achieve my silent dreams,
I shall take him with me, if allowed am I-to conquer him,
And make him and thee mine, just like I hath made my poetry,
And be thy light; and thy spiritual and endless reciprocal adoration
All day and night, at the end of our quest for destiny
Wherein I shall dwell, and thrive as my intellect be granted-its long-lost coronation.
O, Yorkshire, for within thy hands now I shall lie my faith-
and trudge along thy forking paths, unto the light of my fate.

Ah, Yorkshire, I am infatuated with these paintings-
these very paintings of thy lush green lands,
And of myself wandering and skulking idly about thy moors;
With my best frock, and his fingers, the one I love, entwined in my hand
As lights procured and on our storming out of yonder wooden doors.
I am shining like a bee is-upon the sweet finding of its honey;
but in whose tale 'tis like thee-to sweet and unpardonable to me.
Be with me, Yorkshire, and be with me forever, only,
As I leave behind this faint malice and commence my journey;
I shall be with thee, and my poems shall be free,
And t'is bitterness of winds shall be no more tormenting me,
Furthermore-be them what they desire to be;
But let me write; and play my song as beautifully as yon naive bee.

Ah, Yorkshire, and wait, wait again for me;
But before let me sink again into a deep sleep,
and tease thee again in my dreams;
Read me once more-the very passages of thy indolent poetry,
Take me out of my stiffness; swing me out of abhorrent Coventry.
Coventry shall be envious, and waiting forever for thy demise;
but honesty is honesty-and one that has no lies,
for thy virtue is clear as thy Western gem,
which is to God, shall always be virtue, all the same.
To me eternity lies in thy eyes,
and thy rejection my demise.
If so but accept and heal me likewise;
whilst shun and stab my sore heart, otherwise.
Thou hath always been to me a surprise;
Though a doubtful, but sparkling surprise,
So any dejection of thine shall be odd,
And a thousand times bitterer than a cold rapid retort;
For thou art pure; and sometimes too pure and fine
As how thy immortal soul stayest still, and growest not old
And in toughness and roughness is to remain,
So long as thy dried flesh shall age, and afford;
And with such songs so prolific as prayers
By friendly laudations like bewitching storms
Thou shall forever stay, and newer grow fader
And in such coldness thou shall offer me warmth;
Beside yon raging fire, and about thy manly arms,
Thou shalt but lull and cradle me like a baby-
until sleep comes and whispers dreams onto me,
Thou shalt be far more tender and smart-
Unlike that ungrateful preceding heart,
Which claimed to be civil, but uncivil,
United but then left my unsuspecting heart apart;
So unlike thee, who is but a smart little devil
Thou who earnestly tempted my soul, and lured my blood
Thou returned my blushes, and caught away my heart
Ah, and now-whenever I thinkest of thee,
All pain and gloom shall revert to oneness,
But how still I know not, as whose days remain but a mystery
For everything in which is at times barren and colourless;
But when alive, they are just as simple
as those brief dreams of thine and mine,
With a love but too sufficient, majestic and ample
Delicately shall they turn troubled and unseen,
But caring and healing and blinding and shaking,
taking turns like oceanic birds which go about
swimming and singing and strumming and swinging,
like a painting of prettily sure clarity-but unseen,
or perhaps a pair of loving, yet unforgettable winds.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! And betwixt thy gaze,
All fictitious sunsets shalt perhaps become wet-
Just like those azure spirits in thy fair eyes,
Sometimes too indignant but unquestioning,
and too pure-as to whom even the Devil hath no lies;
To thee only, to whom this enduring love is ever assigned,
And forever, even its temptation be mine, and only mine,
Like unforgivable sins, which are sadly left unatoned
In its eternity standing still like a statue;
beside its wrathed, and bloodied howling stone
And to thee merely, to whom this impaired heart shall ever return,
As it now does, with cries and blows that makest my heart churn
And canst wait not 'till the morn, for on morns only,
thou shalt creepest down the stairs, and stareth onto me,
Often with eyes full of questions;
Questions that thou art too bashful to reflect,
So that turn themselves later on, into emotions,
Which withereth and dieth days after, of doom and neglect.
Ah, but still I loveth thee!
For this regret makest me but loveth thee more and more,
and urge my soul greater, to loveth thee better-than ever before.
For 'tis thee who yet stills my cry, and silences my wrath;
The one who kills my death, and reawakens my breath.
Thou on whom my love shall be delightfully poured,
A love as amiable as the one I hold for dearest Lord,
A love for thee, for only thee in whom I'th found comfort,
A comfort that is holier than any heaven, or even His very own divine abode;
Thou art holier than the untouched swaying grass outside,
Which is green, with greenness so handy and indulgent to every sight,
Thou who art madder than madness itself,
But upon Friday eves, makest my joy even merrier,
And far livelier-than any flailing droplet of rain
Showering this earth's clustered soil out there,
Which does neither soften nor flit away my pain
But makest it even worse, as if God Himself shan't solicit, nor care
Like any other hostile love, which thou might kindly find, every where.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
In my mind thou art the lost eternity itself,
And by its proud self, thou art still even grander,
For thou makest silence not any more silence,
but joy, in return, even a greater joy.
Ah, thee, thou who the painter of my day,
and the writer of my blooming night.
Thou who art the poet of my past,
and the words of my courteous present.
Thou shall ******* flirty orange blossoms,
And cherish its virtue, which strives and lives
As a most sumptuous, and palpable gift-
Until the knocking of this year's gentle autumn.
Ah! Virtue, virtue, o virtue-whose soul always be
a charm, and indeed a very generous charm-
to my harmonious, though melancholy, *****.
Ah, thee; o lost darling-my lost darling of all awesome day and night,
My lost darling before starlight, and upon the pallid moonlight,
My lost darling above the reach of my sight, and height;
Thou art still a song-to my now tuneless leaves,
and a melody to their bottomless graves,
Thou shalt be a cure to their ill harmony;
Thou art their long-betrayed melody.
And even, thou art the spring
my dying flowers needst to taste,
fpr being with thee produces no haste;
and or whom nothing is neither early, nor late;
And whenst there be no fate, thou shalt be
yon ever consuming fate itself-
And by our inane eyes, thou shalt makest it
but adorable and all the way strong,
For thou, as thou now do, nurture it better
than all the other graciousness among;
Thou art the promise it hath hitherto liked; but just
shyly-and justly refuted, for the bareness of pride,
and often inglorious resistance-all along.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! Even in undurable haste, thou art still like a butterfly,
fast and rapid flowing about the earth and into the sky;
Thou who art grateful not for this earth's soil;
Thou who saith 'tis only the sky that canst make thou feel.
Thou who cannot sit, thou cannot lay,
but on whose lanes thou always art secure,
as though from now thou shalt live too long
And belong to this rigorous earth
to whom our mortal souls do not belong.
And as to its vigour, death cannot be delayed,
and words of deadness shalt fast always, be said.
Ah, yet but again, I cannot simply be wrong;
for thou art immortal, immortal, and immortal;
To death thou art but too insipid and loyal;
that willing it not be, to take thy soul into its mourning,
and awkward prayers so scornful and worrying.
Thou who needst not be afraid of death;
for breath shalt never leave thee, and thou shan't breath.
Unsaid poems of thine are thus never to remaineth unspoken,
and far more and more thoughts shalt be perfectly carved, and uttered;
Unlike mine; whose several mortal thoughts shalt be silenced, and unknown
And after years passed my name shalt be forgotten, and my poems altered.
But thou! By any earth, and any of its due shape-thou shalt never be defaced,
and whose thoughts shalt never, even only once-be rephrased,
for thou art immortal, and for decades undying shalt be so;
And to life thou remaineth shalt remain chaste, and undetached;
as the divine wholeness whenst 'tis all slumped and wretched,
and white in unsoiled finery, whenst all goes to dirt and waste;
For grossness shalt escape thee, and stains couldst still, not thee fetch.
To every purity thou shalt thus be the best young match;
Ah, just like my mind shalt ever want thee to be;
but thou art missing from my sight-ah, as thou art not here!
Our paths are far whenst they are but near,
and which fact fillest me still, with dawning dread and fear
Unfortunately, as in this poem, my words not every heart shalt hear;
And to my writings doth I ever patiently retreat, the one,
and one only; whom to my conscience so dear.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And just to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
How fate but still made us here and meet,
That clue shall never makest me blind, and forget!
Now blighted I am, by dire ungladness and regret,
for having abhorred, and slighting thee too much!
For should I still cherish thee before my mortal death,
and be bitter and testy not; much less grim or harsh.
For fate is what fate is, as how love is just it looks;
and God's doings cannot be wrong; and true and faithful
as words I found crafted, and deciphered in old books.
Ah, and God's blessings are to arriveth in time,
and to taste whose due I indeed needst to be patient.
Be patient t'wards the love on which I climb,
ah, as for me-and whenst the right time cometh-
thou shalt be my sole wealth; so dear and sufficient!
And so for thee, no matter how thou hath my heart now torn,
Still I canst, and shalt reward thee not-with scorn;
for thou art my fate, my path, and my salved destiny;
For of which I am assured, definite, and convinced-
with all my degrees of humble pride, and vivid certainty-
Ah, darling, and thou art my humbleness, but also too many a time-my vanity;
For whom I shan't go and venture but anywhere-
As long as thou stayest and last-verily and for yon whole eternity, by me.
JG Reposh Sep 2010
a railway station with just
three people in it
and you just
walked by
through

one
alone
in bed
with nobody
but you, why
is your breathing
so quiet? please.
and if you want to
then stand up to
walk out and
leave and
return
seeing slow
and pardoning
the bareness of
a new and very red
sunrise

sometimes
I watch it &
I wish you were
dead. but then it
comes up all the
way and I know
that I'm the one
I wish was dead.
and washed back down
to those dead ones
to sit and wait
and whittle my
patience down
so far as
here
- written with a friend.
SassyJ Mar 2016
Your stars glimmers
Belching, wrenching
Exposing my ethnic aura
A tape of heavenly bliss

The acoustic rhythm
Essentially subliminal
Satiably insatiable
Tracked traces covered

Your tree branching out
Railing through my bark
My bosoms blossoming
Tip-toe to my bareness

Your entirely arousing
A summation of beauty
A firefly to enlighten
Encased within to liven

A body I hold twinkles
Whistle magnetic presence
Sprinkle my mind to entwine
Assign your soul peacefully

A might, a light at sight
A whole in me,a one in you
Pluck, nip,smash,trap,stash
In dreamscapes and reality
Onoma Oct 2019
rusty dusks

leave twinges

of sunlight that

may not lift from

where they lie again.

shadowed corpus

growing late to rise--

the psudeonymn

of the last stranger.

revealing what was

so perfectly hid away--

delivered by the cost of

articulation.

bared--that's all, who's to

say?

as no one can see what that

bareness saw.
To touch her nakedness with my own
was to take our most human moment
and suspend it higher than the stars
where human beings had no right to be.

To kiss her while we met in bareness
was to transcend our humanity
and in our most ****** pleasure
feel totally unconfined freedom.

To make love with nothing between us
was to make humans’ humanity
and have the two come alive as one
where life itself is understatement.
Instagram @insightshurt
Blogging at www.insightshurt.com
Buy “Insights Hurt: Bringing Healing Thoughts To Life” at store.bookbaby.com/book/insights-hurt
I want you in your purest form
celebrate your freedom, Goddess
because
what's the perfect gift, if its never been unwrapped?
maintaining my composure
only to align my truths with your contour
see, I prefer you **** and clothed at the same time

Bare it all to me
without removing a single article of clothing
reveal to me
those beautiful scars
that you got centuries ago
although
they never fully healed at all

Guide me to those beauty marks in the most unseen places
until now
I Imagine myself
carefully kissing careless bruises
left by shameless past lovers
Be real **** for me
no where to hide secrets when you're completely naked

There is a canvas between your thighs
it brings out the artist in me
and the art of your naked soul attracts me
to want to know more

Sentiments of what you've learn to conceal
from others
you show to me
transparency in your bareness
as you impose

fearlessly
carelessly
freely
fluently
in your '******'
Sophia  Feb 2013
bareness
Sophia Feb 2013
you are lazy like a sunday and irrevocable like my mistakes

you go slow with me because the burns on my body are still fresh

“you’re so sentimental”, i whisper as you fill every crack in me, like cement

you dug a whole in the dirt and told me to bury my past right there

and you watched as i filled the ground with fires and nightmares

when you tell me you love me, i know what you are talking about

my skin lifts away and my bones ache from the bareness when you look at me
Donall Dempsey May 2016
BEAUTY O'ERSNOW'D AND BARENESS EVERY WHERE

A Christmas
with the Thames

almost freezing, then
thawing & then again

the London of 1598
asleep

under a quietness
of snow

that hides the world
from itself

as some Elizabetheans
go to steal

a theatre
silent now for a brace of years

frozen by bitter
dispute.

The playhouse dismantled
bit by bit

so that when it rises
it will become in time

The Globe
this wooden O.

Will turns his face
up to the stars

laughs
at this theatre theft

snowflakes settling
upon his eyelids

remembering when
he was all of 7

and the Christian tales
told in stained glass

are shattered
for their sins

now only white light
is to be

let in

picking up a shard
of the ****** Mary

here a fragment of
St. George.

He sticks out his tongue
tastes the snow

knows that
all things change to

begin again.

He laughs.

The ****** Mary's smile
still clasped in his hand.
Inspired by JAMES SHAPIRO'S COMPELLING 1599 - A YEAR IN THE LIFE OF WILLIAM SHAKESPEARE>

The 'theft" of their former theatre,The Theatre, which dismantled would become the famous wooden O. And Will watching( possibly ) when all of seven. . .the stained glass windows of his 'right goodly chapel" been smashed by a glazier who was paid 23 shillings and 8 pence for his smashing. These two images are what burned on in my mind.

I have often stood in that chapel and seen what remains of the whitewashed paintings now brought back to life. His dad had to order this whitewashing months before Will was born but by 7 Will could have been witness to the death of the coloured glass and all that was to be beheld there.

So this Midsummer's Day madness of 1571 really stated with me and forced the poem upon me.

"Popery may creep in at a glass window as well as at a door" as one William Prynne put it. The English Reformation going about its daily task to the dismay of the common folk who had to put up with the religion changing hands and changing hands yet again all in the little time of just over a quarter of a century.

Being a great lover of stained glass and its beauty this was what got me the most!

The title is from Will's Sonnet no. 5:

Those Hours that with gentle work did frame

"Beauty o'er --snowed, and bareness everywhere.
Then were not summer's distillation left
A liquid prisoner pent in walls of glass, "
Donall Dempsey May 2017
BEAUTY O'ERSNOW'D AND BARENESS EVERY WHERE

A Christmas
with the Thames

almost freezing, then
thawing & then again

the London of 1598
asleep

under a quietness
of snow

that hides the world
from itself

as some Elizabetheans
go to steal

a theatre
silent now for a brace of years

frozen by bitter
dispute.

The playhouse dismantled
bit by bit

so that when it rises
it will become in time

The Globe
this wooden O.

Will turns his face
up to the stars

laughs
at this theatre theft

snowflakes settling
upon his eyelids

remembering when
he was all of 7

and the Christian tales
told in stained glass

are shattered
for their sins

now only white light
is to be

let in

picking up a shard
of the ****** Mary

here a fragment of
St. George.

He sticks out his tongue
tastes the snow

knows that
all things change to

begin again.

He laughs.

The ****** Mary's smile
still clasped in his hand.


Inspired by JAMES SHAPIRO'S COMPELLING 1599 - A YEAR IN THE LIFE OF WILLIAM SHAKESPEARE.

The 'theft" of their former theatre,The Theatre, which dismantled would become the famous wooden O. And Will watching( possibly ) when all of seven. . .the stained glass windows of his 'right goodly chapel" been smashed by a glazier who was paid 23 shillings and 8 pence for his smashing. These two images are what burned on in my mind.

I have often stood in that chapel and seen what remains of the whitewashed paintings now brought back to life. His dad had to order this whitewashing months before Will was born but by 7 Will could have been witness to the death of the coloured glass and all that was to be beheld there.

So this Midsummer's Day madness of 1571 really stated with me and forced the poem upon me.

"Popery may creep in at a glass window as well as at a door" as one William Prynne put it. The English Reformation going about its daily task to the dismay of the common folk who had to put up with the religion changing hands and changing hands yet again all in the little time of just over a quarter of a century.

Being a great lover of stained glass and its beauty this was what got me the most!

The title is from Will's Sonnet no. 5:

Those Hours that with gentle work did frame

"Beauty o'er --snowed, and bareness everywhere.
Then were not summer's distillation left
A liquid prisoner pent in walls of glass, "

— The End —