i am seven and in your living room
with antiques & photographs
of family that are more like strangers
and handshakes at christmas
there is a jar of circus peanuts by the armchair
and i remember being told that these are here because they are never out of stock
and that they are the only things
children will not want to take from me
i still do not like the color orange.
i am eight and round the bannister
to an upstairs that reminds me
of heaven in that
place i can't go sort of way & i am
knuckle deep in your pumpkin pie
wiping it on my uncles suede jacket
our hands still shake but the jury is still out
on if he looks at me and napkins the same
i hope you do not sleep
with my apologies under your fingernails
i will not say them out loud
i know i should have mowed your lawn
i should have been a home
for second hand smoke
if i could go back i would be your ashtray
i remember the day you forgot who i was
i bound into the room and throw my arms
around you like an armistice
and you ask who i am
we are not in church
but everyone stops singing
i am passed from child to child
while we all laugh
but my lungs feel like
they've been mugged in an ally
who's son does he look like, mom?
my father says like gospel
you pull on your cigarette
sip from your watered down wine and shrug
and i am neck deep in forgetfulness
i imagine alzheimer's
as being born again every day
so, we will spend ages
looking at captions to photographs
telling your stories to strangers
as my father begins to forget
and when i imagine probate
an unfamiliar hand unfolding a will
to be read to wayward angels
i want to burn down the house
and sleep in the ashes

Under her dark veil she wrung her hands.
"Why are you so pale today?"
"Because I made him drink of stinging grief
Until he got drunk on it.
How can I forget? He staggered out,
His mouth twisted in agony.
I ran down not touching the bannister

And caught up with him at the gate.
I cried: 'A joke!
That's all it was. If you leave, I'll die.'
He smiled calmly and grimly
And told me: 'Don't stand here in the wind.' "

Indigo. A dream of the color, and the sound of soft rain. Bathing birds babbled among pines beyond her window, and morning light was warm on her closed face. An ache in the spine. Creaking knees. Shoulders cold cliff-rock. Complaining muscles knotted tight as wood. The wooden house around her also creaked in the wind. Smelled wet. And somewhere echoing through her fields Edgar barked three times, then once more in playful affirmation. Today maybe the last today. In her mind’s eye, falling almost back into dream, Nora surveyed the long acres surrounding her cold home: untended wheat, alfalfa, cattle-corn, all woven through untold ecosystems of weeds. Stray indigo flowers and violets. Scattered dust-filled barns. What the place might look like after all this time. With her right hand she sought the frame of the bed, found it, rough chips of paint flaking. Slowly exhaling at once Nora lifted her iron legs over the edge, thin-socked feet found the bedroom’s planks. Cold air. November hopelessness. With spider-sensitive fingers she plucked her way around the room, imagining violet dawn spilling through her screen window. Stood before the poker-faced mirror out of habit, ran her brush through hair that must now be silver. She felt the satisfying tug on her scalp and loudly past her ears. If her dresser was in front of her, to her right was the window and the pine-scented boxes where she kept his clothes, behind was her rumpled bed, and to her left then was the bathroom. She felt along the door-frame, the sink, the toilet, and sighingly she settled onto its seat. Relief.
Rain drops on her roof were like the “shh” breathed to an infant. Warm blanket of rain over the cold farm. The breathy wind was driving the rain towards her house, cranky knees told of a storm to come. The boisterous wind had the sound of laughter and strife, of voices: the twins arguing somewhere, Edgar probably with them over-enthusiasticly ******* their footsteps. The bellowing wind made the house creak more than usual, but there was something else. A distinctive groan from the foundation up the east wall to the roof-tiles. Someone was in the kitchen. Constance, just like it used to be. Connie was here and the twins were outside: they had arrived closer to dawn than Nora expected. Heavy truck’s tires in mud, headlights had pioneered dawn darkness. Smell of soil. Massaged her own back, kneaded the the flesh on either side of her spine, then wiped and stood from the seat letting her nightgown fall all down around her knotted ankles. Washed herself, and a short shower before the water turned cold. Dried her wrinkles feelingly, smelling soap, and pulled her soft nightgown back on. Socks.
Always a joy whenever Constance came to call — less frequently these days it seemed — always a joy to be with her grandchildren though little Bastian was still mistrustful of her. Always a joy to see her daughter’s family… but she never got to see Matt’s. An image of her son’s face, a red haired ghost of the past, flickered in Nora’s memory. He couldn’t stand this place since he was young, hated his full name “Matthias,” maybe hated Nora too. No reason to stay after his father died. He fled to the city. Must have a wife, several children by now. Well. At least Constance kept coming by. The rain grew heavier, played on the roof like the roll of a snare drum.
Out of the bathroom and bedroom, feeling the planks of floorboard with her soles, hand by hand and foot by foot she traced her steps down the rickety stairs. Uneven. Nora knew the chandelier she once hung here was red; she pictured the color as hard as she could to envision its reflection on each surface of the stairwell. Smell of pine. Like the smell of his clothes safely preserved in the boxes by the window. Jagged nostalgia. Nora had met dear Rowan back in another world: a world of whirling sights and colors and beautiful ugliness and ugliest beauty all. To America when she was nineteen, leaving behind all Germany and studying her new tongue. Had still devoured books then, was able to become a school teacher. When twenty-three, met in a chance cafe Rowan who worked the docks. Red hair. Scottish but of many American generations. Nora grabbed blindly at a face just out of memory’s reach. Her hold on the bannister revealed the places where varnish had been rubbed away by her wringing hands. From the kitchen, acrid cigarette stench and shuffling. Inflamed knees hating her meticulous descent, but better this ordeal each day than to abandon the bedroom they had shared. When the two met, Rowan still sent money to his agricultural folks in New York (“Upstate,” he protested more than once, “Not that awful city, but in the countryside!” and he’d pantomime a deep breath) because of the expenses of running their farm. Nora’s now. From the cafe he had bought her an almond pastry, triangular, smaller than a palm, its sweet crisp flakes made her think of Mediterranean forests, and when the two were married they worked this hereditary farm. Nora knew all the animals, when they still kept livestock. Now Nora’s farm, whose after? When her little Matthias was born they had praised him as the farm’s inheritor. Unwise.
Last step. Sound from the kitchen of Connie shifting in her seat, rustling papers. Smell of strong coffee. Strong cigarettes. Composed herself, quietly cleared throat. Sauntered down the hallway, monitoring expression and tone. Nora said, “Hello Constance. When did you three get here?”
“Hey ma,” said the woman’s voice when the elder crossed into the kitchen. “For christ’s sake don’t call me that.”
“For christ’s sake, don’t take his name,” Ma scolded, but then traced her way past the table to the countertop and felt about for utensils. “I’ll make you something Connie.” The counter was in front of her, bathroom to the left, stove to her right and along that same wall was the back door. ”How about some nice eggs and toast like how you like.”
“No ma, I handled it already.”
“And what color is that hair of yours this time?” Ma asked, carefully inserting slices of bread into the toaster. “Seems like months you haven’t been by.”
A patronising, sarcastic chuckle. “…it’s orange, ma.
Listen—”
“That is so nice. Your father’s hair was just that shade of orange.” Felt around inside the refrigerator. The styrofoam carton. Small and cold and round, her fingers seized four of them. “Do you remember?”
Pause. “I remember, ma.”
“What I don’t understand,” said Ma swallowing a cough, expertly igniting one gas burner as practiced and putting on hot water for tea, “is why you don’t fix to keep it natural. I love our nice fair hair, very blonde, very pretty.” Back home in Germany Nora had been the favorite of two men, but many years since engaging in the frivolous antics she in those days entertained. “Best to flaunt your natural hair color while it’s still there: orange like Matt and dear Rowan, or fair like you and Lorelai got.” Memories of her own face as she remembered it. Relatively young the last time she had seen. What wrinkles there must be. What a mask to wear. No wonder Bastian. Nora ignited another burner. Tick tick tick fwoosh. Smelled gas. Sound of the almost boiling water complaining against its kettle. Phantom taste of anticipated tea. Regret. The contents of the vial hidden on the top shelf. Today maybe the. Sound of heavy rain. “And how are your bundles of mischief?”
Connie sighed. “I told Lorelai to get her little **** inside the house, as if she hears a word. She’s playing with Ed somewhere in the fields I don’t wonder, rain be ******. That girl is such a little — well she’d better not be down by the creek anyhow. Could get flooded in a downpour like this. Bastian was out with her, but he’s playing in his room now. You know we don’t have time to stay long today, it’s just that you and I got to finally square this business away. No more deliberating, ok?”
Swallowed. “Course, Constance. Just nice to hear your voice. You’re taking care?”
“Care enough. Last time I was — oh! Jesus, ma!”
Ma’s egg missed the pan’s edge. She felt herself shatter the shell into the stove top, in her mind’s eye saw the bright orange yolk squeezed into the albumen. The burner hissed against liquid intrusion. Connie made a strained noise and scooped her mother into a seat at the table. Movement. Crisply, the sound of two fresh eggs being broken and sizzling on the pan. Scrambled as orange as Connie’s guarded temper. The table’s cool surface. Phantom smell of pine wood polish and recollections of Rowan at his woodworking tools building this table once. Other breakfasts. Young Constance, young Matthias. Young self. Her left hand massaged her aching right shoulder, then she switched. The sound of plates being readjusted with unnecessary force.
“You know,” said her daughter, “living in one of them places might even be fun. Might be good for you instead of moping about this place. But like I’ve been saying, we got to make our decision today: sell this place or pass it on. I know you don’t take no walk, cause where would you go? What’s the point in keeping all this **** land if you’re not gonna do nothing with it? You can’t even ******* see it!”
“Constance! Language!”
“Come on ma, just cut it out! This is great property, and you’ve let it get so it’s bleeding money.”
“…But Constance I can’t sell it, not like your brother wants me to do. He’s always trying to get rid of this place and turn a profit, but someone needs to take care of it! You know that this is the house that your f—“
“‘That your grandparents lived in where your father and I raised you…’ Yeah I know, ma. And I get it. Believe me. But what you’re doing is just plain impractical, why don’t you think about it? All you’re doing is haunting this place like a ghost. Wouldn’t you rather live somewhere where you can make friends? Things can’t go on like this.” A plate was placed softly on the table and it slid in front of Ma. Can’t go on like this. Egg smell. Salted. Toast, margarine. A cup of tea appeared nearby. “Anything else you want? Here’s a fork.”
“What will you eat, Constance?”
“I ate, ma, I ate already. Have your breakfast, then we can talking about this for real. Ok?” Then, the sound of her daughter’s body shifting in surprise, a pleasant unexpected, “Oh,” before Connie said low and matronly, “Hi baby, how you doing? Are you hungry?” But only the sound of the downpour. Orange eggs still softly sizzled. The wind pushed the creaking house. “Sweetie, you don’t have to hide behind the door, it’s ok. Come say hi to grandma… don’t you want some scrambled eggs?” Refrigerator’s hum. Barking echoed, coming over the hill. But not even the little boy’s breathing. Grandma had met the twins two years ago, following the **** of Constance’s rebellious years and independence. Nora was reminded of her german gentlemen and her own amply tumultuous adolescence. She could forgive. Two years ago Lorelai and Bastian had already been too big to cradle and fawn over, but they were discovered to be just starting school and already bright pupils. Grandma hung her head. Warm steam from where the uneaten eggs waited patiently. Edgar’s approaching yapping. And, fleeing from the doorway, a scampering of feet so light they might have been moth wings. Down the hallway back into his room. “Sorry ma,” said Constance.
Shrugged. A nerve flared in pain up her neck but she didn’t react. Only fork scrape. Ate eggs. On introduction, poor little Bastian had burst into tears and refused to go near her. Connie had consoled: “It’s ok baby, she’s just Grandma Nora! She’s my mother.” But poor little Bastian inconsolable: “No, no, no! She’s not!” What a wrinkled mask it must be. How hideous unkempt with silver hair. How horrible unflinching eyes. “She’s not,” would sob the quiet boy in earnest, “she’s a witch! Don’t you see?” And he never would let Grandma hold him. Lorelai was always polite, hugged warmly, looked after her pitiable brother, but her mind too was far elsewhere. Edgar alone loved them all unconditionally and was equally beloved. Barking. Yowling. Scratches at the door. Downpour. Door and screen door opened, wet dog happy dog entered, shook, and droplets on her cheek.
And there appeared Lorelai, a star out of sight. “Hey mom. Hi grandma!”
Grandma swiveled for cosmetic reasons to face where the door. Grinned, “Hello Lorelai. Wet?” Envisioned yellow sunlight entering with the excitable girl in spite of the deluge.
“Oh it’s so rainy out there grandma, I found little streams through your fields and big mud puddles and Edgar showed me where your secret treasure was, we found it!”
“Stop right there, missy!” commanded Constance. “For christ’s sake you look like you took a bath in the mud and the **** dog with you. Come on, your filthy coat needs to be on the rack, right? Now your boots.”
Warm nose found Nora’s palm, excited lapping. Slimy fur, smelly fur. A cold piece of egg dangled in her fingers, then dog breath came hot and licked it up. Satisfied, he trotted off elsewhere, collar jingling out of the kitchen and down the hall.
Little Lorelai lamented, “I couldn’t help it mom, the mud was all over the place! When we got past the motor barn and the one alfalfa field that looks like a big marsh frogs went ‘croak croak croak’ but Edgar growled and chased them and then we made it all the way in the rain to the creek and it’s so much—”
“Now you just hold on. Hold still!” Sounds of wrestling. Grunts of a struggle. “That creek must have been overflowing! Didn’t I tell you not to? You didn’t take your new phone out there did you, Lori?”
“No ma’am.”
“**** right you didn’t, cause I sure ain’t buying you a new one. Didn’t I tell you not to go all the way out there? Didn’t I? Now you get into that bathroom and wash your **** hands!”
“But I’m telling Grandma a story!” huffed little yellow haired Lorelai.
“Well wash your hands first and then we’ll hear it, Grandma don’t listen to misbehaving girls who are all muddy and gross. Not a squeak from you till you look like you come from heaven instead of that nasty creek.”
A profound sigh, a condescending, “Fine,” a door closing and a squeaky faucet running. Muffled hands splashed, dampened off-key ‘la la la’s.
“Who knows what the hell that one is ever talking about,” said Connie. “It’s everything I can do to get her to shut up for five ******* minutes. You done with your eggs?”
Ma fidgeted. The plate was scraped away, and a clunk by the sink. Licked her lips, mouthed a syllable, about to speak. But then her house creaked three strong along the east wall. From deeper within bubbled a suppressed sob: “Mom,” little Bastian wailed, “Mom, come quick!” Constance sighed, Constance cursed, and Constance swept off down the hallway struggling to refrain from stomping.
Sound of washing. Wind. Rain. Alone. Cold. Picking out the paint for this room, listed in gloss as ‘golden straw yellow.’ Rowan hadn’t liked it and chose himself the bedroom’s color in retaliation. The loss of the home they had built together. The contents of the vial hidden on the top shelf: do they see it? Bathroom sink stopped flowing, door wrenched open. Smell of soap, clean smell. Grandma said to her, “Your mother went to check on Bastian,” Taste of eggs still yellow on her tongue.
“What a *****!”
Stunned. “Lorelai!” she snapped. “Don’t you dare take that language!”
“But mom does it all the time.”
“Then Lorelai, it’s up to you to be better than your mother. When I’m not around any more, and your mother neither, you’ll be the one who keeps us alive.”
“But as long as you’re alive you’ll always be around, you’re not a ***** like mom. And remember? I got all the mud off so can I finally tell you can I what we found? Well actually it was Edgar found it. Oh and I’ll describe it real good for you grandma just like you could see it: when we pulled up we were just wandering in the blue rain, Bastian and me, and silly Edgar joined us but Mom tried to make us come back of course but I told Bastian to stay with us at first, but later I changed my mind on it. It was he and me and Edgar were hiding in the old motor barn where it smells like a gas station remember grandma and he was so excited to see the sun when it rose and made the morning violet sky he started clapping and Edgar got excited too and was barking ‘bark bark’ and howling so I told Bastian to go back even

Love is a word
like a sword
that has worn
out its scabbard,
a lonely *******,
or a red rose
that opens alone,
a dream that lingers
for too many seasons
and passes in the shadows,
furrows in the dust
on a bannister,
a rock in the garden
of lust,
an empty place
at a table,
a ring on a cobweb
in the rain,
a long hair on your bed,
a nail in a blank wall.

I’d swear a monster lived in the hall
Of the house when I was young,
Just like the tiger under the bed
I could see when they were gone,
For I could hear him climbing the stair
When the house was fast asleep,
I knew he roamed around and about
When the stairs began to creak.

And then he’d enter my bedroom and
He’d re-arrange my toys,
That’s how I knew he disliked me, he
Kept all his tricks for boys.
He never bothered my sister, or
Disturbed her dolls and things,
Her bedroom was like a sanctuary
For her necklaces and rings.

He’d hide in all of the daylight hours
So he’d not be seen by them,
The others, who would make fun of me
When I warned them all again:
‘You wait, he’s going to take you out
He will catch you unawares,
You won’t be able to scream or shout
When he comes, and climbs the stairs.’

The winter months were both damp and cold
And the woodwork creaked and groaned,
It shrunk and stretched, it was getting old
And it hid the monster’s moans.
So I hid down by the bannister
And I tied a string across,
To trip him when he would climb the stairs,
I would teach the monster loss!

A storm was raging outside that night
And the wind howled through the trees,
The back door opened and flapped a lot
And let in a winter breeze,
I heard my father run down the stairs
And an awful cry and crash,
Then silence settled and fed my fears
Where the bannister was smashed.

I thought the monster was gone for good
With the service come and gone,
I thought he couldn’t survive that crash
And the crematorium,
But barely a week had passed us by
And the stairs began to creak,
So I placed a candle under the stair
And the place burned for a week.

David Lewis Paget

In 1983, the Fashion Design Council burst on to the Melbourne scene like a Liverpool kiss to the mainstream fashion industry. Inspired by punk's DIY aesthetic and armed with an audaciously grandiose title, an earnest manifesto and a grant from the Victorian government, FDC founders Robert Buckingham, Kate Durham and Robert Pearce were determined to showcase the burgeoning Melbourne design scene in all its outrageous glory.

"People resented hearing about Karl Lagerfeld," says Durham. "Our movement was against the mainstream and the way Australians and magazines like Vogue treated Australian designers."

Over its 10-year lifespan, the FDC launched such emerging designers as Jenny Bannister, Christopher Graf and Martin Grant. But what was perhaps most exciting was the FDC's ecumenical approach. Architects, filmmakers, artists and musicians all partied together at runway shows held in nightclubs.

"It was an inventive time when people came together and made people notice fashion," says Durham.

Among the creative congregation, Durham remembers artist Rosslynd Piggott, who constructed dresses of strange boats with children in them and filmmaker Philip Brophy, who used "naff" Butterick dress patterns. Elsewhere, an engineer made a pop-riveted ball dress out of sheet metal. The crossover between music, art, graphic design and film extended to architects such as Biltmoderne (an early incarnation of celebrated architects Wood Marsh) who designed the FDC's favourite runway and watering hole, Inflation nightclub.

"Clothing was confronting," says Durham. "It was brash and tribe-oriented. It was quite good if you weren't good-looking. People liked the idea that this or that clothing style was going to win you friends."

Today, however, even Karl Lagerfeld has a punk collection. To complicate matters, "fast fashion" appropriates the avant-garde at impossibly low prices. The digital era too has caused the fashion world to splinter and bifurcate. What's a young contemporary designer to do?

"The physical collective is no longer that important," says Robyn Healy, co-curator of the exhibition High Risk Dressing/Critical Fashion, which uses the FDC as a lens to view the current fashion landscape. "These are designers who are highly networked through social media who put their work up on websites."

Fashion designers still use music, film and architecture, but in different ways. Where FDC members might document its runway shows with video, studios such as Pageant use video as the runway show and post them online. Social media is perhaps the big disrupter. Where FDC designers might collaborate with architects, today it's webdesigners.

"Space has changed," says Healy. "Web designers might be the equivalent of the architect today. It's a different use of space."

As grandiose as the FDC, yet perhaps even more ambitious in scope, is contemporary designer Matthew Linde's online store *** gallery, Centre for Style. Like the FDC, it offers space for "artists who aren't at all designers per-se, but they're dealing with a borrowed language from fashion", Linde told i-D magazine.

"It's an extraordinary juggernaut across the world with a huge amount of Instagram followers," says co-curator Fleur Watson. "[Linde] has created a brand that uses social media in an interesting avant-garde way."

Yet unlike their often untrained FDC counterparts, these designers are perhaps the first generation of PhD designers, notes Watson. "Robert Pearce had a belief in culture changing the world. That's what these new designers are reflecting on in their research, their position in the fashion world and how do they change the way fashion works?"

While it's also true that new technologies offer exciting possibilities in embedded fabrics and experimentation with 3D printing, fast fashion has created certain expectations.

As Cassandra Wheat of the Chorus fashion label laments: "It's just hard for people to understand the complexity and the value that goes into production without being really exposed to it. They think they should have a T-shirt for cheaper than their sandwich."

During the course of the exhibition Chorus will produce its monthly collection from one of the newly designed spaces within the gallery. The exhibition's curators have commissioned three contemporary architects who, like its '80s counterparts, work across the arts, to interpret FDC-inspired spaces. Matthew Bird's Inflation-influenced bar acts as a meeting place for the exhibition's forums and discussions on the contemporary state of fashion. Sibling architects abstracts the retail space, while Wowowa's office design resembles a fishbowl. For Watson, the exposed shopfront/office has as much front as Myer's. Its architecture suggests the type of brazen confidence every generation of fashion design needs. Says Watson: "Fake it till you make it."Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/formal-dresses-2017

Will anyone remember how I placed the empty mug
On our bannister
At the top of the stairs.
Like everything now,
It was waiting
Like all of us,
To be cleansed
To be filled
To be emptied
And start again.

I am standing on a staircase, on the seventeenth step,
but the eighteenth onwards has no bannister,
up until now, I've had a safety net,
something to lean on when
the steps aren't lit properly.

'Now', I tell myself,
'I've seen people who have fallen
and manage to grip to the edge
and pull up...towards the next'.
'But I've seen people fall
and never get up'.

I say;
'Am I another statistic?
Am I another failure?
Am I another mangled corpse for the cleaners?
Or...
Am I going to lift my leg and take that step?
Am I to ignore the thoughts?
Am I stronger than I let myself think?'

I lift my leg.

Upwards and onwards, I guess.

These are the moments poets write about, paintings waiting. Quiet city streets at sunset, building, highrise sentinels of man's unquenchable thirst for conquest, and all of us together under one sky, waiting.... This radio screaming in my ear, Bon Iver, Conner Oberst, the other poets that wander these lost, lonely alleys. Sun's rays fading, as city lights rise. The soft blue becoming the strange azure, that fades to my indigo incandescent familiarity. This nighttime refuge of lost souls, wandering the frozen streets, and becoming something more than the sun can make them. That soft, ragged, imagined power coming from within each of us, in the open darkness of a concrete river. Nothing has changed but the light, and the new light makes each of us something more than we were in the rays that preceeded it. There is nothing to take away, nothing to subtract, nothing to glean. Just this place, this almost-lostness, betraying in itself the proclaimed divinity of dark. Stepping back, without looking behind, not knowing that the fear in front of you cowers before the monster behind your back. Just. Live. Be, let the being become you, and embrace this inner-self so few have seen, so few have touched, so few have truly loved. realize that all things wear a darker form, and the things that lay in wait under these city streets are dangerous. The way a chainsaw is dangerous in the hands of a child. There is no way to know who will get hurt, and once the chain of events is initiated, there is no way to safely remove the weapon from the hands of the naïve. Things that bite, hiding in dark corners, and laying wait for the lost, weary, and heartbroken. Lighted hallways, entrances into the other realm of indoors, torch-lit passages into forbidden and mysterious kingdoms. Every stairwell lit. The bannister to the lower, and upper, a stripe on walls as I drive on. Two million bulbs of nightlight security, and still this city finds shadows in which to hide fear. Dark corners for the lonely, and blind alleys for the lost. Every heart beating, fresh hot blood, and no warmth to share. Scared and alone, wanderers all, until the burn of the light we call home beckons us there. This passing of time, a gift, from gods unseen, and hands unheld. Colded fingers for want of a lovers touch, or the precious gift of familiarity in a foreign land. Alien landscape, and this, my unfettered direction of ambiguity. Directionless wandering for want of a chosen path, and no choice but to take the offered road. The fear secondary only to the loneliness, oh that curse that comes again.

Dear Me..... First let me say that i love you.  That's real talk.  I have nothing to gain....after all we share the same names.  I've been with you throughout the years.
I vividly remember all those tears.

The abuse and yelling and screaming and running away.  I have bad memories.... like your father dropping you over the bannister causing you to visit the hospital that day.  He was cracking jokes....while we had a hole in our head.....I recall... not so fondly the words he said "don't tell your mother....don't say a word." He had a nerve to repeat it as if I hadn't heard.

Yes...he said it was your fault...but i new better.  I wanted to give you some closure....so I'm writing you this letter.  I hear you tell the stories every now and then.....you tell it with a smile although there is pain that still resides within.

How many times did we wander the street? ...searching and begging for change .....just to get something to eat.  The one that was supposed to love you.....really didn't know how ......his father died when he was fourteen.

How could he care for you and he was only nineteen?  Then he started to hustle and bought a store......got high off his own supply .....firebombed his house.....because when the kids were younger ......he would make them cry.

I remember him saying that you wouldn't amount to much and smacking you in front of his friends for GP.......it wasn't just you.... he did it to me.  

But enough of that.....Look in the mirror and see the man I see.  Can you see those eyes? Hey ....that's me.  You have have come a long way.......abuse,cheating spouse who had a child by another.....where's Rihanna? I could use an umbrella, ellla,ellla,aye.

The divorce took a toll on us.....I'm glad you went to church.  In God we trust. Thank you for writing and saving us....you held so much in I'm surprised you didn't bust.

You have been through a lot in this life and I just want to tell you.....You are more than a conqueror and you will win.  I'm going to be by your side until the end.

I love you like I love my Son......now I want to shine like one. I'm proud of you. I want your faith to increase....greater is he that is in me..than that is in the world.

Sincerely yours......Jesus and me

Freezing causes wheezing,
Leaving leaf spores breeding down my trachea,
Allergens spin n turn sharply attacking the tools that physicalise my life with its ins and outs
Oh 2 see oh 2 breathe oh 2 feel free from the obstructions that structure my schedule to be dormant
Walk up the stairs hold on to the side "are you ok?" No Annie in sight,
Just I, end
is nigh
I roll my knuckles and pinch my palms
Shouldve cut my nails, shot shoots up my arms.
I knock 3 times on the bannister,
I Commit to it being my balancer
Eyes leaking, chest croaking
tight feeling  like I'm choking
Gasping hurts but needed to soothe the need of a response

"I'm fine, just a bit chesty"

Don't ask any more or i can get tetchy

Lecture me on meds im taking
if my rooms tidy or am i forsaking,
still smoking? buffing and *******  that sweet foam **** till it turns hard and golden tarred like caramel muck.  
Just my luck that the something that makes me feel at ease can send me bending to my knees
not for pleas
But to construct a wheeze
Leaving me
Starting every sentence with please,
help me.
Don't even know what im pleading to
Or Who is listening to the self harmer
With a clear thought that I deserve to be preserved and cured of this karma
Inherited from my grandfather which I didn't know until I was told to ask my mother.

Ask ma

She knows about your Asthma.

She's a self destructor
well known for being a self wrecker
A self pecker
leaving holes to be filled by watless ***** carriers
Frieghts of frightening memories
Sure one day shed love to tell me.
But she destructured herself
And left me for others to construct by themselves.

Destructing the self: is the art of not giving a **** but really not giving a **** to the point that there's no fcuks to give and giving a **** means you're affected by fcuks who dont give a **** or willing to give you an iota of optimism
A helping hand
A hope full of hopeful hopes
Hopping fluently between the structure of the destructed self
Which makes me feel woozy

As i struggle hard to say no to this tobacco
especially when it's been weeks
And the feeling of ease is punishing me for a past ive not seen but i realise in that moment we have much in common

Self destruction is our common denominator
Our choice is the same and is made the same
over and over again
Its still the same
results never change
And still leave us with this taint
That we are responsible for cleansing

So what more do i need to ask ma for?
She's giving me answers by her flaws. That's her gift to me,
her way of setting me free
well here's hoping she breathes easy.

Words meander alabaster wanderers no rhythm for the panderer
Poetic evangelists sliding on the bannister, siding with a barrister
Space flown canister or crushing apples after Alistair
Prose left with the carrier, roses left in the carriages
Verse burst from the hearse serenade the ears and it'll carry ya
The skies are full of lies from the savages and the miracles
of marriages
But this disparages the ties between the higher dyes of oranges
These tobacco stained nostalgia skies are going away someday
to read the words of de Vries, mystique of poetic compromise
The only poems worth reading are the ones behind her eyes

Anarchy
Grows in my heart organically
I'm sky high
Don't apply to no gravity
Mid'flight dog fightin' with insanity
Crash to the floor
My eyes burning with clarity
Mind state retaliate eradicate depravity
Assassinate a character
Animate a passenger
Blind hate.
The scavenger
The ravager
Ravish all the challengers
And massacre the amateurs
Banish all the stragglers
Smack with em a cannister
**** sliding down the bannister
Pay my debts like my second name was Lannister
Vanish like a phantom of the avatar
The damager
The battler