Sue Venir loved Hugh Biquitous, but he was unreliable, so she confided this to her friend, Di Namic who confirmed he’d been seen with Penny Farthing and Miss Chevous. Then she ran into Ken Tucky, who’d just broken up with Jen Erator, and was known to hang with Mel N. Choly. Together, they and Dan Ube went to a party thrown by Perry Winkle at the house of Dana Point.

Con Valescence introduced Sue to Marine Layer who asked Mr. Tucky to join the conversation, and they’ve been conversing ever since. Lou Kemia couldn’t make the party as he was ill. This was confirmed by Nick Knack who’d been informed by Conrad Alert.

Penny Saver left early, heading over to the home of I. Stan Bul, who was throwing a celebration in honor of Hazel Nuts and Grant N. Aid, who were to be married by Will Power, though Miss Givings, his former girlfriend, did not approve. Celebrants included Buzz Saw, Ma Larkey, Ben E. Diction, ***** Pack and of course Ann I. Versary, who deemed it worthy of being remembered. Tom Foolery was always good for a laugh, which was appreciated by Art I. Face, Dee Vice and Tess Osterone.

Some chose to dine alfresco, notably Flora Fauna, Heidi **, and Ed U. Cate. Barb Ituate was a downer, though Ma Larkey tried to cheer her up, watched by Cliff Hanger who wanted to see what happened, until a dispute arose between Ana Conda and Ann Ticipation, who’d both been vying for the attention of Billy Goat.

Meanwhile, in another part of town, Terry Dactyl was in a dispute with Billy Club over Lilly White because of something Miss Conception had reported after hearing from that duo, Caesar Salad and Reuben Sandwich.

Junior Mints tried to mollify the situation with sugary statements, but was interrupted by Yuri Nal, who said he had to go, and then left with Jay Walking and they were off to congregate with Diane Tomeetya.

At the next table General Jive held court in a warlike mood,  that Cary Cature tried to lighten.  With them were Tex Arcana, whose accent was amusing to Bill Collector, Al Gorythm, Tim Buktu and Marv E. Lous, who always had a great time wherever he went.

By then, Bobby Pin, the luscious seamstress, had given up on Peter D. Out, after seeing him clowning around with Butch Wax and Slim N. None, all of them malcontents and disrupters.

In walked Daisy Chain, newly arrived  from the Southern Hemisphere, along with Sydney Australia. Klaus Trophobic had initially agreed to travel with the two of them, but said he had to stay at home. Frank O’Phile overhead this and confided to Phil O’Sophically that there is sometimes merit to such position.

The restaurant was owned by Ty ****, managed by Chuck Wagon, with the food delivered by waiters Clay *** and Terry Aki , assisted by busboyTara Misou.

The next morning, everyone gathered at the home of Dawn Patrol, who was there with her new husband, Earnest Money, after divorcing Perry Mutual. Deb Enture was her maid of honor.  Nick O’Time was nearly late to the party, driving in with Stu Debaker, via a shaky Uber driver named Manuel Shifting.

Al Acrity was his usual sunny self, but not when Den O’Thieves interrupted his conversation, which was shut down by Kay O.

Sherman Oaks and Van Nuys were late, having gotten mixed up on the location. Cliff Hanger was worried about the falling stock market, and as a result was getting drunk with Jack Daniels. Stan Dup was his usually assertive self, but was overshadowed by the always munificent Cy Pres.

Claude Hopper was dressed in yesterdays’ styles, but that didn’t matter to Dov Tail who  was going into business with Matt Chabox, known for his incendiary personality. They had two other partners to round the group out, **** Ular and Ben E. Fit.

Gar Gantuan loomed large, and was unstable when paired with Mo Mentum, who said in such situations, they needed to involve Otto Matic.

Terry Cloth was wrapped around Jan U. Ary, ogled by Barbie Queue and Coleman Lantern.

Prime Architect,  the absurdity of your art
fills me up like a riddle, bends the bars of
reason I'm forged within. A Byzantine
world - every fold and layer gyro'd in
astronomical administration, the scheming
of cogs clicking perfectly into place:
vast machinations leaving me windless,
birdsong squeezed entirely from bellows. Up
a lonesome trail; steep and narrow,
knowing faith is a sword too heavy to hold.

HAVE FAITH, they told me; prodded me
to constancy as a mother in S. Carolina backed
her station wagon into a lake with locked
doors and two sons inside. Evil has no horns
after all - it's a lozenge the flavor of a kiss,
there but not there, some puff of violet smoke
unraveling from a dancing brass censer.
The lance of Longinus pierces fleece;
the snake encircling the world swallows
its tail once more.

Jesus, be gentle. Come into me,
pop my doubt like an oozing fruit,
harness me to the light so I might saddle
and swing to the sound of your breath as it
sighs amongst the reeds. Test the
limits of my body as I have chewed and
swallowed yours. Communion makes
a cathedral of me, etches shadow
amongst the stars of the vaulted clerestory
as the nave shimmers with the swords
of flaming prayer.

HAVE FAITH, they told me, massage the
qualms from your dark marbles. Drop coins
down the wishing hole, let the godhead flow
through, like ink, to the parchment of you.
Alexandria burns again in the distance,
books yet unwritten exploding within us all
like the floral horror of a supernova.
Arcana lost, arcana found. Meanwhile, reason
and faith explode through the doors of the
friary, grappling like shadows draped upon
the thirsty Earth.

Iscariot, lay me in your bed of thorns and
mandrake, foxglove and myrrh; call me love,
drink blood from me as the moon sets over
Gethsemane. Let the light darken for a bag of
silver, let the bush burn down like a candle
smoldering cold. I've traced upon my bedsheets
maps of the world in its unmaking, lined shelves
with complete skeletons of extinct animals,
their hopelessness; the guts of this 7-day
world, veined with ribbons of gold, starred
by rubies and amethysts of the
deep-down. All of this, man's
betrayal of man.

HAVE FAITH, I tell myself; within the *****
of this bouncy ball clockworked amongst
the spheres, there's a place: vault
of the Animus, where God melts
away in your mouth, where Lady Macbeth
is still wringing her hands beneath
the font and the horses feast upon the
Eucharist of each other's bodies
like they were Easter hams, like their
blood were sweet wine. Where Abraham's
blade still shadows Isaac's binding;
where death has no power over us.

* * * * * *
I drove a chariot for Egypt’s dead gods,
obeyed decrees of an angry Pharaoh.
Vision widens where hope seems to narrow
as coral crusts the rims and axle-rods.
Submerged upon the sands my army’s host;
Erythrean currents their secrets keep.
The waters gave way, drowned me in the deep
while God led you forth toward your promised coast.
There was no choice for me, the charioteer.
A tyrant sent me forth to hunt you down;
pursuing you, I thought your end was near.
In the descent, I lost my star and crown.
My lord was false, while yours continues strong…
I rise from depths to further you along.

Stillness set in.
There are no more waves,
only bird bath ripples.
I drink to me and my light.
To me and my night.
I opened my veins and set you free
and you turned into a lake.
There’s a boat where a couple sleeps.
They dream as one and
hope in two and
give color a pulse.
It breathes with a small mouth:
Open. Close. Open.
It wants a drink from my cup.
But for now, my cup is empty.


Something stretched and rubbed its eyes,
awake in a new light.
There are waves in the bird bath.
I drink to me and my night.
To me and my right.
I opened my veins and set everything free
and it turned into an ocean.
There’s a boat where
a couple sees and speaks.
They see as one and
search in two and
give color a pulse.
It breathes in, small mouth stretched wide:
Close. Open. Close.
It had a drink from my cup and it knows all.
For now, my cup will never be empty.

Bright child of the Tarot, a new age awaits you –

but not through the mazes you’re wandering in.

Your gypsy desire and clairvoyant excursions

are setting your beautiful brain all a-spin.

The dog at the precipice barks out a warning:

the FOOL, the MAGICIAN and PRIESTESS are wrong

Pay no heed to their signs and the omens around you –

let faith be your shield when the DEVIL seems strong.

JUSTICE, as blind as the HERMIT is *****,

has seen that our TOWER is stricken and doomed.

The SUN, MOON and STARS in their orbits bear witness

as LOVERS  in ******* to DEATH are consumed…

Egypt can’t help you – the CHARIOT‘s  stalled

While the TEMPERANCE angel was mixing the drinks.

The EMPRESS (a tedious feminist) preaches

an upside down future, the HANGED MAN thinks…

Though the WHEEL almost crushes you turning this way

And the staff of correction has battered you hard

I am sure you will make it, if only you pray

to the sovereign elector who holds every card

for a ray of redemption to light up your way.

Let the major arcana now bow and acknowledge

as  JUDGMENT is sounded and shatters the sky

that righteous and just is the blessed Redeemer

who loves every lunatic card-addled dreamer

like you and like me. Therefore hear as I cry

that the WORLD in its fulness can’t harbor His love –

nor the heavens within nor without nor above…

May the HIEROPHANT‘s dynasty wither away

and the EMPEROR‘s  scepter be broken to shards

as the breath of God’s Spirit comes into our world

to reveal the true STRENGTH of your house made of cards.

Ojalá mi cara fuese jazz.
Ojalá mi cara fuese atardecer de cien días
y se perdiese como música en la marea.
Ojalá mis notas fuesen fuego
que corriese raudo por tus venas.
Ojalá se perfumasen en el aire
y  diesen sentido al amanecer del alba.
Ojalá fluyesen como el agua
suavemente rizando la rojez del cielo.
Ojalá fuesen contundentes como la roca
y cayesen a plomo junto a mi corazón muerto.

Ojalá mi cara fuese jazz.
Siempre cambiante, nunca la misma
subebajando en el horizonte.
Tierna y vibrante, siempre difusa
alzándose hacia el cielo con alas desplegadas.
Dulce y salada, externa e interna,
por ósmosis entrando por cada poro.
Pesada y rígida, sólida y pura
cercenando la realidad con su ser preciso.

Ojalá mi cara fuese jazz
siendo lo que no es,
no siendo lo que es.
En cada instante de su espacio manifestándose
en cada punto de su tiempo existiendo.
Única e indivisible, aunque difícilmente alcanzable.
Verdadera mentira que perdura tras los siglos.
Satírica cual elefante boca arriba
dando a luz a lo que siempre ha sido nuestro.

Ojalá mi cara fuese jazz.
Saliendo hacia la luz verdadera
y tornando hacia la oscuridad traicionera.
Volando hacia arriba y en picado,
oteándose a si misma , eterna y cierta.
Creando un nuevo mundo igual a este,
igual de distinto que este a si mismo.
Imitando la certeza de lo incierto.
Pretendiendo con falsedades llegar al verso.

Ojalá mi cara fuese jazz
y fuese objeto de su ser
y fuese sujeto de su haber
y se realizase siempre que le dieses tiempo
y se realizase siempre en lo que siempre fue
y avanzase inmóvil hacia la verdad
y esperase impasible a la mentira.
Ojalá de cada error saliese un mérito,
una esperanza, una virtud siempre precisa.

Ojalá mi cara fuese jazz
tornando el arte arcana en ente nuevo,
aunque sea falso.
En estúpidas epifanías tornando el acto
cual poeta escribiendo estos versos.
Ojalá repetir versos pasados en lenguas nuevas
y llamarse artista.
Mero comentarista y observador
de lo que precedió en tiempo y espacio.

Ojalá mi cara fuese jazz
existiendo con sólo pensarlo
negando el pensamiento mismo,
lógica implacable mintiendo mi rostro,
contradicciones inapelables mintiendo mi ser.
Con precisión matemática ser mentira,
con la etereidad del arte ser verdad.
Ojalá como estafador maestro ante tu mirar
se hiciese música que disfrutar.

Ojalá mi cara fuese jazz,.
Ojalá mi cara no fuese jazz.
Ojalá no tener cara, ni nada.
Ojalá el solo pensarlo me dejase ciega,
sorda para la música de mi rostro.
Ojalá pasar por debajo de una escalera tirada
para no recibir buena suerte.
Ojalá austera o inexistente,
cual dios mirando tu filosofía vana.

Ojalá mi cara fuese jazz
y unificase tantas corrientes
como puede abarcar con sus brazos.
Ojalá pudiese tornar cierta la realidad
por el mero hecho de pensarla, pero no puedo,
pero mi rostro se muestra impasible
ante desdicha tal y sigue avanzando;
regla dorada entre uñas de marfil,
largos palillos para comer la realidad desvirtuada.

Ojalá mi cara fuese jazz
y revolucionase el mundo con su pensar
y desmontase heregías como ciertas.
Ojalá años más tarde siguiese su lucha
contra el infiel divino hasta su muerte,
y como la de un mono con barba
se tornase contra el padre de la ciencia moderna,
y le enseñase a pensar en sueños,
a soñar en vida, a soñar en muerte.

Ojalá mi cara fuese jazz
y se repitiese eternamente para mi suerte,
nunca cambiando, siempre presente.
Ojalá asesinase al padre de todo
y se adueñase de su lugar.
Ojalá existir antes de ser.
Ojalá rodar por la vida sin mirar a los lados,
destruyendo lo que tantas veces nos ha aplastado
y creando la belleza del arte, que es eterna.

//

I wish my face were jazz.
I wish my night were sunset of one hundred days
and it lost itself like music in the tides.
I wish my notes were fire
which ran swift in your veins.
I wish they would perfume itself in the air
and gave meaning to the morning's sunrise.
I wish they flowed like water
softly curling the sky's redness.
I wish they were sturdy like rock
and they plummeted next to my dead heart.

I wish my face were jazz.
Always changing, never the same.
updowning in the horizon.
Tender and vibrating, always diffuse
rising towards the sky with open wings.
Sweet and salty, extern and intern,
by osmosis entering through each pore.
Heavy and rigid, solid and pure
cutting through reality with its precise being.

I wish my face were jazz
being what it is not,
not being what it is.
In every instant of its space manifesting itself
in every point of its time existing.
One and indivisible, although hardly reachable.
True lie which endures beyond centuries.
Satiric like elefant on its head
giving birth to what always has been ours.

I wish my face were jazz.
Going out to the true light
and turning to the treacherous darkness.
Flying upwards and in a dive,
scanning itself, eternal and true.
Creating a new world equal to this,
equally as distinct as this to itself.
Imitating the certainty of the uncertain.
Trying with falseness to reach the verse.

I wish my face were jazz.
and it were object of its being
and it were subject of its having
and it came true always you gave it time
and it came true always in what it always was
and it moved fordward unmoving towards the truth
and it waited impasible the lie.
I wish of every error a merit would come out,
a hope, a virtue ever precise.

I wish my face were jazz
turning arcane art into a new being,
even if false.
Into stupid epiphanies turning the act
as a poet writing this verses.
I wish to repit old verses in new tongues
and to call myself an artist.
Mere commentator and observer
of what preceded it in time and space.

I wish my face were jazz.
Existing with only thinking of it,
negating thought itself,
implacable logic lying my visage,
unnappealable contradictions lying my being.
With mathematical precision being a lie,
with the ethereality of art being the truth.
I wish that like master con artist before your looking
it turned itself into music to enjoy.

I wish my face were jazz.
I wish my face weren't jazz.
I wish I didn't have a face, nor anything.
I wish only thinking of it made me blind,
deaf to the music of my visage.
I wish passing under a fallen ladder
to not receive good luck.
I wish austere or non-existant,
like god looking at your vane philosophy.

I wish my face were jazz,
and it unified so many streams
like it can embrace with its arms.
I wish I could turn reality true
with the mere act of thinking it, but I can't,
but my visage shows itself impassible
before such misfortune and continues onwards;
golden rule among ivory nails,
long chopsticks to eat the desvirtuated reality.

I wish my face were jazz
and it revolucionised the world with its thinking
and it disassembled heressies as true.
I wish years later its fight would continue
against the divine infidel until his death,
and like a bearded monkey's
it would turn itself against the father of modern science,
and it taught him to think in dreams,
to dream in life, to dream in death.

I wish my face were jazz
and it repited itself enternally to my fortune,
never changing, always present.
I wish it assassinated the father of everything
and took its place.
I wish existing before being.
I wish rolling through life without looking sideways,
destroying that which always has crushed us
and creating the beauty of art, which is timeless.

I am Emperor. I am Death.

All ye who challenge my reign over kingdom and kin
know not the true consequence of thy sins.
In flesh, I come bearing bountiful wealth and crown;
alas, in decay, I may claim nothing as my own.
Upon white steed I ride, demanding thy reverence,
for no mortal plea may earn my benevolence.
My castle is made of shattered coffins and bone.
The lives I take are etched upon my throne.
I am balance, bringer of law and order supreme,
yet my presence is sought only in screams.

"Our true end hath come!" my countrymen thunder,
"God, please save us! Death shall tear us asunder!"

Wherefore doth thou cry for a holy savior?
Wherefore doth I warrant such behavior?
I was thy maker, thy just and wise king,
I asked for no riches or engraved rings.

I am Emperor, I am Death, and in the very end,
the only true kingdom is made of dead men.

We sat on the carpet in the bedroom
and I pulled between us that family heirloom,
a sea chest belonging, at one point, to some
grandfather or another, and we began
an apparently curtailed version
of the usual routine.
I wondered if that meant dire things
for my fate; as if all the events of my life
would be half as eventful, or if
there would be half as many of them, God forbid.

I can’t recall a particular atmosphere,
except that it was dim, and I guess
the old sea chest contributed
a bit of worn charm. And that same afternoon
I did burn some incense, but it could barely be smelled.

She asked, occasionally, for my involvement.
Tap one of these. Lay your hand on that.
And, uniquely in my life, I got the semblance
of controlling my destiny.

Soon enough, a picture began to form.
The five of cups: miserliness, a bearded man dressed royally,
alone atop a treasure trove, his children and former lovers
elsewhere, in loving penury, without a thought
for dear old stingy dad. The two of swords: some duality
out of the past, a war - always - between reason and love, and
how much I cherished them both. An awkward young man
who loved casually, without forethought and almost
without reason, and the brain he was far too proud of having
to use responsibly.

Finally, we reach the one in the center, and once again
I am required to invest some of myself in this card.
I hold my hand on it and am asked to imagine what it might be.
It is the Hermit. Her favorite, she explains.

He means a journey, alone. How alone, exactly?
Under normal circumstances, alone is a metaphor.
One can be alone in spirit, being not understood.
But you and I have been having arguments, and so
the implication is not lost on me.

How alone? And what journey? And to what end?

I imagine them, these arcana,
major and minor. They are collected
around a coffee table, for their weekly tea.
The Hermit holds up a pair of worn sandals
and a volume of sad amateur poetry -
the price of certain journeys -
the Lovers, their backs turned to one another,
produce a pitiful summary of a joint bank account.
The High Priestess takes from her tea cabinet
a samovar full of old dried blood, and pressed flowers
(lilies and lovers’ thistles)
and they all laugh and laugh and laugh
because they are not mortal, like us.