On a distant summer
a girl walked four miles
to sell fruits at the haat
and mowed by the May heat
fell asleep on a patch of concrete.

The noon dusts played around her
sleep little girl rest your feet
the winds will play you a song
refresh you with dreams so sweet
the walk back home won't be long.

The sun had slid the shadows grown
when opened her dream dazed eyes
there she was at the haat all alone
her fruits in the basket had dried.

She had dreamed a round dime
clutched in her palm
colored gold with her wish

she had slept thru the time
and when the winds calmed
held nothing to buy home a fish.

Time has flown those dusts far away
years have grown her wise
yet when the winds blow lonely in May
her tears she cannot disguise.

How does a kite fly
with just a simple
paper and a thread?

A kite..
It seems so beautiful
from afar

Innocence deceived me
I breathed as human
But I was flying
like a kite
Enthralled of
the colors I thought I had
Felt safe with the promise
of a thread

I soared higher
Gliding through the air
Looking down
at the smiling faces
Applause, praises
I have never felt such glory
Never had I known
such peace

I soared higher
But no matter how hard
I tried
The thread pulled me back
I felt suspended
Unable to go on
Was I really flying?
Or was I only being tossed?

Solitude in the air..

I thought the clouds were
cotton candy
But when I took a grasp
I touched nothing
It avoided my fingers
And the sun
Was not a bowl of gold
Then sadness took hold

Mama once told me
Winds were dusts of silver
That is why
we close our eyes
When it blows
And nights were
dusts of coal
That is why we sleep

Maybe Mama was right
It must be dusts of silver
For when sadness came
I felt the air clogging within
They are indeed dusts of coal
For I found myself in tears
as I closed my eyes at night
And dreamed of a happy place

Ah! Chasing rainbows

And gloom took over
bluish sky
Forewarn of incoming rain
And I was dragged
by the filament
But the wind delayed my descent
The overcast covered the earth
and the rain poured over
It washed out my colors
It shattered my beautiful paper

My master ran for cover
And there I was alone
In that perfidious
summer storm
She let go of the thread
I came spiraling down
Like a falcon
that has been shot dead
Slumped on the solid ground

That was when I discovered
I didn't have colors at all
Nor did I have nice paper
And the thread was not that strong
It suddenly dawned on me
That the world will not
always be a summer
That I didn't mean to fly
I didn't belong to the sky

A **** on the rib cage..

Reality knocked
And it knocked me off indeed
It was a great revelation
Maybe a moment of enlightenment
That I was actually a wooden stick
Solid and strong
Stronger than the thread
The thread
that has dragged me down

I was disheartened
Yet I was relieved
As I saw new wonders
out of my sadness
That I am a tiny wood
In this big, wide world
Although the sky is not mine
I finally knew what I am

Is there a difference,
give us a reference,
between a stalker,
and a pokemon.

The monger hits news,
game spots and toss,
time lost and chaos,
with a pokemon.

In Canada......
The rule breakers,
cross the borders,
an inadvertently walk,
for a pokemon.

In Guatemala city .......
The teenage boy,
under the wizard,
die in the cause,
for a pokemon.

In London.......
The go players,
ambushed in public,
and robbed by trees,
all for pokemon.

In Africa.....
The rumble,
then scrambles,
to get the last,
the dusts of pokeman.

In Asia...........
No signs too,
they tire and wait,
for the nostalgia,
all for pokeman.

In New York.....
It's a no, no,
for *** offenders,
or become criminals,
All for pokeman.

Poke me man,
NO *******!
It's all crazy,
the apocalypse,
of freaks and creatures!

Poke me man!
I DARE YOU NOT!
Go find old cards,
a bank of more funds,
all for pokemon.

Poke me man!
I POCKET YOU!
As phones hide,
their lunch hunt,
the herd of pokemon.

In the last months of March 2014,
Soldier Othello the Moroccan moor
Was in Stratford-upon-Avon at the graveside
Of William Shakespeare the English bard,
He was observing the anniversary
Of Shakespeare and his European brother Cervantes,
He had in his pocket another charm and amulet
Given to him by his paternal grandfather,
This time round not a charm for love portion,
But a mystique totem to raise the dead from dusts,
As Othello himself has hitherto over-matured
Above the painful torture of *** with aristocrats,
He has left it for the Jewish aristotrash; Frantz Kafka,
Whose torturous appetite for *** with German women,
Was the sorriest eyesore of his thespic efforts.

Like Jesus at the grave of Lazarus
Othello groaned by shouting; William the son of John!
No response, he shouted again; Shakespeare the bard!
Then the mystique powers of Othello’s amulet
Electrified Shakespeare back to life,
What is your problem you black moor,
The ***** of Morocco, the soldier
Who beguiled Desdemona into betrothal,
Not because of glory of your work,
But due to charms of your love portion
Bequeathed to you by your witch mother,
What brings you to my sepulchre,
For only to perturbed my purgatorial peace,
What brings you!?
Questioned Shakespeare the bard.

Am no longer the moor, blackness is class
But not the race, as race is bankrupt,
I come here to salute you with good news,
That your European brother, Alfred Nobel,
Currently rewards thespic bards like you,
Whether black or white, blue or green,
The ***** bards from the natural forest,
He also rewards, so wake up and pick the prize!
Retorted Othello in virtue of truth,
And also tell me the native bricks
Of your beautiful architecture;
Where and how did you mold thy bricks?
Your brown English bricks that walled your culture;
*****, clown, leapfrog, mercurial, oxymoron,
Falsitafity, Shyllocking, colleaguery and window,
Cauldron, graymalkin, woo, betroth, infatuation and so on.

From underneath his sepulcher Shakespeare broke
A violent gaggle of laughter as if he was ten English skeletons,
You Othello you are still a beautiful moor
Whose foolishness time has not condemned to oblivion,
You are as a fool as I created you ; I will only teach you
One brick, the window , that you go and put on
Your wind disturbed African huts,
Put the wind door on your hut,
And be flexible in your tongue
To give it English elegance
Combine and shorten wind and door
To get your cultural brick of; window !

I love waking up to you like this, with the sheet pulled up to our waists, my arm around you, your hair all tangled in my face. A dusting of light squeezes through the gaps in the window curtains, gracing your cheek on the pillow beside mine. It plays in your hair, caresses your neck, and flutters down the length of your bare side. The feeling I get when you move against me is indescribable. Your skin. Your scent. Electrifying and calming all at once.

You never wake up before I do, leaving me time to admire your beauty. I have heard people say that they could watch the ocean forever, getting lost in the infinity of the waves and horizon. I feel that way about you. Forever I could listen to your gentle breath and watch the ceiling fan move the little wisp of hair near your ear.

Alas, you always wake, usually first with a slight stir of your legs. Then you take my arm, the one wrapped around you, and pull yourself closer to me until your back is against my chest and your feet tickle mine. I pull you closer to me still, kissing your neck just below the ear. This kiss never fails to finish waking you up, pulling you from whatever remnants were left of the dream you might've been in.

You roll over to face me, your chest against mine, our legs overlapping. Your hand comes up to stoke my hair as you kiss me, my hand on your hip. Morning begins as soon as you open your eyes. Those deep hazel eyes that I lose myself in. The eyes that I can find myself in. I kiss you once more before throwing off the covers and rolling out of bed.

Like clockwork, that is our morning routine. I love it. But this isn’t about our usual routine. This is about the mornings that start with more than a kiss.

This is about the mornings when you first stir and pull me close, pressing your hips against me. This is about the mornings when instead of just taking my arm, you take my hand beneath yours and direct my fingers down your neck, across your chest, to your waist. This is about the mornings when instead of a brief kiss on your neck, I place my kisses all over your body.

You slowly roll over to face me, the sunlight rolling across the incredible slopes of your bare body. My hand is in your messy, wonderful hair as we kiss. Your legs and mine are entangled, our toes warm under the sheet. Awe is the word that comes to mind as you, this beautiful person, climb on top of me, the lucky man. I love the way hair hangs messy in your face, tickling mine when you lean in for another deep kiss, body tingling as you guide me in.

It doesn’t feel hurried or hasty. It is slow and calm, a comfortable warmth only alluding to heat. This isn’t the fiery passion of the night before, both desperate to pleasure the other. It isn’t the reckless abandon of two lovers lost to the night. There will be no sore muscles or exhausted bodies when we are done. Instead, this feels like comfort, understanding. It feels like love.

You used to worry about how you looked when you woke up. You worried that you didn’t look **** without makeup, with messy hair, and the remnants of sleep in your face. But the truth is that I don’t mind if your hair is a mess, if sleep still dusts your eyes, or that lines from the pillow are imprinted on the side of your cheek. To me this is the epitome of comfort, the clearest way I can say that I want you. That I want you now, that I want you at any time, and that I always will. This is the time that I will think on as I go about my day, waiting to get back to you.

I love waking up to you like this.

MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects

I pull open the door
And hunt for food in the dim orange light.
"There's nothing inside"
Well, actually,
There is something:
Months old cream cheeses precariously stacked atop each other,
Several mysterious bottles of brown sauces,
Dried out leafy vegetables,
But nothing
This lazy *** can eat without preparing.

I push close the door,
Leaving my stomach rumbling and empty,
But filling my mind with
Dreams

Three-fourths of the dull gray door is covered
With colorful ceramic magnets
From my dad’s corporate adventures
To Batangas, Bohol, Bacolod, Davao,
Hong Kong, Singapore, Malaysia, Macau,
Nepal, Vietnam, Sri Lanka, China,
Dubai, Pakistan, Saudi Arabia
Sudan, Egypt, Ethiopia,
Canada, Greece, and Australia.

I examine each magnet’s contour and shine,
Letting its foreign dust seep into my fingers.
I dream that soon
I will return all those dusts to their lands
And bring home more magnets of my own.

I've always resorted in writing as a way to escape the dusts.

The dusts that intoxicating oneself,
A mere moral mortal,
A miniscule minute member,
Of an entire gigantic gigantua.

I stopped for a while to think,
To decide on what to love,
How to breathe,
How to stay alive,
In this vacuum of Sadness.

I don't know the what & how anymore.
For I’m learning myself again.

Bradley, don't climb, the boy's mother says as she pries him off the bronze left shoulder of Sam Walton. She dusts the boy's coat. *Wait here a second. She begins digging in her purse. Her grey, sweatpants'd husband holds a point-n-shoot digital camera. The wind is inconveniencing him. The fog is inconveniencing him. Sorry, sweetie. I'm looking for a tissue. Every word his wife says shatters like glass.  He's been on the road too long. Of all the places, why make a pilgrim's stop at Kingfisher, Oklahoma?

It's the 7th of December. A day FDR said would live in infamy. It's also my birthday (thanks for setting the stage, Roosevelt). And here I am. Making my own pilgrim's stop at a subpar statue marking the birthplace of Mr. Sam Walton with no one for company but a green thermos and these tourists.

While his mother is distracted, the boy tears at yellowed grass. He pretends to feed the blades to Sam Walton's open-mouthed and unexplained canine. The husband sighs.

Ah! I found them, the mother reassures. Grimacing, as though shards of her words have lodged in the far corners of his brain, the husband asks,

Are we ready?

Not bad. The tiny bubbles from the champagne firecracker on my tongue as I lower the green thermos. Reminders of spilt coffee dot its sides like the little, overlooked  coastal islands of New England. Reaching? I know. But I'm learning to take notice of things, Sam. Patience.

I got into town before the liquor store opened. I vultured behind steering column. After a glance, a longhaired shopkeep with an oak cask belly shook his head in disdain for my entire generation. Turned the key. Flipped the sign from closed to open. Not to appear eager, I waited for a commercial break on the radio. I walked through. A bell chimed. Thirsty, son? the shopkeep asked.

I always am at the sound of a bell, I responded.

Let me get this off real quick, the mother says to Sam Walton as she wipes dry, white bird **** off a deep-cut wrinkle in his bronze forehead. Can't take a picture with you looking like that. The mother turns around. Offers an unsteady, white flag smile to her husband. Looks down at her boy. Bradley, stop playing with the grass. I mean it. Drop it. Stand by Mommy. We're going to take a picture.

Why?

Whiskey modge podged with ***** with wine with gin. Champagne. Champagne. Confused? lines joyously sparked from the edges of the shopkeep's eyes and lightning'd down his cheeks. Making him seem pleasant for the first time. Proud, even. I've organized the drinks by country of origin. Notice the flags?

What does France's flag look like?

France is over here. Looking for a wine? Perhaps a rich cognac? He led me down a densely packed aisle. Little ratings cards jutted out underneath each bottle.

Champagne, actually.

I see. I see. Is something ending or something beginning?

Both.

The boy places his hand on the dog's head. Pretends to ruffle its frozen fur.

Ready?

Ready.

Click. A flash goes off. Automatic.

Now can we leave? the boys pleads.

Why are you being so antsy?

It's just another stupid statue. I'm tired of this stupid trip. I just want to go home.

Today's my birthday. I lowered the champagne as I poured it into the green thermos. I kept watch for shoppers and cart crewmen in the parking lot. No one seemed to notice the transfer. The shopkeep ended up selling me an American bubbly. Silent Girl. I liked the artwork. A large-breasted woman with puckered lips stared down the sights of a .44 pointed directly at the drinker. Black and white. Refreshing to see someone so up-front.

The mother opened one of the rear doors on the family's Tahoe. No, you don't get a toy. Brats don't get toys. Brats get quiet time. She slammed the door.

Just you and me, Sam. A drink. Sorry, I didn't bring another cup. I lean in close. Trace the wrinkles of his forehead, where the sculptor stuck his knife deep. As I do, my own wrinkles become more apparent.

You know I heard a minister talking about you a week ago. I remove my hand from Sam's face. Take another drink. Apparently, your last words are his claim to fame. He said your nurse divulged them to him. You should see him. Each church he visits, he opens with, 'Anyone know what Sam Walton's last words were?' He doesn't ease into it or anything.

'Sam Walton's last words were actually, I blew it.' Can you believe that? 'I blew it.' Don't worry, Sam. I didn't buy it. That answer is for the customer. Not for truth. People love to think at the end of your successful trajectory, you'd just Solomon out. Fizzle. 'Vanity! Vanity!' I'd like to think there you lied in your hospital bed. In your private room. 7th Floor. Curtains open. Blue sky free of blackbirds. Your family around you. And your mouth tasting like metal. Like blood. The gears of your existence grinding to an end. And I bet you hated everyone in that room. Your wife wiping spittle off your mouth with a red handkerchief. You pushing her arthritic claws away. I bet one of your grandkids was at the end of the bed. His hair unwashed for two days. Uncombed for six months. A tall cow suckling your success. And I bet that clumsy hair was blocking the television. You told him to move.

When he moved, something horrendous was on. A soap opera. Something frustratingly ironic. General Hospital. Hit the red button. Called in the nurse. And your last words, 'Change the channel.' She put it on a Cowboys game. You watched Aikman throw an interception. Closed your eyelids. Changed the channel.

It's the 7th of December, Sam. It's my birthday. A milestone, Sam. So, there's cause for change. I told you the same ambition in you coursed through me. That I too, had sat in the back booth of diners alone -- conspiring. And while you're eternal bronze, while you're family photos, I'm mortal to a fault. But allowed to change my mind. I don't want to be ambitious, Sam. That's what I came to say. I'm not coming back to wail at this wall. Legacy, you taught me, is not in my hands. Even if I make a helluva go at it on this sphere, I run the risk of getting turned into half a statue with an idiot dog sidekick. You can dam a river, but ultimately rivers don't give a ****. They flow where they please.

That's the end. The beginning is that I can go anywhere from here. That's worth celebrating. I tilt the green thermos and let champagne run down Sam Walton's still face. This river runs onward. Without fear of legacy, of memory. I'm going to love, Sam. I'm going to love fully. Onward. While you stay put. A stupid statue.

Sam Walton is silent. Quiet time.

In the burning right hand of the bald city,
denizens frame calories and count instagram blessings
while beacons of hope refund inspiration in USADA *** cups.

Abyssinian maids wail over yesterday lovers
who wore Ginsberg’s skirt with less  pizzazz
and watched bedbugs **** blood off knee caps
wondering, what if Jesus Christ drove a Nissan?

As bullets of paragraphs fall Vietnamese pesticides on my head,
The dusts off my breath sing homilies
With letters of broken leather whiskey,
For even in the most dishonest jest,
clandestine toothbrushes are overrated
and every first false lie is the only truth.