It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that

The night is only a sort of carbon paper,
Blueblack, with the much-poked periods of stars
Letting in the light, peephole after peephole --
A bonewhite light, like death, behind all things.
Under the eyes of the stars and the moon's rictus
He suffers his desert pillow, sleeplessness
Stretching its fine, irritating sand in all directions.

Over and over the old, granular movie
Exposes embarrassments--the mizzling days
Of childhood and adolescence, sticky with dreams,
Parental faces on tall stalks, alternately stern and tearful,
A garden of buggy rose that made him cry.
His forehead is bumpy as a sack of rocks.
Memories jostle each other for face-room like obsolete film stars.

He is immune to pills: red, purple, blue --
How they lit the tedium of the protracted evening!
Those sugary planets whose influence won for him
A life baptized in no-life for a while,
And the sweet, drugged waking of a forgetful baby.
Now the pills are worn-out and silly, like classical gods.
Their poppy-sleepy colors do him no good.

His head is a little interior of grey mirrors.
Each gesture flees immediately down an alley
Of diminishing perspectives, and its significance
Drains like water out the hole at the far end.
He lives without privacy in a lidless room,
The bald slots of his eyes stiffened wide-open
On the incessant heat-lightning flicker of situations.

Nightlong, in the granite yard, invisible cats
Have been howling like women, or damaged instruments.
Already he can feel daylight, his white disease,
Creeping up with her hatful of trivial repetitions.
The city is a map of cheerful twitters now,
And everywhere people, eyes mica-silver and blank,
Are riding to work in rows, as if recently brainwashed.

I remember you
from your beautiful smile
your cinnamon scented hair
your contagious laughter
your nail-biting addiction
your pointless insecurities
to our silly inside jokes
our dumb little fights
our peculiar bets
our goofy text messages

through tears and smiles
you were the only one who understood
my unspoken words
my concealed pain
my unexpressed happiness
my puzzled feelings

counting your days
we recalled our mischievous memories
when we danced in the rain
when we rang doorbells and ran away
when we pranked the gullible ones
when we stole Ikea pencils
when we fangirled over stunning guys
when we were together
everything turn into excitements
moments with you
I remember them all, Grace

it was a week before December twenty-fifth
when the monstrous cells stopped your heart
a glimpse of smile
appeared upon your face
as you're being taken
far away from us
skin turned pale
body stiffened
tears flooded my sight
there were wailing across the room

time flies like a bullet train without you
it's a rainy day today
you've always loved rainy days
sinking my knees in the dew-wet grass
raindrops whisper in my ears
as I brush off the gray snow from your stone
I still remember you, Grace
I still do

Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd -
The little dogs under their feet.

Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.

They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor's sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.

They would no guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they

Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the grass. A bright
Litter of birdcalls strewed the same
Bone-littered ground. And up the paths
The endless altered people came,

Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:

Time has transfigures them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.

into the smiting
sky tense
with
blend

ing
the
tree      leaps
                  a stiffened exquisite

i
wait the sweet
annihilation of swift
flesh

i make me stern against
your charming strength

O haste
        annihilator
drawing into you my enchanting
leaves

Singing birds are often better off caged, and maybe I’m no different. Maybe it’s safer, biting my tongue and shoving my hands deep in my pockets when the urge to delineate my woes shivers its way up my spine, shaking the rust from the back of my teeth and loosening the hinges on my jaw. I’m constantly reminded that the world outside my mind is far too dangerous, too brutal for my fragile thoughts, for my feeble words. But every now and then those words get the better of me. They convince me that their songs are worth hearing, that they’ll survive the hell that awaits them. Then, eager and  hopeful, they jump off my teeth like a diving board, spreading their wings and gliding out into the world of the unknown, the world of wars waged to divide and battles fought to conquer. I watch as they hang suspended in the air, wings spread, small and beautiful against the ominous background, innocent if only for a fleeting moment. But, of course, beauty has no place here.
I cringe as the shots ring out from all directions, as everyone around me opens fire upon my winged thoughts. I shut my eyes tightly against the firing of guns, arrows, cannons: delivering the message loud and clear that the airspace between me and the world is better left unclouded by my superfluous banter. I try not to watch as they drop from the sky, my unsuspecting words, but my eyes force themselves open. Wings broken, hearts still, they crash to the ground, silenced.
I want to gather them one by one, my feathered thoughts, gently in my hands; I would take them somewhere safe and give them a proper burial, for they were once so near and dear to me. But I’m afraid of what lies in the battlefield. I’m afraid of the landmines and the barbed wire and the trenches. So I bow my head, refasten the locks on my sore, stiffened jaw, and turn my back on the carnage, on the dirt and grass and the haze and smoke. I turn from my defeated birds, form the bodies of my barely spoken words, and I leave them.

The shadows have their seasons, too.
The feathery web the budding maples
cast down upon the sullen lawn

bears but a faint relation to
high summer's umbrageous weight
and tunnellike continuum-

black leached from green, deep pools
wherein a globe of gnats revolves
as airy as an astrolabe.

The thinning shade of autumn is
an inherited Oriental,
red worn to pink, nap worn to thread.

Shadows on snow look blue. The skier,
exultant at the summit, sees his poles
elongate toward the valley: thus

each blade of grass projects another
opposite the sun, and in marshes
the mesh is infinite,

as the winged eclipse an eagle in flight
drags across the desert floor
is infinitesimal.

And shadows on water!-
the beech bough bent to the speckled lake
where silt motes flicker gold,

or the steel dock underslung
with a submarine that trembles,
its ladder stiffened by air.

And loveliest, because least looked-for,
gray on gray, the stripes
the pearl-white winter sun

hung low beneath the leafless wood
draws out from trunk to trunk across the road
like a stairway that does not rise.

You swore you'd never love again
That you'd hardened your heart
Stiffened the walls of the four chambered *****
That Cupid's arrow would bounce off
That no love could move these stiffened walls
Then...

... Now
Your palms cradle in his palms
Your head gently on his chest, ears counting his heartbeat
His fingers tracing love letters on your back
Eyes closed, savoring the images of him they've captured

Well, Well, Well...
Look who's all lovey dovey
loving and ****...

you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay
is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.

These berries are bruises
Fading birthmarks I have still
Fresh from that morning you opened my curtains
Rolled down your window
Promised me honey and a candy-colored life.

These berries are bruises
You made me breakfast in bed.

Too early you lifted my tent,
brought a full spread:
Fruit, toast and black coffee--
But when I tilted my lips
You drunk first of my womanly cup.

Pouring out hot, bitter slick
My lips swelled blue blister
I stiffened under your dead weight,
I killed my tongue.

I tried to keep dreaming of
Hands to knead me
And butter the softness of these
Blueberry scone hips,  

But instead you picked all the berries out
Your greed a mouthful,
The growing woman inside me leavened--
Watching you stain my girlhood,
Popping one fruit bead after another
******* the seeds from my teeth.

(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.

Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..

A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices

Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?

Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers

Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.

The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.

                (2)

This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,

The high, dead, toeless foot of this priest
Who plumbs the well of his book,

The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,

******* and hips a confectioner's sugar
Of little crystals, titillating the light,

While a green pool opens its eye,
Sick with what it has swallowed----

Limbs, images, shrieks.  Behind the concrete bunkers
Two lovers unstick themselves.

O white sea-crockery,
What cupped sighs, what salt in the throat....

And the onlooker, trembling,
Drawn like a long material

Through a still virulence,
And a ****, hairy as privates.

                (3)

On the balconies of the hotel, things are glittering.
Things, things----

Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.  Why should I walk

Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,

I am not a smile.
These children are after something, with hooks and cries,

And my heart too small to bandage their terrible faults.
This is the side of a man:  his red ribs,

The nerves bursting like trees, and this is the surgeon:
One mirrory eye----

A facet of knowledge.
On a striped mattress in one room

An old man is vanishing.
There is no help in his weeping wife.

Where are the eye-stones, yellow and valuable,
And the tongue, sapphire of ash.

                (4)

A wedding-cake face in a paper frill.
How superior he is now.

It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;

They are browning, like touched gardenias.
The bed is rolled from the wall.

This is what it is to be complete.  It is horrible.
Is he wearing pajamas or an evening suit

Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?

They propped his jaw with a book until it stiffened
And folded his hands, that were shaking:  goodbye, goodbye.

Now the washed sheets fly in the sun,
The pillow cases are sweetening.

It is a blessing, it is a blessing:
The long coffin of soap-colored oak,

The curious bearers and the raw date
Engraving itself in silver with marvelous calm.

                (5)

The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,

The hollows in which rock the thoughts of the wife----
Blunt, practical boats

Full of dresses and hats and china and married daughters.
In the parlor of the stone house

One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.

This is the tongue of the dead man:  remember, remember.
How far he is now, his actions

Around him like living room furniture, like a décor.
As the pallors gather----

The pallors of hands and neighborly faces,
The elate pallors of flying iris.

They are flying off into nothing:  remember us.
The empty benches of memory look over stones,

Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here:  it is a stopping place.

                (6)

The natural fatness of these lime leaves!----
Pollarded green *****, the trees march to church.

The voice of the priest, in thin air,
Meets the corpse at the gate,

Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.

What is the name of that color?----
Old blood of caked walls the sun heals,

Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,

Necessary among the flowers,
Enfolds her lace like fine linen,

Not to be spread again.
While a sky, wormy with put-by smiles,

Passes cloud after cloud.
And the bride flowers expend a freshness,

And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.

                (7)

Behind the glass of this car
The world purrs, shut-off and gentle.

And I am dark-suited and still, a member of the party,
Gliding up in low gear behind the cart.

And the priest is a vessel,
A tarred fabric, sorry and dull,

Following the coffin on its flowery cart like a beautiful woman,
A crest of *******, eyelids and lips

Storming the hilltop.
Then, from the barred yard, the children

Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,

Their eyes opening
On a wonderful thing----

Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.

For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.

The barbaric queen, her abilities stiffened
His presence strickened by her directed speech
Could it be her brick fence weakend
Love had made it's way into the leaks
Thoughts become lies, diminishing her kingdom
****** passion, a caused lusting
Touching her breast
Carressing her hips
Legs shake, she is a disgrace
The guards ushering him from her towering mattress
Empathy made her a mockery
A hatchet to the soul, he is nonexistent and undesirable
Her long webbed veil, disguises her weeping
Her eyes blackened, she is a demon bleeding
Halo misplaced, in dismay
She is a woman rigid and prevailing

Pastor Nate Yarborough knew since early on that he wanted to be a clergyman. He grew up in a Christian home and believed in God as long as he could remember. He dreamed of being a minister someday and becoming the pastor of  his own church. At only thirty-one-years-old, his dream came true. He was young, yet head pastor at Hope Christian Church and had a medium sized congregation that was thriving. To add to his dream-come-true, he had a beautiful wife, Veronica, and darling three-and-a half-year-old daughter, Michaela.

Jesus was the center of his life, but Veronica was the one who kept him grounded. Michaela was just the light of his world, a special blessing in his life. She was a happy baby who was just a typical daddy’s girl. When her father came home from his job she would squeal with delight and go running to him, at first as a wobbly toddler and then to a quick, little girl who would sprint to the door.  

“Daddy’s home!” she would announce in a big voice.

Nate would swoop up Michaela up in his arms as he planted gentle kisses upon her little cheek. “Michaela, my sunshine girl!” he would shout. “There’s my little beauty!” He definitely wanted more children, but he was thankful and felt so blessed to have her be his very first.      

“That is how we should with our heavenly father”, Veronica told Nate, in admiration of those two in action, “and not run from him in fear.”

Yet one day Michaela was having seizures and became quite ill. She transformed from a bubbly child to one who fussed and cried and didn’t want to play very much.  Her worried parents took her to the doctor, and she was put through a battery of tests. The church was praying for little Michaela, but the diagnosis was grim and shocking. She had a brain tumor. Her parent’s worst fears had been confirmed. Her tumor was malignant and it was inoperable.

Veronica would open up the outpouring of cards and letters of well wishes from parishioners. So many people were praying for the family. Veronica had hope even as her husband was growing distant as his little girl became sicker and sicker. In spite of treatment, in spite of prayers, little Michaela succumbed to her sickness. Her bright, little spirit was forever gone from their home.

“We will have more children”, Veronica assured her husband through her tears. “We will get through this—together. With God’s help, we’ll get through this!”  

Nate didn’t respond. Veronica felt him stiffen in his lackluster embrace. She stiffened, too, for she knew that wasn't of Nate's character, and she could tell by his face that he wasn’t buying any of it.  

His sermons now became shorter, far less engaging. They weren’t full of encouraging stories or inspirational words of faith, of challenging the defeated to never give up, and imploring everyone to always turn to the Lord—in bad times as well as the good.  

People in the church rallied behind Pastor Nate and his wife. They offered meals during the time that Michaela was laid out in the funeral home and finally laid to rest. They offered more prayers, encouraging words, and hugs for the couple to make it through this rough storm in their lives. A pastor friend of Nate conducted the funeral but Nate hardly heard a word. Veronica grew worried.

There were many in the congregation who grew concerned, too. They still were supportive, but now the elders and deacons had no choice but to gather at a meeting and figure out what to do. Nate’s leadership role was falling apart. His life, no doubt,  was falling apart.

“Why does God punish some on this earth who are innocent?” he asked one time at the pulpit.  “There are no answers when your heart is torn out from you, when you serve God with all you have, and He does this to you. Why? Perhaps, there is no such being as God. Perhaps, it is wishful thinking and we have all been duped…I’ve thought about it and I’ve searched the Scriptures, yet I get nothing there . I think the atheists aren’t so out of bounds, after all.”

Sitting a few rows back, Veronica looked nervously around. She heard some of the gasps in the crowd, heard many whispers, and saw the shocked faces. She laid her head in her hands and was too scared out of her mind to even pray.

“We are sorry, Veronica”, one of the elders told her one day. “We tried to reason with your husband. We care about you both, but this cannot go on. We asked Pastor Nate to get seek out some help—to step down temporarily—but he didn’t even flinch. He says he’s never coming back. He just doesn’t believe anymore. And he just doesn’t care. ”

Veronica tried to get Nate to go to counseling with her. She needed it, too, and he wasn’t helping her any. This church was his dream, and sure his daughter had tragically died, but he needed to hold it together—for their sake. To crumble on her was too much on top of losing her daughter. He just couldn’t do this!

She could handle her grief far better if they could remain a team. But he didn’t want to talk, wouldn’t listen to anyone, and now how were they going to make ends meet without his role as pastor? Nate fell into a severe depression, and Veronica felt helpless to do anything about it.

After a few months of trying to get through to him, her faith grew dim. How could this happen to them? To save herself from going down with him, she decided she had to walk away. She didn’t want to, but she had made up her mind to move back in with her parents.

“It’s for the best, for now”, she told him. “It doesn’t have to be permanent.”

Nate sat there, staring at the blank TV. “Do what you want”, he replied.

One of the parishioners, Craig DeArmond, decided to pay him a visit. His mother, Marge, always admired Nate’s sermons. She was a big supporter of his, and wept when she heard of the news of his daughter's death. It was evident to her that his faith took a huge dip—actually a crash landing—and his world that revolved around his belief lay in shambles.

Craig was saddened by how quiet the place was, how unkempt and uninviting it appeared. He’s been to the house before, a once pleasant place to be.  Now, it was bleak and joyless. “Will you talk to my mother?” Craig asked him. “She’s sad since my dad passed away a week after last Christmas, you know. Forty-eight years of marriage has been much of her life . My mom could use some counseling.”

Nate looked at him without much emotion. “Let her talk to the current pastor. She doesn’t need me.”

Craig said, “But she looks up to you, and it might do you some good, too.”

Nate scoffed at that. “Look, I’m not in the faith business anymore. There’s no way I can be of comfort.” He dismissed Craig with his hand and said, “She goes to me or she goes to a fortune teller—tell her she’ll get about the same results, either way.”

Craig stood up over Nate, hoping Nate would look up at him. He wouldn’t, so Craig was about to walk away but turned around and replied, “God forgive me, for I want to make this clear. Listen to me, Nathan Yale! You are one selfish *******!”

Nate suddenly shot a look at him. “A what?” he demanded.

“You heard me”, Craig said, his arms crossed. “I know you are a man of God—or at least you used to be.  He grew more bold, was on a roll and said, “Look, you are pushing everyone away! People who love and care about you have lost you! Your wife, for crying out loud, is a wreck! I know you’re in pain, but—”

“What do you know of my pain?” Nate shot back. His eyes were bloodshot from lack of sleep. Perhaps, he had been crying or even drinking.

“I don’t know!” Craig shouted. “But what do you know of faith?”

Nathan didn’t know what to say, for he was never prepared for this. Craig continued, “My mother lost both of her parents by the age of thirteen. She grew up in an alcoholic home, so she watched her parents slowly drink away their lives. She had no choice but to live with her aunt while her other siblings were spread out to stay with other relatives.”

Craig had Nathan’s full attention now. He took advantage of this and pulled up a chair and sat right in front of him, saying, “Her aunt’s husband—her so-called uncle—wouldn’t stop pawing at her and trying to put his hand up her blouse. She had no lock on her bedroom door and so this guy would sneak in--and guess what? He ***** her! At first, it was shocking! The second time, it was Hell. The third time it was worse! The forth time….should I go on?”

“Oh, God, why?” Nate said, tears in his eyes at the thought.

“Yes, he ***** her”, Craig repeated, “until one day she was pregnant and her aunt was demanding how she ended up this way , calling her a **** and shaming her. Mom finally blurted out that it was her uncle who got forced himself on her, and the aunt didn’t believe her.”

Nate was fully engaged. “What happened to your poor mother?” he asked, trying to keep his mouth from quivering.

“She was kicked out on the streets... nothing but the clothes on her back. With nowhere to go, she went to a friend’s house. The stress was so bad on her that she miscarried the baby, laying on the floor in agony. So the authorities placed her in a home for girls and never did she have to live in that house again…but the scars are still there--ugly, deep scars!”

So Craig left Nate’s house, but Nate had joined him in the car. Craig told his mother what he had revealed to Nate—without her permission—but he felt he had to do it. She agreed it was the right thing to do.

Nate gave Marge a huge hug during his visit. She was such a motherly figure, and he admired her for what she went through. “How on earth did you survive?” he asked her.

“Like you”, she confessed. “I was so angry with God. I hated Him, just hated Him. But when I was living in the home for girls, I met a girl who had huge faith. It was sickening to me, at first. I thought to myself, ‘How can you have such faith when you’ve ended up in here?’ And she didn’t know what happened to me, for I was too scared to tell anyone back then.”

“But you have great faith now”, Nate stated. “Better than even I ever had, I’m ashamed to say. I’ve seen your faith in action! ”

Marge put her hand to his cheek. “I fought for every bit of it”, she said. “I didn’t want to believe in God, but their was a nagging presence that wouldn't go away!”

Nate smiled. “I love the way you put it, Marge”, he said.

“Well, I had that friend who talked about Jesus, and then I went to rent out a room of a woman who took in boarders. She had a strong faith, and she took me to church. I’ve never been to church in my life, and I just wanted to get her off my back for asking! But my heart slowly softened, for I never thought that I’d ever believe in God…and didn’t want to…ever!”

“Neither did I…after loosing Michaela”, Nate said. “I loved her so much." He began to cry and put his face in his hands.

Marge put her arm around him and said, “But I found out that I really needed God. I needed to forgive a lot of people—my mother and father, my aunt and uncle—especially myself because I felt so hateful all the time.”

Nate sobbed, “I feel hateful, too—and guilty. I don’t know if I’ll ever have faith again. It scares me to feel that way.”

Marge held him in her arms like he was her little child. “Oh, but you haven’t really lost it, Pastor. You see, I didn’t want to believe in God, either, because I felt He was against me. If God existed…well, than how come my parents were alcoholics? How come my uncle ***** me? How come I got pregnant and the baby died? Ended up by myself? How come…how come? I think we all can ask our share of questions in this world.”

“They are valid questions”, he admitted, tears still streaming down his face. “Frankly, many problems pale in comparison.”

Marge couldn't have disagreed more. "No, Nate..,pain is pain. Yours is just as valid as anyone else's.  It just is just when it is an excuse to be bitter that is dangerous.  And I used that as a reason for being bitter!” she said. “But the bitterness was killing me. Slowly, I was dying.”

"But you made it through. You're quite alive, Marge, quite alive... and quite amazing."

They lingered in conversation, for they both needed this to take place. After it was over, Nate went home, feeling like a dam of walled up emotions had been finally released. It was certainly a start. He called Veronica up and he managed to say, “Veronica…please forgive me. Let’s start again…our lives together…” before his voice broke and the tears poured out again.

“Of course”, she responded, her voice trembling. “I already have forgiven you because I’ve been waiting and praying for this moment to come.”