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Blameless as daylight I stood looking
At a field of horses, necks bent, manes blown,
Tails streaming against the green
Backdrop of sycamores. Sun was striking
White chapel pinnacles over the roofs,
Holding the horses, the clouds, the leaves

Steadily rooted though they were all flowing
Away to the left like reeds in a sea
When the splinter flew in and stuck my eye,
Needling it dark. Then I was seeing
A melding of shapes in a hot rain:
Horses warped on the altering green,

Outlandish as double-****** camels or unicorns,
Grazing at the margins of a bad monochrome,
Beasts of oasis, a better time.
Abrading my lid, the small grain burns:
Red cinder around which I myself,
Horses, planets and spires revolve.

Neither tears nor the easing flush
Of eyebaths can unseat the speck:
It sticks, and it has stuck a week.
I wear the present itch for flesh,
Blind to what will be and what was.
I dream that I am Oedipus.

What I want back is what I was
Before the bed, before the knife,
Before the brooch-pin and the salve
Fixed me in this parenthesis;
Horses fluent in the wind,
A place, a time gone out of mind.
Francie Lynch Apr 2016
If you're the needle,
Keep your eye
On the point.
Francie Lynch Mar 2015
I'm immobile
As my dentist blathers
On events and people
That don't matter.
I'd rather he just
Get IT done,
Leave rants and jokes
And silly puns
For one not in
His dental dungeon.
Today was his crowning glory,
When he'd finished needling me,
Before he filled my cavity,
He suggested
I see a cardiologist
To fill the hole
Found in my chest.
Francie Lynch Apr 2018
The Sansui turntable still works well.
Like memories, round and round,
Needling me. And the more I play them,
The more they itch.
I know the dark side of the moon,
And the way the sun shines.
The dances, whirlwind moves,
That have settled now.
Inside the sleeve are notes and our words.
I will not let the dust jackets do their job.
I set Abbey Road gently on the pad,
Place the needle softly, and hear the familiar scratch.
Standing back, like watching a parade,
I listen.
Here comes the sun on a cloudy day.
Nat Lipstadt Aug 2019
The Deepest Twist

<>
for my friends who know that when HP says this my 1300th
poem, it’s off the mark by hundreds; nonetheless
1300 is worthy number to celebrate your affections
nat
<>

you return back my older children, fully grown,
my eldest word babies who never ever visit,
blessing them anew, lavishly, with special wishes

I,
take them,
with both hands, a reacquainting occurs,
the old words, deep twist, now hurtful hurt because
reimagining when and how easy they came to be birthed and
how the replication of that process is now a
practiced impossibility

how they burst forth, in purple majesty, wheat waving,
wholly formed, bathed in holy water, leaving no stretch marks,
only just an empty sac inside instantly needing,
needling me into auto-refilling right away

even the twenty four hour, hard deliveries,
long and arduous, were so easy created faust-fast,
that the errors of typography contained,
became lasting hall marks, iconic nomenclatures of
passionate loving-nonpareil

now, well past point of urgent addiction,
unlike then every glance, each sidewalk cracking,
lamppost shadow casting was
a sea story for a deep dive delving asap

I,
supplied answers for the internal badgering incessant
happy ****** need, mine, to go, spill the words,
cab or bus motion nursing them,
now they come slowly strolling,
semi-formed, needy, inconclusive, reused,
and feeling as trite as a cloth coat from an old thrift shop,
so wanting for tender loving care,
which is to provide when you are
four score

wondering how easy it was in prior times when inspiration
fell like a deciduous tree’s fall colorings gifts or
as little children’s nightly multitude variety of dream tales,
when whole worlds uncovered, nay, universes,
hidden between summers green grass blades,
or in unique snowflakes

the semi-forgot love affairs that parented poems
by the score of scarred orchestral scores,
now love circle-turn in holding patters in the
crowded skies above nyc,
awaiting for a trafficked man to give permissions
to “run-away”land that rarely is granted

once, poems in turbulent fluid born, noisy ripping of skin,
****** by the emitting of  constant calming tenderous words,
wonderful drippings, so many multiple births in a moment,
even the OBGYN is complaining,

give other poets a chance at parenthood!

the awesome anger of human tragedy is now so shopworn
from over experience,
even god visits less and less, for it is written,
nothing new under the sun*

though soon his annual visitors day approaches (Day of Atonement) and god will require new
words of human comforting,
a new poem acknowledging that being godlike
is ******* hard work,
for humans are annoyingly capable of incredulous kindness

how can one justify allowing unlacing acts of insane violence to tear
the hand stitched lacing fabric that’s ever ready
to bring us together in an instant elegiac joining

the truth is every one of todays poem are clawed,
shovel dug out from cavities and crevasses,
your new words of recognition of the oldies but goodies,
iron of irony, make it hard, hard, painful to write
without an epidural to numb the painful
dumbing down

when I am breaching my waters, I am hard to spot,
we ancient humpbacks live beneath the deep distanced,
cold waters for many more minutes
than we need surface for breathing,
the show-off fluking, less and less,
and when we birth,
every two years,
must bring the calf-poem to the surface instantly,
to breath, lest it die,
all the while repeating to ourselves:

what was miraculous writing is now nearly invisible,
to blinded fingers that arrhythmically cane tap,
words difficult to recall, recalculate, recalibrate
into a wholly poem

only the **** tears,
that same shameful violin permanent-accompaniment,
they laugh at me when now, they alone
come first quickest, all too easy,


appearing nataurally,

without a formal
written
invitation
“He says, "Son, can you play me a memory
I'm not really sure how it goes
But it's sad and it's sweet and I knew it complete
When I wore a younger man's clothes"

Sing us a song, you're the piano man
Sing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright”
Brycical Feb 2013
We're very much alike.

Poetry is our inspiration,
we were born writers.
People call us BBQ sauce snobs
wine connoisseurs
and brothers.

But he likes to dance
at night--
in the headlights
when the air pierces the skin.
His deep dark pockets
are an oblivion of cigarettes
and full minis of Jack.
Remind's me of Harpo.

He walks like a snake slithers--
body swaying
and a gleaming mischievous twinkle
in his eye.

We both enjoy crisp, autumn days,
but he prefers them cloudy--
dark.
He says it brings out the color
in the reds and orange leaves jumping off the trees to twist in the breeze.
Listening to stand-up is our solace,
though he says Hicks is god.
I say Carlin

His shadow reminds me of a demon--
the long lost son of Medusa.  

He's not afraid to say what he thinks,
cause he knows he's right.
Sometimes I believe him--
he speaks with such nonchalant confidence.
There's always a needle on his words
swiftly flitting and flickering
like a flame he's flicking off his tongue.
And if his words hurt breaking the skin?
"Don't be such a *****" he'll snarl
before turning the charm back on
with a giggle and ironic wink.

He likes to collect
the faults in others
cause his thinks his **** don't stink.
He keeps reminding me of mine.
He enjoys needling
people.

We've known each other
for a long while.
Seems like longer....
but that's cause my roommate is me.
It's preferable to read the poem with this song in the background...
http://youtu.be/F29Ky5ncefQ
"You Rascal You"
by Hanni El Khatib
Elena  Dec 2018
Pain & Poetry
Elena Dec 2018
Poetry is the string
         looping through and
         weaving out
the needling pain

It knits a beautiful
         patchwork, coated with
         colorful patterns
our fingers trace

threads of our lives
         create designs
a shining::
shimmering::
or dulling
our emotions blend.
L T Winter Dec 2014
My tears are--
Narcoleptic diagonals
Collapsing forward-

Motion into neurons-
Bound-by-arteries
Instead of gravity.

They find construct,
By fluorine cyclamen
And wildebeest chantries.

But to understand
Is-bygone-remorse
Made of much more
Than clovers stitches.

Needling skin into bone.
Thoughts from flesh.
Steven Fried  Sep 2013
Sail
Steven Fried Sep 2013
Addiction's innocent cousin ***** needling into my veins
infected me seasons ago
the ache I once felt still strong as mast's girth

From wind to wind sea to sea we internally roamed
in my mind the map was a treasure trove for exploration
i never was bound to lake shore
wind whipping tide tussling rousing mornings and dusky
nights

My mistresses my pleasure gliding goddess
drift lazily and let me sing praise with shouts "Boom"
but coy or not I coil spry
aged not with time
but lessons learned

The youngest have yet to grow
knowledge of the mystery fables tell
of beautiful passings

Land's unreachable without proper direction
rudderless a hair's breadth magnified out of reach
cool autumn leaves fall on my skiff

She tugs at my heart and at your golden hemp locks
they have all my love stolen from your deck your bow
your stern your timber your core
but let us sail evermore
O-One has been kept waiting for a long spell
N-Not knowing if one can get out of this hell
E-Endless days one has spent in an unlit well

H-Hope seems not to be journeying one's way
U-Under clouds of darkness one shall e'er stay
N-Never shall one see a bright sunny day ray
D-Deemed to be unfit to walk that old hallway
R-Realizing this fact sure makes one feel gray
E-Excluded from the folks at the homely bay
D-Dare one say one is mired in a boggy clay

A-All is lost one can't redeem one's former place
N-Negotiations with other are now a void space
D-Dear me one is in a position of sheer disgrace

E-Ever so badly one did behave all that time ago
I-In hindsight good manners needed to be the go
G-Grave is one's standing and so very full of woe
H-Heck the word one called when one had to go
T-Tidings of ejection delivered by the boss honcho
Y-Yonder one was told on the spot to quickly go

D-Down in the dumps one has been for so long
A-Away at a lone outpost well out of the throng
Y-Yearning to once again hear their joyful song
S-So one is on an island for those who do wrong

O-Only three chances did one get at that game
F-Four weren't going to be allotted to this dame
F-Folly to think that one could avoid any shame
L-Leniency not given one has to wear the claim
I-In the finally wash up one's lesson is to be tame
N-Needling the boss honcho scrubbed one's name
E-Erased one shall be for being a bad egg dame
onlylovepoetry  Oct 2017
3 hands
onlylovepoetry Oct 2017
3 hands


kidding hands,
an autocorrection title,
was supposed to be
kissing hands but either works

man overcome with an elixir of Sunday bed warming/charming/chilling, lukewarm "hot" coffee,
melodious love songs inducing
languorously hand-to-mouth,
five finger fore play love making

a potpourri of knuckle gnawing and gentling kisses
upon a hand borrowed from the a tablet holder,
while she reads the paper bemoaning the sorry state
of the world, the government permissions bad guys...
and weeps for the world we are leaving behind

a mood changer with 100% effectiveness

newspapers- a safe *** condiment

think I'll reheat my coffee

<•>

my hand

she cant sleep knows that I'm up at 2:08am composing.  
and showed her earlier today
the kidding hands poem
just as the lights were going down, downtown on
William's Measure For Measure

so at 2:09am her hand snakes over and wrap itself
around my thumb as if she was weaning an infant from
what infants like doing, or weaning grownup old men like me from doing at 2:09am, what they should be best leaving alone,
like writing poetry or it could just be the woman
pseudo-******* a poets thumb as a way of saying
can't sleep head buzzing and in between I love the
livening lying of living with your hands thumb in me

<•>
the facement of your hands*

dr. mandy is handy with a needling drink of boo boo bo-toxin
that auto corrects the face's reflecting times drawing upon it,
our bodies facement; an effacement I suppose, or maybe a
defacement.  

very little to be done to keep the *hands
couture covering
from revealing what devolutionary year it is for you: why I write of the facement of your hands and why I kiss them, your hands,
lovingly, hoping the natural  toxins on my lips can ****** their aging,
and if they can't, then it is a great way of saying
I love you

<•>
  2:53am

— The End —