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Kalen Doleman Sep 2018
That morning i awoke.
I felt the rising sun.
A glimpse of true restoration,
with kings crying, emperors imploring mercy, world living,
earth within.

The light of the rays
throughout magnificent pieces
of hollow stone.
I'm happy.
I'm happy.
The sun it did shine.

The sunrise, it was beautiful,
sitting in between the vast open crests of the mountains.
The sky's color orange.
The mountains a deep pink.

This view was a sensation of the universal language.
And the best part had to be the sun's
fiery,
multicolored,
rays!
Where the glory of this moment,
this sunrise,
originated.

What a bountiful moment.
It was filled with glory and strength.
The firefly lighting
inescapable and somewhat inexpressive.
Because of this, all insecurities melted away.

There was something comforting about this rise.
It was as if it was a message from God.
It had the energy of a new day.

No, not a new day.
Not another day to wake up.
Not ANOTHER PLAIN DAY!

No, this was a "new day".
The beginning of a new era.
That's what this sunlight told me.
Situations will now explode and dissolve.
In a benevolent way.

It said,
Feel the warmth of the sun.
Let it's warm welcoming waves of light
surround and caress your being.
Feel its care and courage.

Connect and let its power become yours.
Once i connected i no longer reflected.
The time for reflection ended.
And being pushed aside,
the time or immortality began.

The invincible
irresistible,
sensational,
nature of the sun brought a new wave.

The nine waves of the sun,
They touched me on that sunrise.
They touched my heart.
Just as they mixed and breed with
the unusually blue but now pink mountains.

The loving amalgamation of sunrise and environment.
It was truly a spectacle to behold.
This was a true sunrise.
The first true sunrise of my life.

THE SUNRISE OF THE NEW DAY.
MAY YOU SEE IT AS WELL!
Sunrise hope poetryofwitness spirit self infinitewaters poetry poetryoflight micropoetry love
Austin Heath Jun 2014
"Sorry, Austin...not for us...Best with it."**

"Four Verses of Inexpressive Groaning,
and 15 Ughs to be Sung in Beethoven's 9th. "

Ughghghgh.
Ughyughghg.
Eighghghgugh.
Myeeeghghg?

Eeehghghg...­
Myegghghugh.
Ghghghghg.
Huhhghghg?

Sigh. Sigh. Sigh.
Shrug- eh?
Uhhhmmm...
Eghghghghg....

Myughghghg...
grughghghg.
Gaaah...­?
Blughghg.

Ugh. Ugh. Ugh. Ugh.
Ugh. Ugh. Ugh. Ugh.
Ugh. Ugh. Ugh. Ugh.
Ugh. Ugh. Ugh.
A real god-**** piece. A real ******* work of art. A ******* MASTERPIECE.
The First Voice

HE trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,
She took it up and gave it him.

A while like one in dreams he stood,
Then faltered forth his gratitude
In words just short of being rude:

For it had lost its shape and shine,
And it had cost him four-and-nine,
And he was going out to dine.

"To dine!" she sneered in acid tone.
"To bend thy being to a bone
Clothed in a radiance not its own!"

The tear-drop trickled to his chin:
There was a meaning in her grin
That made him feel on fire within.

"Term it not 'radiance,'" said he:
"'Tis solid nutriment to me.
Dinner is Dinner: Tea is Tea."

And she "Yea so? Yet wherefore cease?
Let thy scant knowledge find increase.
Say 'Men are Men, and Geese are Geese.'"

He moaned: he knew not what to say.
The thought "That I could get away!"
Strove with the thought "But I must stay.

"To dine!" she shrieked in dragon-wrath.
"To swallow wines all foam and froth!
To simper at a table-cloth!

"Say, can thy noble spirit stoop
To join the gormandising troup
Who find a solace in the soup?

"Canst thou desire or pie or puff?
Thy well-bred manners were enough,
Without such gross material stuff."

"Yet well-bred men," he faintly said,
"Are not willing to be fed:
Nor are they well without the bread."

Her visage scorched him ere she spoke:
"There are," she said, "a kind of folk
Who have no horror of a joke.

"Such wretches live: they take their share
Of common earth and common air:
We come across them here and there:

"We grant them - there is no escape -
A sort of semi-human shape
Suggestive of the man-like Ape."

"In all such theories," said he,
"One fixed exception there must be.
That is, the Present Company."

Baffled, she gave a wolfish bark:
He, aiming blindly in the dark,
With random shaft had pierced the mark.

She felt that her defeat was plain,
Yet madly strove with might and main
To get the upper hand again.

Fixing her eyes upon the beach,
As though unconscious of his speech,
She said "Each gives to more than each."

He could not answer yea or nay:
He faltered "Gifts may pass away."
Yet knew not what he meant to say.

"If that be so," she straight replied,
"Each heart with each doth coincide.
What boots it? For the world is wide."

"The world is but a Thought," said he:
"The vast unfathomable sea
Is but a Notion - unto me."

And darkly fell her answer dread
Upon his unresisting head,
Like half a hundredweight of lead.

"The Good and Great must ever shun
That reckless and abandoned one
Who stoops to perpetrate a pun.

"The man that smokes - that reads the TIMES -
That goes to Christmas Pantomimes -
Is capable of ANY crimes!"

He felt it was his turn to speak,
And, with a shamed and crimson cheek,
Moaned "This is harder than Bezique!"

But when she asked him "Wherefore so?"
He felt his very whiskers glow,
And frankly owned "I do not know."

While, like broad waves of golden grain,
Or sunlit hues on cloistered pane,
His colour came and went again.

Pitying his obvious distress,
Yet with a tinge of bitterness,
She said "The More exceeds the Less."

"A truth of such undoubted weight,"
He urged, "and so extreme in date,
It were superfluous to state."

Roused into sudden passion, she
In tone of cold malignity:
"To others, yea: but not to thee."

But when she saw him quail and quake,
And when he urged "For pity's sake!"
Once more in gentle tones she spake.

"Thought in the mind doth still abide
That is by Intellect supplied,
And within that Idea doth hide:

"And he, that yearns the truth to know,
Still further inwardly may go,
And find Idea from Notion flow:

"And thus the chain, that sages sought,
Is to a glorious circle wrought,
For Notion hath its source in Thought."

So passed they on with even pace:
Yet gradually one might trace
A shadow growing on his face.

The Second Voice

THEY walked beside the wave-worn beach;
Her tongue was very apt to teach,
And now and then he did beseech

She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.

She urged "No cheese is made of chalk":
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.

Her voice was very full and rich,
And, when at length she asked him "Which?"
It mounted to its highest pitch.

He a bewildered answer gave,
Drowned in the sullen moaning wave,
Lost in the echoes of the cave.

He answered her he knew not what:
Like shaft from bow at random shot,
He spoke, but she regarded not.

She waited not for his reply,
But with a downward leaden eye
Went on as if he were not by

Sound argument and grave defence,
Strange questions raised on "Why?" and "Whence?"
And wildly tangled evidence.

When he, with racked and whirling brain,
Feebly implored her to explain,
She simply said it all again.

Wrenched with an agony intense,
He spake, neglecting Sound and Sense,
And careless of all consequence:

"Mind - I believe - is Essence - Ent -
Abstract - that is - an Accident -
Which we - that is to say - I meant - "

When, with quick breath and cheeks all flushed,
At length his speech was somewhat hushed,
She looked at him, and he was crushed.

It needed not her calm reply:
She fixed him with a stony eye,
And he could neither fight nor fly.

While she dissected, word by word,
His speech, half guessed at and half heard,
As might a cat a little bird.

Then, having wholly overthrown
His views, and stripped them to the bone,
Proceeded to unfold her own.

"Shall Man be Man? And shall he miss
Of other thoughts no thought but this,
Harmonious dews of sober bliss?

"What boots it? Shall his fevered eye
Through towering nothingness descry
The grisly phantom hurry by?

"And hear dumb shrieks that fill the air;
See mouths that gape, and eyes that stare
And redden in the dusky glare?

"The meadows breathing amber light,
The darkness toppling from the height,
The feathery train of granite Night?

"Shall he, grown gray among his peers,
Through the thick curtain of his tears
Catch glimpses of his earlier years,

"And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?

"Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes

"The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood."

Still from each fact, with skill uncouth
And savage rapture, like a tooth
She wrenched some slow reluctant truth.

Till, like a silent water-mill,
When summer suns have dried the rill,
She reached a full stop, and was still.

Dead calm succeeded to the fuss,
As when the loaded omnibus
Has reached the railway terminus:

When, for the tumult of the street,
Is heard the engine's stifled beat,
The velvet tread of porters' feet.

With glance that ever sought the ground,
She moved her lips without a sound,
And every now and then she frowned.

He gazed upon the sleeping sea,
And joyed in its tranquillity,
And in that silence dead, but she

To muse a little space did seem,
Then, like the echo of a dream,
Harked back upon her threadbare theme.

Still an attentive ear he lent
But could not fathom what she meant:
She was not deep, nor eloquent.

He marked the ripple on the sand:
The even swaying of her hand
Was all that he could understand.

He saw in dreams a drawing-room,
Where thirteen wretches sat in gloom,
Waiting - he thought he knew for whom:

He saw them drooping here and there,
Each feebly huddled on a chair,
In attitudes of blank despair:

Oysters were not more mute than they,
For all their brains were pumped away,
And they had nothing more to say -

Save one, who groaned "Three hours are gone!"
Who shrieked "We'll wait no longer, John!
Tell them to set the dinner on!"

The vision passed: the ghosts were fled:
He saw once more that woman dread:
He heard once more the words she said.

He left her, and he turned aside:
He sat and watched the coming tide
Across the shores so newly dried.

He wondered at the waters clear,
The breeze that whispered in his ear,
The billows heaving far and near,

And why he had so long preferred
To hang upon her every word:
"In truth," he said, "it was absurd."

The Third Voice

NOT long this transport held its place:
Within a little moment's space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

"Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark."

"Her speech," he said, "hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

"Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book."

Low spake the voice within his head,
In words imagined more than said,
Soundless as ghost's intended tread:

"If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?"

"Rather than that," he groaned aghast,
"I'd writhe in depths of cavern vast,
Some loathly vampire's rich repast."

"'Twere hard," it answered, "themes immense
To coop within the narrow fence
That rings THY scant intelligence."

"Not so," he urged, "nor once alone:
But there was something in her tone
That chilled me to the very bone.

"Her style was anything but clear,
And most unpleasantly severe;
Her epithets were very queer.

"And yet, so grand were her replies,
I could not choose but deem her wise;
I did not dare to criticise;

"Nor did I leave her, till she went
So deep in tangled argument
That all my powers of thought were spent."

A little whisper inly slid,
"Yet truth is truth: you know you did."
A little wink beneath the lid.

And, sickened with excess of dread,
Prone to the dust he bent his head,
And lay like one three-quarters dead

The whisper left him - like a breeze
Lost in the depths of leafy trees -
Left him by no means at his ease.

Once more he weltered in despair,
With hands, through denser-matted hair,
More tightly clenched than then they were.

When, bathed in Dawn of living red,
Majestic frowned the mountain head,
"Tell me my fault," was all he said.

When, at high Noon, the blazing sky
Scorched in his head each haggard eye,
Then keenest rose his weary cry.

And when at Eve the unpitying sun
Smiled grimly on the solemn fun,
"Alack," he sighed, "what HAVE I done?"

But saddest, darkest was the sight,
When the cold grasp of leaden Night
Dashed him to earth, and held him tight.

Tortured, unaided, and alone,
Thunders were silence to his groan,
Bagpipes sweet music to its tone:

"What? Ever thus, in dismal round,
Shall Pain and Mystery profound
Pursue me like a sleepless hound,

"With crimson-dashed and eager jaws,
Me, still in ignorance of the cause,
Unknowing what I broke of laws?"

The whisper to his ear did seem
Like echoed flow of silent stream,
Or shadow of forgotten dream,

The whisper trembling in the wind:
"Her fate with thine was intertwined,"
So spake it in his inner mind:

"Each orbed on each a baleful star:
Each proved the other's blight and bar:
Each unto each were best, most far:

"Yea, each to each was worse than foe:
Thou, a scared dullard, gibbering low,
AND SHE, AN AVALANCHE OF WOE!"
Hinata  May 2012
Lovely Bones
Hinata May 2012
lovely bones scattered on the floor,
beautifully red and intersecting all over the door.
lovely bones ran clean with no scrapes from the knife,
the very knife that took their life.
lovely bones, so beautiful, so pretty.
more beautiful than their blood that tasted ever so sweet.
lovely bones decorated the floor so beautifully and gave it the beauty of death,
not caring that i took their owners breath.
my beautiful bones, my lovely bones,
smooth and heavy as beautiful stones.
my lovely bones, i stroke your skulls,
your blank inexpressive expression tells it all.
i love your beautiful ribs and spine,
knowing that they are now mine.
but my favorite of all time is the arm and leg bones,
i love that bone.
its beautiful and long with a unique characteristic.
its beauty is just so majestic!
my beautiful lovely bones, i adore you!
i laugh wickedly as i fondled you.
my lovely bones, so beautiful,
only getting you was a task i must fulfill.
come to me, my fantasy as beautiful as dazzling stones,
my angelic, lovely bones.
i thought i could capture the mind of a killer, so anyways, any thoughts?
Trees and the menace of night;
Then a long, lonely, leaden mere
Backed by a desolate fell,
As by a spectral battlement; and then,
Low-brooding, interpenetrating all,
A vast, gray, listless, inexpressive sky,
So beggared, so incredibly bereft
Of starlight and the song of racing worlds,
It might have bellied down upon the Void
Where as in terror Light was beginning to be.

Hist!  In the trees fulfilled of night
(Night and the wretchedness of the sky)
Is it the hurry of the rain?
Or the noise of a drive of the Dead,
Streaming before the irresistible Will
Through the strange dusk of this, the Debateable Land
Between their place and ours?

Like the forgetfulness
Of the work-a-day world made visible,
A mist falls from the melancholy sky.
A messenger from some lost and loving soul,
Hopeless, far wandered, dazed
Here in the provinces of life,
A great white moth fades miserably past.

Thro' the trees in the strange dead night,
Under the vast dead sky,
Forgetting and forgot, a drift of Dead
Sets to the mystic mere, the phantom fell,
And the unimagined vastitudes beyond.
Tony Luxton Jul 2015
He's gone - dead
my memory redefined
what feelings will survive
who will remember?

Formal, frozen, inexpressive
faces, relatives and friends,
people I've nor seen for years,
shuffling funeral shoes,
nervous, rehearsing things to say.

Others never seen before.
His networks still in tact,
mine sadly declining.
Perhaps I didn't know he who goes there.
Pass friend.
Sarrah Vilar Apr 2015
You were worth making art out of melodic words, weren't you?
But somehow I couldn't stop writing about the aftermath of someone's storm.
And for that, I am truly sorry.

I remember you were that band guy who so beautifully struck drums
that even my inexpressive veins danced at every beat,
that even my defensive walls collapsed,
that even my unreadable emotion became everybody's open book—
a sweet, tragic thing: these episodes never happened.

You were almost that answer every mad mind so long desired.
I almost stopped mastering the art of stomping on people's hearts before they do.
I almost dug a burial ground for the corpses of my
pouring-love-out-to-someone-who-only-knows-how-to-spit-it-back­­-out.

What I am sure about is this:
I never want to feel it again.
I can only look at another tombstone with your name engraved on it
and smell the scent of flowers I stole from some rotten body,
while the wind plays symphonies with the endless,
"Almosssst,
almossst,
almosst,
almost."
emily webb  Jun 2010
07.
emily webb Jun 2010
07.
The sweetness in your laugh
Held all sorts of things
Like dandelion mornings and afternoons
And the way sunlight filters through those estuary clouds
A hope of a hint of normality

And I know I laugh like a harpy
And at times I don't even smile
I laugh with the irony of fluourescent lights
Blinking so unnaturally in comparison
Obsessed with the imitation

Your laugh was full of light
And lit your skin with that quiet sunset
That slanted onto your back and shoulders
Forgive me if I was silent
If I was inexpressive and staring
Forgive me my inability
To step out of my shadows
Norman Crane  Aug 2020
Babelmist
Norman Crane Aug 2020
I have said all that's to be said,
And you have listened,
And I have listened,
To the end, gaining what?
Our words are co-absurd,
Inexpressive turds of information,
Dung heap of nonsense,
Good will with perfect enunciation,
But crawling with itch, twitch and head-nod,
In place of mutual understanding,
A babelmist of manners and small talk,
In which we are umbrella-less,
Soggy with positivity,
But it's for the best, I guess,
Have a good day, till tomorrow then?
Finally! Until, tomorrow, we say it all over again.
Tony Luxton Jul 2016
He's gone - dead,
memory redefined.
What feelings will survive?
Who will remember?

Formal, frozen inexpressive
faces - relatives and friends,
people I've not seen for years.
Shuffling funeral shoes,
nervous, rehearsing things to say.

Others never seen before,
his networks seem intact,
mine now declined. Perhaps
I don't know he who goes there.
Pass friend.
full moon Sep 2017
How can someone's smile
Easily break somebody's heart?
How innocent can it be?
To not notice the pain of others
Is she numb?
A clueless?
Perhaps inexpressive?
Taking all in everything by herself
Was her smile a facade?
To hoard the sadness inside
Sometimes its better to smile and laugh on things despite the pain we're keeping inside
Tatiana  Nov 2012
Unknown
Tatiana Nov 2012
No expression,
lights up their face,
but their blank looks,
darken them.
They don't like the light,
they live in shadows,
where their blank looks,
thrive.
They come out,
and no one knows what to think,
they're scared,
were scared.
Faceless,
that's what scares me,
no eyes, no mouth, no nose,
I can't read them.
They're inexpressive,
I don't know what to think,
its like they are always covered,
masking their lives.
No expression,
lights up their face,
so to them,
I must close my door,
and never open it,
cause they are,
unknown.

— The End —