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Raj Arumugam Oct 2010
slow time on the escalator
easy baby;
a life of leisure
and idle moments...
tra la la la li

head held high and proud
one foot on one step
and one foot lower:
it’s the picture of grace and ease;
it’s cool baby

stand leaning
with no care in the world
chatting with your friend
and let your new floral skirts
wipe clean the glass sides;
life’s a breeze
on the escalator,
fashion baby

hands on the handrail
and the other waving at friends
waiting at the end;
shake hands when you’re down
and pass the germs on
to your cheerful buddies;
O life’s a breeze
on the escalator,
bouncy baby

it’s like a slow-motion movie
this chic life on the escalator
as still as when you stand window-shopping
gazing at new lingerie on display
like admiring a field of flowers:
O live the moment
baby,
this escalator life’s cool and easy


slow time on the escalator
easy baby;
a life of leisure
and idle moments...
tra la la la li
Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11
Jacob Demlow  Dec 2010
Escalator
Jacob Demlow Dec 2010
As Kids
We run up the down escalator
And down the up escalator
Enjoying
Playing
Living our days happily
Now
As adults
We walk up the up escalator
And down the down escalator
To get places faster
To do work
No more joy
No more play
But sometimes
If you look closely
Once in a while
You can see a flicker of joy
Across an adults face
Hurrying to the almost departing train
Doing their own little victory dance
When they make it before the doors close
Then they sit
And get back to the office
To get back to their desk
To get back to life
And it’s gone
And it remains just a glimpse into their past
As they sit
And make a future for themselves.
Written while riding a MARTA train. Fall 2010
c Mar 2018
The only other girl at the party
is ranting about feminism.
The audience: a sea of **** jokes and snapbacks
and styrofoam cups and me.
They gawk at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?

These boys…
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am ashamed
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or woman studies classes.
There are days I want people to like me
more than I want to change the world.
Once I forgave a predator because
I was afraid to start drama in our friend group
two weeks later he assaulted someone else.
I’m still carrying the guilt in my purse.

There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
and lipstick shaped mace and underwear designed to prevent ****.

Once a man behind me at an escalator
shoved his hand up my skirt
from behind and no one around me
said anything,
so I didn’t say anything.
Because I didn’t wanna make a scene.

Once an adult man made a necklace
out of his hands for me and
I still wake up in hot sweats
haunted with images of the hurt
of girls he assaulted after I didn’t report,
all younger than me.

How am I to forgive myself for doing
nothing in the mouth of trauma?
Is silence not an active violence too?

Once, I told a boy I was powerful
and he told me to mind my own business.

Once, a boy accused me of practicing
misandry. “You think you can take
over the world?” And I said “No,
I just want to see it. I just need
to know it is there for someone.”

Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another component of being a girl.
We text each other when we get home
safe and it does not occur to us that
not all of our guy friends have to do the same.
You could literally saw a woman in half
and it would still be called a magic trick.
Wouldn’t it?
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies that
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
Credits to Blythe Baird.

Blythe Baird is an affluent, rising young slam/spoken word poet from Minnesota. She has a book out already, "Give Me A God I Can Relate To" and is making gains in the world of poetry. Regularly performs with Button Poetry. You can find the performance of "Pocket-Sized Feminism" on Youtube. Inspiring and firey on the mic! Check this one out.
MonkeyZazu Jul 2014
It just dawned on me.

This whole time
I've been trying to go up
unknowingly walking,
on the escalator that takes you down.

No wonder
life
has been at a stand still.
How else
could a person
walk in the same direction for years on end
without going anywhere.

Then
you have those people
who barely take two steps,
and they're there...
Makes so much sense now.  

Word to the wise -
walk a path
that's a little less
hi-tech.
slave is someone who does not have authority over their own lives slave is someone subservient controlled dominated by somebody something slave works very hard for little or no pay slave is property of somebody something slave is someone forced to obey

sycophant is someone servile who overly flatters more powerful individual for personal gain sycophant is bootlicker brown-noser fawner flunkey doormat lackey lap-dog yes-men parasite toad-eater (pause reposition) somebody possessed of excessive vanity may cultivate sycophant swarms

side by side they stand clothed in black not quite similar the one slightly taller possibly because the other suffers poor posture perhaps they are related because in odd way they appear alike or of same ilk yet upon closer scrutiny it becomes apparent they have very little or nothing in common the taller one with troubled sad eyes the other smiling obsequiously the taller one more muscular ***** from working menial labor the other with curved spine slumped shoulders because of undue bowing and crouching while blowing smoke up other people’s *****

sadist is someone who attains ****** gratification by inflicting physical pain shame to other people sadist is someone who delights in excessive cruelty degradation to others

******* is someone who achieves ****** pleasure from being hurt humiliated abused dominated punished often self-inflicted ******* is someone who enjoys being harmed misused mistreated ignored by others

sadomasochist is someone who gets ****** gratification by alternately or simultaneously enduring hurt causing pain to somebody else sadomasochist is combination of sadistic masochistic tendencies in someone who obtains ****** pleasure from inflicting submitting to pain cruelty

sycophant slave snakes up leg of movie actress dictator who gains pain through pleasure 2000 miles from equator IED cell phone detonator sycophant dilettante ***** up to sadistic art critic or publishing editor on escalator while below on main floor of shopping mall ice rink figure skater pirouettes bows to nominator surreptitiously bribed by infiltrator mutilator
Sacrelicious Mar 2012
Saturday Night.

I have no need to explain myself,
I am what you created.
As the artist who painted this canvas,
you especially should understand
the portrait I call myself.
If you find me to be a disappointment,
it’s your own **** fault.
I catch myself forgetting the
little things about you,
My puzzle is left unfinished.
Secretly, I believe
that I am somewhere in the middle of
Life
and
Death.
Just waiting until
I get the courage to close my eyes
and take the escalator
up and away from
Void's emptiness.
Into the heightened arms of Love.
Catch me, if I fall.

Sunday Morning

Time flies by
and I'm still here lost without you.
I am someone that
came from nothing at all.

All i can remember from that night
was,
running home to the Sun.

I found myself passed out beside a toilet.
I got a hangover and fresh start.
Aaron LaLux Oct 2016
On a trip,
to Thailand,
from Egypt,
to an island,

had a layover in Dubai,
so I decided to visit a friend,
a beautiful traveler such as myself,
in Dubai the Hyatt was her residence,

I got off my flight,
and cleared customs,
took the Metro to Palm Deira,
then emerged into the thick Emirates air,

felt like I’d emerged into a tide pool,
the air was damp and salty,
as if I’d submerged my whole body,
into summer sun heated waters,

walked a long short walk to the hotel,
and entered the oversized lobby,
Dubai lives off of air conditioning,
and the climate control was welcoming,

my friend came down to meet me,
dressed as beautiful as ever,
a flight attendant she was very attentive,
we hugged and she invited me to the rooftop pool,

on the rooftop I changed into my swimming trunks,
because even though it was just I layover,
I bring my trunks with me everywhere,
because you never know when you’re gonna swim,

she stayed poolside,
gazed at me apparently amused,
after a quick dip I emerged refreshed,
toweled off and we talked,

she asked me why I write,
she asked me what my goal was,
I told her I didn’t know why I write,
or really what my goal was,

she pressed on,
and insisted there must be a reason,
so I answered her question,
with the following reasoning,

“I guess I write,
so that our collective humanity,
has some sort of documentation,
of our emotional history.
But I don’t have a goal,
and I am not flattered when people compliment my work,
because I don’t really consider my writings mine,
I consider them the world’s.
So when some says my writing saved their life,
I feel awkward because God wrote it not me,
still I say thank you because I don’t know what else to say.
The books I’ve written are bigger than me,
millions of people have read the poems I’ve penned,
but most people that that have read my poems,
wouldn’t recognize me on the street if they walked past me,
see it’s not me they know it’s the writing I’ve written,
which means readers think they know me,
but they don’t know me at all.”

There’s a moment of silence,
on that rooftop,
all the lights of Dubai,
reflecting in her dark molasses eyes,

and I ask this,

“Do you ever feel trapped?”

She seems a bit perplexed by the question.

“What do you mean?”

“I mean,
here you are,
in The Emirates.
You are constantly on call for an airline,
you could be called to go any minute,
so you’re in a constant state of defense.
Plus,
this whether,
I mean,
it’s unbearably hot here,
and people here are completely dependent on A/C,
plus there are cameras everywhere always watching,
and to open almost any door here you need a key,

it seems there’s so much security that nothing and no one is free.”

“No I don’t feel trapped.”

Her answer comes too fast,
as if she doesn’t want to take the time to think about it,
and speaking of time,
my flight to Thailand is quickly approaching.

I change out of my shorts,
put my ‘normal’ clothes back on,
khaki shorts and navy shirt,
so that I can cruise through without being bothered,

but I am bothered,
because I can’t even touch her,
this is Dubai and despite the pretty lights,
this place is not Liberal it’s Conservative Islam,

and everything is forbidden.

We make our way across the rooftop poolside,
walking on plastic grass under canvas canopies,
we get to the outside door she slides her plastic key card,
and we enter back into the climate controlled insides,

we reach the elevator,
she taps her key card again,
the elevator opens,
and we start to descend,

inside the lift I can’t help myself,
she’s too attractive,
so I try to place a kiss on her shoulder,
she pulls away.

“Aaron no!”

“What?”

“We can’t,
not here,
I can get in trouble,
seriously.”

She nods discretely to the close captioned camera,
recording our every movement in the corner,
I guess the only thing we can exchange here is glances,
the system still hasn’t found a way to stop us from making eye contact,

and eye contact is the only contact we’re allowed to make,
everything else is forbidden,
heck they’d probably even outlaw looks if they could,
the elevator opens,

we’re back in the lobby,
she offers to walk me to the metro,
I obviously accept her offer,
I would accept any offer she ever gave me,

We emerge back into that thick Emirate air,
that damp and salty tide pool,
back into that traffic and incessant noise,
back into the smell of the fruits of the sea,

I ask her why it smells so much like fish out there,
she tells me there’s a fish market across the street,
she tells me the Pakistanis shove fish in her face during the say,
and have absolutely no respect for personal space.

we reach the doors of the metro station,
already we can feel the cool artificial A/C breeze,
and I’m again reminded how fake this city is,
fake people fake air fake grass fake plastic trees,

seems she’s the only thing real here,
and we are about to say goodbye,
we hug quickly before we depart,
don’t want to catch the attention of the camera’s eye,

she waives goodbye,
as I descend back down the escalator,
I want to tell her that I don’t like goodbye waives,
because that’s exactly what I saw before I lost my sister,

in other words the last time I ever saw my little sister,
was when she waived goodbye to me,
before she drowned in the fish pond,
actually that’s the only memory I have of my sister,

but that’s another story for another day,
that’s a different trip entirely,
that’s something that happened long ago,
something that now’s a distant memory,

anyways that’s why I wanted to tell the girl in Dubai,
“Please don’t waive goodbye,
because that makes me worried,
that we’ll never see each other again.”,

but it was too late,
the hands of time had already pushed us away,
the escalator was already creating too much space between us,
I guess I can hope that we’ll see each other again in another time and place,

but for now,

I’m on a trip,
to Thailand,
from Egypt,
to an Island,

and the planes coming,
and it’s almost time to board,
and you can’t go back to a passed moment,
because the only constant is change and the only direction is forward,

so be forewarned,
if you love someone tell them right then,
because even when things are just beginning,
everything and every one is only a moment from the very end…

∆ Aaron LA Lux ∆
A lesson in Time and a Reminder to Love
YUKTI Mar 2018
I was waiting for him on the escalator on one side of the road 
My Heart pumped at the highest rate when all at once realized abode.

Saw him looking generously dashing riding a scooter
He was wearing a white t-shirt and jeans and his hair were messy but modish.
And here I was standing in my usual tank top and jeans,
hair tied in a messy ponytail
just then He saw me, waved And parked his vehicle near my usual bus stop
I walked to his way with my bag full of books.


We sat on the bench and started random talks about everything except what we thought about.  
He then started using his phone and I was beginning to feel ignored. He on a spur of moment stopped and stared me and mentioned about our chats and phone calls
"How it started"
"How it became more Frank and comfortable"
"How good friends we became online but never met in real life" strange isn't it?

Then I told him I have to leave and the 'awkward silent moment' and he finally spoke "yeah"

We shook our hand and he refused to let me go
So I smiled and left his hand and eye contact and stood in the row

The bus started moving and I saw him standing there only, shrugging his shoulder and leaving that place.

That was my first and last with him or anyone!!
Your comments are always appreciated.
This is a conversation I had with God.
In which I told the silence of my room
that surrealism is the only ism in which God makes total sense.

I could see the chalk whites of his teeth trying to bite down on his words
but before they could be derailed his tongue caught wind and his words assailed
as he said, "I hate surrealism."

As if his words would never be caught dead in an urn
sometimes his mouth looked more like a jail in an Old Western
and his thoughts fought like criminals desperate to break out
until they finally found a way to use his tongue as an escape route.

"No, I don't hate surrealism," he says
"I just hate surrealism as a movement."

Upon hearing this my spine coils like a wine-corker-spiral-staircase
upward; where my brain plugs my cranium like a cork
and my eyes drip like blank canvas,
I am one hollow statue decaying in a melting structure
with wax in my ears I feed landscapes to winged insects
as I drown in pools of water/color.

Behind me is a sky so burlesque it actually looks like the clouds are crying.
Under me is a ground so vast it has nine horizons wrapped in a double helix.
Reconstructed beside me is a tree so old it could be the same wood as The Crucifix.
Nested inside me where my spine should be is a coat rack made crooked by the weight of all-nighters.
The texture of my skin makes it look like god paints with typewriters.

"No, no," he says, his voice turning melancholy, atomic, uranic, idyll,
"I don't hate surrealism as a movement,
because hate's such a strong word. Oh god, I guess I just don't get it."

Now I'm overcome with a sincere desire to light an entire herd of giraffes on fire
and sip wine beneath the light as if it were dinner by candlelight,

"Seriously?" I say. "Under giraffes, in this light
I can't tell if you're Lincoln or Jesus.
In fact, we all look like swans with elephant reflections.
Your trunk is a trumpet.
Don't even get me started on where we derive our visions of god
from where I stand everything casts a shadow in the shape of where it's heading
and the sky, vast and pale and open, the sky is the only all-seer
and the truth is far less surreal:
if your demons are ants then your god is an anteater."

I can see the chalk whites of his teeth stall door,
squeaky hinge, his mouth-
occupied with a realization he can't pronounce.
A pause as pregnant as a desert landscape,
ornamented with butterflies.

His head is an empty room with an evaporating skylight,
his ears, hang like clocks on a half-wall, melting.
The escalator to his brain is a spiral staircase moving in reverse.
His eyelids peel back like the last page of a two-dimensional book.
I can see with my Spellbound eyes, we are finally on the same page.

When his tongue curls back into his saloon jaw
like a bee sting rifle shot back into the mouth of a lunging tiger,
swallowed deep into the wells of a fish belly.

"I'm sorry" he says, "that's not what I meant."
King Panda Feb 2016
I was flying home from Denver
and the man next to me ordered 3 double vodkas
slipping the stewardess a hundred bucks
by the end of the flight he was asking me
to come home with him
he had a sheepskin bed throw
that would keep us perfectly warm
this chill winter night
I refused
called him a drunk freak
and giggled when he stumbled down the escalator
and split a **** in his forehead
that cracked like
like Easter
smothered in chocolate frosting

— The End —