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Raj Arumugam Oct 2010
slow time on the escalator
easy baby;
a life of leisure
and idle moments...
tra la la la li

head held high and proud
one foot on one step
and one foot lower:
it’s the picture of grace and ease;
it’s cool baby

stand leaning
with no care in the world
chatting with your friend
and let your new floral skirts
wipe clean the glass sides;
life’s a breeze
on the escalator,
fashion baby

hands on the handrail
and the other waving at friends
waiting at the end;
shake hands when you’re down
and pass the germs on
to your cheerful buddies;
O life’s a breeze
on the escalator,
bouncy baby

it’s like a slow-motion movie
this chic life on the escalator
as still as when you stand window-shopping
gazing at new lingerie on display
like admiring a field of flowers:
O live the moment
baby,
this escalator life’s cool and easy


slow time on the escalator
easy baby;
a life of leisure
and idle moments...
tra la la la li
Jacob Demlow  Dec 2010
Escalator
Jacob Demlow Dec 2010
As Kids
We run up the down escalator
And down the up escalator
Enjoying
Playing
Living our days happily
Now
As adults
We walk up the up escalator
And down the down escalator
To get places faster
To do work
No more joy
No more play
But sometimes
If you look closely
Once in a while
You can see a flicker of joy
Across an adults face
Hurrying to the almost departing train
Doing their own little victory dance
When they make it before the doors close
Then they sit
And get back to the office
To get back to their desk
To get back to life
And it’s gone
And it remains just a glimpse into their past
As they sit
And make a future for themselves.
Written while riding a MARTA train. Fall 2010
Zelda Jul 13
“What do you want?”

I am
the double braids;
the sunshine in the tutu dress
The linear path
The yellow line
Didn't lead where it was supposed to
(where I thought it would)
I was just trying to catch up

From the McDonald's to the escalator
From the escalator to the McDonald's

I am
An ever-changing labyrinth; A sunflower
Caught in the dead of winter
Suffocating in a sea of strangers
Home isn't where it's supposed to be

From the McDonald's to the escalator
From the escalator to the McDonald's

I know
I can't afford to;
I know
It's best I don't:
Lose my ears
Lose my head;
Lose my feet;
Lose my breath;

But they're not where they're supposed to be
And I can feel myself lose my eyes;
What happened to the linear path?
Where is THAT yellow line?

Third time’s the golden ticket
Get me out of here
Please

From the McDonald's to the escalator
From the escalator to the McDonald's

Ears heard you call my name
Head spun
Feet pushed against marble
Deep breath

Into your warm, comforting embrace
Lift me off the path
Show me the yellow line
Take me where I'm supposed to be

I am
The path less traveled
The yellow line unwinding

“A Happy Meal”

Epilogue
______

Little Miss Sunshine
Sit awhile
Happy Meals turn into ice coffees
We'll wait
No need to worry
We'll be found
Eventually

"Can I steal a fry?"
Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11
MonkeyZazu Jul 2014
It just dawned on me.

This whole time
I've been trying to go up
unknowingly walking,
on the escalator that takes you down.

No wonder
life
has been at a stand still.
How else
could a person
walk in the same direction for years on end
without going anywhere.

Then
you have those people
who barely take two steps,
and they're there...
Makes so much sense now.  

Word to the wise -
walk a path
that's a little less
hi-tech.
Sunita Prasad Apr 2012
The escalator of despair
Was waiting with her normal nonchalance stare
Her teeth constantly in motion
Offering the tip of a landscape below
A place of not knowing, not a place one is keen to go

I stepped on her teeth with huge trepidation
Leaving behind what was once was a friendly station

I rode the escalators down to this place
Reading posters, signs of things that
Were going to take place
Theatre, drama, the musical of my life
A pantomime made of my own strive

I followed the tunnels deeper they fell
Marking out pathways and other people’s  roads to hell

I found myself on a platform
Cold and Bleak
I looked around me in the hope
Of finding someone to whom I could speak

But I found no map of the line I was attending
Instead just a blankness and huge hole, darkness and fright
That looked unending
Looking for direction, for the interchanges that my destination
Was depending.

I could hear the sound of the train approaching
I could feel vibrations and and see rats encroaching
Encroaching on my light now lost, glimpses of my life beginning to rot

Don’t dance over the yellow line they said, stand back
For the train approaching is just ahead
Its lights dancing on the tunnels walls
Announcing its arrival, big not small

The noise is deafening, screeching and loud
The voice of my own despair now hidden in its vacuous cloud

A smashing sound as it brakes through
The blackness into light speeding through
Hugging the platform really tight
Reducing space so as passengers can alight

Doors part open and people descend
On to a platform that appears to have no end
This is not a place to stand still
The body of people is a perfume despair wants to distill

So move down the platform and keep shuffling along
Belongings of your heart held tight moving to the  rhythm of the throng

So I enter the carriage quickly and sit
Next to a man clutching his pit
The pit that comes to close to me
Smells rank and ****** and full of hypocrisy


Off into a place that is forever dark
Momentary fireworks the only sparks
That give you a glimpse of another line
A line perhaps to happiness or somewhere else sublime

Out of nowhere a train caresses, moves so close
and  brings aboard  a message

For other people are traveling too
To places that were not on their list of ‘to do’’
Riding parallel down darkened tunnels
Moving to their own rhythm, humming their own song
Rocked by a train, speeding hastily along
Turning a corner and now that train is gone

So we are not alone on the darkest rides that we take
We are not alone on the escalators that we think I taking us to meet our fate
For we all have a choice an opportunity to ride
Alone or with travelers by our side
MJL  Feb 2019
Escalator
MJL Feb 2019
Joy ride spotted
Keep cool
Don’t run
Concentrate
Here we go...
Riding
Beaming
Ear to ear
Five and flying
Total joy
Up or down
Every time
Every f-ing time
Thank you Charles Seeberger


© 2019 MJL
Aaron LaLux Oct 2016
On a trip,
to Thailand,
from Egypt,
to an island,

had a layover in Dubai,
so I decided to visit a friend,
a beautiful traveler such as myself,
in Dubai the Hyatt was her residence,

I got off my flight,
and cleared customs,
took the Metro to Palm Deira,
then emerged into the thick Emirates air,

felt like I’d emerged into a tide pool,
the air was damp and salty,
as if I’d submerged my whole body,
into summer sun heated waters,

walked a long short walk to the hotel,
and entered the oversized lobby,
Dubai lives off of air conditioning,
and the climate control was welcoming,

my friend came down to meet me,
dressed as beautiful as ever,
a flight attendant she was very attentive,
we hugged and she invited me to the rooftop pool,

on the rooftop I changed into my swimming trunks,
because even though it was just I layover,
I bring my trunks with me everywhere,
because you never know when you’re gonna swim,

she stayed poolside,
gazed at me apparently amused,
after a quick dip I emerged refreshed,
toweled off and we talked,

she asked me why I write,
she asked me what my goal was,
I told her I didn’t know why I write,
or really what my goal was,

she pressed on,
and insisted there must be a reason,
so I answered her question,
with the following reasoning,

“I guess I write,
so that our collective humanity,
has some sort of documentation,
of our emotional history.
But I don’t have a goal,
and I am not flattered when people compliment my work,
because I don’t really consider my writings mine,
I consider them the world’s.
So when some says my writing saved their life,
I feel awkward because God wrote it not me,
still I say thank you because I don’t know what else to say.
The books I’ve written are bigger than me,
millions of people have read the poems I’ve penned,
but most people that that have read my poems,
wouldn’t recognize me on the street if they walked past me,
see it’s not me they know it’s the writing I’ve written,
which means readers think they know me,
but they don’t know me at all.”

There’s a moment of silence,
on that rooftop,
all the lights of Dubai,
reflecting in her dark molasses eyes,

and I ask this,

“Do you ever feel trapped?”

She seems a bit perplexed by the question.

“What do you mean?”

“I mean,
here you are,
in The Emirates.
You are constantly on call for an airline,
you could be called to go any minute,
so you’re in a constant state of defense.
Plus,
this whether,
I mean,
it’s unbearably hot here,
and people here are completely dependent on A/C,
plus there are cameras everywhere always watching,
and to open almost any door here you need a key,

it seems there’s so much security that nothing and no one is free.”

“No I don’t feel trapped.”

Her answer comes too fast,
as if she doesn’t want to take the time to think about it,
and speaking of time,
my flight to Thailand is quickly approaching.

I change out of my shorts,
put my ‘normal’ clothes back on,
khaki shorts and navy shirt,
so that I can cruise through without being bothered,

but I am bothered,
because I can’t even touch her,
this is Dubai and despite the pretty lights,
this place is not Liberal it’s Conservative Islam,

and everything is forbidden.

We make our way across the rooftop poolside,
walking on plastic grass under canvas canopies,
we get to the outside door she slides her plastic key card,
and we enter back into the climate controlled insides,

we reach the elevator,
she taps her key card again,
the elevator opens,
and we start to descend,

inside the lift I can’t help myself,
she’s too attractive,
so I try to place a kiss on her shoulder,
she pulls away.

“Aaron no!”

“What?”

“We can’t,
not here,
I can get in trouble,
seriously.”

She nods discretely to the close captioned camera,
recording our every movement in the corner,
I guess the only thing we can exchange here is glances,
the system still hasn’t found a way to stop us from making eye contact,

and eye contact is the only contact we’re allowed to make,
everything else is forbidden,
heck they’d probably even outlaw looks if they could,
the elevator opens,

we’re back in the lobby,
she offers to walk me to the metro,
I obviously accept her offer,
I would accept any offer she ever gave me,

We emerge back into that thick Emirate air,
that damp and salty tide pool,
back into that traffic and incessant noise,
back into the smell of the fruits of the sea,

I ask her why it smells so much like fish out there,
she tells me there’s a fish market across the street,
she tells me the Pakistanis shove fish in her face during the say,
and have absolutely no respect for personal space.

we reach the doors of the metro station,
already we can feel the cool artificial A/C breeze,
and I’m again reminded how fake this city is,
fake people fake air fake grass fake plastic trees,

seems she’s the only thing real here,
and we are about to say goodbye,
we hug quickly before we depart,
don’t want to catch the attention of the camera’s eye,

she waives goodbye,
as I descend back down the escalator,
I want to tell her that I don’t like goodbye waives,
because that’s exactly what I saw before I lost my sister,

in other words the last time I ever saw my little sister,
was when she waived goodbye to me,
before she drowned in the fish pond,
actually that’s the only memory I have of my sister,

but that’s another story for another day,
that’s a different trip entirely,
that’s something that happened long ago,
something that now’s a distant memory,

anyways that’s why I wanted to tell the girl in Dubai,
“Please don’t waive goodbye,
because that makes me worried,
that we’ll never see each other again.”,

but it was too late,
the hands of time had already pushed us away,
the escalator was already creating too much space between us,
I guess I can hope that we’ll see each other again in another time and place,

but for now,

I’m on a trip,
to Thailand,
from Egypt,
to an Island,

and the planes coming,
and it’s almost time to board,
and you can’t go back to a passed moment,
because the only constant is change and the only direction is forward,

so be forewarned,
if you love someone tell them right then,
because even when things are just beginning,
everything and every one is only a moment from the very end…

∆ Aaron LA Lux ∆
A lesson in Time and a Reminder to Love
OnlyEggy Jan 2011
Moving at the speed of slow
comfortable in this minor pace
Approaching my ultimate goal
mesmerized at the escalator's glow
green lit stairs on this moving staircase
taking me up with its mechanical soul

Being coddled my entire life, this is normal
no need to exert any unneeded energy
following the fast track without intent to stop
parents paid for a school that is formal
educated privately into the business synergy
gray suits and fortune await for me at the top

With a screech and a ****, the beast halts
accidents happen, but how do we react?
With my escalator stopped, how do I proceed
Without trial by fire, conflict, or faults
Unprepared and contemplating this life impact
I sulked in anger, blaming others that I won't succeed

I see the goal at the top, but its distance is intimidating
How do I reach for that goal if this escalator is broken?
I've never moved forward one complicated step in my life
The terrain is not difficult and the path isn't winding
Then I heard a voice, (my own thoughts?), softly spoken
'It's a staircase you idiot, take a step, you're hardly in strife'
(AIP)

— The End —