Precise scaffold silhouette
slants sharply across smoothed
cement. Narrow shadow shaft bisects
unfinished window, points
toward glowing sunlit
sliver of grey wall. Mundane
beauty, workday
glory unwitnessed.

I pray,
I don't get to see you
It's almost impossible
To get over you
When  I have to see your
Lovely Face,
Piercing eyes
Smile that melts my heart.
Every Workday.

Machine ground days
Somehow survived by clinging to precarious plans
Die for those.
For proles are stuck in a televised gleam
but I’m barred from distractions
I’m a man of action
Spring healing:
I found a new hope to get through the day
It has a name and it’s you

Workday: animistic curses
against people and their systems and products
except animals would escape forever
as soon as they open the cage
but we stay

The beastly gnashings of overworked merchandisers
for invisible self pocket stuffers
The competition's getting to us, comrades
I feel swindled out of my labor
I was pregnant
but they sold my child before
I woke up

Addressing the solipsism of my rehab circle:

I’m Kagey, and my life is hazy
but, blunted or no, let’s get this clear:
don’t trust your senses
and that goes for all my human peers

Body is a cage full of defenses
Still, I’m suspicious of reality
whether it’s façade society
or the wooden chair in front of me

Still, I enjoy the virtual scenery
I ain’t talking about on the T.V. or phone screen
I mean the willows, buildings, and faces
But all these mushy green acres are fakers
blobs without our eyesight

Still tho,
me and the universe are tight.

Feeling the rain more than hearing it
6:24 dark and threatening
It’s so cold in this ******* basement

2 hours and 36 minutes away
Crouching in plain sight
The work day.

Delivering food for the food bank, which is punk as **** frankly,
It’s a wasteland out here
And people need to eat

(A human right, if I understand the constitution correctly. Happiness is a lost pursuit in a body that’s hungry. You say food is a privilege <yes, you said it and believed it>, I say it’s life and liberty.)

Two 15 pound bags at a time
In exchange for baggage a mile high
Stacking cred against labor to build tone in your thighs

My joints wonder how young I think I am
Remembering the time my leg seized up and that old man just stared until I saw him see me and I smiled, I’m so silly

Hurry before all this pain ripens to taste
Slug it down like tequila
Try not to make a face
Born at the finish line, running in place.

2 hours and 26 minutes to make the coffee and absorb the caffeine
While I’m still me
And there’s nothing else to be

Hope is the morning sun
Peering in through my kitchen window
As I sip fresh steaming coffee alone.

Hope is the last workday before
My next day off, when I’m happy
For once, to wish away the hours.

Hope is awkward like a high school dance,
Like two virgins kissing
Beneath the gymnasium bleachers.

Hope is a grocery list fastened
To my refrigerator with a free magnet
Advertising a divorce lawyer.

Hope is a cracked wine glass, packed away
In a moving box that traveled from Kentucky to Illinois –
Just another casualty of the long journey.

Dedicated to John and Bob

From first flesh we move down widening halls
That lead to lives of wondrous walls.

Our spidered fingers gripped walls of brick,
Cruets, cups and candle sticks.
Incense clouded open graves
When we too believed we too were saved.

Between Annex walls we learned our phonics,
On tin-roofed walls we lived our comics.
Garage walls scaled showed different views,
Kitchen walls steamed with soups and stews.
Our school yard walls tallied pitches
That marked our summers of youth and wishes.

Now lift memory's pane and go back
To the white-framed walls of a secret shack.
There, in confusion we would cling
To the unknown wonders girls would bring.
These young boys' walls we both outgrew;
Now new walls sprang, as we did too.

Coffee House walls offered something new.
Wet kisses lingered near shadowy walls,
We heard poetry read in a backroom stall.
Recreationals made our new skin crawl.

Cliff walls were breached by stairs of clay,
Carved by Incas on a turquoise day.
Tent walls echoed with impish fray,
Green walls beckoned at the end of day.
These walls gave rise to hot desires,
Like Vikings planning funeral pyres.
New music, cheers and weekend guests
Stood us ***** to pound our chests.

Those walls no longer ring our shores;
Time swept us forward with worldly lures.
We doffed our coats of suede and frills,
And donned new clothes and workday skills.
The walls of work are a rocky climb,
Stones laid by us, for yours and mine.
Such towers & turrets of heart & hearth
Guard all we know of any worth.

I see distant walls on cliffs, in fields;
Where do they lead? What will they yield?
Yet, there three friends climb one more hill,
Climb one more wall. Then all is still.

you, you little
lighthouse of love
your gap-toothed smile
sent out over a bowl of
brown butter porridge
guides me away from
the reef of workday despair.

your hand in mine
so small trusting
and divine
brings me back
to the path
and
out of the dark woods

your cheery wave goodbye
keeps me swimming
through the murk of
the tedious day

and that welcome cuddle
at the end of the day
brings me back to my
home harbour...

you, you little
lighthouse of love
my bearings
my light on the hill
shine on, shine on

It takes forty sap gall0ns
to 'still one gallon of maple syrup,
boiled down by the sun stored in firewood.
I remember well, my aunt Florence
feeding the boilers in the hill orchard sugar house,
wearing an old going-to-church dress,
that had, some years back, been handed down to workday chores
and on top covered over by uncle Fred's red and black mackinaw.
"Stand back," she said as she opened the boiler door
first the roar, then a bank of fire that painted
her from kerchief to boots flaming red,
her eyeglasses, two pools of glowing magma,
and everything above was steam and rising vapors.
In my mind's eye then and now when I read Dante
I'll think of her, she was and is, the very vision of a devil tender.

That Mexican hunger of memory,
That 7- 10 evening shift,
Campesinos de Chihuahua,
Sinaloans de Durango,
Day laborers:
Organized Labor’s stubborn cohort,
Largely ungovernable,
With Union Label conspicuous in absence.
Labor Unions:
Largely dead in America,
Except for SIEU, of course,
Making astonishing strides in unskilled circles.
SIEU: The Future of the American Labor Movement,
Eugene Debs rolling over in his grave again.
But I digress.
Mexican gardeners:
Doing most of southern California’s
Weekly landscaping these days.
Tree-trimming in evening twilight,
Certainly an extracurricular
Earning activity these days.
“Hustlers Only” need apply.
Adding five or ten or twenty,
Cash on Tio Sammy's barrelhead,
Mexican tree trimmers, already exhausted from
A workday that began at 6 AM.
And isn't it a pity?
A moment’s lack of concentration,
Distracted, perhaps, by *****-spirit former selves,
Sipping that last shot of afternoon tequila.
Cue Jay & the Americans:
“In a little café on the other side of the border.
She was giving me looks that made my mouth water.”
Distracted, a chainsaw arcs carnelian.
ReCue Jay et al: The chainsaw
“That belonged to JOSE!
Yes I knew. Yes I knew. Yes I knew.”
Severing his right shoulder deltoid,
A butchering to say the least,
Requiring, at least, three weeks “en casa.”
Tres semanas
Without Labor,
Consequently,
Without Capital,
No wage-slave salt lick.
“No dinero” for bread and butter.
Bread and butter?
A consummation devoutly wished for.
And dead certainly,
Better than Guns or Butter?
That Hobson’s choice.
No Padron LBJ are you,
Down along the Pedernales
Texas Hill Country, west of Austin.
Conjuring up both Guns and Butter?
You can’t have both.
Which is why we laboring folk
Always opt for the former,
Knowing instinctively that
A full-flush, spurting military-industrial complex
Means full employment and good times,
Except, of course, for the soldier boys.

“Y los sueños.”
Bourgeoisie entrechats.
I hear America still singing, faintly now.
A shrinking middle-class siren song--
Just a little something--
Some small baited hook--
Some chum bucket for Les Miserables;
Swarthy aspirants.
“Y los sueños.”
Our hunger of memory,
That once booming American 20th Century;
Horatio Alger:
Alive & kicking in the new millennium.