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Sultry summer breeze whispers,
Cools warm skin, carrying floral notes.
The gentle padding of tender soles treading
Plush moist earth. Pulsing planet perceptible,
Seamlessly sending signals as through osmosis
She is ready. Seeded and sprouting with new
Verdant growth. To feed the hungry cycle.
To give fresh inspiration to all creation.
  Jun 21 Nat Lipstadt
lyla
i offered my hand to you
palm faced down
like an empty promise
something without meaning
but the words are there
and they’re soft
and you’re glad.
something open
and closed at once-
something quiet
almost silent
but you can still hear the memory
and maybe that’s enough.
something you can just hold
and you don’t need to be afraid
if you want
to let go
something i wrote after coming back from a wedding, i get poetic at 1am
  Jun 21 Nat Lipstadt
K
it’s mine.
swaddled in a down embrace
my Outlook
changes
the air, muggy
carries the high-pitched
alerts
of chorus frogs
i need not respond.
a solitary fingertip
illuminated
s
c
r
o
l
l
i
n
g
blue burned eyes
resisting
sabotaging
The Day
It has been ten years since I last wrote a poem. It’s funny how these words flowed to me when I didn’t know I needed them.
  Jun 21 Nat Lipstadt
Path Humble
“where time is the fly and age the fisher of men”

<>

”until I fell forward
into fall where time is
the fly and age the fisher
of men, then when winter
begins all will be forgotten,
where time is the fly and
age the fisher of men”


excerpt from “The Fall” by Rick Richardson

<>

that words from a different ionic state, jump as embodied ions from screen to the throat, evicting a guttural current of exclamation, you believe even with the half-heartedly palpitations from  remainder of my damaged pumping heart, that these words were always intended, just for me…

boy and old man coexist, the pottage of memories stirred,
and the time is fly, and I drown in the miracle of greenest grass of
Yankee Stadium at age eight,
oasis, heaven, a child reborn in a sea of Bronx concrete,
and the swallowing up of my boyhood is forever marked henceforth, the hook has caught me, and I am of the age
once and forever


not a fisherman, but a fisher of men’s souls,
mine own is my best bait,
hooked line and sinker, and
wisdom and words
elude and delude always, 
 like summer is perpetual and aging a construct,
time does not fly, but slowly laps and waves
eroding our myths and ourselves upon a continuum with
no ends

~postscript~

<>
yet I believe,
in miracles of
fish and loaves,
and that our individual continuums
will exist beyond the artifice of constraints
of
mortal time and that poems are
the forever chemicals within
our
bloodstreams,
even when our blood no longer spills


yet I believe!
a tribute to one of the best poets around
At the end of a path where no voices reside,
I walked where the dusk and the silence collide.
A flicker of light called soft from afar,
Like death in the shape of a delicate star.

I followed the gleam with no map in hand,
Each step was a whisper, each breath was unplanned.
Carved in my skin were questions I hide,
Written in scars that I wear from inside.

I dug through the dust in the cracks of my chest,
Hoping to find where the aching could rest.
I tasted the rope, the cliff, and the sea,
Each one a door that might set me free.

There’s a hallway ajar but it leads to no place,
An echo that weeps in the shape of my face.
The sky doesn't answer, the moon only stares,
As I try to dissolve in the weight of my prayers.

This isn't a plea, nor a scream for the light,
Just the rhythm of lungs forgetting to fight.
And maybe, one night, I'll quietly learn—
How to leave without leaving, how to never return.
  Jun 21 Nat Lipstadt
Anais Vionet
We’ll hitchhike to mars
on a rocket not a car,
so say your au revoirs.

We’ll steer towards Polaris, the north star
right through the center of the milky-way-bar.
See, the universe is dark and chocolatey.

Stars that glitter like multi-faceted gems,
are just shiny, yellow, peanut M&Ms,
take a handful, if you’d like, they’re free.

We’ll dodge the silhouetted moon,
which is made of enough coconut macaroon,
to make a French confectioner swoon.

As we go streaking, like a comet’s tail,
drag a finger through Saturn’s rings as well,
those are made of marshmallow.

We’ll  pass nebulae made of cotton-kandi,
and here’s a fact Einstein would have found handy,
the speed of light doesn’t apply to candy.
.
.
Ramble on by Toni Jevicky
There comes a moment—quiet, unceremonious, unmarked—when the person you loved, the person you tethered your life to, stops being who they were and becomes someone else entirely, someone harder, more distant, a stranger occupying the same body, breathing the same air, wearing the same clothes, but not looking at you the same way, not speaking in that tone that used to pull you in like gravity. And you try, at first, to ignore it, to pretend it’s fatigue or stress or something chemical, something repairable, reversible. You try to will him back into the person you fell in love with. But then you realize he’s gone. Not dead. Just gone. And there's nothing you can do. No apology, no touch, no cry in the middle of the night will resurrect him.
So you mourn. Not the way you mourn the dead. No one sends flowers. No one visits. No one tells you they’re sorry.

Eventually, you accept the most difficult truth: he is still alive, but he is no longer here.
You become fluent in restraint. You learn to keep your sadness contained in respectable proportions. And yet, it spills- into mornings, into coffee spoons, into phone calls you don’t return. You perform functionality, but inside, something is collapsing.
You realize the breaking doesn't stop. It finds new corners of you to shatter. It digs deeper. It makes room for more pain in places you thought had already been hollowed out. And this is when the past starts to rise, not as a memory, but as a presence, thick and heavy and suffocating. You find yourself in that same room—your mother’s room—years ago, where she cried into her pillow as if silence would keep you from hearing, as if the walls weren’t paper-thin, as if children don’t always know.
And now you are her. Crying into the same silence. Except there’s no child on the other side of the door. There’s just you. And the you that once was. The child that never left. The child who learned early that love could vanish without notice. That people could stay and still abandon you. That pain could be inherited like old furniture—passed down, room to room, woman to woman, until no one remembers where it began.
People tell you time heals. They say it with such confidence, as if time were a doctor, a god, a parent. But you know better. You know time doesn’t heal; it accumulates. It stacks the pain until it becomes indistinguishable from the rest of you. Until you forget what it was like to live without the weight of it.
You live inside them. You decorate them. You fold laundry in them. You raise children in them. You tell yourself you are functioning. But really, you're just surviving grief on a loop.
And in your most honest moments, when no one's looking, you admit it—not aloud, not even in writing, but somewhere behind the ribs: you are still that helpless girl. You never stopped being her. You only got taller.
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