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Society scoffs when a man
holds hands with a man. Shakes
their head at a                  woman kissing
another woman.                        For-fidelity to them
is between the                              opposite. When
it's between                                      love and love
Rainbows are                                        for the outcasts
of society. Yet                                                  for innocent
children Where                                                same genders
holds hands with                                                    out a problem
These colors                                                          represent a place
where a ***                                                                  of gold exists
Pain
is a warning
that points to danger --

      that the wrong choice was made
               in baring hand to flame;
      or the wrong thing was desired
               in the objectification of another;
      that the wrong expectations were held
               in contempt of circumstance;

The truly foolish
       romanticize the warning
               and ignore the danger
                          to which it points;

and the lost
      mistake the warning
               for a guidepost beckoning
                          toward safe-houses;

This obsession
the pearl of Pain in ignorance,

      for the wrong direction taken
               at the fork of Pain and Sorrow;
      the wrong outcome desired
               in pressing on unbalanced; and,
      the wrong ideal held as Truth
               in seeking fulfillment;

the burden of youth yare
to claim its potential, ready
to risk and fail.

      Wisdom says, "Push on through"...
      and also, "Know when to quit."

For men yet forget
the meaning of Pain.

Pain
is a warning
against ignorance, inviting
the seeker to set aside illusions,
coaxing the candid
to shed misplaced pride;

The truly foolish
       romanticize ignorance
               and endanger the soul
                          to which it points;

and the lost
      mistake ignorance
               for reason itself,
                          and become enthralled;

This obsession
the pearl of Pain in ignorance,

      for the wrong direction taken
               at the fork of Pain and Sorrow;
      the wrong outcome desired
               in pressing on unbalanced; and,
      the wrong ideal held as Truth
               in seeking fulfillment.
As a younger man I had many ideas about love and the purpose of relationships; many of those same ideas - and their troubling implications - regularly find their voice here, both in lamentation of love lost and in the idealization of a current mate. The same illusion underscores both.

The assumptions seem to be that 1) only perpetuity validates a relationship, and that 2) we are not objectifying someone, i.e. reducing them to a concept in our own minds, through romantic aspirations.

The first assumption is dealt with straightforwardly by recognizing that we are attracted to people who embody the issues imparted to us by our parents. The point is not whether it lasts, but to work through such issues, which may be deeply challenging.

Having done so, we stand to develop character and become emotionally and psychologically mature. In the process we learn to overcome the urge to cut and run when relationships cease to be simply gratifying, and bring us into transformative states of crisis that ultimately lead us to self-knowledge.

The second is not so easy, as we are taught that we must respect others, but entertainment media constantly imprints us with the notion that we must impress and captivate others by a series of gestures. This is basically manipulative and disrespectful, however well-meaning.

Thinking long-term, a relationship established in the glamour of extravagant gestures is the very definition of "form over function". This is perhaps not surprising, as the prioritization of gestures over character results in competition for a trophy. In other words, romantic love is fraught with objectification, which makes it difficult to recognize the Beloved as a person rather than a projection of our desires.

This is exceedingly unfortunate, as romance seems to suggest an almost supernatural quality to the Beloved that draws us in - and in that sense the object of our affections may bring us to a state of awe and reverence, a perception of something deeply significant. It should be noted, of course, that this brings us into the realm of religion - that is, we experience such awe and reverence because for us the Beloved represents something deeper than the finite - we may call this "the promise of continuity".

As such, love can lead us to very deep contemplation indeed - but it has been said that religion carries with it the risk of madness. It has also been said that religion is about relationship - and I would agree this is true, for religion itself is much broader than the picture painted by individual faiths, especially in our theological traditions.

This leads into the juxtaposition of pain and sorrow exhibited here. I've discovered that while sorrow makes possible a greater realization of the depths of relationship, pain is triggering and keeps us in survival mode (fight-or-flight). Maslow's "hierarchy of needs", then, becomes all too relevant - for psychological needs may ONLY be met once basic survival is ensured, and that simply does not happen if you're in fight-or-flight all the time.

To objectify the Beloved and rely on our illusions and projections is to miss the point of relationship. It does not matter whether we objectify the Beloved as a desirable ideal, or a failure to obtain or achieve it. The end result is the same.
A solid center presages
two generous edges
to shoulder the weight
of the curve: the bow
relinquishes tension
to the anchors of the
taut bow-string.

The wayfaring archer
tends to the curve,
notches the arrow,
selects the target,
gauges the wind,
surrenders --

Riding like an arrow on the wind,      
sure to find its mark in Breath,      
and the end of Breath it portends.
      

A reveler
abiding the flirt
of angle and arc,
finite and eternal,
arbiter of the holy
moment, the dance
linking death with life;

So unbearably
near the horizons,
desire yields its grip
to the coaxing
womb of the curve: tension
sighs into the space
between arrow-head
and its mark.

And in the transmission of feeling      
is the spirit of Life,      
clinging - so gently - to free itself      
of its own burdens.
      

A sudden violence
voids archer and stag:
Continuity rushes forth
to meet the sacrifice.
The heart of the bow
resumes its tension.

And the curve
evaporates,
all but a trick
of Timing.
Mathematically inspired.

Italicized portions are from "Memory Is A Prison" (http://hellopoetry.com/poem/557707/memory-is-a-prison/), a work of automatic writing the meaning of which is further illustrated here.
Unfolding into itself, inviolable
in prosaic self-*******,
a boundless repertoire
of shape yearns forth surreptitiously
from inscrutable amniotes to claim
time as its own:

  Here a thicket
  of sycamores, there a baldaquin
    of pinnate branches, yonder
      a periphery of marigolds, below
        a cacophony of hyraxes, above
    the corpuscle of a lynx, the mid-flight
   jink of a darting swift and moribund
  crawl of a mollusk;

     Hymenoptera coaxing
     their haploid broods into teeming
     life as a cell of the swarm
         and viviparous apes cajoling
         suckling chimerae at the fathomless
         fountainhead of a rosy breast;

       Higher still,
       Cirrus cephalopods traversing
       the trench of sky, dandelions
       hitch-hiking the drift of a barren plains'
       wavering hum on cockchafers'
       forewings and a turbine's
       bombinating pulse, the chattering
       of roots ravenous for depth --

Jittering bangtails the hallowed echoes
of lascivious manes --

   inchoate sprout-hood the daedal
   nonage of towering evergreens --

      the plaintive shrift of elegiac
      redbreasts a goad to silent elation --

A likeness unlike
     (vocabularies of vertiginous blinds)
          (the eyes of ignorance closing)
             (the mouth of the mystery)
                that spurns the truth of tongues

                     is nature naturing.
A somewhat uncharacteristic display of vocabulary. Rather than ostentation, my intent here was to convey the scope of nature in vivid but elusive prose.

Proteus, ever changing to remain fundamentally himself, perfectly embodies nature's unity-in-multiplicity. He evinces a dynamic view of nature espoused by Goethe, and in authentic Platonic thinking. Essentially, the entire web of life is a single organism, and each discrete life but a cell therein.

"Nature naturing" (*natura naturata*) is commonly known as "Spinoza's God".
Anything visible, and
anything that can be grasped by thought,
is bounded.

Anything bounded is finite.
Anything finite is not undifferentiated.
The boundless is called Ein Sof, Infinite.
It is absolute undifferentiation in
perfect,
changeless
oneness.

Since it is boundless, there is nothing outside of it.
Since it transcends and conceals itself,
it is the essence
of everything hidden and concealed.

Since it is concealed, it is the root of faith
and
the root of rebellion.

As it is written, "One who is righteous lives by his faith."
We comprehend it only by way of no.
"Since I am Infinite Space, and the Infinite Stars thereof, do ye also thus. Bind nothing! Let there be no difference made among you between any one thing & any other thing; for thereby there cometh hurt."
~ Liber AL vel Legis (The Book of the Law) I:22
Dizzy, the rush
of thoughts incapacitate
synapses firing, neurons
    throttled, a crescendo
    of dendrites branching

Experience roots
inwardly, tearing the humus
           of pregnant dreams, scratching to see
                               the blood beneath the scab.

     The greater the itch, the greater
        the disturbance of sleep,
            bound by a tangle of vines,
            deafened by the cobbling-together
                of thrushspeak, the cry of clouds
                contorting into unthinkable
                     and suggestive shapes        

   Bleary-eyed, the lost wages
   of sleep gambled away
   on a ticking clock.
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