Do not tell me you love me,
Or speak sweet nothings in my ear.
Just spread my legs
So I forget that I'm here.

It was about the time,
Hours after the day had died,
And bikers flashed their lights
Like the starry glazed eyes of
Decayed faces found in late cars,

That the local school's nature god
Had granted me a fall blessing
I saw in horns, on a hill he was
Standing, staring, like my lover
Not far over - under dying leaves.

she pushes
my buttons
like a puppet
on a string
she plays me
in shadows and in gray
her hands
so easy
I don't see it coming
but I dance
all the same
a trick lucky clown
when she kisses me
that I stutter
and fall
the game
playing me
but i play on
she plays on
until I tell her
I love her
she plays me
in shadows and in gray
Lays on

I remember the first night we kissed
The feeling of fireworks
Erupting on my lips
Of electricity pulsing through your fingertips
Tracing down my hips
To the curves of my spine
The standstill of time
As your eyes looked deeply into mine
And you drew the words i love you with your hot breath
And stamped them
Beneath my rib cage.

Oh, God, the longing I feel
for those misty mountains,
cold in the morning light,
dripping from the midnight's rain.
I long for the tree-shaded darkness
against mid-day sun,
for wet, warm hours.
I feel the calling, the drawing home
across the sea,
to a time before,
a place known only
in soul's memory.

On a cafeteria table,
in the middle of February,
the kind where it gets dark at 5pm,
sat eight minature figurines made of shells—
brown, speckled, like a calico cat
with googly eyes on the middle of their heads,
one business man with a black derby,
one with a pretty pink bow,
or even one with blue suspenders,
and all their chubby bellies
rounding out over their pants. The woman

with her iridescent nails, bony fingers,
the skin pressed thin against her knuckles,
lines them up in a perfect row, tilting
their heads into one another as if
they are having a tiny conversation
admist the numbers being called—
B14! She stamps in red. B14!
A man pushes a cart around the tables,
like one mows grass around graves,
with fifty cent candy bars and potato chips
on flimsy paper plates. He asks the woman
if she wants ice in her Pepsi, but she just blows
a long sigh of smoke and flicks the sparks
behind her back. He doesn’t ask her to pay.

G56! She touches the head of the figurine
with the mustache. G56! I’ve lost count
of how many numbers I’ve missed,
but then there’s you, your hand on my thigh,
creeping, your fingers pushing
my cotton skirt up, up, and up—
O74!
We play with acrylic chips instead of stampers.
We’d like to win the lottery tickets,
maybe cash them in at the gas station
after we drink a couple iced teas and snack
on Mentos cause we ran out of money
two bottles ago.

The figurine with the fishing pole has one pupil
that lies at the bottom of the eye,
lop-sided, and staring at me while I pretend
that I have G47! or pretend that this isn’t
the first time you’ve brought me here, G47!
instead of a real date. Or pretend
that I can’t hear the woman cough, and cough,
and cough as she switches stampers between every ten calls
or touch this figurine or move that one, just slightly,
this way or that or

N44! She doesn’t have it. N44!
I don’t have it.
Don’t worry, child, you’ll have it all someday,
she whispers, sideways from her mouth,
with your thumb making circles around my hipbones,
and the man pushing the cart, the squeak of the wheels
B7! But I don’t have it. B7! I don’t have it.
I don’t have it.

Sometimes I picture myself in a red prom dress,
with converse under the tulle, and glitter
covering my eyes as I nervously glance
away from your face, inches from mine,
trying not to stare at your crooked bow-tie.
Sometimes we’re jumping over the tide’s
foam, under the moonlight, licking the salt from our lips—
my saddle shoes on the dunes, your jeans rolled
above the ankle, but my curls falling loose around my face.
Sometimes we’re moving black and white photographs,
1920’s with fringe and silver canes,
and sometimes

we’re like this. Naked on your mattress,
with the ceiling fan at a standstill, sipping
stale beer from old bottles you left lonely
on the windowsill. And sometimes I know better,
but tonight I answered your call and I came over
to your lazy bones on the sunken couch,
watching the lava lamp’s goo stick to the bottom,
yet still lighting
the entire room with a neon glow.
By now, you think I would know

that I can never count on you unless it’s cheap,
and convenient, and broken, and me. It’s only
ever me, but I can’t just haphazardly
stay in the spaces of your life that need filling.
I picture us, hugely, with a white house,
blue shutters, little kids building towers on the porch
just to knock them down.
The whole bit, picture it! But all
you ever see me as is figure
that you can reach if you squint hard enough—
a mirage that you like to believe
only you will ever hold.

Your tears on my shoulder sleeve, your footsteps
pacing in the kitchen where I know
you’re making a cheese sandwich underneath
the refrigerator light, and cussing to yourself
because you forgot to buy mayonnaise at the store.
Your makeup, your purse, the thousand receipts
in your glove compartment where I know
you stash a carton of Marlboro cigarettes
to indulge yourself in during afternoon traffic,
while blaring James Blunt from an old acrylic CD.
Your mornings, your coffee creamer, your head.
Please, come back to bed.

I’ve watched you balance jelly beans with boulders,
gorgeous dresses with your sweats, and your idea of love
with everything your mother has ever said. I know,
by the way you tense your arms around my rib cage
or how your toes curl against my shin, that your nightmares
are only apparitions of childlike separation. Your fears

clarify moments like this, my hand tucking hair behind your ear
while kisses trail your collarbone like a dotted line
you dare not sign. You see a reflection of damage in my eyes.
Your bags, your memory, the rain that gathers in speckles
on your windshield every day. I’ve tried to lighten
the black in your life, but things have scratched at your soul
and now it’s dead. Please, baby, come back to bed.