and made faces at the priest
while he broke bread.
Surprised, he laughed like a king
for the jester in the pew.

Teresa climbs on the bus
before the sun, if she has
the fare

to get there, where she
makes the bread; she's been at this
two of her nineteen years  

yet she has fears, they will
come for her--green card or not;
though they like her rolls

she kneads the big *****, pulls,
pinches, a sculpting of dough, a laying
of trays, one after another

then, from the Iglesias,
they come, decked in their finery
though she does not see

she only hears the litany
of language she can't comprehend,
a clanging of trays, laughter

the urging of the jefe to work
faster, bake the bread; the communion
wafers did not fill them

now they are here, breaking fast,
forgetting the words they just heard
the songs they sang

Teresa does not complain; she
is glad to feed the worshipers, though
they will never know her name

nor will they stop for
her in the pouring rain,
the blistering sun

Teresa never wavers
next Sabbath will be the same:
dawn, the dough, the oven

it is the work--her hands
which make the bread others break,
the grace granted to serve

holy, holy, holy...

On the first day of spring, I see bare earth
and feel the cold in my fingers and toes.
So, I ask again when winter will end.
But the birds sing early in the morning
and remind me with the promise of the sun.
Wait, they tell me, for all good things take time.
So, I wait for sun shining on the rain
and for the rain falling in the sunshine.
Here, melted snow mixes with dust and dirt.
But remember, this is where flowers grow.

the Mississippi starts small,
at the headwaters.

A child can cross
stone to stone, almost slipping
into cold water.

Sometimes they do fall,
but stumbling and soaking wet,
they finish crossing.

Now, these blue-gray stones
and clear rippling currents still
sound like their laughter.

In the library,
the woman walks,
cane in hand,
bundled in a red coat,
green scarf over her shoulders,
her husband beside her,
in his slate coat and cap,
a checkered scarf
tied at his neck.
She pushes her white hair off
her forehead and peers up
at the paintings on the wall,
splotched and messy and bright,
the work of elementary students.
Paused at the paintings
they think of times when
they were that young too,
under the open sky--
her leaving clothes on the line
him chasing his dog back home.
They didn’t know each other then,
or maybe they did.
The details slip away
like summer into fall.
It doesn’t matter now,
but there was a time when she
held his hand on their walks
instead of a cane.
Oh, the watercolors
look like
ones Dan and Janie made,
Oh Dan,
he’d said he’d call,
or did Janie?
They can’t remember and think
of disintegrating paper
and blue drips on the table.
Instead, they finish their stroll
and both agree--
Lovely, wasn’t it?

A piece of furniture–
wooden-framed or not
with a mattress
or mat long enough for a human of any size
with cloth coverings and a pillow.
Small or big, puffed or flat.
Quiet, empty, unmade, made
Yet this is where we are born,
where we pray,  
where we lie,  
where we love,
and where we die.
Where we begin our day and end it.
We may spend a third of our life here
or more
in sleep, in tears, in joy.
Like with a lover, we hesitate to leave--
or like with a mother that promises cover from the world,
we cling to her skirts and breathe in linen
while she pads our ***** heads.
But like children, hesitant and weak we go
stumbling over our foal feet
and blink at the newborn light through the blinds.
Day is dawning.
The world continues to spin, and with it
day grows longer.
Spring promises to knock on my window
and wash me clean in the first rain.
Winter is gone and took her shadows.
The world alive outside calls me
But still I come running back,
to the feeling of softness, closeness, my mother’s hand
on my shoulder as she tucks me in
or you beside me, your arm around my waist
and voice in my ear.
So tell me, what is it
that brings us back
to here,
you to me,
me to home
to this piece of furniture?
To this bed.

Mom doesn’t like poetry
since it’s not clear like how things should be.
Until you write her one,
and beaming she’ll put it on the fridge with a magnet.
Mom likes things sorted and clean, papers off
the table or in the bin, dishes in the sink or the cupboard.
What is this? Why is this here?
If it’s clutter, it’s just stuff. Don’t save it.
In her room she has 37 years of photos
and sometimes tears up when she thinks of her parents
but she would never admit it.
So, she laughs and means it
when her grandchildren dump the box of toys across the living room
and the dogs slide down the hall past the family photos
and bang open doors after a bouncing ball.
Most of the lines on her face come from laughing, crows’ feet dotting her crinkling eyes.
Her birdcall laugh hangs high above any room
like a day-warbler or a hooting night-owl over the treetops.
So much of her is rocks and earth and order,
but every bit of her speaks of beating wings and blue skies.
Mom’s favorite color is blue, deep like the ocean, bright like the sky.
Don’t tell her blue’s a sad color;
she dressed her baby boy in the ocean and then his sister
when she could fit his hand-me-downs,
and then laughed when the disapproving daycare lady sent her daughter home in pink.
She lives with her husband of 36 years in a light blue house
and relished painting skies on her kitchen and living room walls
after 10 years of white and little time
and laughed again when her children protested at the blue walls, rugs, and curtains.
Time may pass,
and the blue curtains, rugs, and walls may have disappeared
and her children may have had children,
but blue is still her favorite color and her children are still her children,
and she still doesn’t like poetry.