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 Jul 2016 John Hawkins
taia
i always wanted to believe in the goodness of people.
i always sought to find the light at the end of the tunnel.
i always strived to go above and beyond to make others happy.

but what was it all for?
in trying so hard to help everyone else,
i lost myself in the process.
who am i anymore?
i don't know my soul.

this person, this being, i don't know myself!
it was so frightening.
i'm trying to regain a sense of self awareness,
to find out who the **** i am.

but until then,
until i find every piece of the scavenger hunt,
please be patient with me.
i need some time for self discovery.
i don't know who i am anymore. it makes it very difficult to write.
it's true
the revolution will not be televised
but the fascist revival premiered
on all the major networks' corporate channels
in 1080p HD at prime-time hours

with perfect clarity
viewers could see
an oompa loompa
with an orange toupee
a xenophobe
spewing violence and vitriol
peddling snake oil while spitting venom
stirring a bubbling cauldron
spilling over in fear-mongering demagoguery
served like crack candy to the Republican elite
reveling in their privilege
cheering white supremacy

a tyrant
tirading behind a polished wooden podium
flanked by hues of red white blue and gilded gold
like some comic strip super-villain
but this obtuse excuse for human refuse
is not some Saturday morning cartoon
defeated by the heroes after 30 minutes
of selfless feats and epic deeds
a death dirge plays on repeat in the background

you can't always get what you want

meanwhile
we're holding silent vigils back home
carving the sigil of Orlando's skyline into our skin
while a snake slithers into a City Beautiful
bedecked in her $3k pressed pant-suit
leering wolfishly at a local club for LGBTQ+ youth
the downtown heartbeat
of outcasts and misfits
a Pulse
that bigotry and self-hatred couldn't *****

but tragedies are converted to cheap currencies
in the clawed hands of dynastic oligarchs
sporting the support of billionaires and super-PACs
she knows the Establishment has got her back
she'll shed crocodile tears
just in time for the photo-ops

violence begets violence begets violence
humanity's universal language
a tongue shared by despots and presidents
in the wake of stolen sanctuaries
she'll justify razing Syrian children
beneath a barrage of hellfire missiles
and predator drones targeting cell-phone signals
under the pretense of bringing the terrorists
to some sycophantic mirage of justice

we're manufacturing new soldiers
for the Caliphate to brainwash with promises
of dead gods and seventy-two virgins
machine-fed by automatic weapons
to the toothy jaws
that bottomless maw
of endless ******* war
which always vaunts
profit over people

the conceptual construct of gender binarism
becomes an imperceptible selling point
in the incomprehensible and reprehensible rhetoric
issuing from either side of the political aisle
but what will it matter
either way
an egoistic megalomaniac
has his or her finger poised over the trigger
a neoliberal warmonger and hypocritical fraud
or a reality TV star who lauds the KKK on Twitter

our only hope is found in the streets
unchained by compassion's transformative capacity
freed to utilize our minds
humanity's indomitable faculty
nurturing a community that seizes life
in anthems of liberty equality and solidarity
anarchic manifestoes penned in lines
of red and black ink

progressives will insist otherwise
they'll declare emphatically that our only choice
lies in selecting the lesser of two evils
to lead us to the brink of oblivion
but Orwell wrote the future of humanity
looked like a boot crushing our heads
that either way we'd all be dead
and the harsh reality is that the soot-stained sole
curb-stomping this country
fits both the left and right foot
The world has been on fire recently. I woke last night from dreams of hellish landscapes reflecting on two photographs I saw from the past 24-hours. One depicted Trump on stage at the RNC, looking like some Capitol stooge from "The Hunger Games." The other was of Clinton in my city, pretending to care for the LGBTQ+ youth murdered at Pulse. I wrote this in a frenetic fit of ire and outrage.
 Jul 2016 John Hawkins
Mikaila
Lost in the dark again
So vast and clear
It could be space
Stars winking, feet uncertain for a moment on the ground
I look up
I look out
And there is nothing and no one.
But we have
Been here before.
Down the darkened drive I walk
Unhurried
For I have long since learned
How hard it is to fear the things of the night
If you are one of them.
The blackness parts like mist before me
Stirring, inky,
And I pass through it like a ghost
And it sizzles along my skin like black water.
Maybe in the day you could make me kneel,
Maybe you could wring tears from me,
But you are of the light.
Your eyes dance sunshine
Your hair holds gold now, and red.
You smile and turn the lights on
Everywhere at once.
But I walk and darkness follows me like a faithful hound,
Its black eyes glittering, its breath silent, hot and cold at once.
I can with impunity walk among the filaments of fog that stand in the air when the moon sinks into the velvet curtains of the sky
And I can look at you now, paler in my mind, smaller than you seemed.
Here, now, no matter how I may have loved you, you cannot scare me,
For your light, although it brought me joy, was never my light.
Here it can be snuffed like a flame, a sudden brilliant candle which came
Unprepared for the chill.
It was reflected, dancing, for a moment
In the depths of me, like sunlight glinting off minnows in the shallows of a fathomless lake
And briefly I craved it- as all dark things briefly do-
Something golden and warm, something like the way laughter sounds, something so foreign and so new.
But here I am now at the bottom
And I am silent,
And my joy in what I am is something different, darker, fuller, like the smell of soil after rain.
Not tremulous, not fearful,
This is a wild, ancient joy,
This is the joy of a creature which knows it can live in the dark,
Something which has been buried time and again
And still, perversely, breathes.
Something which has learned to feel its way
With the same small, sensitive hands so often burned and battered by embers and shards of glass
Shed by loves which burnt to ash and shattered, suddenly and violently, to little more than dust.
This is the slow-smiling joy of something which has gradually become, through unwilling struggle, very hard to ****,
And with almost smug relish it looks upon anyone who quails at the night
Or starts at the sudden breaking of a twig in the dark.
This is the complex, lonesome joy of the wolves as they howl at the moon.
It is my power, to walk softly through the darkness and let it touch me,
Throw back my head and feel its coolness raise the hair along my arms.
To be free from fear in a place built from it.
And this is the reason I can walk away from you and your tempting light:
You held me briefly in your arms,
But I hold in me an echoing darkness, great and terrible, and it croons to the night,
And although that night is brutal and cold to the bones, it does not ask me to be different.
And although it may swallow me
At least will swallow me
Whole
Unsullied and as I am
Unchanged, unchangeable, unapologetic-
Full of everything you ever ran from
And full of all the reasons that,
If you're so scared,
You should run faster.
In this field where red roses die,
turns black and shrivels and dry,
Is where tulips thrive,
Yellow and white they multiply,
Dyed grey is the sky,
As storm clouds roll by,
An icy wind bites, despite
The raging fire inside.
Here, love is despised
As all is deprived.
This is where dreams, hope, and desire
Shall meet its demise
In solitude, due time.
I wrote this when I read that yellow and white tulips represented unrequited/ one-sided and hopeless love
 Jul 2016 John Hawkins
September
So pleasure twists to grief—
Sweet Eve looks for just relief.
We were looking only for release.
Because Adam died.


Adam died.
Last conversation we had was about green tea frappucinos.
we let these valleys run deep
in our veins with no questions
anymore. it has become second
nature to know these winds,
to hear the song the leaves sing
before a storm rolls over the
hills on the other side
of the county.

i always thought my
eighteenth year would be
the last i would know the
rustle of the pampas grass
in the early morning or the
way the snow settles deep
over everything beyond our
property. now twenty-three
draws nearer quicker than
a younger version of me
could have ever imagined
and i feel it tightening in
my chest with each passing
day, that small town desire
to find the things i've been
left out of for two decades.

mama used to say i had
the universe in my bones,
told me she thought i
would explode from it, said
just yesterday that there is
a longing inside me that
she doesn't think will ever
be tamed. i never thought
the midwest sun could hold
me, yet i keep bowing at her
feet, keep begging her to
swallow me. maybe if i stay
a while longer it will be
enough to carry with me.

i wonder how much home
i can soak up before i go.
 Jul 2016 John Hawkins
kels
figure out how to hold back yet move forward,
forgive and forget without sinking under.

there's no way to move without making mistakes;
i've been trying so hard that i get the shakes.

every time i close my eyes, i see one face,
and another, and another; my brain quickens the pace.

those i passionately love, those i claim to hate
can be one and the same, depending on the day.

others take up so much of my thinking
i do my best to not shut my eyes, to keep blinking,
to keep all my feelings away on a dusty shelf
and i wonder if i've any thoughts left for myself.
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