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 Aug 2016
Harry Randle-Marsh
In many short years
we’ll know we were sweet and naive.
We’ll think about the things we thought,
our understated predictions
our dinner table conversations.
There were floaters
in our oracle’s eyes.
It will not be the now
that we know.

As what happens to us
disappears
like the sound of an engine
in the fog,
moving away.

In many short years
Auschwitz has a café.
After the tour
all the waitresses
come from the kitchen
uniformed
to sing to you
on your birthday.


In many short years
they’ll build on Chernobyl
and Fukushima will be an oasis.
There’ll be fields of bodies
fertilising strawberries
for other countries.

-

We’ve got no memory.
Horrors aren’t like happiness
they lose their impact
with every sharing
and every listen.

Will you be there?
In the next big thing.
Think of that.
How much faster everything’s destroyed
than it’s made.
Think of what work your life took

Wrong gods appear again.
As always a side will be picked for you.
As always the goals are your own.

And the answers are more questions,
homophones,
the same lessons
and still they’ll bomb playgrounds
built on bomb sites.


-

Then the next big thing.
Your entropy,
that starts and ends in fire.
The wolf
from another wood and paper town.
The flames on your monuments
and shopfronts
caught on divine wind
and a scent for sin.

Most now know
they’ve never been scared before.
Things you never thought could alight
prove you wrong.
The air stings and follows
and the clouds finally become too much for the sun.

Your heartbeat’s afterlife
is someone else’s tutting.

Unread letters,
guitars and bars with history,
family traditions
and the weight of her hand,
thumb hooked to the belt loop
of your jeans

are now one weather formation.

And under all
is flat and yellow
like an African morning.

Is it angels or great bats
which have given you
your turn?
 Feb 2016
W. H. Auden
Did you ever hear about ******* Lil?
She lived in ******* town on ******* hill,
She had a ******* dog and a ******* cat,
They fought all night with a ******* rat.

She had ******* hair on her ******* head.
She had a ******* dress that was poppy red:
She wore a snowbird hat and sleigh-riding clothes,
On her coat she wore a crimson, ******* rose.

Big gold chariots on the Milky Way,
Snakes and elephants silver and gray.
Oh the ******* blues they make me sad,
Oh the ******* blues make me feel bad.

Lil went to a snow party one cold night,
And the way she sniffed was sure a fright.
There was Hophead Mag with ***** Slim,
Kankakee Liz and Yen Shee Jim.

There was Morphine Sue and the Poppy Face Kid,
Climbed up snow ladders and down they skid;
There was the Stepladder Kit, a good six feet,
And the Sleigh-riding Sister who were hard to beat.

Along in the morning about half past three
They were all lit up like a Christmas tree;
Lil got home and started for bed,
Took another sniff and it knocked her dead.

They laid her out in her ******* clothes:
She wore a snowbird hat with a crimson rose;
On her headstone you’ll find this refrain:
She died as she lived, sniffing *******
 Dec 2015
Tanisha Jackland
Bleed
woman
bleed

Feed the licks of the Sun
with your immortal womb

Sieze the comfort
of the light before it dies
tried woman
waiting in the amniotic fluid

Bleed
woman
bleed

Show up in the afterbirth
before the hours
have gone fetal
deliver yourself from gender

Live the unknown gaps
free, black and forever
Womanhood It ain't always pretty, folks.
Listen here: https://soundcloud.com/ladyofire/eternal-female
 Dec 2015
Jean Rojas
The dark demons in my head
Would all proclaim,
The pain is dead
The shot so hard
The price so high
As gawking, ghoulish grins
Come forward to flaunt
The chains emasculating me
In wild, ecliptical regressions
Pressuring my senses
To lie in a calm
That no longer exists

The needles of my peace
Frustrate my confidence, sublime
As i await the restoration of my sanity
The renaissance of my agility
So i squander reality
Like a cyclone
About to unfold
A devastation
This whirling charade goes on
Until the hours
Have long passed their bedtime
The magic of the wasted clowns
Begins....

If i share with you my story
Will you tell a different tale?
For what I am about to say
Would cost my heart
The tears i’ve cried in vain
But i must tell it just the same

Do not close your eyes
Nor cover your ears
If the pretty pictures fade
For there will surely be
Devils where i come from
Within my room
Inside my head

When the magic drugs me
To sleep
Dreams are often dark and deep
Sorry slumbers shattering
A shivering soul
Predestined to meet its end
Where drunken cannibals blend
Into a wretched scenario
Of an afternoon in hell

There is no awakening
Once the reason is shed
There is no truth
To the demons in my head
No truth at all
About what they said
No truth at all
That the pain is really dead

It never was
And never will be...

Once the magic of the
Wasted clowns
Start to begin..
For: Kurt Cobain
        1997
 Dec 2015
Harry Randle-Marsh
We are in the ungodly hour again,
that sixty-minute stretch,
embedded in the nighttime,
of undisputed stillness.
A fracture of the evening
occupied by deep breaths
and oddly-human silhouettes.

The town butcher spends overtime
breaking bones, working
on the swine, and counting  
the progression of the night
by the swinging bodies.
They’re cold and sinuous
but he likes their company.

The town preacher wastes time
as he knows to pace himself
by half hour intervals,
squeezed between nightcaps.
In every period he remembers
slightly less that, a boy
is to be buried by the morning.

The town beggar walks towards nowhere,
he blows an alcohol breath
into his clasped hands
like resuscitating a needy mouth.  
from his ceiling-less living space,
he looks into black windows
just like we would look out of them.

The town dealer is on nothing
living back some hours he lost
Inside his head, looking, from a distance
through his eye sockets.
Now he’s on a strange sobriety and with a text,
the Londonese and the hood come back up.

In the ungodly hour,
no storm makes an eye around me.
In an un-pretty always, things just happen
to fill the timeless time.
We all assure ourselves
we’re all alone.
What's everyone up to at 4am?
 Dec 2015
John Clare
The rolls and harrows lie at rest beside
The battered road; and spreading far and wide
Above the russet clods, the corn is seen
Sprouting its spiry points of tender green,
Where squats the hare, to terrors wide awake,
Like some brown clod the harrows failed to break.
Opening their golden caskets to the sun,
The buttercups make schoolboys eager run,
To see who shall be first to pluck the prize—
Up from their hurry, see, the skylark flies,
And o’er her half-formed nest, with happy wings
Winnows the air, till in the cloud she sings,
Then hangs a dust-spot in the sunny skies,
And drops, and drops, till in her nest she lies,
Which they unheeded passed—not dreaming then
That birds which flew so high would drop agen
To nests upon the ground, which anything
May come at to destroy. Had they the wing
Like such a bird, themselves would be too proud,
And build on nothing but a passing cloud!
As free from danger as the heavens are free
From pain and toil, there would they build and be,
And sail about the world to scenes unheard
Of and unseen—Oh, were they but a bird!
So think they, while they listen to its song,
And smile and fancy and so pass along;
While its low nest, moist with the dews of morn,
Lies safely, with the leveret, in the corn.
 Nov 2015
Edward Coles
Walked away from the world, save for luscious green
and cigarette smoke, I wonder what makes her ***;
what makes him stare mockingly over his glass
when I tell him that the system is broke.

Walked away from the world with an acoustic guitar
and notes like foundation, pressed to the corners of the walls;
the inside of my skull.

I cannot find my way out.

Walked away from the world, save for stubborn breath
and stubborn weeds poking out of the concrete in the streets;
what makes them break out for the sunlight,
what makes me crave for retreat?

Walked away from the world without a direction,
notebooks of freedom, seasonal depression;
the fork in my tongue.

I cannot find my way out.
C

— The End —