Sharpening, my thoughts,
into brilliances of fine fabric of
mentations and my walk
/
the snow that goes ink yet
not spilling
its texture that goes
visible
/
as pure dark of a body in place
of the space of my eyelids
when they fall
strong,
being with the Moon out at night
in freezing gardens
all
without clothes
without anyone to repatriate
me home,
turning into one great cigarette mist
with no
death to.

I know those days of the air
smelling like faded
cities of coal
when Sun crosses
the Moon on the sky
and
creates a thermal pressure sandwich
of 12 airs
/
at adoption by stench or fragrance be it
of composters or
birches when no one else sees I throw
away my pedigree
to humans
always
at last and find
myself at night
more than my
conscience could ever ask for,
and though it
goes beyond
prickliness opaque you’d
be favourable with in
terms of the meeting between
that accounting
and your smell or eyes,
it serves

always still,

hunting instinct of
stoicism
that ask for
nothing more
than the fleeing
of false suns
alongside
the cinnamon visage of the Sun

that no plying month will ever ask
for.
More.

the sea wrinkles, extends
beneath her moon glow, awaiting
its lustrous return
keening with melancholy ache
of wave soaking midnight sands
unreflective as night's obsidian
hand - snakes along his features
casting a shadowed aura
across his liquid expanse
lulled into silent slumber

while the moon fore-sakes
her nightfall promise
stretched alongside
his ivory form, awakening
breathlessly, tremulously, he
discovers her as moonshine
on outstretched palms, bathing
in her resplendence

         was it all summer night's splendor,
         (quicksilver to his mind like the moon        
         beckoning his misbegotten sea)
         or had she - at last - returned
                to solace his lovesick dream?

I reflect with a projection,
when hearing
melodies of rhythm or
stronger
lower basses like guttural
voice chords, especially
in the dark or being on a waiting room
of a car ride,
whenever I want it or not
/
an endless dance or some
semi-tangible
image that twirls into
hot
red
rose
petals
even though
there’s no dress to whizz,
feet strong like Carmen Amaya’s
had no mercy for Iberian taverns’
dance floors of flamenco
/
watching that spectacle
always
from discarded collage views
/
of that accounting
and how no
voice is needed to direct
the melody a vector,
only let it be sung-thrung
through the heat rising
and orchestra listened to
completely, sharp motions in
the eyes of the crowd
or those who had ever considered
pondering on me like a philosophy...

Maybe such styles and asphyxiations
of rapid ragged jerkings of too sharp
notes in the air cutting
the atmosphere like a blunt knife
have got to me a long time ago,
stay ever more as visions to moves
audacious, and have been
chosen beforehand my vessel
without its decision to be turned
into something greater
in the collaboration with my own other dishes
to fit Passion.

Then - then - I always imagine - then
in all that how
any certain entity
would be looking at that,
taking it in from the outside
and what that painting of me
partly
will be made as
in their sculpted no flesh
eyes.

/
Thank you
Ladies, Gentlemen, Whoever Further
for attending
/

rain mist wreathed
virid groves
of evergreen
sun languished
behind clouds grey
overcast sky
lachrymose;
distant rumble
thunder;brontide
pellet-laden gusts
of wind;cold
leaf-stirring
nubivagant drops
falling
glistening foliages
rustling;
celadon leaves
rain-washed
brushwood damp
galore humus
dewy silence;
gerful downpour
incipient