The morning is mine
when people are asleep
Sun and I talk
Birds say their greetings
when passing by
I wash oils off my face
scrub the night off my teeth
I open the windows
—the war rages on

I boil milk and blend in
some coffee
she runs down my throat
burning and waking all
of my snoring folks
Sloshing, she plays in
my arid stomach
—the war rages on

I put on some music
Arabic flutes and gentle drums
and open my books
I read a passage,
then read again
—the war rages on

I reread the passage
What are they saying, I
write it down,
I rewrite, then cut
—the war rages on

—the war rages on
I could scream or tear
apart this book, break this
cup where an abyss now sleeps
jump off, I could.
oh, dear vultures, I could run
away, away, away, and
wither on the way. Oh wither!
but I hide under sheets
and wait for sleep to come

Mercifully, she does.
she always does and I
will wake up and gulp some coffee
and reopen the book
reread the passage, reread
rewrite, rewrite, cut
—and the war will rage on.

What’s with the bees?
You’ve asked
    several times now
What do I tell—
   I had not noticed them
Maybe, it’s because my lamp bleeds honey
  all over the floor and the walls

Maybe, it’s the soft buzzing of the fan
or the colourful paintings
        that are now anything but.
Perhaps all these thirsty flowers I’ve hung
  Or leaves on the wall paper
Maybe, it’s the wooden texture
of my shelves
  Maybe, it all screams ‘home’ to them

a break from those gossiping towns
    and manic roads

What can I tell— I don’t even know
Maybe it’s me they desire
—though I doubt it
                 Ask the clock,
ask him what he knows of me
I put on some music and
  it tickles my soul
—It pinches
I turn it off and all the world is left alone
  Birds ask if they can join me
I deny—
Foxes invite me to their hunts
         I deny
Owls have stories in their wings
              but what good are stories in
   a world so loud—

Sun dances from east to west to east
—untiring
I’ve lost count of her rounds
She asks me about my hues. I say,
I cannot read
    I say, I cannot write
I say, I cannot will myself to flutter
         I say, you see those wilting blossoms?
I think I’m turning into them
       (What a cheesy thing to say)

She sings me songs and paints up the sky
—I smile pink
though, why, I cannot tell
I tell her my hues are smiling, too
     She pats my cheek
and gracefully glides away
   and it is

        all still grey
the houses grey, people grey,
cars, plants, towers and stalls grey
Maybe that’s why the bees prefer
  this quiet cell

   It is still golden here
and blues still weep in the curtains
   This is us—
          I and the bees
they live on the silvery walls,
In the sheets, under the bed,
     behind those empty canvases
and inside drawers
          next to the books,
      next to the clock,
           —the picture frames

    over the fan,
the pillows, the carpet
—inside, inside me
Around me, around the poems
    taped on the door
around me
What’s with the bees?
   maybe, they’re
maybe, they’re just my friends.

I was happy once - when sadness loomed
Over gangly shoulders and looked
With its bare black eyes upon the world
Upon which I looked, I laughed pale-toothed
And gaunt, and startled its wings that clothed
My pretty green arms and made me lean
into the silly embrace

Sweet, ghastly vehicles churned
Before childish eyes, my childish eyes, and
All night long I watched the city chase its tail
Do you understand? There is a gloom
To trap the soul. The laughter but boiled
Oozed out like ants from a bottle of sweet -
Canvas-skinned, like torn milk it was, and
I chased it like a babe before a bee,
Then like a babe I feared its pretty pinpricks
There is a beast in fear that touches
The young

The gape of a cold cold crown that makes
Even the crescent ugly - of rains run stale
Through the ages of dance, of wheat fields’
Jolly feathers and the merrymaking
Of the nights when warm things creeped
Nearer and said things so gentle, they lead
Through paths of grey caress toward
The golden sun

There is a gloom to eat the sky
A joy that mumbles like dry thunder, that wobbles
Like ripe clouds through the winds, swept off
From the heights…

Sweet, the night lifted her head and nodded, and
Sweet, all good things drooped like prayers
before stone - sweet, the crescents,
Of indent and star, where holy terror
Had loved us slow, never felt so small as did
In the leaning - the yielding - us, beautiful:
Bone-eyed and bare, shuffled off from the heights
Of silver youth, as ****** birds, as ****** boys
Through the winds, and we melted
Sifted, out of ourselves and into the honeyed
Embrace of old

loud
so loud

I cease to hear it
almost

but then
in solidity
it is here
in the throat, on the lashes

it becomes a blinking billboard
it pounds
      pounds
like a fist like a fist
        like a
wasp
like a thousand

a thousand a thousand

watching

I drink in the silence's spicy chill
in the midnight awakenings
and in heavy tides, it gurgles down

and settles a thick black insufficiency
in my legs

I run and run
and all the running will not do

and heat like flickers rises
and sweat runs down my crackling limbs
and something bites off
and something eats

and I run reckless and bare
and all the running will not do
and it is all like charcoal and ash
and a stout smoke

and the night rises rises
till I cannot see it

I am a monument
Someone was here
Some stone was carved
Some sketches made, remade
Some alterations...

I stand strong now
The creases of my neck
Are placed just right
And they can name
All of my veins

Someday, I will move
And my joints will crack
Then I will rub my eyes,
I will yawn,
And then I will curl up on the floor
And sleep for a long,
Long time

Frozen lakes, a little more do freeze
Frenzied lovers love once again
A bewitched battle we dare relive
A spear we’ll take, a spear let go

Such are the deathless hours killed
A thousand ashen folks forced to live
In ballads eternal, etched in stone—
No mourning, no worry
Shall dig us a way out of this dusk
No morning, no chipping sparrow
Betrothed to spring
No sleep awakens our drunken peace
No ghosts unfading in need of slumber

Withered we weep, withered still our waltz
Withered we love, withered still still

How beautiful is our desolation
How recklessly brave

Oh, what star kissed poems rush
Though the blood that gushes
Out of ravaged bones—
How lovely do we ache, how lovely go on
So profound is this torture and its pleasing touches
The breaths leave us for the blue above
And we, shivering, lie

But so, so beautiful we slay
So brutal stay—

Frozen lakes, a little more do freeze
The beaten bards out again on the streets
To preserve in blooms
A thousand wretched tales

Oh, how valour never became a being so well

Sorry for sending you poems to read
I tend to forget that poems are meek
And the vagueness that pleases me
May not be pleasing for you

I forget, when I am charmed, I forget
To be quiet, to be quiet, to hold
The words firmly in my fist
Poetry is winged, birds I must keep

A gift for you, but you do not want
I know you want to, but cannot want
I dont get it, i forget it, I say read this
Then this and then this one too

Then you lie, impatient, hum along
And I cannot help but sag down a bit
Please do not begrudge my silence
I know no friend for words but her

Sorry, for sending you poems to read

you write like a sea
I see

gyring and free
stubbornly

flapping only
to be

easy
to see

your profanity
holy

in its naivety,
wholly

scanty,
heavy

with plenty,
empty

like sea,
pretty

for me
for me partially

for you only
hesitantly

for world boldly
bare to see

you write like a sea
lady

toiling sweetly
to monotony

and plea
howling all free

free
ah, lovely

like the slavery
of a sea

I mingle sometimes
and sometimes subside also
lost too, and wave too
sometimes; but here and there
there and then
washed up on shore, I am
glancing confusedly around, and I am
pecked and poked and
picked and tossed and turned roundround

and then, then
blue comes
and within it, glittery dust
and as I am slowly buried alright
and as I am alright almost
a tiding comes
from winds’ thick gossips
of a tiding bog
that will claim me again
and then falls, and pulls and it claims me, yes

and so the nights drip down on dawn
and I mingle, mingle almost, sometimes

Dissolved in traffic
we forget ourselves
Metal and muscle of bone, of beast
Marrow of bloom
and whip-quick flapping of pigeon wings
When father coughs his crackling logs,
we know he arrives, we hide away our games

why don’t you study, why don’t you study, where have you been

So terrified of the world he,
with his sky-shaking speech.
father, father
what have you seen?

My limbs twitch and eyes flee
He knows not what to say, and we
never learned.
Taut skin aged to crease, and all that clover smoke

and dust from road,
It sits so stout in his placid gaze
I sink, I sink.
Say, father, father, will you not leave?

Dissolved in traffic—
Gyres of grey and their loosened rings
mimicked by the reeling of kites
So long he roamed
Within those slithering maps
almost became,
almost them.

Memorised the city on his very palms.

Father, father, I never could learn
the twist and twists and turns of its trails

The city got lost and I,
And I, oh— I

The whispers fade
of footsteps strange, and closed are hearts
in breathing reliefs
father, father,
What have you learned; father, father
we become ourselves
father,
The birds all settle, the metal melts, the
noises die, the traffic, oh, the traffic
your good old mistress, we forget of it—
father, father,
What have you learned

12:30 am

I like poetry
I like the tenderness of it
and how it is like a leaf
I may slip into my pocket
and carry along
into stifling examination halls

I like its thoughts
the gaps and turns
it does not ask for cleverness
from me
as I do
it is not a mother
and not a child

a poem, a poem only
silly and free
like a fly
that does not care for freedom
or like a little gust
in a thousand crowd:

the hair furls
I turn to watch it go
but it is gone
before i do

You are an idol of stone
You do not move, you stand at the doorway and watch
You do not talk
You stand at the doorway and watch
When you thunder downstairs to your mistress
Your wife sits blue-eyed on the bed
That is old and ugly, its wood full
Of red insects that bite, but you
Will not let her sell it
For you think it is just fine

When you drive away with your mistress
There is laughter in the house
There is a board-game
Of fickle fate and try
That your wife and your children toss dices upon
And there is so much chatter and so much sound
All red things crawl back
Into the deep deep dens of the bed
That your wife got from her own house
And that you will not let her sell
For you think it is just fine

When you laugh, it is like storm
Sounding through the fingers of the city
And you make so much noise, it startles the sky
It makes the fat dead TV wince at its past
It makes the gruff old drawers never want to move again
And you are always here
Such loving god:
We cut the stone from which you came
Into pieces, pieces, we carved so many of you
Now you are in every doorway
And you do not move

When you return from your mistress
You are happy
You put the new TV on, loud and the news
Of the city flood the house
You are a news yourself
You cough like a steel glass falling in the silence of the night
When everything is sleeping, you cough like its bouncing
That goes on and on, and like its spinning stop
You cough and you chew on the furniture wood
And you make so much noise

She cannot sleep

Well, after, you are still; grey-eyed and corpse
And the insects come; and they do not bite stone

I wonder what lonely sees
 women with pretty eyes
— a library in the night
a classroom with broken chairs

white-boards
         and bullet-holes
echoes in the halls,
giggles on the swings—
a group of laughing men

wine glasses with their clinks
an unread book—
     a wet matchstick box

I wonder what lonely sees—
when he wanders around the towns
  — whether
endless moors beneath    glass-lid skies
  empty roads,
and emptier cadavers —

or
— just the world

as it is—

Sun in the night sky
erupts like laughter
sweet, old
but not as loud
tips around in splashes
that scotch the sky
and turn its blackness grey

I am haunted through hours
by the grotesque sounds
of its pain
people gape and smile
at the firework show

But I cannot still my shaking
I am too quiet to quench
the growing silence in me
I watch the show like all else
I fear I’ll never speak again

the house smells like a melting wire

and
   outside

city
smoke, leaf–– kite

I lie by my window
an old god covered in age
once painted, now
white is my name

but it is suddenly so lovely

I watch my world grow
once clumsy babbling
it talks now endless

somewhere
     sun subsiding

and I am not rot

I am not rot

this is a whisper I will not let go

I run my stoney hand
on my stoney hand
my hand
the hand of an archeologist
uncovering time from time
and my hand
the trembling power of a painter
unsure fingers with a half-filled quill

I rewrite— strangely— verse after obsolete verse
red and blue and dawn on dust

glittery awakening-– heavy and sour
white sightless eyes on history focused

exit centuries
like lather through sink-– exit war and tomb-people
exit sunken empires where deities go to die
–– exit exit exit!

          open the window!

in a flood thick

awash this skin, porcelain and stone
awash tongue forgotten, awash pupil

an artefact arm
slowly mobile
a hand blooming to veil the light
from wet, blinking eyes

a rickshaw bumbles by
a van singing
even the quiet whistling of a
bicycle’s chain
it’s getting cold

my socks? where did— here they are

the house still smells like a melting wire
but Faizan said
that Saad said that
he is bringing pizza on his way home

and outside
grey-gold fades

slowly— strangely—
I am not rot

        a melting's quiet sniffs

I am not rot

The storm limps away into the night
I follow along--

out of an enigmatic temptation, I dare not fathom
I once visited the ocean they said was in love with the shore
they told me to walk bare foot on that ****** sand,
and breathe in the rosy winds
said it would help calm my ravenous heart
Ocean, they said would hear all my unsung screams

said if I gave myself to the dust, it would crawl up on me
and cover the naked of my shivering being like a wool blanket

I sat with my legs in the shallow water
and watched the giggling waves winding over each other
the sturdy tides curtly calming them down
only to be disturbed again by sudden callous gusts
Ocean, they said, would wake the child in me

running through the alleys, I call after the raging winds
but the night dozes soundly to sleep.

I walked bare foot but the seashells poked at my skin
as if desperately reaching for the flesh, or I think they did
closed my eyes; and oh the devils that I saw,
dancing their charm out; seduced, I forgot the flowery air,
but I know I inhaled it for I still feel the rose-thorns ***** my throat

The horizon smiled at me as I drew away my lids
I watched the lacy white waves ebb away
hoping they would take along what of me was left to carry

I follow you around, sailing through my vivid seas,
noting down the shrinking moons.
hoping to reach you but then I reach a village,
full of ancient wells and old kids
I wander through fields reeking with grass,
and through moors starving for it
Hoping to reach you but then I reach a city
full of luxurious graves and flooded streets
and so busy do I get tasting new drinks
and walking through puzzling, shining halls
that I forget about you or the old blue void calling me home

But that lasts for mere centuries--
Until one day some sudden chirp brings something back
a morning breeze so saltier than before
and when I see the familiar fields far away
the trees thinking, the bushes sleeping
somewhere behind the unmoving crowd,
a thin colourless line ,where the sky kisses the earth
calls out to me, singing its alluring ballads, someone familiar,
Almost a friend.

So I set off and run along the paths that lead me to you
drinks clink but I run off, villagers offer me roofs but I sail away
days blinking by, dozing off cautiously at nights,
feasting upon wild roots I run off for you, an almost friend.

And you’re there, right there, here I come, one jump away
your hand mere inches away from mine
your sound right next to my ears, whispering
forever teasing, sneaking away silently as I come closer
Like a hungry bull, I try reaching for the apple hanging by my horns

This blazed sky is no home.

When I lie on the sand
I only feel the little pearls climbing my body like ants,
They reach the top of me, pin in their nails and tie up their ropes
I wriggle and I scream then I tire and still
This is not falling asleep at all.
I feel like being dragged away into the snarling mouth of a cave
where the only noise is that of metal striking metal
knives spanking stones, daggers sighing in relief
as they slice smoothly through a skin so mine
Slow, shy sounds of my blood dripping down,
embracing the rugged ground and never letting go
Slow groaning, cracking of bones as they let go.
vessels—Oh so lovely—vessels only laughing

So I sit up.
I sit in the waves and watch them flutter about me
silently I sway along with the air, tides they greet and go
I wish they’d take me along wherever they went
maybe one day they’d leave me exhausted on an empty shore
and I’d look at the ever widening sky and be home

But they leave me behind on my very own land—
They ebb away from the shore they’re in love with
and she never follows.

this earthly gaze
still so stirs
even now the face
something kills

mountain eyes
still do peep
upon all that dies
and then do leap

on our frail fortress
in the green
you do not rest
your golden keen

say some fable
invite
if we then are able
do bite

unclothe sheep
unearth meat
your secret keep
we will in sweet

bliss of moonlit bit
turn then all away
and lure with just the wit
of a silver bay

laugh faceless
sound of sea
on grey impress
the sound of sea

sight of shadow
gallows' scarf
in gusts then flow
call on the calf

row a waving
seeing and still
move the boat-wing
down the hill

down down
we do come
smile now the ivory crown
do we you become?

Grief is good, O naked shivering—
Grief, the last full blossom
In the rich, rich ***** of spring
Laden with hues, their gentle smother;
Reap it they and morph a shrine:
Grief, the violent girl of a silenced mother.
Grief, the first decay of decay old
As the sky beats down and down,
Burning all green to gold.
Grief, the cunning god
That quietens, and teaches the art of scream.
Grief then, the ripe fruit’s bitter-sweet cold.
The first fall that a thousand follow,
Crystal chambers of the first frail flake.
Then, hues that all white swallow.

On, on swirls the necklace.
A countless tyrant beads
Still, countless laced with grace
True, shrines tumble, and daughters weep,
Falls then burn, and summers melt
Thirst and ash into fruit do seep.
This despairing tickle in so deep—
But suns to snow and sweet still on subside
Own thus the jewel, and, hush, be off to sleep.
Oh, in here a faceless sky long stubborn stood;
Years blank, till snow and sun lit up from soot

O naked shivering, grief is good.

Winds, whistles
now all is quiet
paint-brush, sea
your lips moving
speaking nothing
your hands
expressive as ever
my words
causing a *****
by your feet
cluttering, cracking
as you step away

there is no noise
no chirps of the city
no tales of sleep
I run but the running
leads to nothing
I run not to run
or to reach;
perhaps to move
or to cause to move

But the movement
makes no change
the heart is far
the hands grasp each other
like mourning women
the sun is empty
the sky is full of it
houses reek of its reticence
and the people
are out of talks

summer is cold
white, dim, dusty and damp
the pages crinkle like cloth
and when I look up
you are headless

just shoulders, neck, arms
torso, legs
a presence, but
no voice
I speak, I cannot hear
You crumble
I crouch to collect
but I can grasp
at the quiet only

02:30 am

something of tiring
soothes the soul
lemon eyes
lettuce body
and yield

when thoughts swivel,
as vision bugs, in moving mind
when the cradle of the heart
rocks
and bed
becomes an anchor
a tundra ecosystem
of surrender:

the breaths
faintly white like
gentle ash
ruffle around,
and something little of the jaw
lets go a little,
and the fingers
stop fighting

time disperses
and all writing stops.

Hear hear! There's a buzzing!
No? There is!
Hear now! It's loud enough.
Do you do? You? No one?
Well, I do!
A strange magical battle—
Look! There's a hornet's nest!
No! Not the sun. The nest!
Do you see the queen?
Right here near my hand. Look!
Can't you see? No?
The noise? But it's all around now.
Look over that tree!
The tree! That old, dead tree, right there—
There, the golden sun hangs, reeking with honey.

Look! The sun is puking glitter!
Hear hear! The buzzing's piercing my skin.
Hear! All is wincing.
Oh, take them away! Oh do run!
Run from the hornets, what else!
No, they're right here!
Look! One bit me.
Another one. Here! Right here they are!
Run! They're here, I swear!
I am bubbling up, can't you see? All is bleeding.
Leave me. Just go! Believe me—
Oh do hear!
The buzzing, the needles, the stones!
The shrieking, the crumbling, my bones!
No, I haven't gone mad!
The stones! The stones. The buzzing—
—tell me I haven't gone mad.

You - paltry. Pleasant to stretch
To limits in thought. The thought
In turn warps
To accommodate. The
Accommodation
Barely manages itself.
It winds its thin long arms
All around you. I steal
Your simple presence
And hold, hold. I drink
To the gentle hum of nerve
I invite everything.

The night stoops low
With a curious face
Its crooked movement disturbs the wind
The wind rolls its eyes, continues
On to wherever, whoever
Would bother to follow and see.
Stay

Or don't. I will entangle you
In my wrong constellations
My joy is perfect. My adoration
Correct. My brittle focus
Breaks on word and sifts
Through through to wherever,
Whoever would dare
To tame me. Come

Or don't. We wait -
Your ambiguity
Fools no one. Not me,
No one. It whirls
Into itself, pretty with wit, and
In a moment's shift,
When dizzy it falls,
You know where
It will fall.

Cracks! Cracks in the ground
cried an old maiden in the town
and everything went wild—
a wind blew inside, an eerie kind
and cracks slithered around
as angst bloomed in the crowd
Houses; pubs and shops screamed
the barren land with blood gleamed
and the grasslands split into two
—as all winged hid behind the blue

Kids! Kids in the ground!
came a wilting, wingless sound
and shrieks danced in the abyss
—till dark ****** in a silent hiss
and more fell and all ran
till all fell and none ran—
The earth closed her crusty lips
chewing them all to little bits
but there stood in all the blur
—a nightly curse that you were

and the old maiden sat scared
wondering why she’d been spared
the four moons, for a blink, kissed
—no leaves moved, no winds hissed
nothing shuddered until— did— all
You swayed away as the sky begin to fall

Cracks! Cracks all around!

So, that third floor of the building
was forbidden,

and up we climbed three
quiet, mischievous rats,
As thudded and thudded
our frantic chests

Where echoes, as waves,
of every whisper plunged
into the unlit well—
Scurried away all the lizards
at the unbidden thunder
of our steps

There sat
the pretty, pretty sun
awaiting—

Smirking past a dust-licked glass
'So you made it'
yes, yes, yes
and look at our trembling veins,
Gazes alert as spot-lit fawns’

Fear is beautiful

and only now do we know
only now, only—
A thousand hours of conch shells uncurled
Only just—
And we’re never going back

Then, the teacher comes
and roars out a fury
As we stammer and serve her
with our sorry words

but a smile dares slip
and down into the gaping sea
we go—

Then flutter and run we
away from her tides
Thread with thread intertwines
and we weave laughs
out of the lively looms
of our throats

run and run
as up chuckles the buoyant sun

No wrath shall hold and pull us now
Not again to those grim, dim
places shall we go

we have witnessed the luring miracle
of a little fall.

I just keep reading my own poems
At 3 am, over and over my words
Carnal is she, leaping at me, leaping
One, two three  bee  tree oh ******
Rhymes to thin down grief

No, grief is too fancy, I flatter myself
It is      maggot of the soul munching
Loudly scratching... my thoughts
Are anxious fingers, finger-tips torn
As war ridden boots, my feet make no
Sound in the world.. they startle but
Themselves, they leave no change

I am       wallpaper boiling through
Months of moisture, slowly stripping
Myself cement and repulsive and
Whitewashed... flat as the belly of a table
I lie like a dog with my limbs raised
To a friend

O God, love me. Overturn me.
I am tired of my stale riots,
Of my resistance, my revolutions
I am nothing to build upon
Nothing to build with, cats and
Cars sound through the walls
Like footprints into sea
I am deaf, redundant abundant,
self-centered misery and dull defeat

I pick my nails and sit
Boat in a stagnant sea
Jigging as if itchy, twisting
Twining tweaking tingling
Even time stops by to tusk

12:40 am

this is not sadness
I said wrong
this is pillow, pen
a patience of time
in between its clicks
like a chess move halted
for a carriage of thought
this is books
I never read

this is not the books I read
they sagged
to stale pale stories
but this is a passage one forgets
among a pile of others
like this
this is the stillness that breathes me
in and out
through the night

this is not sadness
this is… like tea

these days, summer sticks sticky
on plastic and skin,
and moss above lips grows fast and fat,
sneaks through muscle to chin, and
leaves its footprints on the nose

these days, ticklish goo melts
out of the bodies of clay and
drips dreadful down
licks the spine with a slimy tongue,  
and opens its dark wide mouths
near hills and pits, it
sputters out snails of staining trails

these days, metal wings stir up
an air soggy with warmth
and mix up a hundred drain flies
that settle unflinching on necks and arms
and bite little
little and sour

these days, sweetest touch is salt,
and faces unpleasantly gleam
beneath liquid white lights
that splash all boiling on flat-faced tiles

these days, March winds march
their banners of sun-softened fruit
and sallow nights
that tumble in tumid vomits of black
and smoke and groaning fans
round
     and round
and round
in an orchestra of mosquitoes
right inside the ear

11:55 pm

now I will write a poem
I will write no thought
for they lie like silk
smooth and slick with solidity
and its thirst
(pretty pearls fall and fall and fall) perhaps
poetry is hand
the ink that writes it
something of the muscle
subtly moving
to move the words
then this one will be white
for in the light that it forms
is white and sharp

thoughtless banter…

with paper and secret—
we never become so still,
all rehearsals halted
to see the show:

perhaps this one will be fear
perhaps blanket blue
perhaps time
that slips into bed and sleeps
perhaps this will be snore
(I do not snore, I breathe only,
but this time does)

Some admiration, please
something akin to a pill or
a sudden welcome warmth
I want to be put to sleep

a sleep of no tremors or waking
but not death, not quite
like satisfaction or tea, some instilling
of the sea in me
I thought I had quite grasped
a thread or two
but I am paper now
I have no word to write
no light to write in
I have no thought, and I cannot think

some affection would do
some small touch
some bowl to melt into
some flame as well

I want the night to stay
I want to sleep it away
Poetry is for nothing now
I write to satiate
to not weep, or to not fiddle
to remember, or to clear up
to love poetry
or to gather myself up

But the bed is warm and still a pond
and I wish to weep
I wish words were there to stay
I wish they could pat or touch
stoke my hair with an inhuman presence
some song would do
some voice/whisper/word
some sigh or solidity, some affirmation
I am so lonely
I will eat myself up

I wander around the house
Like a heavy ghost
My room.
Turn off the A.C. and open up the windows
Faizan’s room, little brother
Mother’s
My room
It is too barren in here
The kitchen
Open the fridge; I am not even hungry
Drink some water
Faizan’s room
— What up?
— Doom
— Cool. Carry on
He sets a zombie on fire
Hoping around the mountains
Like a wounded bird

Mother’s room
Bathroom for another shower
My room
I might just be passing through the walls
‘Cause man do I not recall
Heading to the kitchen again
Older brother’s room
— What up?
— Hmm?
Exposes a red ear from beneath the headphones
— What up?
— Shut up.
Touché.
Mother’s room
— Do you want my help studying?
— Nah, I’m sleepy

My room
Turn on the A.C.
shut the window
The evening sun pours in through the purple curtains
Washing the room in a faint blush
(not that anybody asked)
…
…
Cannot sleep
…
…
Faizan’s room
— Weren’t you dying? He asks
— Couldn’t
— Ah, sad.
Kitchen
Might just make coffee
Faizan’s room
— Hey! Not here!
— Won’t spill it, chill dude.
He sighs,
Roaming around a darkened cavern
A diamond sword in hand.
He puts on a song he knows I like.
It flutters around us
Like a swarm of frightened moths
I feel I might explode—
Mother’s room
Wait, it’s night already?
But, I just had—
Perfect.
Beautiful.

My room.
The books laugh
The walls laugh, the clock laughs
I feel I might be melting
A night stands dressed up
At the end of the aisle
And I, a bride to be butchered,
Butchered, butchered
Then wed again

Time to study
(not the books,
the ceiling)
Haha.
Tricked ya.
Here, that rhymed, ******
Is this a poem yet?

(Why the hell am I in kitchen again?)

Now, alone, unbothered again
O mourn in morning dressed
What becomes of sincerity
Laid bare to us in nights
Do you wander as pilgrim
From hearts of men to dove
What agony bleats in breast
Of that little bird of woe
What agony bleats in breast
Of our little hearts of woe

**** this ****, so pretentious

You must love me
Oh, no, but you must, you must!
I am the muse they request to sing
in your old, beloved books
I am the twinkling butterfly
Over a thousand darkened blooms
Life twirls around on my palm
Deathlessness sleeps
Love me, love me
Mustn’t you now?
I have whirled and withered
Since the morn
Of this endless mourn
I have heard all smothered wails

Must you sway
In your precarious little trance,
must you?
You sure do know
A thing or two of heaven
But a thing or two merely
Must you love me, oh must!
I could tell you a dozen more

Death surrenders his cloak
For my dresses
Must you see—
I am a snowy woman kissing
Her mulberry love
I lurk on the vivid edges
Of an infant’s dream

You must hear me,
You must now, you must!
I have pushed my way through
The froth
That settles on the surface of the stirring sky
And I fight on,
Hum, oh I hum
One upon another lullaby
Luring the day to sleep
Must you love me!
Must you not?

Bruised and scarred
I have a hundred tales of beauty
Unheard
Must you ask,
Oh, must you ask only!
You sure do know some secrets
Of godhood, but
Must you ask me about yourself
Ask, ask, mustn’t you ask!

Love me!
O you peace-less, fluttering moths
The sun smirks an immortality away
Must you love me
For a single night, must you!
I wait, I wait
I count your molten bodies
That dreamed of kissing
The mighty sun
Counting, recounting

I wait, I wait
Then curl away in my lone vacancy
I wait
Then bloom again
Uncountable deaths I have died
Reborn only for you
Must you,
Oh, must you love me
Mustn’t you?

I shine a full goddess tonight
See me, ask and ask
I have so much of living
To spare
Oh must you love me
Love me—

It was so quiet there
I could’ve cried out sturdy
And all the sounds would’ve returned to me.
I did not though
The windpipe clung to my lungs
Wrapped round and round till they gasped
Just a huh
Too pathetic to be pitied.

That giant tree, I will remember always
Out and out it bloomed
And stayed with me all along
However far I hazily stumbled
I looked so mad
I felt so—

My brain lurked where it desired,
Lingered wherever; and I
Followed, I followed:
Always a step behind
I said, where are you going?
Just…
And into the towering corns we vanished
So dark, so dark

I said, it’s dangerous here,
Anyone could come from anywhere
And quieten us anyway— anyway—
Just a moment…
And we sat, listening to the insects together
The crops so high up and devouring
It wasn’t much different from crowds
Yet silence— so ringing and shrill
Scream, I offered
Scream?

And we sat there for a minute or two
Listening in to the eternity forever.

this house reeks of joy tonight
a teary-eyed girl— laughing
the gas heater and its sizzling flames
crimson socks with golden stripes
and a woman eating a slice of strawberry cake
a boy revising his lessons,
a man listening to news
the sound of oven and the roasting chicken
a boy making jokes
an old woman, on her rocking chair, smiling
— sipping tea

and the lights flicker off— the oven passes out
but the silky strands of fire in the heater keep swaying about
— burnt shadows on the creamy walls.
roast rests uncooked in the blazing heat
and the girl gets tired of laughing
— maybe it’s the sleep.
and her eyes ache
— maybe it’s the sleep.
the boy puts away his books, stretching his limbs by the fire
woman places her blood-stained plate aside
and the boy runs out of jokes
—maybe it’s the sleep.

but the heater keeps hissing
and gas fills up the room—
air packs up her bags and leaves, unannounced
something heavy slithers in and out our lungs.
heat and suffocation drip out this overfilled room
the roast waits, patiently, to be cooked
and slumber sinks deep in our bones
and our lights go off—

and though the flame twists and turns
—no one sees her
and the roast screams
but only the metal walls hear.
this house reeks of a peaceful joy
and the old woman dozes off to sleep
the girl covers up her feet
the boy yawns and hides his face under a pillow
and the news go on but no one listens
and only the heater stays awake in this house
— reeking of a flammable joy.

and the roast curls—
the roast curls up in his deathless form.

— but I did not dart into the field with a sword in my hand
I stood by the archers, choked poetry out a quill’s hollow chest

my sisters could slay heads in smooth, swift motions
their tiaras glimmered in pools of enemy’s blood,
but I only gagged at the sight of rotting flesh

led no soldiers on my armoured horse,
I sat by the rocks and stared at the ocean from dawn to dusk
picked up the flaccid of my limbs and willed them to endure
one more step, one more step, one more step,
one more—

shook and whimpered under weights of my velvet sheets
I drowned a hundred deaths beneath the layers of silent nights
— could’ve fought dragons, I chose shadows instead
and I did not win wars under the silhouette of my cape
I curled up at the sound of cannon *****,

shrieked louder than the wounded every time
an arrow kissed a heart
and I saved no bruised kingdoms with my flowing blood

sat by the roses and talked to the bees
cried out tears for a carcass of crow,
******* my bones with my feeble flesh
and I begged them to not break apart,
begged through every sigh of the air,
— every burning book,
— every hissing of the rain
every drop tiptoeing out a mouldy tap
I begged them to not break apart

walked though the forest with a lone wolf in my skull,
I sat by a newborn **** singing her back to sleep

and I cried out in pain when a knife ripped open my wrist
did not jump through dubious cliffs and roar with the winds
nor did I fight a hundred knights —
with a broken arm and a tired blade

I winced at the sounds of slashing swords
— shivered at the thought of a dagger’s stab
I dragged an obsolete chest through aisles of dusty, empty shelves
and I whirled around lilies and laughed with the frogs
all while melting away—

I Inhaled, exhaled all night— all day— with these rusted lungs

escaped a thousand chains that snarled in my bed,
I forced dry breads down my narrow throats
and saved a young jasmine from a greedy bird,

fell down thrones and I kissed a hundred grounds
through bleeding lips and muddy gowns,
molded my hesitant voices into tunes of ballads hand-stitched
I brewed tales upon tales for the lonely moon

I willed the vacant of this heart to breathe
every day,
every endless hour,
—every whisper of the despaired firefly
—every flutter of the wind
—every chuckle echoing in the sea
every tick of the yawning moon
and every tock

and don’t you dare—
don’t you dare
tell me about the battles they fought—

01:55 am

I think that someday
I would like to paint a ghost
like did Osamu
and I too would like to hide
it for no one to find

I think I’d like to paint
like I like to write:
quietly, clumsily
and without eyes

as a dove flies
and as it hits against the window
curious, and fearing
the picture it wears
I’d like to paint mirrors
and not beauty

for many can paint beauty
and beauty is never
without eyes
and though it may not lie
it may too not be true

I think Osamu
never wrote so fragile
as did when he wrote
where does this little path go?
where does this little path go?

—

11:40 pm

sometimes the night comes early
fast like the lid of a pepper-jar
that spins itself geometric into place
sometimes though it is patient
like the swarm of a moss
or of a tide that turns time
to obese slime
sometimes there is so much to say
and do and wish for
sometimes very less
sometimes, the past nights
become other people
and future nights
become other people
and they sway like drain worms
round a puddle
on a tile
we are a crowd
all of us, a crowd -
body upon body like
an ugly cluster of skin
and shadow and grasp
we write things and we make them poems
then we write more
and we are all naked, but none truer
and sometimes the night
does not come at all
and I linger solidly
fidgeting with my words

no one loves a wild rose
love they may
the boldness of its stench
or sweet blood
that stirs within
at every touch of its teeth

but a rose is not a petal
or its blush
not the sturdy stalk
dressed in laces
a rose, a rose, a rose it is
and wholly it lives
wholly sings
to winds as nonchalant they go
to beads unblemished
an lips of gold

but its words
no gentleness adorns—
no yielding music
in blossoming gowns
its song, as ocean
smashing against rocks
cold
as all around them
glows a sky
angry and bleak

could I say,
no one loves a wild rose
—no one dare
and an infant may smile
to a sunny girl
blush a maiden, a mother old

but a rose wild,
wild stays;
and such simple its lure
I am left a forest
bowing.
and I like you, I
like you, I like you
whole, whole—

11:25 am

some stillness here
that I fear to break
some gentle memory
of the body
some luciferase show
of a little plant
something still softer
and still small
like the tickle of an ant
before it is revealed
or the startle
of a single hair

say

I spent years trying to break
the horrible spell of past
to free myself
from its shame
but such nights
bring it back
like an abandoned baby
in their cautious arms
and when I take
it does not cry
or scare me with frenzy
it sleeps beside me
chubby-lipped and pillow
and the nights do to
beside me

I don’t know…
some stillness here
makes us one

Some people are so fiery a sky
No thunder rules their ground—
no ablazed suns

Some people run to other people;
they take less or more of their lands
—like all they have or
A little more still
to the furious seas where no god lurks.

Some still, are glass
or breaking bits of it
They love a sky, with lightening
ploughed.

Some nights are restless, oozing words
Some,
So vacant a fall—
Some then, somewhere within.

No thunder, no people, linger on this coast.
No gods; none built;
no suns bow—
Still, the noisy silence reels
Slow and sudden its dive,
as we, in talons, wilt
And still we, in skies, slither.

Light and little;
mistaken,
so easily, dead—

12:36 am

Lord, this night does keep its quiet
not of our silver gyre does it tire

a thousand times I watch it rise
a thousand slips of its drips

up-down-up-down-up-down town
I watch its crowds black and brown

I watch the trees, the silver bees
Lord, this night is not night quite

Laced with blue
Embedded with rue
I put on my dress
Shining with fluke
Inside I'm a mess
Out awaits a duke
Prepare I to flatter
Try I not to shatter

Trembling, I open the door
My heavy eyes on the floor
I hear the sound of his smile
Takes then he my bony hand
We walk slow, down the aisle
I think I feel them all stand
they gawk at our spotless shine
power, beauty, a match so fine

A perfect walk in a perfect hall
till body decides to give in and fall
In sudden, I hear all of the silence
name me, label me til I'm unnamed
gore me, control me, I've seen violence
I've been through, I've been trained
face of my duke's engraved with a frown
I still, I shrink, again I've let him down

though kindly he extends a hand
though slowly I take the stand
though still perfect we are together
I who saw glass break to shards
know many pieces we can't gather
know too many unflipped cards
too many of them yet to be turned
too many secrets yet to be learned

Adorned in red,
made with regret
he put on his dress
with misery so bright
to meet his mistress
on this cold, dead night
still he wished a try
to being her some joy

scared he knocked with grace
admired then her pretty face
saw her walk, then fall slightly
and helped her back with glory
tiresome it was to walk quietly
wished he to say he was sorry
but he too knew it was in vain
they had to suffer this ugly pain

Though he loved her deeply
and knew so did she briefly
there were other things to adore
power, pearls and dresses that sway
wars, swords and bodies to gore
still he hoped, oft sat down to pray
for return of life in their dry eyes
for a melody of their silenced cries

As I shatter to velvet ground again
their eyes follow me down like rain
though jewels don't match with love
it too has long run away perhaps
Spread its wings, out gone the dove
next to me, I see my duke collapse
how lovely, we are the perfect ashes
of two impatient, imperfect clashes

it is like a Koel’s cry
in the midnight tremors of time
it is sweetly sour
like orange juice or an Autumn’s flutter
shrill like a woman’s touch
or day’s gold
on some purple curtains

I don’t know…

in this blue dark,
with silhouettes of a forlorn city on glass
it sounds so real
I linger here listening
blinking with the clock