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Mateuš Conrad Apr 2019
.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!
Luke B Hopson Apr 2011
Skin as White as Winter Snow
Legs as Boundless as the Sea,
Stationed in Venice or Bordeaux
From Blue-collar to Bourgeois.
Hair is Chic, Yet not Pristine
Soft and Cropped and Fine,
Cheekbones High a Distinct Ravine
Embellished by a High Neckline.
Undefined Peaks and Troughs  
Cumbersome and Lank,
Garnished in the Finest Cloth
Awash with Unassuming Swank.

Miss Androgynous hear my call
For I've Become a Virile Gent,
I Yearn for your Unwieldy Frame
That God in Heaven Sent

February 2011
Cory Ellis Jun 2013
Hey guys. This isn't truly a poem but a paper I wrote for English class. I wanted to share this view with people and this is the only vehicle I knew to use. So here it is. I hope you enjoy it.
-------------------------------------------------------------­--------------------------------------------------


The amplifiers were turned up to ten. The young and fresh crowd looked at us with anticipation.

What were they waiting for? As the music began I noticed the subtle movements and growing tension in

the crowd. Men shook their heads and we shook ours in a violent duet between the crowd and

performer. Women and men flailed their limbs as they awaited the ******. We knew when it was

coming; they did not. When we decided to let it all go I witnessed something crazy! There was a brief

pause in the music and when it began again we kicked it into overdrive. We shook our heads with a

more frantic pace. We jumped about like madmen. The crowd erupted; it became its own entity. You

could feel the heat and power of this new creature. We were locked in a violent psychic-sphere of

crazed young teens and when the ****** was over there seemed to be a sense of relief and happiness

in the crowd. Had my after school hobby become a healing agent, even if only temporary, in society?

This papers purpose is an attempt at piecing together the phenomena of catharsis by merging

philosophy, psychology, history and spirituality.



First, to understand the psychology of catharsis we must think back to the roots of this behavior. Since

human life has existed we’ve formed crowds for various reasons. The first reason held the sole purpose

of protection. Tribes of people, men as hunters and women as gatherers, teamed up for the benefit of

human survival. Erich Fromm says that “the meaning of life is not to be found in its fullest unfolding but

in social service and social duties; that the development, freedom, and happiness of the individual is

subordinate or even irrelevant in comparison to the welfare of the state.”(Fromm, 1947, page 51) This

states that a crowd is actually very necessary to the function of human life. The second reason crowds

gathered was in form of revel, shamanistic healing and worship of deities (Ehrenreich, 30). Men and

woman would often enter trances, speak in tongues and become involved in a collective ecstasy while in

worship of their God. In later years, politics, entertainment and rebellion or protest was a main factor in

the gathering of people (Ehrenreich, 102). People gathered at Festivals that were in the midst of being

suppressed and would dance in mockery of their Kings or leaders.



What exactly is catharsis? Catharsis is a purging of emotional tension brought out in a crowd through

the viewing of a tragedy or tragic play. In the article “The Power of Catharsis” Kearny says the following

More specifically he (Aristotle) defined

the function of catharsis as 'purgation of pity and fear'. This comes

about, he explains, whenever the dramatic imitation of certain actions

arouses pity and fear in order to provide an outlet for pity and fear.

The recounting of experience through the formal medium of plot,

fiction or spectacle permits us to repeat the past forward so to speak.

And this very act of creative repetition allows for a certain kind of

pleasure or release. In the play of narrative re-creation we are invited

to revisit our lives — through the actions and personas of others — so

as to live them otherwise. We discover a way to give a future to

the past. (Kearny 1)

I figure that, even though he states that it is a purgation of pity and fear, it could also be involved with

many other suppressed emotions. Take my introduction for example. These kids were not releasing

pity and fear, they were releasing their angst! They were releasing their desire for competition.

They were making up for the violent feelings of agression they felt in their body that had been

suppressed by society for so long! They were revolting! Could catharsis also be used to purge other

emotions as well such as ****** suppression or communicative issues?





How would one come about actually attempting this catharsis that I speak of? We need to first look at

some ways in which people have controlled crowds in the past and realize that crowds form by

themselves but often look for leadership due to what Nietzche called that “herd mentality.”

In the article “Seducing the Crowd” by Urs Staheli it mentions that repetition is a key factor in beginning

to control the crowd. (Staheli, 69) This means that through repetition you can get the crowd to side with

your beliefs. The crowd could begin to think about what your suggesting and potentially be swayed by

the other people that are now following your ideas. It could also be repetition of body movements as

well. What better vehicle is there to sway a crowd than music? It’s repetitive in instrumental and lyrical

form!



Another way to “******” a crowd is to act like a madman! Specifically how I stumbled upon this in

the first phenomena place.

The leader himself is possessed and hypnotized by the ideas

and visions he holds, obsessed to such an extent that he cannot rationally exercise

control over the crowd. Instead, he devotes himself to fascinating the

crowd by more ecstatic means.8 He often resembles a madman but fascinates

by the mere power of his determination. What distinguishes the leader from

the rest of the crowd is his will alone, not any particular intellectual capacity

or a superior morality. (Staheli, 68)

The theory is that through mythological story telling or acting tragically and in a spectacle, we can

actually release negative emotions and potentially even heal neuroses or psychic ailments. Later in the

article he goes on to say that a shaman was actually documented to have cured a woman with a blocked

birth canal and in labor by telling her a story about a warrior trying to exit a cave that had monsters on

the outside trying to get in.

The function of a shaman is to heal his tribe. He uses drugs or plants to change his state of mind and

then by going over to the other side of reality he invokes spirits that help to heal.

In the séance, the shaman led. A sensuous panic, deliberately evoked through drugs, chants,

dancing, hurls the shaman into trance. Changed voice; convulsive movement. He acts like a

madman. These professional hysterics, chosen precisely for their psychotic leaning, were once

esteemed. They mediated between man and spirit world. Their mental travels formed the crux

of the religious life of the tribe. (Morrison 1967 pg. 71)

This shows an ecstatic crowd dancing and chanting while one man acts out a tragic spectacle. Through

this spectacle the shaman acts like a madman. This causes wild emotions within the crowd and allows it

to release their built up and suppressed emotions. Also, the dance and chants bring them to a feeling of

unity and oneness!



One may not believe in the spiritual shaman because of their own beliefs about God and religion. Some

may not believe in the other world that parallels our own.  It is a skeptical concept without a doubt and

there are probably many people who disagree with the legitimacy of the shaman. Is there a way that we

could think of the phenomena in a psychological sense rather than strictly spiritual? The answer lies in

Carl Jung’s theory of the unconscious mind and dream therapy as well as in Nietzche’s philosophy on art

and aesthetics.  



Carl Jung believed that there is a conscious mind and an unconscious mind. The conscious mind is the

everyday mind that occurs in waking life. It is rational and helps us survive. The unconscious mind can

be found in dreams or whenever you experience a déjà vu (Jung 1964 21).  He also believed that through

the study of dreams you could heal certain aspects of your psyche that have been altered by neuroses.

Symbols and archetypes make up dreams and the unconscious, and often you will find that archetypes

appear in the form  of people. Jung believes that through living in society that men and women have lost

touch with their feminine or masculine characteristics depending on their gender. Dreams can help us

get back into union with these lost roles through connecting us with our anima(female) or animus

(male) through symbols in our dreams or unconscious minds. Jung wrote that when society was

formed people took on roles and caused a dissociation in their psyche and caused a duality rather

than a unity when they suppressed one side of their mind.  He mentioned that at all times the

unconscious mind is connecting us on a psychic level.



How does this tie into shamans and catharsis? It seems like something completely different all together

right? My theory is that the shaman or crowd leader brings forth a forgotten union of the masculine and

feminine forces in the universe. Nietzche believed that there are two polar forces that are natural in this

world and in art. These forces are given the names of deities in his book “The Birth of Tragedy.”

The first is the Apollonian force that is masculine. This force in art governs form and dreams. The

Apollonian artist directly takes ideas from his dreams and brings them to life whether it is in form

sculpture or poetry. Apollo appears through an oracle often in tragedy or in visions of the waking life.

The second force is the Dionysian which is feminine. This force governs intoxication, revel and ecstasy.

Dionysian artists are improvisers and dancers and are usually tragic figures. Nietzche believed there are

three different types of artists: Apollonian, Dionysian and the fusion of both (Nietzche 1872 14). This

latter artist is what I believe the shaman is.



Through connecting these polarizing forces he fixes the psychic neuroses in his own mind. He becomes

a unified artist, or a magician of duality. The shaman, as stated above, takes drugs to intoxicate himself.

Often the drug of choice is wine or alcohol though it could be hallucinogenic drugs as well. This tied with

repetitive revel is the Dionysian side of the spectrum and also helps draw the crowd’s attention through

spectacle and repetition. Everybody is ecstatic and experiencing the collective vibrations of the crowd.

Through his intoxication he is able to go into the unconscious mind and produce dream symbols in

reality! The crowd follows the leader into this unconscious mind and brings back forgotten wisdom of

mythology and archetypes. This is the Apollonian side of the spectrum because it deals with the

unconscious mind and dream images. It also could be this “other world” that traditional shamans speak

of. Now the psychic duality is merged and a tie is formed between the masculine and feminine forces of

nature! People feel at one with themselves and the crowd and the societal suppression is vanished

briefly. All the neuroses caused by the suppression fades away in the ecstatic revel. This is the appeal of

the rock concert. Notice how many leading figures of rock bands have androgynous features and

shamanistic nature. This is because they have fixed the psychic neuroses in their own mind and become

at peace with the masculine and feminine duality of their psyche.



Stumbling upon this phenomena in my rebellious youth was very eye opening. Ever since I have been  

very excited about this theory and I’ve been trying to piece it together. It seems to be coming along

further and further in my study of this. What exactly this ancient wisdom is; I don’t entirely know. I

do know that I have witnessed this in reality and the subject is interesting and fascinating. My theory

still has a lot of work before it is completed but I think that within this article I’ve given a decent

amount of history about the topic as well as my own thoughts. Whether this phenomena is true or

not, we can leave that up to the psychologists and philosophers to decide, though I think many may

agree. Either way, catharsis surely does exist and it is a fun way of entertainment as well as a

therapeutic option for many stressed out individuals out there
Mateuš Conrad Feb 2020
why did i ever go out on a friday night?
drinks with "friends" and hitting the essex
club "scene" -
well - no much of a scene -
there was never the music you'd want to listen
to: come friday or saturday -
even mid-week when all the rock kids
were "hanging out" -
what would be chances of being your own d.j. -
catching something really new...
POIZON - church is poizon -
cool mom - something between a crossbreed
of cage the elephants and nirvana on blew -
3rd view - moi -
but i used to: and i remember that gehenna of
a sobering walk - alone after a night out -
like some furious son of sam -
when youth still had the adrenaline with it
and a sense of anger ******* around with
disillusionment -

those were the friday nights: bon jovi highlights
and long hair and milking a somewhat androgynous
look - sometimes the mascara would come out...
those were the days of having milk skin
and a proper shave -
the long hair and the waistcoast and cravat: semi-,

the lonesome story before i met my beard:
fwyday mordaithceirch -
i actually have a name for it...
i forgot what's already the designated
whittle pecker mr. pritchard of the down down:
below...

oh, oh so what...
rough friday nights in my youth -
on the clubbing "scene" -
and always that moral hangover when it came
to drinking with others -
ever since i started drinking by myself:
i forgot the mirror and that bucket
of warm water beside my bed to put my hand
in before going to sleep...
once or twice the company was worth the drink -
but most of the time you only kept
such company: because you were drinking -
drinking was never an afterthought -

now... i like drinking alone -
at least i can keep fact-checking the company
and the odd vocab peacock taking to the catwalk
of a ruminating free-fall tongue waggle
and rummage - the needle in the haystack
adventure - or... the ******* bucket
of deshelled oysters...

there have been some awful friday nights -
but: seeing how i started to give my beard
a welsh name borrowed from a willem dafoe
novel - and how it simply became pointless
to wake the dead with the angry tantrums
of youth: and how i seem to have
forgotten where my 20s "went" -
somehow rooted in: da-sein and how
i "wasted" 2 years on one book by kant -
2 years on one book by heidegger -
and: how i didn't have the time to "catch-up"
on the greek classics -

oh these island dwelling people -
i try to imagine them not being a seafaring:
and their messiah / superiority complex -
with their breakfast that could hardly
be digested come the hour of noon -
or no messiah / superiority complex -
the traffic: indeed - works like clockword...
from left to right...
sidenote: what of fahrenheit and
the feet and inches - stones and pounds?
ounces?
the metric of: baseline 0 here,
baseline 00 over there...

no... Michele Campanella piano solo take
on wagner's das rheingelt: entry of the gods into
valhalla - it's hardly anemic -
it's... the last leaf of autumn falling -
because the crescendo has already happened...
a befitting closure...

the superior island folk and their...
hyphens and germanic loan words -
how almost all names in chemistry are still
in their germanic: intact form of: no hyphen:
broken leg or broken arm...

woodwinds... perhaps... the violins providing
the humming of birds:
chirp chirp: no chirping -
and of course the horn - but the horns never
as prominent as those drank from...

something has happened today -
but i am... left without having any english
sensibility / egalitarianism -
somehow i always equate egalitarianism with
the english - the islanders -
a firework went off in the background -
mr. sloth awoke mrs. slouch after 3 years
for a firecracker celebration...

because who would want to be ruled
over by unelected: chocolatiers...
esp. after their trial run in the Congo -
but i have certainly had worse friday nights...

it can't exactly get much worse than...
say... listening to the siegfried idyll...
multitasking: drinking a cider, smoking a cigarette,
balancing act of folded leg sat on
perched on a windowsill solving a no. 11,289
sudoku from the 27th jan. 2020...
otherwise prior to:
imagine my disbelief at the pleasure -

with numbers to somehow escape thinking in words:
no grand arithmetic linear gymnastics -
of the end result -
certainly no logical statements -
just a whirlwind of numbers complimenting
these few words...
and what a fine friday night it has become:

the pizza was made - god save me from the perfume
of yeast... or checking on the rising dough
from time to time -
the leftover yeast gave me the opportunity
to bake an imitation sourdough crust pretty-as-a-picture
loaf that: would make any mushroom blush
and shy away from unfolding into an umbrella pose...
or a Y... curling outward-inward into an upsilon Υ...

because how could i forget the pleasure of
sifting through numbers?
by the time i attempted puzzle no. 11,290
i had to write a "map"

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
2)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
3)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x

come to think of it... where's a subscript?
if i'm going to use 1, 2, 3...
to tier the allocation of squares...
tennis and sudoku...
tennis: a game of 7 rectangles -
and how many judges and ball boys / girls?
sudoku - a puzzle of 10 squares - perhaps...
if i'll use tiers 1, 2, 3: a1, b2, c3...
what if... sudoku invoked letters rather than
numbers?

much later... oh believe me...
this is the antithesis of knausgård
writing about using googlemaps...
        
           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

it's still a schematic - the narrative is yet
to begin... otherwise...
there's nothing smart about this...
i have tired eyes sometimes:
i succumb and have to allow myself
to no acid-bath these eyes in words...

esp. since i speak so rarely -
imagine... in england and i spear
the bare minimum of english -
i can: i have to: i will - when being prompted -
but i can't remember the last time
i had an honest: informal exchange
of letters... lapped up by the glutton
tongue... i looked and looked
and with my silence i can attest:
there's a speech-impediment -
a stutter that's not born from nervousness...
but... an allusion to a "stoic" through
my lack of conversation...

at least on paper i can exfoliate -
enough cider and enoug whiskey and i'm all
sparrow McDermott!
ugh... the devolved scots and the likewise
welsh... devolved nations...
only this aspect of Brexit is... well...
imagine the "evolved" status of post-Yugoslavia...
Kosovo...
this is the only aspect of an otherwise:
fair enough that's... well...
if you lived for 3 years among the scots...
you'd get to appreciate them...
this is the only aspect of this whole affair
i will ever appreciate...
i would pour blood and **** into
the Welsh continuing their...
preservation of the iaith...
forever and the more - i would love to see
scotland start to dig trenches and
forget trainspotting gaelic -
parading like ponces and humpty dumpteys
with "harkccents"... glasgewian bull-runnings...
cousins aye and wee -

a thing of beauty: a thing of union...
but this... they were bullied in brussels...
they came back and started to bully the scots...
if you have lived -
the betas of cardiff - but they tongue: remains!
look far back and wales would encompass
cornwall -
ignorant i of a 26 year "servitude" on these isles...
quiz me on outside of London:
no point...
perhaps i too would wish for the lost
theta in Dublin - towing: to t'ink...
as any sanskrit H-surd does matter...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

but if i will replace... the side tiers of numbers...
the numbers in the puzzle will have to become
letters - greek... probably iota, epsilon and upper-case
gamma...

the bullied have returned from the palance
of the chocalatiers and: back to their old ways
of bullying the rest of these island folk...
because: it's infantile for me imagine
a resurrection of the crown (poland)
and the grand duchy of lithuania -
the commonwealth -
but somehow the united kingdom is not
fated to become the next yugoslavia -

i can confirm - up in edinburgh i was
confirmed by having the hat of Knox having
scalped me -
never is always metaphor: vaguely -
as in literally - in these quasi-paragraphs...
so it's not... infantile to even "think" that
the british empire can be revived?
zee window-licker spezials of
cross-breed h'americana postcards sent?
i nibble to attempt a joke...

oh i can bulldozer this whole narrative...
turn into a berserker -
i've saved enough money to deal
with the label loser...
all it will take is me having drunk enough -
sightseeing the slums of london's east end
and then hitting the brothel:
like an iron-head... to the pillow
and the ***** of a *******...

because i have had worse friday nights...
terrible company...
if i were not a michel de montaigne or a knausgård:
me me me, me me, me me me me,
write enough of that and:
to meme to grafitti... or to...
why are there no diacritical markers in
the english language worthy of recognition?
why would i...
rhoi fy **** y Cymraeg enw?
give my beard a welsh name?
and why is that not a cedilla C but a ******* K?
why not... Çumraeg?

on foreign shores i have made it adamant that...
this sense of foreigness does not
peppermint my presence with hopes to:
add to - an integration -
just borrow what the local have made: left-overs...
and work with that...

(insert snigger) - the neu-vikings of
northumberland...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

this really does have a linear narrative...
here goes...
3(c1), 9(c3), 1(c1), 2(c3), 2(c1), 2(a1), 9(a3), 8(c3),
4(c3), 8(c2), 8(a2), 5(b2), 7(c2), 3(b2), 3(b3), 8(b3),
7(c1), 5(c1), 7(b3), 5(c3), 1(c3), 6(c3), 1(c2), 3(c2),
9(c2), 9(b2), 6(b1), 6(b2), 6(b3), 2(b3), 2(b2), 1(b2),
1(b1), 9(b1), 9(a1), 8(b1), 8(a1), 5(b1), 7(b1), 7(a1)...

and then a "gamble" in the narrative...
the (7a2 and the 5a2 - interchange)....
it's a pleasure - not a chore -
5  9  4
2  8  7
3  6  1
8  1  9
6  4  3
7  5  2 - this line... what if it was 5  7  2?
1  2  5
4  7  6
9  3  8
if i want to solve this puzzle - i will solve it
and not read a tabloid article /
whatever the hell has become of youtube...
my diamond jukebox...

otherwise the "narrative" continued from
7a2 and the 5a2 interchange:
7(3a), 4(a3), 4(a2), 6(a1), 4(a1), 5(a1), 5(a3),
1(a3), 1(a1), 3(a1), 3(a2), 6(a2)... end result?

           a             b             c
      5   9   4   6   8   1   2   3   7  
1)   2   8   7   3   5   9   6   1   4
      3   6   1   2   7   4   5   8   9
      8   1   9   5   4   3   7   6   2
2)   6   4   3   7   1   2   9   5   8
      7   5   2   9   6   8   3   4   1
      1   2   5   8   3   7   4   9   6
3)   4   7   6   1   9   5   8   2   3
      9   3   8   4   2   6   1   7   5

because i can imagine this not being:
the most difficult Finnish sudoku...
i can almost imagine this puzzle
to be in greek...
where: 1ι, 2ζ, 3ε, 4χ, 5Σ, 6δ, 7Γ, 8β, 9ρ...

in the background all i hear is:
corvus corax' la i mbealtaine...
the greek version of the japanese puzzle...

           a             b             c
      Σ   9   χ   6   8   ι   ζ   ε   7  
1)   ζ   8   7   ε   Σ   9   6   ι   χ
      ε   6   ι   ζ   7   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   7   6   ζ
2)   6   χ   ε   7   ι   ζ   9   Σ   8
      7   Σ   ζ   9   6   8   ε   χ   ι
      ι   ζ   Σ   8   ε   7   χ   9   6
3)   χ   7   6   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   6   ι   7   Σ

half-way... i just wanted to "selfie" what
will become of this... i no longer write: i paint...

            a             b             c
      Σ   9   χ   δ   8   ι   ζ   ε   Γ  
1)   ζ   8   Γ   ε   Σ   9   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   9   Σ   8
      Γ   Σ   ζ   9   δ   8   ε   χ   ι
      ι   ζ   Σ   8   ε   Γ   χ   9   δ
3)   χ   Γ   δ   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   δ   ι   Γ   Σ

going... going... gone...

            a             b             c
      Σ   ρ   χ   δ   β   ι   ζ   ε   Γ  
1)   ζ   β   Γ   ε   Σ   ρ   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   β   ρ
      β   ι   ρ   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   ρ   Σ   β
      Γ   Σ   ζ   ρ   δ   β   ε   χ   ι
      ι   ζ   Σ   β   ε   Γ   χ   ρ   δ
3)   χ   Γ   δ   ι   ρ   Σ   β   ζ   ε
      ρ   ε   β   χ   ζ   δ   ι   Γ   Σ

i don't mind a people being right...
but the overt-gloating...
without having to work around the sort
of paranoia associated with:
how the russians are not allowed to glutton
themselves on gloating -
because they are always made
to feel suspcious - the russians can't gloat
like most of the anglo- speaking world...
always suspect: russophobia evil genuises...
tip-toeing goliaths - less the blundering
fudge-packers of "global ****"...
and i kissed a boy and i liked it...
my genitals started shrinking
and my *** started to exfoliate with:
welcome all! welcome all hard and on!
and that tongue in my mouth always helps...
but imagine my surprise when
i started to navigate my hands
but the reply came:
timbuktu and mt. kilimanjaro will not be found
attached to this sort of torso...
wrong dog, wrong tree...

some things really do require numbers...
i once had a mathematics teacher in high school
bemoan the origin of modern numbers
and how we once: upon a time used these letters...
but did our arithmetic with visual aids
akin to the abacus... because...
you'd have to "read braille" when counting...
to differentiate the already: lettered numbers
and the letters being letters -
and all arithmetic functions
were "spoken of" but never depicted...
i.e. there was no VII + III = X...
there was no XV - XI = IV...
eh?! arithmetic was cat-intuitive...
not spoken of - done by either the visual
aid of fingers when haggling
in a market place -
or by the abacus aid in a bureucratic office!

i said this was the most perfect friday night...
what did i have to offer?
no clickbait title - some gems of wording
in between?
the patient reader - as ever - most rewarded -

but... oh my god... the sensation of
changing the bed sheets...
it's friday night and you're... changing your bed sheets...
and they are more crisp and clean
than any political event that the journalist leeches
are milking -
and you do it with a saving private ryan precision -
you will sleep in this bed: well into
11am of a today to come...
believe me: that you will...

- in that i am still walking among the germanic people -
if the germans will sing a: bretonisher marsch...
then the two peoples are alligned by
their sentiment for the crow as their godhead:
alles menschen totem...
what could possibly make me feel welcome?
french grammar is polish grammar...
matin de printemps - poranek wiosny -
spring morning in reverse in germanic...
how many more examples would i ever wish
to give?

there was a moment in my life where...
i realised my faults... i should have read
the Pickwick Papers... anything by C. Dickens to be sure...
instead came Stendhal, Voltaire, Balzac...
because if you said to me...
BBC radio 4... the archers...
and... thomas hardy: madding crowd?
you'd accuse me of being ignorant of:
London is a bustling cosmopolitan in-waiting
from the busy-body industrial proto-Beijing
it was of 100 years ago?    
the French had cosmopolitan intellectualism
100 years prior to the english...
100 years later and it's still not much...
is anyone about to cite me william hazlitt?!

the trouble with the english is that they hold dear
to that one old 19th century idea -
this waiting for: awaiting a revival of darwinism...
the "blatantly" obvious needs a resurgence!
because a michael faraday must most surely
be forgotten!
how many times will this already painful reality
need to be emphasised once more:
intellectually - via a darwinism?
no one stresses the copernican "upside-down"...
or what is copernican "west" up in space?
how does acknowledging the sphere
of the earth - ease you reading a flat map -
moving from point A to point B?

earlier this week - for once in my life i was
ashamed of what i wrote -
so i wrote for scribli per se: scribbles for
scribbles themselves -
the darwinian germanic folk who say:
alles von afrika...
how the hebrews debased themselves
in both aushwitz and breaking their bones
on the emoji hieroglyphs -
alles von afrika: ja... so sicher... so wahr!

ask any slavic person among the germanic
peoples...
where from? wir (ar) sind lesen und schreiben
"afrika": i.e. Indu...
if the african challenged the hebrews
with... "the best they had": egyptian emojis...
why would i not stress my birth
with pseudo cedilla Ş / इ... ☦ -
this indo-european is not... at home with
these african-germanoids...
pseudos and quasi -
these chocolate frenzied busy-buddies!

from the caucasian and further still from
that whittle sub-corinthian quote: continent...
somehow, "somehow" this part of this story
is read: south to north... always a grand
marker missing when the people went
east, squinted... learned skeleton existence,
atoms... and the frenzy of letters:
owls and ******* **** flinging beetles
back in the north eastern tip of
africa: in that egyptian haemorrhage of "idea"...

i assure myself... perhaps the form came from
africa... but sure as **** the tongue only arrived
in the lap of the Dalai Lama...
as did the "thinking" and the music
across prior to the Mongol's curiosity
over the tundra of Siberia...
something had to be placed on a loan...
and coming back to the cradle and the crux
had to happen like so...
not this current: ergo: so...
quickened and: what news from Damascus?!

first impressions count...
i made my bed... it's newly washed...
as crisp as falling onto a bed a prawn crackers...
without the crumbs' itch...
like listening to some german:
juggernaut... this will do... i can fall asleep
with this: grab hören zu der winderhall...
mehr flöte - weniger violinekratzen!
schlechtdeutsche? alle deutsche ist gut deutsche...
erwarten etwas isländisch zu sein
gesprochen insel von insel: auf diese inseln?!

to make a crisp bed of freshly washed sheets...
to sleep in them alone...
given the grammar is not that far removed...
are the french even remotely translated
as a germanic "sort of" people?
"they" or "we" share the same grammar...
and there are celtic freedoms that would
never be allowed to exfoliate under
strict anglo-ßaß obligations...

oh sure! great people! steam engine: choo-choo!
newton et al...
shakespeare: when they taught us shakespeare
they should have taught us bernard shaw...
when they forced jane eyre down our throats
we should have been reading
the pickwick papers...
the music will remain german -
because as much as vaughan williams...
holst and händel were "were" english...
esp. latter with his umlaut that spread over
toward i-and-j...

why wouldn't you **** at the pillar of the empire:
a past most assured - dust, books and moths...
like hell will i come to correct my ways
to state the: pish-poor Elgar... this poo'em too...
himmel... sky...
leerenhimmel - empty sky -
nein sonne während der tag:
das englischnebel: bedeckthimmel...
nein mond während der nacht...
nur so...

i of the lesser men of this world duly bow
my presence before the altar of the higher men
of these isles...
and hope and pray that their wisdom
will not bestow upon them any major calamity...
with not irony or ridicule i wish upon
these peoples... the right sort of oars
to turn this rooted island
into the people's imagined langboot...

there are only one british people a people
who will pursue to gloat having been
conquered by the romans...
being raided by the vikings...
integrating the anglo-ßaß...
a second viking coming via the Normans...
the push-over remains of the celts...
that somehow translated itself into
the: empire...
ideal: to compensate...
the islamic fervor for the... resurrected
caliphate...
jokes about the dritte ***** and the vierte *****...
that's pretty much the precursor jokes
surrounding: ein zweite ***** -
auf welche die sonne nimmer setzt -
ever wonder how that translates with the increased
cases of insomnia?!

again: bad german is better than
no german.
James M Vines Nov 2015
All distinction is gone, and we are doomed. No representation exist, it will be over soon. Clones of each party reflects the other. Nothing is  new under the sun. Once a clear distinction existed between two factions, now they both grumble and tell lies. All are awash in money while the unwashed masses starve. No help can be found in the seat of power, the chair is one size to fit the posterior of whoever happens to sit in it at the time. Rhetoric abounds but says little as dysfunctional bureaucrats shuffle endless reams of paper from one box to the next in a pretense of accomplishment that would fool even the wisest of the Greeks. At last the utopia is in sight. All persons have one point of view whether they like it or not. Society is reduced to numbers of the haves and the have not's with the former being less than the latter but of a greater status. Reaping all of the harvest and leaving little for the unwashed masses, as they close ranks in androgynous politics that mirror the same thing.
irinia Mar 2023
so long  so painful this journey
to surrender myself anew like a bud full of tension
recognize you, reinvent the rituals of sensing
I weep in front of the threshold of spring  
between eros and thanatos an excessive tenderness
I am well prepaired for the erosion of time in my hair
poetry and reality facing each other in my hands
I do not hope do not despair do not wait for grapes to wonder
it's just the taste of it,  the feel of it, this quality of the infinite
that makes me look at you with androgynous complicity
Trevor Gates May 2013
Adamant, nocturnal dalliance
Egregious, insidious, velvet ambiance

An unyielding, dark but brief love affair
The flagrant, seductive and comely au pair

The Eclectic, unmatched, Androgynous Circus
Red devils, black sheep and felines in service

Contortionists, gypsies, and malevolent magicians
All twisting to a dance played by faceless musicians

A night in Tunisia or a place above the Siene
Where else but all in the shadows of dreams?

Enchanted, redolent wonder of festive illumination    
Her eyes absorbed, glimmering in the lush captivation

Enveloping, engulfing silk around our bodies
Days, nights measured by tragic commodities

Arpeggios, rippling across glistening string inventions
Bowing cellos; cellists bowing with audience permission

Masks, costumes, carnivals and the golden mirror
Cerulean dripping limbs that slither while near her

The alabaster piano played by a three-armed puppet
The statues turn and welcome us for a crumpet

Maria Callus sings Ave Maria backwards then stops
The statues and demons laugh while playing with props

“This requiem for the living, begins with a kiss”
The statues said in a tone of voice I could not resist.

“Our overture shall be a ******, a nail in the coffin; a death.
All while you swallow the nectar on your lover’s last breath.”


Needles protruded my head
And I watched as my love was torn
Limb from limb
While the jackals and ballroom guests
Fornicated on the spilled blood and guts
I cried and they cheered as the lights dimmed
For All I could see was the sight of them leave
Into the darkness.
But the noises were as loud as ever as hands
And digits groped my body.
Moaning voices and rhythmic thrusting
And tongues in my ear
And teeth gnawing on my neck
Pain felt, endured, experienced
Then
I was released into the middle of the scarlet draped room
When the phlegm of ****** fluids whipped into a dried crust

A sharp edge stabbed me in the back of the neck
Running along my back, through my spine, down my skin and ending in my ******.
Mechanical hands ripped apart my skin  
I slid out of my flesh like a serpentine ******.
I stood there
shaking from the excruciating, unfathomable pain
the grid and design of my muscular system bare and seen.  

From the pieces of my departed lover,
the master with the many mechanical hands
slathered the slips
and sleeves of her skin onto my own.

Needles and thread went to work.
The puppet master sewed.
The healing plasma
the drying blood
the encapsulating tears lubricated my whole

Once he was finished, I was dunked into a pool of clear gelatin.

For hours I soaked and became whole again.
Then I rose and I was dressed
the finest garments, from across the globe.
I sat once again at the table where the statues invited me.
The musicians, the magicians, the demons, gypsies, masks and serpents
Watched and gleamed
while I sipped my tea

I out spread my fingers.

Layers of skin and stitches

No more hair.
No more nails.
Not just a regular face
but one all shall remember.

I was born as one

Then made from many

In the imminence of zealous devils in my wake
Of the attrition I have forsake

Now as the curtain rose and the spider-silk strings hoisted me up on stage
The master showcased my story to all whoever wished to engage

“Adamant, nocturnal dalliance
Egregious, insidious, velvet ambiance

An unyielding, dark but brief love affair
The flagrant, seductive and comely au pair

The Eclectic, unmatched, Androgynous Circus
Red devils, black sheep and felines in service

I am Vincent Andromeda
Your Strangelove phenomena.”
Lucy Tonic Nov 2012
The universe embraces
As the world spits you out
The earth it braces
As society knits you out

“Please bleed for me,”
We know you have a disease”
Shouts the eyes of twelve cobras
Leaning in their courtroom seats

Volcanic
Androgynous
Raunchy
Delicate
Torment
Ecstasy
Free
Nameless Mar 2015
Hard to swallow:

When they see you,
stretched languidly across the page,
frivolous in your expenditure of letters,
This is what you are to them.

Long and polysyllabic,
a frustrating combination of strange, small word-parts
And that Y (such an indecisive letter!):
flung in there so gracelessly.

You are repulsive to them;
You have broken their rhythm
of short, blocky words that trip off the tongue
with your sudden and awkward out-of-place-ness.

You are abhorrent to them;
You have blurred their strict margins
of male and female roles,
of pants and skirts,
with your little blip of existence,
mucking about in the wrong side of the clothes store.

You are an anomaly, a mistake, a mystery to them;
You are a *** to be located
A term to be defined
A word to be pronounced
A gender to be assigned

But I like you.

I like how your letters sprawl,
confident and self-sure.

I like how your attire causes others to gawk
and reorder their worlds.

I like how your legs look in that tux,
your eyes in that dress.

How the long swoops of your g and your y
echo the way the ends of your undone tie drape from your collar:

Elegantly.
M.
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Callum McKean Nov 2014
In a last ditch effort, I
Spread myself thin,  mistakenly
Dreaming up elephant scenarios.
Are you for real?
Because I think you just wished
Yourself into existence
Like a wooden puppet
With an existential nose.
Delightfully androgynous hobos
Light my days up
But I have no extra cash!
I am going to the races today
And I must bet on the winning horse.
eli Feb 2015
Envy is not green but
something perhaps a little more sickening to me
than chartreuse and a spoiled ego.
Envy is when i see boys walking by,
looking down at myself again, i see my curves
and i hate them.

i don’t want them.
i want to look like the boys.

Envy is seeing other girls more androgynous
than i;
girls with broader shoulders
and with more angular faces.

why can’t I look like that?

i hear voices deeper than mine:
tenor, baritone—
and I shred my throat
day-by-day,
trying to come close to the pitch.

Envy is the aches in my body when changing
my posture from legs to shoulders;
from changing my stride
and preventing my hips from swaying.
i want to look like them.

seeing these people makes my insides feel
like they’re being twisted with a red-hot fork;
and it hurts, oh God, it hurts.
it hurts to know i will never look
like how i see myself.
another assignment from my poetry class. we were given a word or an object and had to write a poem about it. i chose to write about my gender identity and the envy i feel for those more masculine, or more androgynous, than i am. this poem ended up being really gender-binary heavy and i'm not a fan of that... there is more than male or female, but i'm just not sure how else to phrase some of this. any feedback is, of course, welcome.
Cali Nov 2012
I wish that I
could fall in love
with a female,
for she would make
a far better muse than
the gruff sailors and musicians
and drunks and men
in general that I am
inclined to crave.

to write about
a painted pout or
skin that brushes against
your own like nylon,
sunlight shining through
the window onto a Cupid's bow
and dancing down to
a delicate clavicle, or
black eyelashes that bat
and blink remorse
into your cavernous heart,
to muse over such aesthetic
delights, would be
ecstasy for my poetess heart.

I linger, staring, at beautiful
women, androgynous women,
delicate, feline women,
stringing words
together in my head
over long legs and
hair that flutters like silk,
and they think I'm crazy
or in love with them.
well, maybe I am crazy,
but I crawl into bed each night
with my snarling, gleaming,
mahogany gentleman,
and I love him madly,
my rugged muse.
s s f w s Nov 2017
F
M
Agender
Androgyne
Androgynous
Bigender
Cis
Cisgender
Cisgende­r female
Cisgender male
FTM
Gender fluid
Gender non-confirming
Gender questioning
Gender variant
Gender queer
Intersex
MTF
Neither
Neurosis
Non binary
Other
Pan gender
Trans
Trans
Trans female
Trans
female
Trans male
Trans* male
Trans feminine
Trans musculine
Transgender
Transgender female
Transgender male
Transgender musculine
Transgender feminine
*******
******* female
******* male
Two spirit
And
"Turquoise green tertiary spirited Eskimo"
Tik Tok dolls
Carly Salzberg Apr 2011
We are manufactured landscapes,
constructed through naming nouns –
we celebrate difference.
We are compelled into being one or the other,
like a nail or a hammer.

We reference nature through motherhood,
voluptuous in her national pride narrative,
her lips red pucker supple metaphors like her fertile ground,
her belly always pregnant
ready to plant desire in discourse.

We forget her industrial miscarriages,
her toxic tar-sulfur consumption,
her global half-bred garbage in words left unsaid,
her ***** laundry in patriarchal hands.

We forget her midwives,
her toiling underpaid workers
who support generations of waste
who spit up truth in plastic mouthfuls,
who regurgitate material narratives
to celebrate flesh in mythic wholeness.

When will the nation, earth and world step from its subject of motherly pedestal and name its androgynous existence, its forgotten lifelines?
judy smith May 2015
The Annual POCU Fashion Show held by the campus organization “People of Color United,” was held in the Student Activities Center on Saturday, April 18. The fashion show is the final activity of the year held by POCU. Junior Martell Prayear and senior Miranda Jackson were the show’s hosts and announcers.

The fashion show is a competition where various designers, or teams of designers, are required to create outfits that adhere to a general theme, but also incorporate the designer’s unique, personal concepts. This year, the general theme for the fashion show was: Thrift Shop. Each designer, or group of designers, was required to utilize clothes purchased from the local Goodwill and maintain a $50 budget. Preparations for the event, Jackson said, were very short. “I was really surprised how well it turned out, because we started practicing for the show at four o’clock that day,” Jackson said. “They typically start practicing way a head of time.” Despite the delayed preparation, the fashion show was an overall success. The first designer to present at the fashion show was Victoria Webster.

Webster’s fashion line was inspired by professional work attire. “I think it can be hard transitioning college wear into professional wear, on a budget,” Webster said of her outfits. Webster was able to find three models to wear the clothes, which she said was a combination of the model’s personal items, as well as those purchased through Goodwill. The second fashion line presented at the fashion show was designed by Iyana Lynch. For her personal theme, Lynch designed outfits that were inspired by the different seasons. The third designer to present that evening was Alyssa Nieset. Inspired by 90’s menswear, Nieset designed a line of androgynous outfits. The final clothing line presented was a team effort from: Jeanita Blue and Angel Powell.

Their theme was considered “90’s Reloaded,” and featured various throwbacks to 1990’s pop culture such as TLC and The Spice Girls. Blue said that most of the outfits in their fashion line were inspired by “eco-friendly fashion,” and were intended to decrease hesitation toward shopping at thrift stores. While the judges finalized the scores for each designer or team, the Urban Dance Association entertained the crowd with a quick performance. The judge’s scores resulted in a tie between Jeanita Blue & Angel Powell, and Iyana Lynch. Despite the general tie, Blue and Powell were awarded first place, while Lynch was granted second place. There was an off-campus reception held in Cleveland after the event. Read more here:www.marieaustralia.com/purple-formal-dresses | www.marieaustralia.com/green-formal-dresses
Prowling,
like a wolf
on the periphery of the unknown
betwixt knowledge and dread
I saw the dark truth
I felt the gulf
the waste
the expanse
the difference in power
the taste of defeat
the vice grip of the inevitable
the long, slow bleed of my dignity
flowing out
with the gold of my entrails
eviscerated by my pride
how I dared to topple the monolithic,
undeniable truth
that there is always
a better you
a better me
a better us, out there
stronger
bigger
faster
smarter
more hung
more fashionable
more handsome, more beautiful, more androgynous
more capable
more accomplished
more patient
more... loving
more empathetic
they know more random facts
they've been more places
they've known more people
they've seen more sunrises
they've counted every moon
their worst is better than your best day
he cares for her more deeply than you did
she loves that
she's forgotten you
he tells her what he never told you
and she loves him for that
you were always afraid to find out
they never invite you because you're not fun
what a downer
what a bore
there's always that one person
upon whom your envy is never sated
they lope in moonlight
flowing locks of grace
teeth bared in a frightful grin
they know all your cards
they can play you like a fiddle
they're out there
where you fear to go
the apex predator
the person you'll never be
but dream you could
and dreams are all you'll have...
I'm a competitive person, by nature.

And this poem came to me as I realized, one night while gaming, that I'd never be the best at anything. I felt a sense of futility about any pride I've ever managed to feel concerning an accomplishment of mine.

I watched myself, small, in a sort of third-person view, question why it was I have ever striven for anything, when I continually run into my betters.

It was a scary realization. But, I believe, it's ever more scary when you have no powerful allies in the world, or when, even your allies fear the world at large, and you're all united in fear. It's a condition that humility fails to pacify.

A deep dread. A paralysis of hope.

Enjoy!

DEW
judy smith Oct 2015
She's been enjoying her time while living and working in London.

And Nicole Kidman was clearly thrilled to be one of the star guests at The 60th Women Of The Year Luncheon & Awards in the British capital on Monday afternoon.

The 48-year-old actress - who is currently starring in West End play Photograph 51 - cut a beautiful figure in a multi-tonal lace dress as she arrived at the prestigious event, held at the InterContinental London Park Lane.

The willowy beauty covered her slim figure in the mid-length dress, made up of several different lace panels in pale lilac, purple, yellow, black and white.

Cinching in at her slender waistline, the dress billowed out into a full A-line skirt, and also included long sleeves.

A Victoriana-style high-necked black lace section finished off the gorgeous garment, giving her a serene, ladylike air.

The Australia actress teamed the eye-catching dress with a pair of strappy black heels with pointed toes, and a tiny black box clutch.

Her pale red locks were swept back into a chic updo, her mid-length fringe framing her face.

The actress' bright blue eyes were highlighted with just a touch of mascara, and her beauty look was pulled together with a pretty pink shade on her lips.

Nicole was one of many star guests at the annual central London event, held to honour amazing women across all industries.

The famous event, which paid special tributes to six remarkable women from all fields, saw plenty of other star guests in attendance, with 400 in total at the luncheon.

After rising to fame as the winner of this year's The Great British Bake Off, Nadiya Hussain was one of the star attendees at the highly-significant ceremony.

The talented baker and busy mum, 30, rocked a simple and chic ensemble of slim-fitting black trousers and a crisp blue blazer, and bright turquoise heels.

Another familiar face was singer/songwriter Katie Melua, who opted for a cool androgynous ensemble.

The Call Off The Search hitmaker showed off her lovely long legs in a pair of black leather trousers, teamed with a sheer white blouse, a blazer and a cute black ribbon ******* around the collar.

Writer-comedian-actress Meera Syal rocked a typically unconventional ensemble as she arrived, cutting a striking figure in a bold patterned shirt dress with a lovely long black scarf and a jacket thrown over the top.

Princess Diana's glamorous niece Lady Kitty Spencer channelled a power-dressing 1980s vibe in a standout black shirt dress with bright, colourful buttons donw the front.

The pretty blonde finished her luncheon look with a chunky white clutch bag and perspex heels.

Choreographer and former Strictly Come Dancing star Arlene Phillips was a chic addition to the guest list in a figure-hugging red dress, and TV presenter and journalist Julie Etchingham wowed in an understated taupe dress with an origami-folded skirt and matching cropped jacket.

Also in attendance were the likes of Dame Esther Rantzen, TV's Lorraine Kelly - who was glorious in a gold lace frock - Maureen Lipman, Mary Nightingale, Jo Brand and

The Women of the Year winners were whittled down and chosen by a panel of notable, accomplished women: Sandi Toksvig CBE, Sue MacGregor CBE, Dame Tessa Jowell MP, Baroness Doreen Lawrence OBE, Jane Luca, Ronke Phillips, Eve Pollard OBE, Lisa Markwell, Gill Carrick and Sue Walton.

And viewers of popular morning programme, ITV's Lorraine, were also able to vote for their Inspirational Woman of the Year via a phone poll.

Sandi, President of the Women of the Year Awards, said: 'Women of the Year has celebrated the wonderful achievements of women since 1955.

read more:www.marieaustralia.com/mermaid-trumpet-formal-dresses

www.marieaustralia.com/formal-dresses-perth
RW Dennen Sep 2014
Fashionable entourage
people dance in step
to the beat of hidden
native rituals
Hidden here and there
seeing a pair clad up to the hilt
with colored shades
cool as mountain glades
that never
shakes or simmers
on fire
a real deep desirous searching soul

Rapping about nothing
even though
face to face
words bounce off expressions
as cool as mountain glades
that soon melt-fade
into the distance

Rap, tap, clap
never nap
the cannibus-filled room
embellished by flashing lights
on nights
that take spatial flights
into another world that enters upon
lounging everywhere
people lost in space,
in time,
in androgynous acts

In vogue, you speak to me
about fashions
that dazzle, frazzel, razzle,
and lip curl
and eye twinkle
me to you,
in real
but unreal
cannibus-sweet-dusky-dreamy-rooms
MTV blotched, bleached
Sergio Valente dungarees,
then a real feeling child cries
in the background
and is soon hustled off to bed
And never a hurt we laugh
and smile
   and smile
A frozen smile grin;
take it on the chin sport
Keep up the good front
Keep up the grinning fort sport
A sported fort fortified Disneyland
and life's forever
carousel ride
and sweep the dirt under the carpet

A speak about profits
And speak about"ME" yuppie things;
about golden rings
that wrap around ears, around wrists, and cattle noses

Seek time entwined
to search geometrically
the advertisements
that lead you
and nobody but you to you
A love ballad between
one and no one but you
You and you
        and you
         and you
Being good you
                     you being good to you,
Being good to nar-sa-see-you
                                            you being good to only you,
to yoou
     to yoou
                    to yoooooooooou
A typical narcissistic tendency,
the dialogue between one
Brandon Sep 2011
An entire lifetime remembered
In a solitary fragment of blood
Supernovas explode in the blackness of our eyes
I can see your androgynous ****** form
Sitting in wicker chairs
Juggling martinis and cigarettes
Dressed in Homecoming White
With a penchant for persecution
We’re choking on chlorine
And leisurely drowning in anonymity
Still the daydreams of my consequences linger on
Mateuš Conrad Jun 2016
symbols, some just say zodiac, with Gemini at my lowest ebb - ebb, funny word, unravelling nouns from the cauldron of onomatopoeias, say knock on wood precipitated into a privacy of owning a door - whereas the Irish and the Poles encoded dialogue (like in Ulysses) with hyphen for snappy convo; in a pub, Charlie and Harry spoke:
- pint's on me.
- aye, on you the one and no more.
- why not more on me?
- i won the lottery, i'm goonah buy half of Cork.
- so who's this Yorrick fella'h?
- apparently a resurrected maxim.
- travesty...
- indee- doodley oh.
which beckons the question why the un-imaginative encoding of sounds gave English narrators too much power... the supposed ditto / invert comma wasn't expression of approx., nuanced, why wasn't the interpretation that of nuance? we can all use the unit Sartre chose to nuance, instead of "ego" the ref. point of conduct ~ego, i.e. approximately me, living with my mother but nonetheless womanising... unimaginative narrator, speeding, never gave his characters a chance, "i went to the market today", he said; that's the narrator masquerading - call this a dubbing mechanism? i would... like i'd hope for the centimetres and miles and nanometres of pause differentiating a comma from a hyphen, a hyphen from a colon, a colon from a semi-colon... and a semi-colon from a fullstop (exampled a germanic word with missing hyphen not authorised by the Oxbridge dictionary of couture, disassembling a navy sweater and toad-green jeans)... i mean, **** me, give me the precision tactics to read without invoking an αsθmαtιc imitation of a sailor's last breath; are those dots above i and j really necessary? it just rained down y y y y y y y y y y on top of them, enzyme activity? yep, ιoτα; otherwise just inert *******; and no, it's not a language these days, English has been reduced to pixel graffiti.

well... mandrakes and sparrows
aren't exactly androgynous...
maybe a mascara advert went missing
along the way... maybe.
here the piano... here the broken
fingers of Liszt... you poker me,
it's worth the gamble...
well ontologically *sprechen
what
the hell is a natural appropriation
of waiting for water to boil,
or an egg to be poached in shell
for a runny yoke? me neither,
i'm as dumb as a doughnut concerning
such affairs... i said there's no androgynous
behavioural patterns in sparrow and mandrakes,
you choose you adaptability whenever you
choose to stress a chequered flag...
parasitically i'll march with telescope
ants and flies of what alienation did
to the food-chain - yeah, aliens with an
enlargement syndrome -
bathtub of hydrochloric acid -
i just imagine the newly beloved painting
unseen, a squid cleaving fat and muscles
off a skeleton in the same light
as seeing a ******* - artist or pervert?
i guess both go hand-in-hand;
the hyphen, equal parallel usage with the inverted
coma / well... it used to be known as a ditto
                                                           ­            "
                                                               ­        "
                                                               ­        "
but mind you, before Oxford accepts a german
sounding word compound it requires a hyphen
in english - pistachio shells and shrapnel -
yep, as the above - unravelling of fictive tactics
of the bothersome nature for the narrator not only
loßing the plot but also the characters;
hey, english is perfect, i can apply whatever stresses
of φoνo i want... it's stark naked Adam & Eve...
i can put a ballerina's leotard on this encoding,
and no one will truly mind.
Nikki No Love Jul 2018
Depression is masculine,
Happiness is feminine,
Anger is androgynous,
Fear is anonymous.

To see ones self is to hate even more,
To think of one's self is to think of what's in store
Oh, how the body is false,
The mind is a prison made of faults.
Stuck inside as I walk the line,
Forced inside to where the sun never shines.
This is about me and what's in my head. It's pretty short
Orion Rosemary Dec 2018
They imagined Him again
And again
And again

They tried to replace Him with Her
But They couldn’t
He just kept coming back

They Never took interest in Dolls
Or Castles
Or princes and Princesses

They played King of the hill
with the Guys
Pretended that They were a Knight

They felt and looked awkward in Dresses, the Feminine makeup
Or Long hair

They wore button ups tucked into black, Combing Back hair
And tightening a Necktie

They would cringe at the sound of Their voice,
Their laugh

And hope that They could slip by as Their self
Despite it all

They had denied
Denied
Denied

Just androgynous
Repeatedly
They lied

They lied
They lied
They lied

Make Him go away

Make Her go away

What were They supposed to tell Their loved ones
Though, perhaps They aren’t the only one.
Carl Miller Jan 2019
She would rather a two-night stand with some ***** creature
Androgynous, hopeless, fruitless, born with a womb
Wrapped in skin, she closes up and accepts the night's seed
A starry sky knocks her up, an ****** feature

Innocence makes it's escape from the jaws of the sun
Beauty, grace, fertility, unto her a child cries out
It's father to be, crying stars to fill the pond
The sun opens it mouth, it is done

That familiar night falls yet again, covering him in ink
No longer bearing children, he floats off into the night
The children have ventured out, lonely and afraid
The sun bites once more, black to blue, white to pink
I wrote this after doing some research on a plant for a Biology course I was taking. The life cycle of a water lily is a beautiful one. And though I believe that poems about this plant have already been written and adored by many, I did want to put My own spin on it. So I hope You enjoy. God bless

-Carl
Mateuš Conrad Jul 2016
variation in what's dyslexic in English:          roy-     (+)     -al - like Al Pacino - or? roy-       (+)        -all - a different slug for a tongue caged behind the 32; alternatively say: casino royal - two pronunciations of the same word, and no distinctive two-lane stresses added to say them intentionally with variance - basically one variation is missing an acute a (á) - alter to acute: dentistry's alphabet - say A - you end up adding an invisible hark of prolonging a sound from ~aye into ahhhh; the tetragrammaton is more than a noun, the Hebrews didn't see it coming, the two H variations are involved in how diacritical marks are asserted and used - i too thought it was something to do with déjà vu  - but it turns out it isn't that simple - how diacritical marks are asserted and used, or upon second suggestion: how they're not used, and what complications arise from omitting them.

for someone as concerned with people's ****** lives
as *richard von krafft-ebing
was,
with his mangum opous: psychopatia sexualis -
i'm surprised he didn't throw a *** party -
stage an **** - richard brautigan apparently read
this Victorian - may i say trash? -  compendium
and giggles with friends; modernity has no stamina
for the seemingly idyllic *** lives of bowler hat
gentlemen - a sample from psychopatia sexualis:
homosexual feeling as an acquired manifestation
of box sexes (the androgynous stipend to exercise
all mouth **** and ****) - however you like it,
quote: almost every self-****** individual (originally
masturbator) at last reaches a point where, frightened
on learning the the results of the vice, or on
experiencing them (νευρασθενια), or leg by example
or seduction to the opposite ***, he wishes to free himself
of the vice and re-instate his ****** life.
you could say that, unless of course you're put off
when a girl reads you a questionnaire from the cosmopolitan
magazine, and you've seen too many Jame Bond movies,
or heard stories - or how you figured: well,
totalitarian governments aided heterosexual marriages,
championed them with the standard myths,
democracy doesn't really do that... democracy likes
the odd fetish... hence with the aid of science the fetish
marriages - surrogate prostitutes aplenty -
that's not ONE HOUR AT £120 A POP... THIS IS NINE MONTHS!
someone once lived and said: Jews and homosexuals run
the show - i think it might have been a Bukowski citation -
yeah, but who's the audience and not the puppets?
the politically, what's the word? ah, uncomfortable -
there's a strategic unit in medicine that's not the MI5
or the MI6 that deals with them under the alias P.S. -
not post-scriptum, but paranoid schizophrenic -
formerly known as premature dementia -
to me creative, to others worth sedating - meaning:
why would i write about western society in defence or
in apologetic language like C. S. Lewis and his love
affair with Christianity when i'm pretty sure i'm not
writing about utopia? why? oddly enough niece is also
said likewise for Nice - or 'aw, how nice.'
staged on the promenade des anglais - is this a clue?
anyone in touch with the security forces?
could be a pattern clue - now there are two fronts to be
worried about, the achoo right - boy, what a sneeze,
and the already involved actors -
mind boggling, how, ever, could, it, have, happened?
and i swear language was intended to be flexible,
like a gymnast - flex flex flex - which is strange that
the unimaginative always attack from their rat cages
bewildered at seeing a way out of a maze and then blocking
it (e.g. Ezra Pound, mm, the prime fascist of them all) -
it's called censorship, but in the west it's hardly a Stalinist
plot (believe, it's not utopia, i don't understand this
collective delusion that it is - somehow - and indeed,
somehow it isn't - it's called a superiority complex -
the same happened in Iraq - coverage almost zero -
subterfuge requests all over the media - now i have to live
as ethnically placed in close alignment with the people
that regurgitate all this hype - i have absolutely no reason
not to fake a clownish tear and whatnot -
it just is. so yeah, why didn't rich von krafft-ebing throw
an ****? a swingers' ball to cure all the pathology noted?
even now, or *** lives are hardly concerning -
why poets **** over the book of genesis
and leave the other books to themselves - reducing
the book of exodus into only one pair leaving -
it becomes harder and harder to relate to these books
and the people that venerate them after reading Don Quixote -
it really does - it's almost like talking to an illiterate literate
person - as agonising as it is to say it, it's exactly that.
i wonder if anyone bothered including the prefix in-
to all the scientific words in the dictionary - denoted:
in-pathology, in-sanity etc. - i.e. the first person accounts -
i do it because i would hate to go back to the gym
and complications of talking over a sunday roast -
my life in a nutshell? my laptop was so ***** that i decided to
clean it today - anti-bacterial wipes and dried with kitchen towels -
i thought the mouse of the laptop was broken,
ages ago i bought a mini-mouse with a USB port -
after cleaning the laptop, to my disbelief, the laptop mouse
started working (you know, that little touch-patch of plastic
towing two clicks) - that's life, uncomplicated -
a marvel to behold such daily problems - bound by choice
we choose what is to worry us - the next
chapter in my adventure with Kant?
the critique of all theology pouring out from the
speculative principles of the mind -
so for i've passed the ontological, the cosmological
and the theologically-physical impossibilities for the
existence of an absolutely necessary being - even if atheists,
we're all chipping in - basis? presupposition of such
a being and argued counter (cf. Satanic rebellion) -
not the agnostic quasi-supposition (basically speculative
tact) - at 274 (page no.) ending at 442 (page no.) -
oh i'll finish it - transcendental methodology should
be interesting - it's just a question of how much distraction
becomes fused with blank pixel pages and my irritability
as to how or why poetry ought to be stripped from
banal / predictable technique - rhyme is definitely go,
listen to BBC Radio 1 at any time and you can just hear
rhyme ****** - well, if painting could be stripped down
further than cubism - i don't see why poetry
can't have conversational overtones to it, one of the few
unearthed secrets of modern intimacy, just sitting there,
like ducks.
People wish to be settled. Only as long as they are unsettled is there any hope for them.
-- Thoreau

My life has been
the instrument
for a mouth
I have never seen,
breathing wind
which comes
from I know not
where,
arranging and changing
my moods,
so as to make
an opening
for his voice.

Or hers.
Muse, White Goddess
mother with invisible
milk,
androgynous god
in whose grip
I struggle,
turning this way and that,
believing that I chart
my life,
my loves,
when in fact
it is she, he,
who charts them--
all for the sake
of some
as yet unwritten poem.

Twisting in the wind,
twisting like a pirate
dangling in a cage
from a high seawall,
the wind whips
through my bones
making an instrument,
my back a xylophone,
my *** a triangle
chiming,
my lips stretched tight
as drumskins,

I no longer care
who is playing me,
but fear
makes the hairs
stand up
on the backs
of my hands
when I think
that she may stop.

And yet I long
for peace
as fervently as you do--
the sweet connubial bliss
that admits no
turbulence,
the settled life
that defeats poetry,
the hearth before which
children play--
not poets' children,
ragtag, neurotic, demon-ridden,
but the apple-cheeked children
of the bourgeoisie.

My daughter dreams
of peace
as I do:
marriage, proper house,
proper husband,
nourishing dreamless
***,
love like a hot toddy,
or an apple pie.

But the muse
has other plans
for me
and you.

Puppet mistress,
dangling us
on this dark proscenium,
pulling our strings,
blowing us
toward Cornwall,
toward Venice, toward Delphi,
toward some lurching
counterpane,
a tent upheld
by one throbbing
blood-drenched pole--
her pen, her pencil,
the monolith
we worship,
underneath
the gleaming moon.
Nigdaw Jun 2019
Headlights, LED's, burning bright
Into my retinas, reflected in rear view
And side mirrors, a radiator grill just
Visible, almost the outline of a person
Behind the wheel, androgynous ghost,
Mad Max or just mad, determined
To drive to wherever, faster than
Anyone else, cocooned in black leather
Heads up display laid out across sweeping
Digital dashboard, vying to pass me;
But what of the queue plainly ahead
Stretching to far horizon, vanishing point,

Perhaps it is supernatural, absorbing traffic
Clearing the way by passing through it,
An alien craft with technology far
Advanced from our slow turning wheels
Selfishly driving alone in our home from
Home interiors, gathering subjects
For an out of this world experience
Or maybe a time machine
Like Back to the Future powered by flux
Capacitor, it will disappear and turn up
Ahead of all of us, or maybe my imagination
Has run riot and it's just another impatient
Idiot.
My love is ethereal, unknown.
Magical, but true.
Genderless and fathomless;
my one and only you.
Androgynous because
It doesn't matter what's outside.
Love lies between the spirit and the mind.
Oh may your heart be blessed to feel the waters of starlight;
or live among a quality of crows, a lonesome night.
tamia Feb 2017
here's to the glam rock messiah of outsiders and misfits,
the androgynous man of the stars with the music.

born in brixton,
he traveled the universe by spaceships and soundwaves
with wild hair and one eye dilated.
book-loving and queer,
in love with the thought of turning 50.
the world had never seen a man
living different lives at once,
but here the starman came reinventing himself:
ziggy stardust, thin white duke, aladdin sane, major tom—
all different selves tied together by his heart.

he lived his earthly mission, rightfully so
that even the gravity of the world could not keep him put.
so on and on he strummed his guitar and crawled on stage,
in spaceboots and dresses, in porcelain doll makeup,
reaching out to all the nobody and somebody people

but one day his cosmic vessel
was taken down by a secret sickness
and halted his mission here on earth,
and so the streets and little bars smelling of cigars
were flooded by the ones who mourned,
who looked up to the stars,
wondering where their starman went.
the world had never seen such an electric creature,
but here the star man came in music and dance,
saying it was alright to be weird—
to embrace strangeness
in a world where every earthling wanted to be the same.

and perhaps, he isn't really long gone:
his time here may have ended
but now he is out there, somewhere,
on some distant star,
watching over the Earth as he always has.
i miss you, david bowie.
M E Sills Nov 2011
There's a rainbow in the corner of my window
it must be saying something.
The clouds are gay! The lakes are gay!
The trees are gay! The airplane is gay!
The flight attendant is gay!
Houses hidden in the hills below look up
and wonder if I'm gay too.
The sun hiding at the edge of a cloud
tells me the ocean's gay didn't we know?
She has a fluid sexuality and loses her
temper sometimes we call it flooding.
The sky declared itself androgynous
and changes genders every twelve hours.
The sunset is proudly bisexual
and displays both pink and blue every evening
as it heads to the club and the sky switches genders.
The city of San Francisco is gay!
and the rainbow disappears.
Sam Temple Sep 2014
sickened
by media lies
legislative disguise
rotting food
attracting flies
beguiled by trite examples
limited poling
and internet trolling
expressionless selfie
apathy as fashion
androgynous culture
manly men are maligned
while supermodels ******
minds
warped youths scramble
attempting to grasp
beauty
through surgery
and consumerism
their tiny orange bodies
reflect social illness
its glare blinding
bound to the taxation system
pre-social security number
these zombie babies
march to Red Bull
FOX news
and social media *******
fluoridated and infected
they reject ideas
not rooted in technology
…mock astrology
believe in genetically altering
living organisms biology
practice unlicensed psychology
and pharmacology
all the while supporting
underground government demonology
…….. my apology
lost in this madness
I feel trapped and isolated
and the irony hits
flattening my preconceptions
“As part of, I am responsible for…”
…..darkness and pain
crash on aging shoulders
realization
and defeat
Dondaycee Jun 2018
Why do I have a name?
Why do I feel ashamed?
My skin is darker; kind of black,
I could play the “Why” game and watch the results change into an X looking back,
That’s darker; X squared is smarter than that,
Only with a Y does he search for a trinity in a period for unity, and equate to form,
Yes, I know, I’m speaking as if this information is the norm,
I’ll break it down,
Why do I have a name? I feel obligated to last,
I’m bound by blood; big tree, big three, red ***,
Why do I feel ashamed? Discombobulated because of the past,
Discombobulated,
Cause be: past,
Effect be: last, because my first name took me away from my last,
The irony in me losing my identity and stumbling across DNA so that I could explain how me having red skin was apart of the past,
They asked for my name,
I did not answer,
I do not approve,
They tried to label me: Insane,
I did not attack,
I do not ask; this is my mood,
I do not apply the perception if intuition reply; “data not available”,
That means it does not enter the conception if the logic wasn’t of relevance,
Hesitant, if the manifestations replaceable,
My skin is darker, black,
I was embarrassed to inherit this,
My skin is darker, fact,
Merit in gene pool looping with heritage,
American, as a liability,
Arrogance, it’s sensibility,
Aye Merica, cannabis keeping lies from billy,
Narrowness with the third eye, his sense ability,
Now I could ask why for anything,
And I’ll find the answers when I look back,
Now if I lived in the moment, I would have known everything , I too smart to ever think of sticking to these structures in order to scratch my back,
And if my ego is itching, it’s time for a backpack,
Curiosity; wondering why, had to backtrack,
In third period, he saw her,
Told her back that,
They became one, had a child, another tax bag,
Stability was hard, he spent money,
It didn’t come back,
He cried for God, he was hungry for help; received a PI; this is abstract,
With H in the middle, Phi transitioned circles into spirals, indeed he snapped back,
New lid, imagine looking up and seeing green; snapback,
Did you catch that, how the man’s breakthrough was philosophy,
A philanthropist using philharmonics to express the three in blackjack,
Why play games when we know the outcome?
Like working and supporting economics,
But we all know this experience is not fun,
You’re nobody if you’re not one,
Tried solitude but it’s hard to be spiritual if you’re not one,
Afraid of a breakthrough, so he pulled the trigga,
All that pain because he was just another *****,
Trying on advance shoes won’t make him no quicker,
I’ll be ****** if he lose, we gotta fill the picture,
I’ll be ****** if we lose, we gotta feel the pictures,
Express yourself, invest in health,
We gotta divert from all these written scriptures,
We gotta desert when we see the liquor,
We got a dessert when we see the mixture,
How it’s thicker than DNA, DMT, and Trinity together,
If I relocate promise me you’ll remember me forever,
I went from X and X to X and Y a linear measure,
This androgynous way of perceiving, is how we as a species all come together,
Acceptance is dark and I had a head start,
That’s archetypal for a breakthrough,
Because I’m convinced; I’ve conceived the belief that choice is what makes you,
Choice is what make you,
Choice is what made you,
Understanding choice is the breakthrough.
Scottie Green Jul 2013
The boy walking in front of me
With a slight limp on his left leg
A backwards astro hat
And dark skin underneath darker clothes
Smelled of coffee
And the humid breeze lifted axe from his neck
Backwards and up my nose

He smelled of trouble
Of seventh grade solitude
And looked as if  he walked out of my fifth grade memories

Still I thought of you

***** and dark
Dope across your tee shirt
Freckles spotting your smile that press into your dimples
Lifting the corners of my mouth

I'd like to lick cologne from your neck
Made of sweat and ****** solitude

You made none of my memories
Smelled and looked of nothing familiar
Only past daydreams

Maybe I'm just tired

I was up all night thinking of Ma
She has always smelled of Ck perfume
No matter how much money we had

She looks like all of my memories

Her short boy haircut
Her androgynous women's work suit
I remember her younger

Still loving women

Made of muscle, teaching me how to run
After soccer and before the gym

At night
She went out in slinky tank tops
Made of sparkles or silk, and sometimes both

Leaving, she'd kiss my forehead as she left me with father and my 101 Dalmatians sippy cup
I'd hug around her neck
And breathe in her Ck perfume
It was my first time
I was fifteen years old
And it was 8 inches.
Eight. Whole. Inches.
Laying motionless in my hands,
Long and lifeless as I stared excitedly, nervously
My first ...haircut
I spun around in the salon chair to see my exposed jaw, shoulders, neck
Holding in my hands a ponytail that would soon be sent to Locks of Love
My first legitimate haircut, not the simple snips my mom would attempt in the bathroom when split ends were too unbearable,
A real style
Back straight and shoulders proud,
Uncertainty left on the tiles beneath the feet of beaming confidence,
Leaving dead the sheet that covered scared eyes and shy smiles…ever since I've developed an addiction to change,
Can't leave it the same for more than two months
And the chime of the door behind me opened endless opportunities:
Brown, auburn, gold, red, blond, yellow
Black
Brown black, blue black, soft black, natural black, always back to black
Straight, curly, layered, cropped, feathered, fringed, shaved
Undercut, mohawk, faux hawk, that weird thing where I gel it to the side and kind of look like a boy...

And yeah, sometimes I get sick of the sexist comments
People telling me I've got a boy's haircut
That short hair is for men, but
So were the olympics and voting and public education and getting published,
And thriving in the workplace and wearing pants,
And god knows im not going to give up either my Levi's or my razor
I'm not going to keep worrying; man's words will stop me from doing what i love
And I've been called lesbian, boyish, butch, manly, androgynous, anti-effeminate,
But I know I don't stand alone.
So thank you, Natalie Portman, P!nk,
Rihanna, Katy Perry, Anne Hathaway,
Kaley, Megan, Erin, Kim, Skylar
I don't know all of you well,
But the risks you've taken with your hair
Are an inspiration to those who care
So short haired women,
Keep doing your thang.
EC Pollick Jun 2012
Saturday morning yoga class for moms.
We go anyways.
Tremors in our wavelength, shaky hands, unsteady heartbeats.
Off the Richter,
Ashes to rain, rainy ashes, acid burns through our umbrellas, ellas, ellas, ellas.
Writing stories about the time we danced on the bar
Another drink tonight
Just one more drag; then I quit.
Then, I need another.
Things you promise I know you can’t keep
Bejeweled picture frames and tiny figurines
Heeby jeeby vibes from the hippie couple that freaks every one out
Guitar chords, strumming of my heart
We breathe smog and fog
Shortened breaths for shortened lives
Strange noises emerge from the next room
We emulate our favorite heroes past.
She changes her name to something androgynous
Because that’s how she feels.
And doesn’t want to get a pixie cut.
She won’t shut up from the next cubicle over.
She craves the attention, the validation from her stories
That she is one of us.
Swing the scissors around again, throw them to me.
Nothing makes sense.
I ordered another beer
Even though I didn’t want another.
Indulgence. Liquid indulgence.
Hailing the Porcelain God later.
Routine.
Soft smile
Swiveled me to the ground
Things are never the way you want them to be
So move away
Go home
Keep moving
If you stand still, you’ll start to feel something
Hum hum hum
Everything is Numb numb numb
Here is where the heartache is--
“If you loved me you would…”
No I wouldn’t.
You don’t know me at all.
Riq Schwartz Jul 2014
Even with the mood lighting inside
this lethargy induced spiced chai
I find these things elusive
like good cell phone pictures of concerts
or, dare I say, a happy poet.

Despite generations of artistic indulgence
I find these things apathetic
androgynous, as it were
with indiscernible discrepancies drawing
daft conclusions from the quick-sought eye.

I too struggle to find the truth behind the lines.
I craft as though I know my medium.
I create broad sweeping arcs across
my own right side brain
but see them smudged and distorted, distended,
dripping their dynamics through the cracks in my floorboards.

Cinnamon vanilla maple ginger
shots at first class from coach
and here on my three foot throne
I squander the warmth of my ******* latte.
Karen Apr 2016
a fleeting glance
  a timeless shift
do I really know?
was it a change in the wind
  or something I have blocked in my mind,
a spreading of sexuality unknown?
The moist pressure of my petals seem to be unravelling.
  at the thoughts of a heart that needs travelling.
I am slowly opening the vast depths of my passion
  I am seeking the longing of my womanhood, an openness
towards the androgynous kind.
Who is to say what is right or wrong, aren't those lyrics from some crazy song?
In days of old, the mind was closed, but now in present times, open to rhymes.
Through internet channels we can explore, the sexuality we ignore.
judy smith Apr 2015
If there was an award for the oddest pairing in fashion, it would go to Jonathan Anderson and Spanish house Loewe. More than a few eyebrows were raised when the designer, who is better known for his conceptual unisex collections and dressing men in cropped tops, was handed the reins to the heritage brand that is all about "luxe" (in other words: conservative) leather goods.

In person, Anderson looks more like an extra from a Saint Laurent runway show than creative director of one of Spain's most treasured possessions. He's dressed in a typical model uniform of white tee and jeans, complete with dark sunglasses and a cigarette dangling from his fingers. A mop of tousled, highlighted blond hair adds to his boyish charm, although he is quick to assert that looks can be deceiving.

"Fashion ultimately imitates life and in life things don't always look good together from the outset," he says. "I know a certain style is good when I feel uncomfortable with it - those looks turn out to be the best. You have to challenge yourself with things you don't like or don't know."

Taking on a brand reinvention is probably one of the biggest challenges the 30-year-old Irish designer has faced in his short but successful career. A former Prada window dresser, he studied menswear at London College of Fashion and launched his eponymous line in 2008 to critical acclaim. He's been nominated for many awards and even collaborated with the likes of Versus.

In 2013 everything changed when LVMH took a minority stake in his label and offered him the role of creative director at Loewe in the hope that he could transform the dormant house into a modern success story along the lines of Givenchy and Céline. The Loewe gig wasn't originally part of the deal but that changed quickly following a covert visit to the Loewe factory.

"Truth is I just fell in love with the people," he says. "I met the master modeller and leather developer, and I thought this brand can be huge. Loewe was never on my radar, but when I went there I could not understand why it had never been articulated in a way that it wasn't global. I questioned if I wanted to do this, but once I started creating a book of ideas, I couldn't stop."

Although Loewe has a network of stores around the world, it was not a brand that many people took notice of (a fact not helped by its unpronounceable name, which for the record is pronounced Lo-Wev-Eh).

So Anderson decided to adopt a more controversial approach to the rebranding. Much like Hedi Slimane at Saint Laurent, he unveiled a fresh new identity, including a sleek new logo designed by graphic duo M/M (Paris) and an eye-catching campaign featuring a selection of vintage Steven Meisel images.

"I did a year of research before I started and realised we had to remove the date and city location from the logo. One of my skills is that I am very marketing directed," he says.

While many creative directors use runway shows as a platform to showcase their vision, Anderson focused first on the fundamentals of the brand and what it does best: leather goods. Soon Loewe's iconic buttery soft leather was transformed into covetable designs such as the best-selling Puzzle Bag, the Colourblock Flamenco Crossbody and a range of minimalist clutches and totes embossed with the discreet new logo.

"There are not many brands in the world that are built up in that way. We have such incredible leather knowledge in hand at Loewe and I had to use that," he says.

Next on his list was adding a more personal element to the brand in the form of culture. Along came various projects, including working with renowned Japanese ceramicist Tomoo Hamada on two exclusive pieces for the Tokyo store, inspired by the brand's DNA. His most recent project, which was unveiled in Hong Kong last week, features prints by British textile artist John Allen, which have appeared on a range of summer essentials, from bags to towels.

"When I was looking at what other brands were offering, none of them really dealt with this culture idea," Anderson says.

That's not to say that ready-to-wear takes a back seat at Loewe. This is an area where Anderson has been most prolific, producing both ready-to-wear and pre-collections for men and women which are shown in Paris.

"Marc Jacobs fundamentally opened up the idea that clothing was needed to articulate leather goods. It came from a moment in the 1990s where he changed our thinking on old houses. I've learned through my lifetime that you need a character to tell a story - a bag cannot be isolated. People need something tangible to hold onto and ready-to-wear creates newness," he says.

There's no doubt that his clothing brings a fresh perspective to the brand. His menswear collections feature everything from slouchy raw-silk tunic and turned-up jeans to knitted palazzo pants, each imbued with his signature androgynous touches. His woman is powerful and dressed boldly in blouson blouses made from patchwork leather and wide-legged trousers.

While many critics have embraced the new Loewe look wholeheartedly, others have not been complimentary, saying that Anderson's work is derivative. Not that Anderson is letting it get to him.

"I had to stop reading what people write. I have to be me. I want the brand to be big, and will do everything to make it happen, but I don't want to change who I fundamentally am. You either like what I say or don't," he says.

"I am bored of the days where we are obsessed with the idea that certain designers owned things. You own nothing. Fashion is not about that. It's about reappropriating things, it's how you edit it."

Like most 21st century designers, Anderson is obsessed with the future and creating a brand that is truly of the moment: he has lofty goals to bring Loewe to the next generation of consumers.

"The idea of relevance is the idea that you can be rejected tomorrow. We live in a culture that moves very fast, so that relevance is short-lived. My biggest goal in the next five years is to get to the point where we will do a show and, the day after, the collection is in store. It means we are designing for the moment that it is going out. That's my dream."Read more here:marieaustralia.com | www.marieaustralia.com/short-formal-dresses
Reece Sep 2013
Thirteen androgynous men and women, dressed in pressed black suits, like some swarm of government bees, stoically entered the dilapidated school bus with solemn disregard for the general mass of people surrounding them in the California street, and the sun was shining. An ecclesiastic figure, swathed in purple robes with wild glittering gleaming beads adorned across the body, stepped forth from the shadows of a cluster of palm trees; it wore an incredible mask, damask as a rose with intricate golden patterns around the cheek and toward the forehead of which was embellished with an etched geometric pattern that seemed to resemble a flower and faint lines that would require a keen eye to be seen and elaborated upon. The hood was up and formed a velveteen waterfall at the back of the head, as it crumpled over, though it was probably designed to look that way. As each member of the secretive yet oddly unconcealed cult traipsed onto the growling, garish yellow bus, the pensive figure gazed on and regally followed the group, taking a place at the back, holding a staff with arms crossed, and the rest sat coldly, staring ahead, unblinking and sedate. The hours passed under the drab desert sun as a singular cloud passed overhead and gradually dissipated into invisible vapours that fell gradually into the densely blue backdrop of the California sky. The old school bus chortled along the deep black road, with pristine lemon lines hugging the left-hand wheels and a driver as stoic as the passengers. There, in the desert, amongst the snakes and the saltbush, a rusted old bus, full of strangers had parked, and with little fuss the suited men and women reached below their seats and removed a piece, they exited in an orderly fashion with eyes fixed ahead and hands immovable from their guns, gripped tightly as if life itself was within those guns. Colt M1911 to be exact. Every gun, though not obvious to an outsider, was loaded with a single bullet (230 gr Federal HST) and cocked, with the manual safety on. Each of the silent group had left the bus, with their apparent leader at the back of the line, holding the staff and the driver stayed seated with the engine off and staring straight ahead into the vast expanse of the sandy hell ahead of him. Twenty metres from the stationary bus, the man and women formed a perfect circle, each were standing a little over an arms distance from the next person. The robed figure took centre stage and uncrossed its arms, the staff outstretched in the left hand. A magnificent golden rod, a thousand etched stories from base to tip, each one emblazoned with fantastical jewels, this staff could belong to a Queen, a King, a God. The followers were still silent, and still stoic, despite the glaring sunlight reflected from every wild diamond and ruby on the majestic phallus like object. The masked person made a crude attempt to engage a member of the round by walking before them in a cyclical fashion, making eye contact with each but none did move, nor bat an eye. Finally it took its place, back at the centre of the circle and made an unholy sound that sounded as if the Devil himself were dying. Garbled words and unnatural screeches thronged from the unmoving masks mouth piece before suddenly falling silent and it raised the staff higher before striking the earth with passionate fury, and this led a simultaneous movement from the centralised hive mind as they each removed the safety from the own weapons. A single shrill scream echoed across the valley and a second strike to the ground from the staff was the indicator to raise the guns to the person to the immediate right. No noise was made, but a third strike of the staff to the desolate, cracked ground caused thirteen concurrent shots to ring across the arid lands, followed by thirteen solid thuds and a ghostly silence fell across the desert once more. A perfect circle of death among the cacti and Kangaroo rat, and the silence finally broken by the starting engine of a school bus as the driver awakens from his trance and returns back to an apparently civilised world. The fine figure gently steps over a corpse and lifts its robe so as not to disturb the pooling blood before sauntering into the basin of a lonesome American desert and fading into obscurity.

— The End —