Submit your work, meet writers and drop the ads. Become a member
Edna Sweetlove May 2015
EDNA:  I believe you recently had a gay little adventure, Vladimir. So why don’t you tell me all about it? I can see you are simply dying to get it off your chest…

VLADIMIR:  Well, Edna, it happened like this. I hadn't cruised the ***** toilet in the park for months and I was ******* randy, absolutely dying for a really good session, so I thought I'd go along here after the pub shut and see what was up, see if there was any ******* ******* action. I wore some **** ****** under my jeans, you know the sort of stuff: red open crotch *******, suspenders and black fishnet stockings. My **** kept dribbling as I was in the pub, just thinking of what might happen down the toilet.  At closing time, I left the pub, my carrier bag in my hand, with a big anticipatory bulge in my pants.

EDNA [gulp]  And then what happened, Vladimir, dear?

VLADIMIR:  Once I got to the toilet, I was surprised there was no one inside, but there were a few nearby shadows in the park, people smoking cigarettes, walking round, looking for it.  Once in the toilet, I selected the cleanest cubicle and took off my jeans and shirt and put them into the carrier bag. I replaced my normal shoes and socks with the white high heeled women's shoes I had waiting in the carrier. Then I waited in the cubicle for someone to come into the toilet.

After only a few moments, I heard footsteps and I looked under the door to see who was there at the ******.  It was a short muscular looking man wearing jeans and Doc Martens. I could see he wasn't *******, but just standing there, though I couldn't see his face. I opened the cubicle door and he turned around to see who was there, so I opened the door wide open so he could see me standing there in the stockings, suspenders and silk ******* with my stiff **** sticking out of the hole in them.

He was about forty and very butch looking with close cropped hair and I could see his **** hardening as he looked at me.  I went over to him and took his **** in my hand and he grabbed hold of mine and started rubbing it.  I got down on my knees and took his short, fat, uncircumcised **** in my mouth; it tasted salty and ******* gorgeous. He grabbed hold of the back of my head and forced his **** deep down my throat nearly making me gag.  I could smell the odour of his ***** hair and I loved it.  He said, "Keep ******* it, you ***** ****, or I'll pull your ******* head off." I loved him talking ***** like that to me.

EDNA [getting a bit excited]  That seems very bold of you both.  What happened next?

VLADIMIR:  In what seemed no time at all, I felt him tense and then I got an enormous mouthful of his hot *****.  I'd never known anyone come so much, he must have had a week's worth in his *****.  After he'd come, he took his **** out of my mouth, put it away and zipped himself up.  I started to get to my feet, but he pushed me backwards onto the filthy floor.  ‘You're lucky I don't knock your face in, you ****,’ he said as he went out.  I love my men to be a bit rough with me, so I was very excited by this.  I half hoped he would punch me but he didn't.

EDNA: [wiping forehead] Well, that’s really very interesting. Did you go home then, dear, or were you still up for it, as the expression goes, Vladimir?    

VLADIMIR:  I got up and dusted myself down.  I could taste his come in my mouth, it was ******* delicious.  I was still incredibly excited, my **** was absolutely rigid and I knew I just needed to give it a couple of rubs and I'd shoot my ***, but I wanted more ***, and I knew once I came, I would just feel like going home.  So I went back into my cubicle and waited to see if anyone else came in.

After about five minutes I heard footsteps, followed by more footsteps again and I looked under the door a second time.  There were two men standing there and, by straining my neck, I could see they were groping each other.  One had one hand on the other's **** and his other hand on his **** and the other man was working on the first man's **** as well.  

I let the door open and they both swung round as they hadn't known there was anyone else in the toilet.  They saw me and looked relieved it wasn't a policeman lurking in there.  One was quite young, about twenty or twenty five, but he was a bit skinny and effeminate-looking.  The other one was much older, about fifty, but he was much better looking and I could see he had a huge **** on him.  I walked over to them in my **** rigout and joined in with the wanking.  They both started feeling my **** under my *******.

I turned round and bent over, my hands on the toilet cubicle doorposts, stuck my **** out invitingly and pulled my ******* down to my knees.  ’Why don't you **** me?’ I said, bold as brass.  The older man, the one with the big ****, left the young skinny guy and took up the offer I had made.  He undid his trousers and pulled his underpants down to reveal the full length of his enormous **** and his big hairy *****.  He spat on his hand and rubbed it on his ****, but he needn't have bothered because I had already lubed my **** when I was waiting in my cubicle.  

He slipped his big **** up my moist ******* without much difficulty and then started ******* me gently.  I told him to **** me harder, to **** me harder than he had ever ****** anyone in his life, so he started to really ram it up my hole.  God, I loved it.

EDNA [sweating with mounting excitement and unable to resist touching herself down there]  Mmmmm. I wish I’d been there to see that, I really, really do.  But don’t let me disturb your narrative flow, darling….

VLADIMIR:   Then the young skinny guy got down on his knees in front of me and took my **** in his mouth.  Each time the man who was giving it to me ****** hard into me, I jolted forward and rammed my **** deep into the skinny guy's mouth.  I was moaning with ecstasy as I got ****** and ****** by two complete strangers.  The guy with the big **** couldn't last long and soon shot his load up my **** and as he did it he said, ‘O Christ, I'm coming, I'm coming, I'm shooting my ***** up your ******* *******.’  This made me incredibly excited and I came off in the younger man's mouth.  The skinny youngster was wanking his own **** as he knelt in front of me and I know he came as I felt the ***** splashing on my stockinged legs.

As he removed his still fat **** from my gaping hole, a stream of the older man's ***** ran down my legs.  He said he wished his wife would let him **** her in the ******* like that.  I went to kiss him but when he smelled the ***** on my face from the butch one I'd ****** off earlier, he wasn't having any of it and left with a mumbled goodbye.

The younger man had now got to his feet and was standing in front of me as he buttoned himself up.  He said ‘We can wait a few minutes and then we can do it again if you like.  I'd love you to **** me, you've got a lovely ****.’  But it was no good, the magic had passed and I told him to ****** off.

So I went back into the cubicle, got changed back into my ordinary clothes and left the toilet.  I could feel ***** oozing out of my ******* and I could taste the first load in my mouth still.  I had a smile on my face. It had been a great night out.

EDNA:  [removing her hand from inside her ******* as unobtrusively as possible and trying to disguise the fact she has just had a cataclysmic ******]  Wow, that’s really a very exciting story. It’s made old Edna quite hot and bothered. You really are a very naughty boy, Vladimir.

VLADIMIR: Would you like me to tell you about what happened to me in the old cinema down by the docks?

EDNA: [still throbbing a bit] No, dear, that will be the subject of another interview. We don't want to over-excite our readers, do we?

*THE END
Paul Sands  Feb 2015
Spider
Paul Sands Feb 2015
Once I knew a spider
wore Doc Martens on his feet,
eight holes on eight hairy legs
he wasn't too discrete.

He rode a lengthy shadow
while he stomped around the floor
this micro “muy macho”
unabashedly cocksure

I trapped him in a glass one night
And told him at the door
“My wife she doesn't like you
don’t you come around no more”

But spiders rarely listen
and ignoring my request
next evening he returned once more
our octo-booted guest
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Creepypumpkins Feb 2021
A friend of mine
Got some white
Doc martens boots
Processed to put flowers in the
One of the boots
A daisy
Sun flower
And a lilac
And put it as the center piece
For the coffee table
Catrina Sparrow Jan 2013
a candy apple red heritage soft-tail classic
on a rusted dirt road
i am built of where i've been

the mango groves
the east and west coast
and every camp-ground in canada
this map is my home
let me tuck you into the folds
and sing you to sleep
some place sweet
where the air smells of earth and rain

don't let the concrete tame you

the road under foot is not measured by the steps necessary to travel it
but the way one migrates over the breaking soil
resting between where we are and where we'll be
when our dreams run free
and the tent's set in the pines

barefoot
running shoes
doc martens
thumb to the sky
pack on my back
black top under bridgestones

let us fly

let us soar

s'go

i'll take you with me
like my sleeping bag
and skinning knife
and canteen

be the water that i drink

fuel the fires that propel this engine
drive me to the end of the road
where one can only go by foot
and feather
and foolishness

let's disappear in the fog of the north
the mud of the east
the heat of the south
the haze of the west

let's find ourselves in the topography of folded bodies
tangled up in a flesh scented tent
guy scutellaro Dec 2020
along emilys hill road
the trees are bare

she's skipping stones
across st martens creek

as she turns
smiling my name

her breath comes out
white clouds
mingles
and hangs in the air

the quiet
stillness
in her eyes

she sees something
in me
that I can't
see

and that s why
i love her so



emilys hill road
unchanged

the trees are bare

she's skipping stones
across
st. martins creek

I believe that's the way
I remember her best
dark blue  May 2021
goth girl
dark blue May 2021
goth girl
wearing pastel
doc martens
and black leather
submit
voluntarily  
kneel before me
as your master
enslaves you
with this collar
frankie crognale Dec 2013
caramel macchiato flavored coffee with mint cigarette flavored kisses with your dreamboat lover is the quintessence of what i call "perfection".  if there was a way to describe the way your lips feel against mine, i could only describe it as "cigarettes and coffee".  cigarettes and coffee isn't simply consuming caffeine or inhaling tobacco in your lungs, it's sitting on the roof at 1 am looking at the stars with a blanket around the both of you.  it's laying in the grass with a slight breeze blowing making smoke rings between the arduous kisses.  it's simply sipping a vanilla latte on the corner of a new york city street with a cigarette in your hand, making swirls of smoke as more ash forms above the filter,  looking like some sort of bohemian gods. it's walking along a deserted sidewalk in your black jeans and doc martens with a big t-shirt and coke bottle sunglasses on with your lover on your hip and your menthol in one hand and philter in another.  "cigarettes and coffee" is whatever you can interpret as pure bliss; it's simply whatever makes you happy and whatever makes you want to sit in the grass all night and talk about anything and everything.  there's a lot of people that would argue there's no beauty to the feel of tobacco in your lungs and arabica in your mouth, but evidently, they've never tried cigarettes and coffee.
julian  Feb 2012
Forcing The Tide
julian Feb 2012
Heroine, and our hero...

Breaking the bad souls into half

We don't give a **** it's our time to laugh

Heavens await as the shore brings us gifts

She lions dressed in polka dots and Doc Martens

Daily milking makes them smarter

Trees in the forest, land masses rift

The time has come to lose your number

Jenny in a hammock, sleep and slumber

— The End —