Leading fashion stylists and casting directors have been directed by clients to avoid doing business with Trump Models, a company that promotes itself as “the brainstorm and vision of owner, Donald Trump”, several sources have told the Guardian.

Trump Models refused to comment, but according to its Twitter feed several models had made it on to the catwalk. News of such directives comes during New York fashion week, days after the president used Twitter to condemn the retailer Nordstrom for dropping his daughter Ivanka’s clothing brand, claiming poor sales.

According to one leading casting director who spoke to the Guardian on condition of anonymity, directives to avoid using models represented by Trump Modelsbegan last fall, before the presidential election. They then spread by “word of mouth”, the casting director said.

The effectiveness of any de facto boycott is hard to gauge. Trump Models, founded in 1999, is not considered a big player in the fashion business.

“It’s not a great agency, so it’s not such a big loss,” said the casting director, who was not authorised to speak on behalf of their client.

A French fashion stylist, who also requested anonymity, said she was reluctant to engage with a business that would put money in the pocket of the Trump family. When asked if they would use Trump models during fashion week, she replied simply: “Nooo!”

“People certainly look twice if a Trump model comes for a casting,” said another leading American stylist. “But a boycott wouldn’t necessarily be a big loss to the business.”

A third stylist, a prolific veteran in the industry, said he hoped there was a boycott on the Trump agency but added that “if there was a girl I wanted, I wouldn’t mind if she was represented by Attila the ***”.

On Thursday, the fashion website Refinery 29 reported that hairstylist Tim Aylward had vowed to stop working on jobs that involved “talent” from Trump Models.

Trump Models once represented first lady Melania Trump, and currently represents dozens of models from all over the world. It also runs a division for “legends”, including Paris Hilton and Carol Alt.

The agency, which claims to be at “the forefront of cultivating a wide range of innovative and vibrant talent which personify the trends of the fashion industry”, has faced claims of mismanagement.

Last year, Canadian model Rachel Blais told CNN some managers at the agency had encouraged her to skirt US visa laws. “As a model, one of the things you learn quite quickly is that … you shouldn’t ask too many questions,” Blais said. “If you want to work, you have to do as you’re told. Yet you’re kind of aware that it’s not legal.”

Last year, Canadian model Rachel Blais told CNN some managers at the agency had encouraged her to skirt US visa laws. “As a model, one of the things you learn quite quickly is that … you shouldn’t ask too many questions,” Blais said. “If you want to work, you have to do as you’re told. Yet you’re kind of aware that it’s not legal.”

Blais was also one of four women who described their experience with Trump Models to Mother Jones. The women said they were forced to live in squalor in a crowded apartment in the East Village of New York City.

The women said the apartment contained multiple bunks, for which models paid $1,600 each, and housed up to 11 people at a time. “We’re herded into these small spaces,” one former model said, saying the apartment “was like a sweatshop”.

The then vice presidential candidate Mike Pence told CNN he was “very confident that this business, like the other Trump businesses, has conformed to the laws of this country”.

In court papers filed in 2014, Trump model Alexia Palmer said she was promised full-time work and $75,000 a year. She sued after earning just $3,880 and some modest cash advances for 21 days of work over three years.

“That’s what slavery people do,” Palmer told ABC News in March 2016. “You work and don’t get no money.”

Trump attorney Alan Garten said allegations of being treated like a slave were “completely untrue” and said Palmer had simply not been in demand. The suit was dismissed. Laurence Rosen, a lawyer who represented Trump Models in the case, told the Guardian his firm “is not handling any other lawsuits or claims concerning model representation, nor am I aware that any such lawsuits or claims have been asserted” against Trump Models.

Shannon Coulter, of the Trump boycott movement #grabyourwallet, said Trump Models had not been added to its list of Trump-owned or affiliated businesses because it was not a consumer-facing business.

“What we’re seeing is that the Trump name is becoming truly toxic,” she said. “It seems that people can’t get away from the Trumps fast enough now. I think those casting directors and stylists are making the right call not doing business with them.”

Coulter rejected the suggestion that a boycott of Trump Models might end up hurting the working models it represents, rather than the owners of the business.

“When you chose not to do business with a company,” she said, “you chose to do business with other companies that do have employees, too, so I don’t put stock in that.”

Amid continued questions about Trump’s relationship with his business empire and how it fits with federal ethics regulations, Trump-owned fashion interests have suffered adverse publicity.

On Saturday, retailers Sears and Kmart removed 31 Trump Home items from their online product offerings to focus on more profitable items, a spokesman said. The collection includes furniture, lighting, bedding, mirrors and chandeliers.

Last week, retailer Nordstrom followed Macy’s and Neiman Marcus in dropping Ivanka Trump products. That prompted a furious response from Trump, whotweeted: “My daughter Ivanka has been treated so unfairly by @Nordstrom.”

Nordstrom justified its decision, reporting that online sales of Ivanka Trump products fell 26% in January year on year.

Within the fashion industry, there is speculation that while the performance of Ivanka Trump’s line was disappointing, it was not enough to merit being abruptly dropped.

At least part of the reasoning, they speculate, was pressure from other brands and labels carried by Nordstrom.

“We would not base a decision on that. Our decision was based on the performance of her brand which had been steadily declining over the year. We had discussions with Ivanka and her team and shared our decision with Ivanka personally in early January.”

However, Coulter said it was likely Nordstrom had faced pressure from other suppliers. “The Ivanka Trump sales were down but it’s possibly not the whole truth. There are studies that say boycotts work at the brand level, not the sales level, so probably both forces were at play.”

White House counselor Kellyanne Conway later urged the public to buy the Ivanka Trump brand – and faced widespread criticism that she had overstepped ethics regulations. The White House press secretary, Sean Spicer, said Conway had been “counseled”.

On Saturday, Trump said on Twitter that the media had “abused” his daughter.

In New York, protests against the Trump presidency have rippled through the fashion industry’s market week. Calvin Klein played David Bowie’s This is Not America and a Mexican immigrant designer for LRS Studio showed underwear that carried the message: “**** your wall”. Public School’s Dao-Yi Chow and Maxwell Osborne sent out red Trump-esque baseball hats spelling out: “Make America New York.”

Senior industry figures, including Vogue’s Anna Wintour and LVMH chief executive Bernard Arnault, have, however, held meetings with the president. Vogue plans to feature Melania Trump on its cover.

Designers including Dior and Ralph Lauren have dressed the first lady. Others, including Marc Jacobs, have said they will not.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/cocktail-dresses

fascinating and most amusing parts of fashion week.

And as Mercedes-Benz Fashion Week kicks into gear in Sydney, it’s celebrities, all-important buyers and retailers, editors, stylists and a whole lot of self-anointed fashion bloggers who make the A-row cut.

The posturing and posing that goes on to secure a coveted front row seat at each and every one of the 47 shows can be hilarious.

No matter how high a heel you wear, how big your sunglasses are or how smartypants your designer blazer is, no-one gets seated front row if they can’t, literally, bring something to the style marketing table.

The main front row players are definitely editors. And buyers. Hands down.

But bloggers and digital media players have made their presence known over the last few years — with the better ones considered front row deities when it comes to seating.

Designer Kym Ellery snared the opening night slot of fashion week with the likes of Lindy Klim, Kyly Clarke, Margaret Zhang, Bambi Northwood Blyth and every magazine and style editor that mattered in the front row.

Model Gemma Ward attends the Tome show at Mercedes-Benz Fashion Week Australia 2015 sitti
(Photo:www.marieaustralia.com/formal-dresses)
Meanwhile, Vogue, Harpers Bazaar, marieclaire, Sunday Style and Elle are the main front row magazine players.

“The Ellery front row was an impressive mix of international guests, local fashion media and buyers and Sydney celebrities,” says Vogue Australia editor-in-chief, Edwina McCann.

“It was a well dressed crowd who turned up the following morning to the first show, Tome, looking equally well turned out and ready for business.

“Gone are the days when hangovers were in fashion!”

Yup, late nights, for real fashion workers, just aren’t in fashion.

McCann says not everything that is actually ‘on trend’ ends up in the front row.

“Flat shoes are well and truly in this season, but I didn’t see many front row,” she adds.

“At Mercedes Benz Fashion Week Australia it seems heels are absolutely always on trend.”

One of the world’s leading fashion commentators says he is genuinely knocked out by the improved calibre of dressing on this year’s front row.

Godfrey Deeny from Paris (he writes for Le Figaro) hasn’t attended the Australian event in five years but was overheard commenting that the front row looks better dressed and more sophisticated than his last visit.

As far as seating the front row, there are a solid group of public relations people working with their designer clients to put together each seating plan.

One of these people is Nikki Andrews from the NAC media group, who says seating can be a game of cat and mouse.

“It is like piecing together a big jigsaw puzzle,” says Andrews.

“Each designer has different priorities with key press and key buyers and of course celebrity still the main priorities.

“There is always a juggle on the day and of course a few extras that always insist on front row.

“But it is usually those who request front row who don’t really deserve it,” smiles Andrews.Read more here:www.marieaustralia.com/cocktail-dresses

Lime green freezer pops
Swigs of senor Jack Daniels
My body gets hot.

-------------------------------

Jacky versus wine
Will fight to the death tonight
Victor gets a home

---------------------------------

Baby-making songs
(The world tastes like raspberry!)
Jazz flute Godzilla

-------------------------------

Little black cell phone
Glows modern techno at night
Rad leaks in my brain.

(I am now a spidercorn!)

---------------------------------

Idiotic cat
Sole bane of my living room
You should've been a dog

--------------------------------

Woman and man-thing
Flame haired goddess of cleavage
Mid-coitus phonecalls.

---------------------------------

Two shots of whiskey
One sibling revelation
Long night of country.

--------------------------------

Blood-baths, hair stylists
****** eye for the dead guy
Joanne: **** the man.

-------------------------------

A nice hairy man
Smirnoffs, beer pong victory.
Did I do a bad?

----------------------------------

I am drunk on you
And on you conversation
More than on the beer.

---------------------------------
Whiskey sours, full.
Half-**** swimming with strangers.
Attraction repressed.

----------------------------
Oh my pretty beer
You so inspire my mind
I can't stop giggling.

-----------------------------
Hank bones on the wall
A sad tale of pretending
Oh no! Demon feet.

I entered the display case
of people educators
subsidizing snobs
the multirich and companies

among tourists and inhabitants
who want to be seen
in the museum café and
with sophisticated pastry lard
the conversation with careless clauses

they quote from an authority
whom nobody has to understand
to get the intention
of the praised artists

The shop was crowded
Spotlights on show-pieces
fancy coffee table books
and chic presents
for the season and the next holidays

Especially the past
is on sale, postcards
of the attractions
and sights of the city

interchangeable
like the collections
which graduated stylists
cast in international moulds
to magnets for visitors

I confront my prejudice
How will the girls in my script look?
I admit, I expect them to all be Disney Perfect
But that goes against my values
I know the damage perfect does
There is no perfect, there is only diversity
How can one genetic look always outshine the others?
Tall, thin, blonde with large *******.  Long legs and arms. Size 0.

No, there is beauty in difference
and it can be put on film
not as a side show, but the main attraction
I learned from my mother
Beauty is a mirage
An eternal struggle of pain
of hunger, the knife, the self hatred
that is never attained
A petite Scottish woman, medium *****
a dancer with a beautiful body and face
and a slasher for an inner voice, striking her at every move

It's in me, too
I learned the lessons of beauty as I learned Calculus in my high school texts
This is the formula, this is the way it is
The proof is it is all around us in the media
Body very thin, ******* very large
Size 0 without ribs, and hip bones and shoulder bones sticking out
How the stylists repel when they see that evidence of starvation
And large, engorged *******, ready to feed an army of babies
"nature doesn't make women like that" commented a model
before she had "augmentation"

If I am to create this world, my story
I must confront myself
I must accept my form, and its history
A body never born to be size 0
without ribs or bones showing
or six feet tall
or small *****
or large breasted without extra flesh everywhere
A body scarred by the affects of poverty
worry, and struggle
A resilient body, a strong body
and one that does not fit the mold
of "beauty" and never did
but at the same time, is beautiful
but not in the accepted form
like my mother

If I don't accept myself
if I can't look at myself and say this is OK
This is who I am and it is just fine
How will I accept it in my characters?
How will I look beyond appearance to the soul?
You don't make a good story with models
That is a fashion show
You make a good story with people who are unique
with their own configurations and unique qualities
even in their flesh

late nights and having fun
movie nights and spa days
mani-pedis and hair stylists
so many memories and pictures
i'll never forget you

When word spread in the Hearst Tower that Carolina Herrera would be pulling up a chair to chat with Elle’s Robbie Myers for a Masterclass Q&A;, the speed of the RSVPs rivaled those of Barbra Streisand.

In less than an hour, Herrera regaled the crowd with her telling insights and signature élan, detailing some of the highlights of her career and deconstructing the current state of fashion with her wit.

First things first, Herrera: whose own personal style is practically synonymous with elegance, said of that trait, “Elegance is not only what you’re wearing but it is the way you are wearing it. It’s the way you choose what to wear for your style, your personality, the way you live. It doesn’t have anything to do with beauty or money….It’s what you project — your taste in books, houses, paintings, the way you move, the way you talk.”

When Herrera decided to do what she now does, she turned to her “great friend” Halston, whose initial reaction was, “‘What have you been drinking? Are you mad?'” she said. But his trepidation was only due to how demanding the industry is, Herrera added. “You have to be passionate,” she said.

Diana Vreeland, a friend of Herrera’s husband Reinaldo‘s family, was her mentor — “a very, very interesting woman, intelligent, very for-the-moment,” she said. But her initial plan to design fabrics was not well-received by Vreeland. “She said to me, ‘Well that is the most boring thing that you are telling me. Why don’t you do a fashion collection for women.’ She gave me the idea,” Herrera said.

In business for more than three decades, Herrera said her company’s DNA remains rooted in sophistication, elegance and timelessness. “I want women to look like real women, I do not want them to look like clowns because of what’s in fashion. I like fashion to be for now and for the future. You cannot only be for the past…like everybody in life — painters, musicians — you have to evolve. You have to live in the times that we live in.”

With two of her four daughters involved with the business, Herrera said, “Of course, we have little problems — tiny, tiny — but they always end up doing what they have to do and they always end up doing what I say they have to do.”

Herrera is very much all about today’s social media with 500,000 Instagram followers and 1 million Facebook fans. “You have to listen to the likes, dislikes and whatever they say — that’s the excitement of social media. But if you start reading all the messages, you will not have a life. It’s impossible to read all of them.”

Here, a few of Herrera’s other observations:

• “I didn’t live at Studio 54 and I don’t wear the white shirt every day.”

• “It’s very important to possess in your house a full-length mirror.”

• “Bob Mackie did the naked look years ago for Cher. There was one — now there are many.”

• “There should be a little mystery with women. They have confused sexiness with femininity. They think to be **** you have to wear a dress that is four sizes smaller than you, and also show everything you possess.”

• “You go to the opera and you see a sea of sneakers. It’s not like before when things were in a certain way, and everyone pretty much did the same. There are not anymore rules in fashion. Everything is accepted. You have to be strong. You have to be you.”

• “Mrs. Obama has her own style and she knows exactly what she wants to wear.”

• “Perfume is the invisible accessory that a woman is wearing. It is very strong for your memories.”

• “Stylists are getting more famous than the people they dress.”Read more here:www.marieaustralia.com/evening-dresses | www.marieaustralia.com/bridesmaid-dresses

Ahem, as if anyone wanted to know my preference in clothing...



(sonnet #MMMLXXXVII)


My minis lend that sweetly girlish stance,
When in a coat and calf-high boots rays set
Me down as casting my grey silhouette
Upon the Maple's trunk in sunset's glance
Adieu.  I did not search it out, but chance
Sketched me and caught mine eye, to vainly whet
That barely veiled thought's appetite and net
The happy pleasure thence, as I'd nigh prance.
Perhaps the stylists meant another look
In that cute popular design; I do
It no disservice thereby though, but took
A far more flirty angle thus as through
The fair suggestion adding zest.  Hence brook
My crime if such there be?  'Sides, I love you.

01Dec13a

It was September, 1967, when the young coed from Texas Tech University entered the television studio at KCBD TV, Channel 11 in Lubock, Texas. Blonde hair with a reddish tint, "Strawberry Blonde", the stylists call it, accompanied by sparkling blue eyes and and a diminutive smile that accented her personality.
She was there looking to find a part-time job. That summer she had worked as an intern in the promotion department at a television station in Dallas, and was  majoring in journalism at the university. A mutual friend with whom she worked in Dallas, had put her in touch with me. I worked as an 'on air' director, and was getting the studio reset for the six o'clock news following a commercial taping session. Although the station had no job openings at the time, a series of events began to take shape.
That chance meeting changed my life, and I recall it as if it happened yesterday. I was twenty five, she, twenty. Two months later, In November, 1967, we married. Forty years and two months later, following cancer surgery, Karen passed away, but not until giving us a fantastic son, wonderful daughter-in-law, and now, two grandchildren, who have redefined the phrase,"growing like weeds."
The holiday period has always been a time for reflections, some good, some 'not so good.' Can't be helped, human nature. But, as the sages say, "Life goes on", and it has been good to me in many ways.

"Thank you, Lord, for helping me along the way."

r.riddle: January 01, 2017

Timeless fashion is part of Debbie Hawkins seasonal home decor.

When the Etcetera collection arrives, her living and dining rooms become showrooms, a place where by appointment women can choose classic fashion, well made from high end fabrics, "things you turn to for years."

"We bridge the gap with versatile selections," said Hawkins, an Etcetera sales consultant. "Pieces that bring something special to a wardrobe."

The unique, sell-from-home business us part of the Carlisle Etcetera trademark, a New York based brand that offers women an opportunity to become entrepreneurs. Consultant/stylists are trained to guide fashion choices.

"I had raised my kids and wanted to do something interesting," Hawkins said, "Etcetera came out at the top of the list. I could work at my own pace and hours."

Four times a year Hawkins attends a fashion show, where she and 100 other consultants have a chance to meet designers, look at quality fabrics and learn about techniques used to make the Etcetera collections.

Ordering clothes online isn't the same.

"Pictures don't translate to what we have seen before the trunk show boxes arrive," said Hawkins. "We receive upward of 300 items. We talk with each customer and they get to see in person what is available."

Clients are either referred to Etcetera stylists by friends or through the www.etcetera.com website. They are directed to the consultant closest to them; some of Hawkins' customers drive to Wichita Falls from Oklahoma.

A few have a hard time committing to an Etcetera trunk show because "they feel a little intimidated."

"Once they see it's a very relaxed environment it's much easier," Hawkins explained.

Two appointments are made with each customer, one to check their existing wardrobe for what may work well with Etcetera selections and another to try on what they've picked. Hawkins adapted a bedroom as a dressing room.

"One of the biggest pluses is knowing our customers so well," said Melissa Prigmore, Hawkins' associate assistant. "They know they won't be wearing duplicates of what they've seen at Lord and Taylor."

According to Hawkins, Etcetera's high quality skirts, trousers, blouses, jackets, coats and accessories are priced in the "Neimans and Nordstrom range."

"These are the kind of clothes you don't bury in the back of the closet and never see after the first wear," Hawkins pointed out. "Comfortable style and fabric, they get brought out every season."

Clients can also turn to Hawkins and Prigmore for advice on style, color and fit.

"I'm not good at editing myself on fashion decisions," said Hawkins. "It's nice to have someone else tell you what they think."Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses

you might think it discriminatory,
but i just don't understand trans-gender,
or meta-gender, or para-gender or
ortho-gender... there, the four winds...
but as a man i couldn't imagine
putting all that effort into adorning
myself like a woman, to look prettier...
an article about the 1971 music scene:
'acts were building careers, not eking
them out; they all looked fabulous without
help from make-up artists and stylists:
the elegantly wasted look, now expensively
emulated in fashion spread, could be
achieved by simple neglect.'
it's a discrimination from the stand-point
of: well... i'm not joining this St. Thomas Parade;
and i guess that's the reason for much
of Islam's hostility, it brewed up and boiled
in european women somehow...
Samantha said: 'what's happening?!
why aren't we dating, going to restaurants,
why is he using my make-up?!'
Abdul said: 'honey, bomb bomb bomb boom!'
Ahmed said: 'here's our opportunity to groom
                  the youngest disgruntled & confused!'
well it worked... but i still kinda
wished she / "she" / hmm made it into the final
of that karaoke show.

At the zenith
of sartorial sloppiness,
frittered loosely in my scruff,

I clobber,
combats, sneakers,
faux-fur coats and baggy t shirts
stuff that wraps me up,
and I'm OK..

You can keep
your first- world
judgement

see
I've always
been this way

part scarecrow, hermit,
vermin, pirate,

all at sea with
modern stylists.

                    

And by the circle of our
strange unwritten rules

for a season, once in twenty years,
I, somehow, become cool.

Buy my books at www.amazon.com/author/richardratliff


As my hair thins

As my hair thins
Should the barber charge less
Give a seniors discount?
Or charge more because there is less to work with
Not enough to give creative expression
You know they are called stylists now

Copyright 2015
Richard L Ratliff

Dressing as a woman became a thing for George
with a team of stylists & make-up artists; he was
done up as Marilyn Monroe when he ****** the
Times journalist before providing a rambling talk
on rock and roll, women and god. She wanted to
know about the Favela where he and Jose Tomas
originally came from. He'd never bring it up,
giving her a ***** look at the subject's mention.

i have to most deserverdly like
a frederick seidel poem
when i read it -
        but not... when he reads it...

    some ancient grimmace
of h'america:
   those north eastern states...
mostly maine
and new hampshire...

      because: it's a hidden history
because the vikings came
prior to christopher...
   and the saxon soul will elevate
itself in secret to
this fact than...

          lend itself to follow
from the south with the conquistadors...
robert lowell et al.

         pristine h'america
as if bewildering never a displaced
european...

     i wish there could be something
impossible about a frederick seigel
poem...
  but i don't mind the "privileged" part
when i "know" of his father's
hard grinding knuckles
of owning a coalmine (etc.)

unlike novels and dogma...
a milan kundera essay about either
franz kafka or flaubert...
again proust, who i hope to read
someday...

          here in poetry: the next voice
without a dogmatic clarity
a novel like a tide
    a novel like a sunrise or sunset...
a poem like:
a disemboweled view
of a seaweed comparison...  

          to have children is to find
a new way to be startled...
        to have children is to...
   settle eternal affairs for future and
this... gall bleeding dry into
a frictive **** with pride...
  
  perhaps the pyramids can compete
with a kilimanjaro...
         speke or meru...
           of those long bones fathomed
with crosses and chalices
made from riddled jaws and teeth
like gems...
        
           at some point words cannot
be trusted...
   how many times have i teased
a misnomer - robert pinsky:
big... beeeeeeeeg on misnomers...
   a voice so tender it could
compete with gregory corso's lisp...
but of the latter: with youth! with paris!
anything goes!

unlike a novel: nothing is being
accomplished...
a breath if a lemon could breathe...
it's not the money that bothers me:
with or without it...
the words serve their own delights
and... procrastinations...
and...
        once upon a time: words
at the dentist...

  a woman will visit a tattoo artist
sooner than visit a hair-stylists...
she's sooner buy a wig...
since most women are dis-satisfied with
styling of the hair...
2+ years of "reprieve" from seeing
a barber...

             and then...
     turn around puritan, i.e.:
i never visited a brothel...
         i decided to claim... *** and cleaning
the bathroom...
  an exercise in dead-weight...
but what a comparison...
to emerge: liberty signalling -
   who's who and the abuse did not
extend into KINK...
          so... the barber replaced
the brothel as:                  neuhöhen...

oh if there was some pride
beside the otherwise lazy...
strict... nunnery of rejection and binging
on gym membership and bulimia...
the roman etiquette slim...

what sad times...
    this having to find everything beside
***: liberated from procreation...
the epitome surreal godhead-****-it-all
tentacle extension / plagiarism...
    bring me the brute and the asinine wonder
of the tongue...
i'll hope to turn my ego
into a chisel and retain:
an oyster shell from
a hoarded weathering of:
beginning with "random"...
                         this rock that will
become a replica of shell...
or muscle... or thereby an ingenuity...
of bone;
               a crown from treating
rock into this... hollow bell -
                      the soul an uvula...
the soul a fading / a dying out strobe
epilepsy: PARTY BIG'OH jiggles!

     parking lot delight... who had a son...
and oh the obviousness of
this tired: not -
      
          satan weaver...
                      blue blooded cuts of beef...
for there is no sentiment
concerning pork...
   why oysters are a speciality for the upper-classes
i will never know
given that the pickwick papers made
it sensibly plain: oysters were once...
what you'd make of tender-bits
these days...
   the nuggets of flesh...
god... a pork liver with onions...
a decent semi-broth of poultry hearts
with barley groats... and gherkins...
or poultry stomachs likewise...
                           esp. with barley groats...

i can't imagine why...
muscle is the go to piece of the animal...
the heavily protein skim reading
of the best of: excuses to not be a vegetarian...
the liver... the hearts... the stomachs...
mein gott! pork lungs!

even the feel of the raw product...
for the sauce... a hand filled with
about a dozen chicken hearts...
there is a compensating image...
when you could still feed pigeons
in trafalgar sq.

                 some might say: who...
once upon a time... did...
  good to know... a part of me is still loitering
around a culminating prospect
of... living without extreme!

now, if you the STATE seriously
and society: not so much...
well then... soecietal construct arguments
of the anglo-sphere far left
are so bogus...
i'm talking about STATE formations:
gradations,
i could seriously whiff up a solipsistic
perfume with a **** on a crowded
northern line at elephants
and castle: is there a dormant volcano
in the vicinity of the station?
it's always so ****** hot...
anyways...
                    social-constructs: ha ha...
i just saw Lenin turning in his mosileum...
maybe even blinking...
i'll send a dog actor to investigate:
bells like St. Bednards'-Pavlov's...
slobbering: woo woof... found a dead body:
let's audit!

typical Saturday night:
although no BBC radio 3 or 4...
i leave that for work nights...
when i'm off and there's some clairty of the V
and some haze of the M
and some: moozeeck...
then i turn into that soppy DJ
listening to Beyonce and: if i were a boy...
and i get to think about Edie and Reyla
and my mother and father
and the dead...
because i can't really think about
Reyla's mother or her father
so she's like the inversion of my father
and mother
whereby she can think of my mother and father
concretely...
like my father thinks about my mother's
father and mother, concretely...

but this audit is not because i'm actually
outperforming most people in the workforce...
but because there was a death
and in how the SIA licensing "scheme" is
orientated: duty of care...
tertiary police authority...
                             safety, security, service...
oh i know the dry tongue
but in this profession there are two options:
like and unlike a construction site:
dealing with caged animals and people in open
society is one glad tiding of comparative lit.
basically...
you either get physical, abuse your power...
don't understand people...
**** life... therefore you don't think about it...
or...
you get metaphysical, disuse your power...
begin, understanding, people...
the prepositions are omitted for a reason...
reason being: understanding...
begin to UNDERSTAND         of / off people is not enough...
there must be an omission of guilt:
via understanding... the -ing form is paramount...
if someone commits suicide in the workforce...
and you have a clean-slate conscious-conscience...

21st century schizoid man...
London is Blade Runner
i get paranoid in the workplace
through the silent treatment of:
how to trickle down a compliment
from on top...
to the pawn king down below:
that's not like pyramids and work force
works...
         the hierarchies and bypassing
them with flukes...
a typical Saturday night for me...
managed to find a Pirate ship that
screened Deadpool & Wolverine...

                 the dialogue... brilliance...
**** **** the stuttering on TT FF uck...
the caviats... the resurrection of scratching match...
but not my genre...
an overarching yes culturally necessary:
who started it: Superman and Batman...
cinematic anti-glory...
    watching Michael Keaton summed up
that difference
in terms of target audience...
DC is mature comics
Marvel is immature comics...

                                  "immature":
archetypical exploration
versus... dark psychological underpinnings of DC...
the fantasy of the psy narrative
associated with the self-morph dynamism
of identifying a "self": in pop culture by image:
rather than idiosyncratic: wording...
caricature of mannerisms...
the immaturity of com-cons... as image-stylists...

oh... i will switch off from this idea of work:
since most people don't see this as work
when not in construction:
no physical labour just physical endurance:
but no concept of work...
some bypass the lethargic stupor:
leperosy-catatonia...

                          but they are not the ones
on the extreme of wanting to become physical
and adrenaline fission corpus of attention-caffeine booster...
i like to think i was a stutter in
my youth:
but sometimes i BOOM and BELLOW
like not Ginsberg's howl... how how... anaemic dog's
bark: how...                     howl is such a feeble word...
like owl...        but not owl...
owl is also eagle...

                 how...                  how...
HYWH
  
   rugby goal post aH
   rugbly goal post bH

         game of Y (3 dimensions)
   game of W (wave of time,
    2 durations, 90 french minutes)

2 durations? beginning and end...
durations are the equivalent of dimensions,
the spatial-temporal realm
is subject to the
dimensionability-duration conflation... action:
not -ation Nn-Nn-Nn-Nn-Nn-             (+)

3 dimensions
2 duration...

         just thinking... within 3 dimensions...
          there's 2 dimensions of history...
    as time passes it becomes geological and squashed...
like dinosaurs...
so time shrinks
   as space expands...
and at the end of it: there will only be a blink
of the great eye...
and everything will restart...
         a rugby game is 2 durations or one duration?
it can't be 1 duration: 1 duration is life of an individual...
2 durations is life of a citizen
which is 2 durations of a rugby match
or a movie: there'a a beginning and an end...
a 1 duration system has no beginning
therefore has no end...
what would be a 3 duration dynamic?
oh **** me... i don't know!

Wild Crazy Hair

It’s a time of wild crazy hair
No stylists or salons
Everything is locked down
Due to a pandemic
It’s time to let it go
See what happens
All I can do
Wild crazy hair

It’s a time for no cuts
Except home made
No color
No shaping
No style
Hair growing like a ****
Wild crazy hair

It’s a time for little control
Of ones wayward style
Out of control
Trying not to look like an alien
Wild crazy hair

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