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ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .

if it doesn't come, coax it out with a
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.

keep it coming like a miracle.

ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
*****. hell, all our hearts are drowning in *****,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.

and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free *****-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!

poets.

and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).

they were born with money and
they don't have to ***** their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling ***.

this gives them time to understand
Life.

they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.

you are drinking green beer which you
brought with you
because you have found out through the years
that rich ******* are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.

and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.

he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.

he thinks that poverty is a weakness of the
soul.

he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.

he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.

you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.

you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.

he even has x-wives in some of his
houses.

his main concern is to keep his x-wives away from
you. he doesn't want to give up a
**** thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.

and!: they
WRITE POETRY TOO. or
PAINT. or
****.

but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.

meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.

the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
***** and
ignorant. *****? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.

he or they or somebody was supposed to meet me at
the
train station.

of course, they weren't
there. "We'll be there to meet the great
Poet!"

well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.

he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.

he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.

my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.

he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.

"I'll buy you barrels of beer," he had
said.

I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.

the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.

anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.

scared too. sure, I imagined him peering
through the window-
he didn't want to give up a **** thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the *** first and
my poor brain
later.

"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."

I see him published in some of the magazines
now. not very good stuff.

a poem about me
too: the ******.

the ****** whines too much. the ****** whines about his
country, other countries, all countries, the ******
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the ****** drinks seas of green beer
full of acid. the ****** has an ulcerated
hemorrhoid. the ****** picks on ****
"fragile ****." the ****** hates his
wife, hates his daughter. his daughter will become
an alcoholic, a *******. the ****** has an
"obese burned out wife." the ****** has a
spastic gut. the ****** has a
"****** brain."

thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.

Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.

and guess what?
he writes
POETRY
too!
Joseph Burley Sep 2012
The Lung.

The broken bone branches hang heavy off knuckled tree. As cold and uninviting as wrapped meat in cellophane prison cells and those sweating milk bottles left on doorsteps. Women cry with the blackbirds as day breaks, rousing their reluctant nests.
As the shadows trawl in from chicken farms and slaughterhouses, across the squalid estates and past a debt collectors party. A ***** drinks his soot like coffee and waits for another years tide to retreat. Holding pith less ambitions and unmentionable qualifications, stewardess pass, uniformed thoughts and averting faces..
The rusty playgrounds sink into the fermenting wood chips, and a plastic bag runs through the scene; only to commit suicide in the oil ribbon canal. The chemical clouds thicken into a duvet of sky whilst  arrows of a natural sun run home with tears of fear on their hot faces.
Down here the street lights flicker, and the patched uniforms drape off children sick with the flu that hit the school like a plague. Herding like cattle into the classrooms, to learn about the natural world
that is most unearthly to there reason.
Lunch bells ring from factories and the sky has drained to a sick -off white. The chip shop sells butties with no sauce nor bun, which machine like men guzzle and slurp.
The car parks lay stagnant in the distance and pigeons too fat to fly lay droppings on the bronze statue of a crying hero. As the roaring stops from the factories and high visibility coats are hung,  the sky bruises and the men fill the pubs, until wives with children hung on washing lines drag there sweat soaked frames to the table, only to indulge them in a row.
Night creeps in, bringing with it the hooded figures that flutter along the streets. Music plays from a vacant building and seems to brighten the night.
A silhouette is seen standing on the edge, watching the busses bellow run like migrating snails, filled with the elderly and too young.
Cigarettes infest the streets creating a carpet of ash and litter. The city survives, remaining grey, never blinking, never heard.
John F McCullagh Apr 2015
Once his kind were ubiquitous; Men and their ponies herding live beef
from the prairies of Kansas and Texas to the slaughterhouses North East
It was a hard life, but good, nights out under the stars; amusing themselves with a song.
There was beans and good coffee shared at the fire; The prairie wind blew sweet and long.
Then the trains came and life wasn’t the same and the cowboys all faded away.
Old Tex was the last of that vanishing breed; He’d tell me tall tales of those days
when he and his crew battled rustlers and snakes to see the herd safe to their doom.
His skin was like leather from the wind and the sun; his big hands arthritic and gnarled.
A roll your own cigarette drooped from his lips and his speech sounded more like a snarl.
Tex passed on last night, a blessing they say, to die in his sleep with no pain.
No churchyard for Tex, he will rest ‘neath the sod just out beyond the old grange
He was the last of a vanishing breed; a man to his quarter horse wed.
The land that he loved will keep changing above, but the wind and the stars never change.
Mark Blickley Feb 2017
Before the Dawn Of  Agriculture men like ME where slapped into the shadow of ****** shame but now who needs muscles or chiseled chins, great size or strength, a lover’s passion or a manly countenance ‘cause  for ten thousandyears now I  can persecute any female for infidelity towards ME  and hold paternity privilege over MY biological  children  because we exceptional farmers invented marriage to  destroy human sexuality  by enslaving women with MY property for *** so I no longer need to share or compete or settle for an alpha males’ sloppy seconds within foraging groups  that are forced to share what they carry  with them instead of our  enforced legal couplings that takes the innocent, primal pleasure and mystery out of *** by connectingshtooping  to birth thanks to dirt MY dirt MY very own thousand acres of seeded soil littered with pens full of  MY trapped sheep, cattle, goats and pigs which means I can pork any female  I fancy and  destroy any man who thwarts MY desire as simply as the bulls I castrate  into submission to easily herd  into MY  slaughterhouses that feed all the inferior people no longerdependent on their hunting and gathering skills but on ME to stay alive so not only am I not considered a sociopath by hoarding food but am praised at harvest time like a ******* Babe Ruth hero because I have legally claimed and legally ***** those precious few life giving inches of topsoil with rotating crops and extended grasslands that exhausts and shrinks the earth, MY earth MY reign of  forcing agricultural workers  to bend over in the fields, stupidly exposing hairless backs to sun poisoning  instead of their protective hunters’ heads of hair  harvesting MY food that shrinks the  testicles of everyone who is forced to feed on the  cheap calories of MY  industrialized plants and animals that lowers fertility, but who needs big ***** anymore when you don’t have to **** larger animals  in order to survive or attract females with your superior physical attributes proving I am the social parasite Sultan of Swat who grows fat on the food  I’ve  seized by stealingPaleo land in the name of government protected ownership.
bucky Nov 2014
you're screaming at me--"b-b-b-b-b-b-o-n-e-s"
death rattle of the century
now the floor, now the eyes in the window, now the fridge door
swung open
gateway to paradise
b-b-b-b-b-b-o-n-e-s
******* magnum opus
stutter-screech
blood blood blood in the streets
(blood blood blood in your teeth,
in your sheets
"******* christ, i want to **** you")
m-m-m-m-m-m-a-r-t-y-r complex
you're cruel.
now the casket wide open,
now the eyes in the windows,
now the showerhead, now you,
framed portrait, you,
"this isnt over,"
you, buzzing in my skull
(b-b-b-b-b-b-o-n-e-s)
quiet down.
wasp nest lying at your feet
bug, holy thing, germ
("this, this, this")
now the bed, now the covers thrown back,
now an empty casket.
theres no grace in slaughterhouses
no sweetness on the tip of a dead man's tongue--
******* death of princes, i could
devour you whole, i could
eat the oyster-world raw.
b-b-b-b-b-b-o-n-e-s
and a note attached to a javelin.
(and they'll say, "welcome to the end of the world")
all of my poems sound the same
JC Jun 2015
Dear DSM,

There is so much I want to say to you!
There is so much you ought to know!
You who live high up on medical Olympus,
You who live so that others may also live,
You who look down on us mere mortals,
You who look around and all you see is misery,
You who stand above the dark clouds of our minds,
You who stand for all that is noble,
Tell me, is my name written on your pale-white page?
Tell me everything is going to be OK!

There is so much I want to say to you!
There is so much you ought to know!
You who hold the secret alchemy of melancholy,
You who hold the keys to life and death,
You who preach a gospel of salvation,
You who preach though not all heed the call,
You who sing a song for the broken,
You who sing our song,
Tell me, will my soul be saved?
Tell me everything is going to be OK!

There is so much I want to say to you!
There is so much you ought to know!
I who long for your protection,
I who long ago gave up hope,
I who waited all my life for answers,
I who waited in long New York winters cloaked in bitter fear,
I am here now to testify,
I am here now my soul to cry!
tell me, what have you to say?
Tell me everything is going to be OK!

There is so much I want to say to you!
There is so much you ought to know!
We who float adrift along the edge of the abyss,
We now live while tomorrow no one knows,
We who wear many, many faces, though all are faded,
We who crowd the halls of hospitals and slaughterhouses,
We who call ourselves survivors while we still can,
We who are hopeless, helpless, sleepless and blue,
Tell me, who are we to blame?
Tell me everything is going to be OK!


There is so much I want to say to you!
There is so much you ought to know!
All things that must be said and done,
All things will fall into place at last,
All things we’ve salvaged, and all that we’ve lost,
All things we’ve left behind,
All these things that I must say to you now!
All these things you really ought to know!
Tell me now, will this voice be heard someday?
Tell me everything is going to be OK!

Dear DSM,

Until then,

THE END.
Jill Grady Jan 2018
With a bang or a slice a life is taken in a matter of seconds and put on your plate
Seasoned with salt and pepper you disguise the taste of ****** with a sizzle
The taste of death is a forkful away and if you just slather a sauce on it,
it’s like it just vanishes
****. With a cut of the rare muscle of a cow
Be the change, child. You can save them.
The compassion for a life is gone even though you scream
“I love animals” for everyone to hear.
Lies
That’s all I hear.
Splash. Pus and bacteria is poured into the bowl on sugary cereal.
“It’s a great source of calcium” they say.
I say it’s a great source of breast cancer taking years off your life.
Don't do it for yourself. Do it for them. Do it for their lives.
Please child.
Be the change.
The thousands of animals murdered in seconds.
Fun fact 3,000 animals die every second in slaughterhouses around the world.
1,
2,
3.
9,000 gone.
Is this a world you want to live in?
A world where animals are pumped full of hormones and antibiotics for the benefit of a meal you're going to forget about in a week from now?
Be the change, child. I know you can do it.
The alternatives are out there.
Use them.
Save lives.
Please child be the change.
You're the hope they have in their eyes.
Fun fact for your taste buds animals are kept in such small spaces so they can't move.
It tastes better, right?
No.
Alexandria Black Sep 2013
Nighttime
I’m staring through the eyes of a monster
No control
His movements are not mine as he stalks
A victim
She stands there unaware of his presence
Too silent
He’s upon her without a word as I try to scream
Bludgeoned
Brown carpet turns black as she quickly becomes nothing
But a stain
I scream in silence again, helpless as he reveals her form
My mother
Dead from hand and hammer, I want to cry but I don’t own these eyes

He knows I watch because he wants me to see
He’s silent because he knows I’m listening
He acts because he wants me to know

His purpose
To tear down my life until I’m buried in its rubble
Forgotten
In my grave that I must share with his conquests while
He’s building
A teetering tower of friendly familial blood and bone
I must watch
As he goes on to place to place, home to home
Slaughterhouses
They become. Walls repainted red, carpets blackened
My loved ones
Reduced to nothing in several silent sloppy seconds
I struggle
But I can do nothing; I’m a prisoner in the mind of another

I want to scream but these lips do not move
I want to run away but the feet move forward
I want to look away but he makes me see

Flash of light
I’m standing in the middle of the forest
Finally free
I see a light in the midst of the dark dank dead and run
A house
I recognize it but I cannot place it in my mind
Not alone
I look at the road behind me and see the monster I was
Terrified
I just stand; my eyes are liars for what is there cannot be
I’m paralyzed
Fear runs through my veins, chilling the blood and freezing the bone
Knife in hand
The monster moves forth, vicious visage illuminated
My god
It’s me; standing there coming forth like a storm on the plains

He looks like me but my eyes beg it not to be so
He moves like me if I could command my feet again
He sounds like me, I know, though he does not speak

I can move
I end up in his path but he is undeterred
I am nothing
In comparison, I am but an insect trying to stop a dragon
I am begging
Screaming at him, to leave her alone and take anyone else
Who is her?
I know but my muddled mind won’t share the knowledge
He keeps going
So I fight. Strike myself upon the jaw but it is but a pinprick on a god
Fighting
For the very soul of the woman I know not from the devil I have become
Uncaring
The monster just walks until I become an annoyance and he strikes back

His knife is buried in my gut up to the hilt
His eyes are dead, dark reflections of my own
His expression is empty, caring not for this easy victory

Nighttime
I lay bleeding against a tree watching a monster
Forgotten
Slipped from his mind like yesterday’s shopping list
A house
He enters and I hear her scream while I die defenseless
Who is her?
I try to remember but all that comes forth is a migraine, I feel
Bludgeoned
Like my mother at the hands of the monster. A tear falls
My loved ones
Lie in shambles as the final structures of my life crumble
My god
Why must I die here in a tomb of sorrow constructed by myself?

I awaken, terrified, feeling for a wound that never was
I stagger, terrified, to the bathroom, washing my face of the nightmare
I look up, terrified, for I do not see myself in the mirror
I only see that of the monster and I’m terrified
Because he is smiling
anything    that       is,
must   bear light —

transitory, translucent: perhaps, winged
  and conscious of space, mindful of turn,
sizing down height. vertigo of all that,
   shining no ambivalence.

this   is the way my world will end:

the room still reeks of sour mash —
   Pablo the dog, oblivious, marble-eyed,
yet some pitch-black hound's awakening
   from steely sleep.   the pages will
fall flat on the doorstep unannounced—

   it is difficult to   imagine angels.
  it is difficult to    deal God's infinities.
    they are each to their own
           faults.
  heaven is    meant to scar. still drunk
     in fearfully fretting butterflies
     tilted in slaughterhouses   screaming
       ****** against the crowd.

    there will be no falsetto claim to
  sovereign —    a drop D, e minor chord
      on the guitar, strumming, swimmingly
  discolored    and only resounding.

— The End —