(Scene:)
The Victorian house painted brown with red shutters, a porch that’s large, a white porch swing and a purple rocking chair on this porch. Where grandmother Daisy may sit when the day is sunny or rainy. The house is on a side street covered up and down with trees so green that even in the coldest weather the leaves look as if they are still blooming. This place is called Applewood Road. To see the dark black paved road late in the fog covered night, there is a bright Victorian street lamp. A woman named Daisy the granddaughter of Nelly, who has spent most of her life going to college and having to struggle with learning and finding a place to belong.

Lawyer: writing to Nelly telling her of her grandmother’s death. Giving her news that all her grandmothers’ assets and property are hers.

Nelly: realizing she does not need to stay at college.

(Narrator):
  Due to this unexpected news Nelly has decided to quit college and move to her grandmother’s place. When she gets there she sees that on this property there is the house and a smaller building that could be turned into something else, so she decides that she will as the new owner opened an herb shop called Crystal Fairy.

Nelly: [places fliers around the town.]  I will be open for ten hours every day at Crystal Fairy selling my plants and herbs.

(Narrator):
This being Nelly’s first day opening her business, she sees that she only has three customers.
Enter Lorelei: she brings her purchase up to the counter

Nellie: oh, lavender! Do you know the properties?
Lorelei: I just saw it and the smell reminded me of a perfume my mother wears. Why is it useful for something else?

Nellie: yes!  It helps with cuts, bruises, and also functions as an antiseptic.

(Narrator): Ollie enters the store. Looking around at the plants.
Ollie: looking at the lemon balm plant. I think I’ll buy this one, going to counter.

Nelly: you wish to buy this?

Ollie: yes!

Nelly: Very well. Do you have any questions about the plant?

Ollie: yes I do.  What are its healing properties?

Nelly:  it helps with anxiety, insomnia, wounds, insect bites, and an upset stomach. It also speeds the healing of cold sores,

(Narrator):
In the back on the far left side of the shop there is an older man wearing plain black pants with a red shirt; he is looking at the plants on the shelf to his right. His name is Samael. He turns around and looks in Nelly’s direction.

Samael: this plant called chamomile what are its properties for healing?

Nelly: Samael this plant can be used for infusions and salves to relieve indigestion, colic, skin inflammations or irritations to the skin.

(Narrator):
Samael turns away because he sees the other patrons waiting to pay their bills and wanting to leave. Knowing soon that he will be all alone in the store with Nelly you can feel the tension building from him and the excitement rapping its way around his mind because of what he is thinking about. Just at this moment Samael plans out his plot to ****** Nelly. Samael looks around to see what he can use as his ****** weapon, he finds a heavy ceramic-clay bowl that he intends to use. To hit Nelly over the head. He makes sure the store is empty and that Nelly has her back turned so he can lock the door. Once the door is locked he pulls down the window shades. Once this is done he turns in her direction while her back is still turned.

Samael: [hitting nelly over the head]

Nelly: ouch!

(Narrator):
She falls to the floor!  Samael starts talking loudly.

Samael: I’m going to rip her blouse and jeans apart.

Samael: [Tatter… rip………]

(Narrator):
He wants to show her how much he loves her and to show her that ignoring him and his presents will only ensure their relationship.
Nelly: [staring at him with utter fear].

Samael: [he pulls a blade out from the back counter and puts it to her face].

Samael: I’ll cut your pretty face then no one will want you or look at you. You will have to come to me for comfort I’m the only one who will understand.  

(Narrator:)
Nelly looks up at him crying and pleading for him not to hurt her, that she does not even know him so what could he be talking about? Suddenly Samael reaches for her and strikes out at Nelly’s face, leaving a bruise that causes her to scream out in pain.

Nelly: [ouch!] Please don’t no more.

(Narrator):
There is a sudden silence as Nelly realizes that Samael is crazy and nothing she says or does will make a difference. As Nelly remains on the gray tile floor of her shop with Samael hurting her, she gets a sudden burst of energy, and she starts to fight him to break his hold over her.
Nelly: looking around where she lays for something to use as a defensive weapon.  That will allow her to free herself, to get to the green wooden door of her shop.

(Narrator):
Seeing a statuette of a flower in a *** Nelly grabs for it. She slams it into Samael’s face. Gaining her feet, she runs to the door trying to open it in order to scream for help.

Nelly: [screaming at top of her lungs].

Nelly: [ha………]

Nelly: help! Help! Somebody help me please!

(Narrator):
Samael stopping her, throwing her hard against a red wooden shelf. Then taking this same statuette he hits her even harder than before, only to realize that he has just killed her. The sound of Nelly’s fall so close to the door causes the neighbors near her property to turn the lights on in their homes.

(Narrator):
Samael: [seeing the lights turning on in the neighborhood becomes scared. Running for the metal door in the back of the store, he takes off down a dark alley way. Just as this happens, Lorelie, a neighbor and friend, opens the store’s front door. Coming inside, she steps forward to turn the store lights on. Suddenly seeing Nelly’s body lying on the cold tile floor with her head smashed in, her body at an odd angle because of the way she is laying and blood pooling around her, she also sees strange foot prints that don’t belong, and then she screams.]

Lorelei: oh! Oh my god! Oh what has happened?

(Narrator):
Lorelie’s screams cause Ollie, who lives across the street, to come running over to the store. When he gets to Lorelie’s side he sees what’s wrong and starts looking around trying not to disturb anything. As he is looking around trying to find out what has happened to Nelly he turns to Lorelei.

Ollie: Lorelei call detective Walter he will help find Nelly’s murderer

Lorelei:  pick up the phone calls detective Walter

(Narrator):
Ollie continues looking around the store. He finds the ceramic-clay bowl broken, and the statuette believing that in some way they are the answers to Nelly’s death or at least a start. Turning back towards Lorelie, he sees that Walter is coming up the street with Beatrice, his partner. Ollie goes outside to meet them. The detectives come into the store called Crystal Fairy, seeing the dead body of Nelly. Like Ollie, Walter starts looking at the scene around him noticing specific things. The turned over book case, the broken bowl, and the busted statuette, but most of all the back door gets his full attention because that’s where the ****** footprints lead. Leaving Beatrice behind to ask questions

(Narrator): enters Walter

Walter: [following these footprints outside and down the back alley. These prints lead him to a house’s back porch. There he sees more ****** prints and comes to the idea that the person who is responsible for Nelly’s death is inside.]

Walter: going into house [squeak- silent slam]

(Narrator):
Inside the house looking around, listening for any sounds and sudden movements. A sudden sound catching his attention, he looks up to see a cat jumping from a window.

The cat: [thump, bang thump again]

Walter: [making his way down the hallway and up the stairs, sees a door to his left with lights on.  It opens with a slam.]
Sound of door: [crash…]

(Narrator):
Samael rushing out at Walter with an iron bar.

Samael: [swinging the bar. [Swish……..] missing]

Walter: [stepping back, moving out of the way].

(Narrator):
This causes Samael to stumble and fall down the stairs, crashing to the bottom.

[Enters Beatrice]
Beatrice comes through the front door she sees Samael and goes to check him out. Walter and Beatrice pick him up off the floor, waking him up; this causes him to start confessing to what he has done.

Samael: [tells them that he was only trying to show his love to Nelly, but that she wouldn’t listen and thus he had to **** her so he could have her to himself. He didn’t want anyone else to love her or for her to love anyone else either].

(Narrator):
The detectives hearing this confession look at Samael completely surprised that he would confess so easily and without having to be drilled about the truth. But what gets their attention is how he confesses.

Samael: I love her; she would not see me or love me back. I just want her to see me.

Beatrice: So you frighten her and torture her, then **** her.

Walter: Beatrice, he’s crazy can’t you see that. We’re wasting time.

Beatrice: I know he’s crazy. I just feel sad that he could be so stupid and think that killing someone shows feeling for them. Poor woman, she was so young.

Walter: From what I could get from the neighbors, Nelly had just moved here after her grandmother’s death due to inheriting everything. Her life was just getting stated.

Samael: I love her; I’m the only one who can.

Walter/Beatrice: Will you shut up already! We get it. You love her so you killed her.


                                                                The End

The Macedonians in this spectral fight would spend their last efforts to reach the heart of Vernarth and Alexander the Great, to try to ****** and defeat them from their captaincies that challenged Asmodeus. The colossal figure of the converted Sapsila had a longitudinal figure from head to toe of approximately four kilometers, all the maritime lines of Leros, Lipsi, and Pireas housed him in the hemisphere of contemplation where his skeleton was more sensitive than the geographical area of Sapsila, where the Achaemenids approached the longitudinal pectoral of several kilometers in length, pointing out the effigy of an immemorial Hoplite sedimented in this region where the feet rested at the height of the southern hemisphere of the feet of the corresponding Nótos and Vóreios that corresponded to its head. The Achaemenids reached the exact diameter of Vernarth's pectoral where it had the admission of the energy of the Kassotides, the same entrance hole that it had with the elder in the Bumodos, ad portas of the Gaugamela stage. Here his exoskeleton was transfigured towards the monastery of Atros with the cognition of the Katapausis, which led him through the hiding place of his epistíthios breastplate or iron and bronze breastplate, which exemplified how it was erected after the Achaemenids dispersed over the nearby line of Skalá. , where they will arrive with the Psiloi, for the purposes of raising the phalanxes that will lift with their feet the colossal figure of the Psiloi being nothing less than an archetype of Brisehal in the desolate Dasht-e-Lut desert, being from unpopulated places of devotion that again he was emerging from the empty glow of the Profitis Ilias. The specters abounded wandering alone as if trying to grasp the last sparks of the politics that remained for them to surrender from their own unencumbered solitude. Brisehal was a mountain with a canine head similar to Anubis, but millions of times larger towards the top and acid, like the hope of regulars to enter the garden-kingdom of Heaven. Before the day trembled with the movement of his trembling mocking strides, that Brisehal was from Das-e-Ruth from Arbela shaking day and night, embodied in the body of Vernarth, like the bombast of the archaeological sedimented hoplite of the Subclavian Kabbalah demarcating the entire pedestrian propulsion dynamics in the Achaemenids by his rib when he was soaked in Samael's silica, since he had been given a superior potion to close the Vernarth pectoral hole, and which has not yet been transplanted by the Kassotides. In such a way that all his anatomy would border the anatomy of his body gigantic free from Asmodeus, and from the whole cycle of tons of breaths of the shadow that conceived sparks of Shemesh on them, to revert the potion of Asmodeus to the degree of innocuous elixir.

Consisting of the voluminous being stretched out in the midst of Gnosticism that declared the figure of its proverbial monstrosity to be erected, born from the consciousness of the sectarian origins that placed it after a being harassed by Samael for centuries and centuries being condemned to be stretched in non-clairvoyance of those who did not really love him and yes, with the great profile of venerating the sublime sky that he knows in front of his eyes looking at the sky that divides Grikos and Skalá, after it was time to get up for the purposes of the Battle of Patmia in the Seventh Heaven, from where Vernarth ran terrified by the Olympic archaeological excitement in which this buried being was, being the same one that represented the god that Saint John the Apostle had mentioned to him referring to Geburah; where all the serpents or basilisks protocolized appeals of revolt against Alehisebenech, the serpent that will transmit paths from Dash-e-Lut on all the heads of the Achaemenids, asserting the judgment of Gnosticism when they were incarnated by Geburah and lost their night vision through nocturnal curtains that this abnormal god of the mesosphere, who was trying to eradicate them from the roof of the Tabernacle of Faith, pointing out that the noble harassments became more inexorable with the counterattack for those who suffered temporarily from the stubborn blindness that this god Geburah forged, as a God who claimed the abilities of Mars to constitute the existential fear that would ultimately intimidate even the Islamist soul that resided in these involuntary beings, being a trophy of their instincts and losing the chrism of the Hoplites for the reason of filling them in the glasses of the room chalice of Elijah, even if they do not attend the Upper Room but may be judicious to exalt the glory oria that resides in the front of the colossus, who personifies the versatile power facing the left where he carried his Xiphos vehemently, trying to adulterate them towards the sword of Samael. The lights of the sea were appreciated in the bay of Skalá exhibiting the ardor of the breakers as the arrest of archangels that took cover to slide in the toppers that were expelled when the mass was finally raised, flickering from a forest of life that would protect the troops of Vernarth, expelling them of every scale that could lodge in a decapitated teacher, being able to come sooty and representing in the Muslim Iblis that he would exchange the eternal nocturnal light, in advance when the first movements of the troops were unleashed, while some were in the stillness of the bonfires. pointing out the glimpse of the Iblis that came quickly to shoot fire due to its excoriation, showing that just by looking into their eyes, the Vernarth clone judged him at more than four kilometers of elevation, causing dissension by trying to stun them. Once again the embryonic action of Alexander the Great would relapse on Vernarth, who was laborious among all the Syntagmas that were conglomerating from the Psiloi, and already on their boyar horses, infants of the Ida and the newly developed wagons of the epsilon, pretending to debate them in doubt of the Exodus. that resembled in the infinitive people that flee from the Shemesh that whipped them from their scriptural registers, on the hands of cherubs with their hands hold the reins, with the patriarchs with the twelve crowns of stars that shone as in the Nile linking with the Sea of Patmia.

There’s a picture perfect
moon in the sky and
all I can think about is
        you

(which doesn’t make sense
because the moon in the heavens and
all the stars in the galaxy have
nothing to do with you and I).

I think it’s because it was you who I
told all my secrets to,
you who I confided in—I think it’s because
I trusted you.  

Sometimes I look up at the cosmos and
wonder what type of angel she is
and then I wonder if I ever told you
my deep, dark thoughts about
what happened.  

I can’t remember.

My mind is as thick and heavy
as my tongue feels—
        fog
everywhere and I cannot see
where I am going, much less
where I have come from.

There’s something inside of me that,
like a caged dog, is awaiting to be
unlocked from its restraining bars and
I don’t know where to start talking without
sounding like an absolute madman.

I think that this poem has transformed from
a few lines about you to
a few lines about her and to be honest,
I don’t remember the last time
        I wrote about her

(but I guess I should try).

I was a child when I first went to bed
and a teenager as I turned in my sleep—
we could be twins, she and I,
with our closed eyes, and
visions of stars at night and
        pale complexions like
the sand on the beach basking
in the glow of the hanging moon.

I wonder if she met Samael.
I wonder if he was nice.

They told me how much I looked like her;
they gushed about how we had the
same personality, same sense of humor,
but I didn’t want to hear a word they said—
I don’t think I could stand to look
myself in the mirror if that were true
because it would be a constant reminder of
        her
and I don’t want to be reminded.

I think that we all start off as angels and
that somehow we end up here,
bound down to a life full of interactions
and paths to cross and plans to make;
I think that we all finish as angels and
that somehow we end up there,
no longer a single form and single being,
we become infinite once more.  

But then I remember that even Lucifer,
himself, once wore white wings and I think
that sometimes we’re no better than him—
that I’m no better than him.

I hope Raphael can fix us and
I pray that Uriel can set us straight
because in this aphotic world, I want
to be able to see straight down into
        into the abyss.

I want to see you through unbiased eyes and
hear you through impartial ears the way
that I used to be able to until that night
outside your house.  

I want to tell you all of these things I think
about the two of us—
all these things I think about my
        mother
and that night and those days
in which it happened.

Just please don’t clip my wings.

Refuse to call her Sensei falsely,
Respect a quality untimed to a technologic beep,
a beat more ancient than the tribal drum flow,
a wind more cold than the the Summit in Winter

flying Panthers as I walk through the door of my dreams, rolling over never a choice a gym dreary, rolling over never a choice a hymn ready no longer, resounding a frequent smile in simile, my two pairs of winds high in might bathe detritus with delight feathers at my finger tips, my eyes see me as my own Polyhedron and geometry, spiraling in a torrent of heart beats, charging my batteries for three years a hundred sixty-six weaknesses feel the eel's surface carry my mind's liquid purpose no knowledge for certain that the folks to my left knew the light of tomorrow hands intertwined homogenized in ****** desire function scarce Scarab singing Jazz music freely the dirt rotates feeling the stampede atop the Earth the near challenge is knowing who's shadow is whose or the ortho- light casts veils of it's own.

The soul's propose it's own flow the ego a serpent hungers forwards slithering towards the greens with flames on it's breath seeing the birds take flight above head a prey uncaught until evolution is now leaning towards radio hearing the frequent tunes as ribs to the cavity of a god's chest emanating the tree as high as Saturn the rings around our hands, the halo above His head, the debris collects the King in his Place. All are racing space to the widest in diameter, the scope of a day only governed by the light's loop around our perspective of "el dia y todo el mundo" as he please he moves as he moves he pleases, the winter cold cries for dusk earlier and earlier whatever takes to be the (one)Tidal a lunar crescent in hand bearing Psyche as a Moon as the key to stand, Hope lives in the dark, I pander a door around the corner lives the Lucy painting her soul's truth daily ignoring the outside chronology and the trigger of social trigger, Quickness to cut through and the jungle of introverted hyper-defensiveness I carry the torch of ages through my genes trenches giving in Lapis Lazuli and the Brew he brews, Pick an arcana and Spit on the text before you read the book backwards and burn the pages on around or atop of aQuirkiness of quarks as I part eyes elementary in school zones ticketed for seeing the invisible truth- daring to run for the North to south soon to dissect into the tree. Self a fear, a fear a self force seeks wrath angelic as Templars Archon for King Jame's Ire. Breed a triplicate not shadow nor shade, a vision neither Light nor Astral but a Visage of the Sane, an Image of the Same, a Nephilim of Samael, an interest of the Identity of Unknown total to the Matrices of the Evils of Man

i didn’t understand you–
i don’t think anyone did.
i don’t think anyone could.

you were the wrath of the lamb
and the rib of Adam,
you were the burning cherubim by
the savage Garden,
you were Samael and Apollyon,
brooding in Gehenna  

you were a god and a devil,
and i’m afraid
that i never found out who
won, in the end.

when you loved me,
was it because you knew who
i was or was it because
you knew what i would become?

I feel like the first fallen angel.
I know how Samael felt.
As Lucifer he cursed the stars, at his rainbow’s end
There’s no *** of gold.
To live out his time;
With nothing to gain…
Oh my Lord; I could feel that pain.
And though it damns me to God, I would heal that pain.

When there’s no place  left to hide.
Nowhere left in my God’s eyes, we surrender to;
The deadliest Sin.
The Sin Of pride.

Would it hurt so much to hold me?
Would it cause you so much loss?
I know what’s gone wrong
And I know who came last
But I was so busy with changing the past
Then I,
I looked to heaven for guidance,
And all that I found there was you.
This sin was a cold satisfaction
We fell where atrocity flew

When there’s no place left to hide
No place left in my God’s eyes;
We surrender to the deadliest Sin.
The Sin of Pride.

Zen sued from the start
an optimistic mystic puzzle
mist frustrated, visualized

in did I go, enter the smoke
once flown the clocks stop
a clash of whose-whose happens

an individual choice resounds
color dutifully, create playfully
or else Samael takes the blame

a detail baffles are met

The attempt to take Patmia was unleashed at once, being protected by Macedonian ghosts including Alexander the Great who came with the melted Xiphos, and who were materializing before the confrontation with the enemies with spirited herons that tried to simulate a greater number of charioteers and steeds than they outnumbered any beast that tried to dominate them with unbridled Cyclops heads. The living half-dead were severed lying with ailments in the newest ranks that epitomized the syntagma of the Macedonian phalanx that was fired by the adjacent slopes in the grooves of the groves near the current Atros monastery, from a high altitude the Achaemenid troops were violated, with their tassels and strawberry trees that made consonance in the labaros, by countersunk washers resurfacing impregnable, and leaving the zephyr of the Thuellai revolted in Marian dispositions that were already beginning to lecture the Persians, with mosaics that resembled iridescence and cramps of expiration, leaving great gestures in the current Roman villa with its archaeological remains, which they would always judge by being willing in the impulses of good and evil, with Apollo who was instituted in a megaron and who would rally all who were forever to follow him and never return, by the stranger keras or side of this improvised framework, where Wonthelimar appeared that e He was in the train of the repertoire of the stalactites of the Chaliotata caves, also splendid in the cave of Drogarati with magnificent glories that allowed them to get lost among the cliff, and attack the Persians from the rear, until now Wonthelimar great expert of the Speleothemes he came from the cave of Melissani in Kefalonia, having them harassed.

The Macedonian Phalanx was commanded by Vernarth and Alexander the Great, bearing in mind the unmistakable strategies of Philip, to win back praise for this decisive Hallenic feat by preempting an eloquent interference by Iblís god, and with his offspring of difference and honor in the Greek possessions with spearmen, pikas and cavalry charges that Alexander the Great would command. The Koilé Aspis was blessed by the Herophilla Sybilla who retrogradely brought the same scattering referring to the Trojan precognition, ordering all the Hoplites to reinforce the cheek pieces with the upper point Koilé Aspis, rolling up the iron plate of the helmet that hung from the left arm. as the sinister that made a plethora of the Zohar and its Kabbalah. The line of the Psiloi anointed the torsion hinges of the keras on the starboards of both light cavalries, one commanded by Kanti and that of Aftó, Alikantus leading Vernarth from the Dyticá. The Hypaspists went in the direction of irruption with all the gravity of the ***** with the heavy cavalry, taking refuge from the heavy Phalanx, next to the right-handed Taxiarchy that sheltered the machines of the enemy troops together with the allied infantry. Towards the side of the sinister, the Syntagma curved with the troops of Thessaly attached to the palfrey of light infantry. From all ends, the Sarissas praised each other in the upright angle that made fearful growth or start-ups even whoever raged them with guttural attributions on the slopes not far from Mount Atros. After the fiftieth of Laodicea, the ranks dropped apexes that exceeded by more than four meters above the shoulder of the arrow brotherhoods that would allow them to deal with their short swords, surpassing the stagnation of the Theban hoplitic phalanxes, thus creating again the embarrassment of the Persians that pale they gave themselves to the pikemen when they were surrounded further from the fifth row of the essence of Vernarth with more than 256 warriors in the Syntagma of Income. This time the science of linking with the Duoverse and the Codex Raedus would extend the myriad of 64 Patmian Syntagmas, which were exacerbated by the syntagamatarchos, being ruled in the soldiers of this row until frisking the pairs of the last soldier called Enomotarchos. Here Vernarth with his horse Kanti reinforces them through the even and odd ranks in the containment of the 32 soldiers, towards the commanders of the eighth peat from the right of a Lochagos. The formation of the two Keras of transition would finally constitute the 32 syntagmas until bringing together the 8192 mesnadas that were rising from the silica with the trumpets to enter the Phalanx with the only war machine in this edition granted by the accentuated voice of their steps, together to the gadgets of their weapons, and Faith that resembled them in the Phrygian morrions for the distribution of a tactic that would not be winning by spilled blood, but by the immovable stamp of the gangs united in their tactical approach, always leaving them in sight of the leonatus that Vernath and Alexander of Macedonia wore, and that no head would contain the smoke of truth where they were secured with a hint of horror, only two minimalisms of light would contain them from the rigor of blindness of the Geburah, later iterating the oblique line that would be a predilection of the cavalry and the subsequent forcefulness of the capital sentence, without attempting any overturning or abrupt windlass d e the sides, so as not to tear the quadrangular gradients of their spectra that used to be prematurely out of square. They strengthened the clubs that split over the four meters of Aurion, to nail them the devil that came from the sky to begin darkness that left the phalanxes uncovered. Unraveling the vines of the demon that tried to entangle them by the superior sight of their leaders, turning with their Koilé Aspis and giving them quick intrigues of protection in motion, essentially pivoting the consecrated Hammer and the Stiletto Anvil that it spurred taking them to the shortcuts with its weak arms to at the expense of the Hetairoi, making them the corollary of dominance and apprehending them against the Pezhetairoi without being able to stop losing the substance of epidermis that could continue or renew due to instances of radial photophobia that cornered them from north to south, taking them dozing where many would-be shaken by Rains of odd starts that will corner them above the flashes that will be reflected from the germinative bases of the Atros monastery, imprisoning them by the sabers in the curves of the Machaira. The wounds will cause a great spiritual wasting creating watches in the remnants of the Syntagmas of some chariots that were wrapped between the last rows, without any prostration that he quickly left and no edge that cut into any collapse of conviction.                      

The Achaemenides were surrounded in the ellipsis of the silica and the future Atros monastery, towards the systematic doctrinal obedience through the resignation of the Seculorum, until then that abhorred Palestine, hearing from afar a strident cacophony that was dramatic convincing, with embalmed edicts of some chronicles, which began to speak in multilateral parapsychologies, which were fading to the edge of the Caucasus, where the fawns diminished their preservation muscles with the giant warriors who tried to capture with their fatigued human eyes.

Saint John Says: “I hold the masters' staff in my hand, they inhibit their apprehensions by squeezing the same tree with their hands, and then making them more flexible when the fawn carries a distance that is difficult for a human to try, even though it is the best hunter towards the flank. right where the last phalanxes turned the heads of the donkey, to avoid attracting the fawn and remain recluse in the siege lances, letting the fawn pairs of the herd carry it "

In this way, it was glimpsed how the Persians' megalomania and weaknesses were castrated in their glorious crowns and heads, which moved them uniting them in the veil of the divinity of Israel where what was founded will be refounded, where the promises will speak for the righteous who stumble. by allegories remained on the battlefield, and not by the stocks or their limbs lacerated by the same adversaries who testify to a greater Apocalypse, who strides and testifies to Asmodeus in what is not confessed, emerging from the imageology in two impossible altars of living together, if one is not there or is distancing oneself by making them believe in the unfolding of half bad compromise, and of flagrant before Samael's henbane.

I wake suddenly with a start
knowing something is there.

Out of the darkness there is
the sound of mighty wings.
I can feel the air stirring
around me at their beating.

Suddenly, in the room, there
is the smell of rotting meat.

I am afraid..

A feeling of utter finality fills
the room where I lay and I
fall from bed and to my knees
bowing my head in acceptance.

With certainty I know that
he has finally come for me.

Samael..........Death's Angel

I search my light when i suffer most
on the shiny days  i do forget
when the dark comes i am lost
i seek forgiveness and bow my head
i did purify my soul and asked the ghost
where to rest and share my bread
i saw the light and did not boast
i open up my hungry heart for light
i hope to feel in secrecy the divine love
comming from the light of christ
as an answer he send a  dove
to cheer me up in the lonesome night
i did share my bread with my winged mate
in return i got the power of  wisdom and good
So the doomed souls of Samael  will hate
the power did rescue me from devil's brood
friendship will come and evilness will bate.

And if the beasts devour each other.
Who am I to stop them?
Tearing at the throat of a rival billionaire.
I revel in the blood.
The gurgling sound of all their immoral.
Decisions, spoken through broken voices.
To deaf ears.

I cheer on the cannibalism of the bear.
That threatens my life, my reason to be.
I glory in the suffering of the beast who had me by the neck.
I encourage the misery.
I flatter the thing which brings salvation.

And, I know deep in my traitors heart.
I will skin the beast that devours the bear.
Consume its children.
Eliminate its seed.
If even given a chance.

Submission comes with hidden knives.
Poisonous potions and other schemes.
I am no hero.
No honour to be found in me.
I've lived my life in desperation.
Fear and darkness.

But, if all the conditions are set.
I'll **** every beast in the valley.
Unfortunate enough to get too close.

I'm a snake in the grass.
You knew I was an adder *****.
Why did you let me in?
God won't stop me, so doesn't God consent?

You get what you deserve.
In the Kali Yuga.
And, me, I'm Amram.
******.

Mahakala will destroy in time.
Abaddon will be let loose and obliterate the wicked.
Samael will be crowned king of Satans and wreak havoc..

Until Azrael whispers the final word.
Death has come.