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Ike E Davis Jun 2021
She doesn't mind the trailer
Or the brand he smokes
She thinks about the car she wants as she sits waiting
for the bus
She does her wash at her folks house and her pop doesn't understand
why his daughter stays with such a man

Here in Omaha
She dreams of a better life
In Omaha
She struggles to get by
Here
in Omaha

Another pay check he cashed and spent down at the casino he gambles with the rent
She may have to work some doubles to pay for this weeks food bill
When you're eating for two you do whatcha gotta do

In Omaha
She dreams of a better life
In Omaha
She struggles to get by
Here in Omaha

She told him he'll be a father
And he demands a test
To prove he's the daddy and show her unfaithfulness
She takes a small bundle
of her things
and goes away from him
to live out her dreams

In Omaha
Here in Omaha
In Omaha
Here in Omaha

A young man sees her in distress he asks if she needs help and she tells him yes

In Omaha
RED barns and red heifers spot the green
grass circles around Omaha-the farmers
haul tanks of cream and wagon loads of cheese.
  
Shale hogbacks across the river at Council
Bluffs-and shanties hang by an eyelash to
the hill slants back around Omaha.
  
A span of steel ties up the kin of Iowa and
Nebraska across the yellow, big-hoofed Missouri River.
Omaha, the roughneck, feeds armies,
Eats and swears from a ***** face.
Omaha works to get the world a breakfast.
omaha is the capital of peyton manning
it is full of sights and wonders
its the best place that i have been to
i have never been to omaha
it just sounds so cool
o0oooooooooooooomaha
oooooooooooooooooomaha
the call of the omaha
oooooooooooooooooomaha
omaha is located 20 miles north of the north pole
so you should take a visit
i think theres a hotel there
so yeah
oooooooooooooooooooooomaha
Into the blue river hills
The red sun runners go
And the long sand changes
And to-day is a goner
And to-day is not worth haggling over.

   Here in Omaha
   The gloaming is bitter
   As in Chicago
   Or Kenosha.

The long sand changes.
To-day is a goner.
Time knocks in another brass nail.
Another yellow plunger shoots the dark.

   Constellations
   Wheeling over Omaha
   As in Chicago
   Or Kenosha.

The long sand is gone
      and all the talk is stars.
They circle in a dome over Nebraska.
Jim Sularz Jul 2012
(Omaha to Ogden - Summer 1870)
© 2009 (Jim Sularz)

I can hear the whistle blowin’,
two short bursts, it’s time to throttle up.
Conductor double checks, with tickets punched,
hot glistenin’ oil on connectin’ rods.

Hissin’ steam an’ belchin’ smoke rings,
inside thin ribbons of iron track.
Windin’ through the hills an’ bluffs of Omaha,
along the banks of the river Platte.

A summer’s breeze toss yellow wild flowers,
joyful laughter an’ waves goodbye.
Up ahead, there’s a sea of lush green fields,
belo’ a bright, blue-crimson sky.

O’er plains where sun bleached buffalo,
with skulls hollowed, an’ emptied gaze.
Comes a Baldwin eight wheeler a rollin’,
a sizzlin’ behemoth on clackin’ rails.

Atop distant hills, Sioux warriors rendezvous,
stoke up the locomotive’s firebox.
Crank up the heat, pour on the steam,
we’ll outrun ‘em without a shot!

‘Cross the Loup River, just south of Columbus,
on our way to Silver Creek an’ Clark.
We’re all lookin’ forward to the Grand Island stop,
where there’s hot supper waitin’, just befor’ dark.

On our way again, towards Westward’s end,
hours passin’ without incident.
I fall asleep, while watchin’ hot moonlit cinders,
dancin’ Eastward along the track . . . . .

My mind is swimmin’ in the blue waters of the Pacific,
dreamin’ adventures, an’ thrills galore.
When I awake with a start an’ a **** from my dreamland,
we’re in the midst of a Earth shatterin’ storm!

Tornado winds are a’ whirlin’, an’ lightnin’ bolts a’ hurlin’,
one strikes the locomotive’s right dash-***.
The engine glows red, iron rivets shoot Heaven sent,
it’s whistlin’ like a hundred tea-pots!

The train’s slowin’ down, there’s another town up ahead,
must be North Platte, an’ we’re pushin’ through.
Barely escape from the storm, get needed provisions onboard,
an’ switch out the locomotive for new.

At dawn’s first light, where the valley narrows,
with Lodge Pole’s bluffs an’ antelope.
We can all see the grade movin’ up, near Potter’s City,
where countless prairie dogs call it home.

On a high noon sun, on a mid-day’s run,
at Cheyenne, we stop for grub an’ fuel.
“Hookup another locomotive, men,
an’ start the climb to Sherman Hill!”

At the highest point on that railroad line,
I hear a whistle an’ a frantic call.
An’ a ceiling’s thud from a brakeman’s leap,
to slow that creakin’ train to a crawl.

Wyomin’ winds blow like a hurrican’,
the flimsy bridge sways to an’ fro.
Some hold their breath, some toss down a few,
‘till Dale Creek disappears belo’.

With increasin’ speed, we’re on to Laramie,
uncouple our helper engine an’ crew.
Twenty round-house stalls, near the new town hall,
up ahead, the Rocky Mountains loom!

You can feel the weight, of their fear an’ dread,
I crack a smile, then tip my hat.
“Folks, we won’t attempt to scale those Alps,
the path we’ll take, is almost flat.

There ain’t really much else to see ahead,
but sagebrush an’ jackalope.
It’s an open prairie, on a windswept plain,
the Divide’s, just a gentle *****.

But, there’s quite a few cuts an’ fills to see,
from Lookout to Medicine Bow.
Carbon’s got coal, yields two-hundred tons a day,
where hawks an’ coyotes call.

When dusk sets in, we’ll be closin’ in,
on Elk Mountain’s orange silhouette.
We’ll arrive in Rawlins, with stars burnin’ bright,
an’ steam in, at exactly ten.

It’s a fair ways out, befor’ that next meal stop,
afterwards, we’ll feel renewed.
So folks don’t you fret, just relax a bit,
let’s all enjoy the view.”

Rawlins, is a rough an’ tumble, lawless town,
barely tame, still a Hell on wheels.
A major depot for the UP rail,
with three saloons, an’ lost, broken dreams.

Now time to stretch, wolf down some vittles,
take on water, an’ a load o’ coal.
Gunshots ring out, up an’ down the streets of Rawlins,
just befor’ the call, “All aboard!”

I know for sure, some folks had left,
to catch a saloon or two.
‘Cause when the conductor tallies his final count,
we’re missin’ quite a few!

Nearly everyone plays cards that night,
mostly, I just sit there an’ read.
A Gazetteer is open on my lap,
an’ spells out, what’s next to see –

‘Cross bone-dry alkali beds that parch man an’ beast,
from Creston to bubblin’ Rock Springs.
We’re at the backbone of the greatest nation on Earth,
where Winter’s thaw washes West, not East.

On the outer edge of Red Desert, near Table Rock,
a bluff rises from desolation’s floor.
An’ red sandstones, laden with fresh water shells,
are grooved, chipped, cut an’ worn.

Grease wood an’ more sagebrush, tumble-weeds a’plenty,
past a desert’s rim, with heavy cuts an’ fills.
It’s a lonesome road to the foul waters of Bitter Creek,
from there, to Green River’s Citadel –

Mornin’ breaks again, we chug out to Bryan an’ Carter,
at Fort Bridger, lives Chief Wash-a-kie.
Another steep grade, snow-capped mountains to see,
down belo’, there’s Bear Valley Lake.

Near journey’s end, some eighty miles to go,
at Evanston’s rail shops, an’ hotel.
Leavin’ Wahsatch behind, where there’s the grandest divide,
with fortressed bluffs, an’ canyon walls.

A chasm’s ahead, Hanging Rock’s slightly bent,
a thrillin’ ride, rushin’ past Witches’ Cave.
‘lot more to see, from Pulpit Rock to Echo City,
to a tall an’ majestic tree.

It’s a picnic stop, an’ a place to celebrate –
marchin’ legions, that crossed a distant trail.
Proud immigrants, Mormons an’ Civil War veterans,
it’s here, they spiked thousand miles of rail!

We’re now barrelin’ down Weber Canyon, shootin’ past Devil’s Slide,
there’s a paradise, just beyon’ Devil’s Gate.
Cold frothy torrents from Weber River, splash up in our faces,
an’ spill West, to the Great Salt Lake.

It’s a long ways off, from the hills an’ bluffs of Omaha,
to a place called – “God’s promised land.”
An’ it took dreamin’, schemin’, guts an’ sinew,
to carve this road with calloused hands.

From Ogden, we’re headin’ West to Sacramento,
we’ll forge ahead on CP steam.
An’ when we get there, we’ll always remember –
Stops along an American dream.

“Nothing like it in the World,”
East an’ West a nation hailed.
All aboard at every stop,
along the first transcontinental rail!
This is one of my favorite poems to recite.   I wrote this after I read the book "Nothing Like It In the World" by Stephen Ambrose.  The title of this book is actually a quote from Seymour Silas, who was a consulting engineer for the Union Pacific railroad.  Stephen's book is about building the World's first transcontinental railroad.   Building the transcontinental Railroad was quite an accomplishment.   At it's completion in 1869, it was that generation's "moonshot" at the time.   It's hard to believe it was just another hundred years later (1969) and we actually landed men on the Moon.   "Stops Along an American Dream" is written in a style common to that period.   I researched the topic for nearly four months along with the Union Pacific (UP) train stops in 1870 - when most of the route's stops were established.    The second part of the companion poem, yet to be written, will take place from Ogden to Sacramento on the Central Pacific railroad.   That poem is still in the early formative stages.   I hope you enjoy this half of the trip on the Union Pacific railroad!   It was truely a labor of love and respect for all those who built the first transcontinental railroad.    It's completion on May 10th, 1869 opened the Western United States to mass migration and settlement.

Jim Sularz
Saul Makabim Jun 2012
The sea is a disaster of churning
LCU's buck like horses
From behind is heard the guns of destroyers
run aground in the shallow channel
Sixteen men shiver though the air is humid
Fifteen men know
they die today
Guns erupt from the cliffside
geysers of flame and water erupt all around
Craft is tossed
moving at snail speed
As death slowly approaches
Tongues of flame flash from pillboxs
the first man falls
Useless helmet fatally flawed
The boy begins to giggle
he tries to light a cigarette
his thumb refuses to flip the wheel
The ringing ping of ricochets off the hull
a rhythm of massacre
tears of a soldier singing his deathknell
Bow meets beach
gate goes down
Into the surf the soldiers leap
Clothing and gear turns to wet suits of armor
that do not protect from anything
Everything is screaming
****** bits blasted back into the sea
from ruptured flamethrower
Waves crash crimson and ******
pink foam forms
sickly **** of slaughter
Men cut down like wheat
the horror not complete
until Kraiss and Goth
order retreat
By then
three thousand men
lie dead in the waters
To the victor the spoils
blood and death like no other
The end begins
on the red shore of Omaha.
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.
each man must realize
that it can all disappear very
quickly:
the cat, the woman, the job,
the front tire,
the bed, the walls, the
room; all our necessities
including love,
rest on foundations of sand -
and any given cause,
no matter how unrelated:
the death of a boy in Hong Kong
or a blizzard in Omaha ...
can serve as your undoing.
all your chinaware crashing to the
kitchen floor, your girl will enter
and you'll be standing, drunk,
in the center of it and she'll ask:
my god, what's the matter?
and you'll answer: I don't know,
I don't know ...
"Go on forth young graduates,

And show us who you are

You're now our future leaders

We know you will go far"

And so commencement ended

Pictures done and people changed

Now, off to private parties

All orderly pre-arranged

But four young girls stood waiting

Until they were alone

"Let's head out to the party

And tomorrow, we shall phone,

Each other and we'll organize

Our final tete a tete

We'll plan something so special

A thing we haven't thought of yet!"

So, they went their separate ways

And they thought of all the places

That would hold a fitting luncheon

For their girls group "The 4 Aces""

They all got home around half past five

And all slept till half ten

After breakfast, phones were ringing

As they planned to meet again.

They picked a little tea house

called "Flavored Leaves of Green"

They would meet for a tea party

They would really make the scene

A week today they chose to meet

To celebrate together

They'd meet for tea and cakes

Regardless of the weather

And one more time, they'd choose to wear

The prom dress from that year

Big frilly hats, and long white gloves

and all that froo froo gear

The day arrived and they showed up

All ready for their tea

The Aces all decked again

Their luncheon was at three

The girls all talked about their plans

Of school and summer work

Two would council campers

While the other two would clerk

They loved their day and played the part

Of ladies with no cares

They knew it was the only time

They'd dine here, to be fair.

The final act of these four friends

Before they left and packed

Was to sign a pledge between them all

You could say, a small pact

"In twenty years from this day forth

We'll meet again for tea

On July twenty seventh

Of the year Two thousand three"

The sheet was signed and on their way

They booked their reservation

The girls all hugged and said goodbye

To end their celebration

Now time went by as it always does

And each girl went a different way

But in twenty years, they all looked forth

To meet again that day

The firtst Ace, Jill, went on to school

And married while she studied

She lost track of her Aces friends

Their paths were slightly muddied

She went to school in Omaha

A vet she chose to be

Her marriage lasted fifteen years

And...well, children...she had three.

Andi, chose to work instead

She left town to chase rainbows

She knew that here, her *** of gold

Would be wherever she chose

She moved out to Chicago

Where she was a big success

She became a photo artist

With a Lakeshore Drive address

Cindy, well...dear Cindy

Married five times through the years

Each one was shorter than the last

And one....just fifteen beers

They chose to split the very night

They they chose to become one

He left with her head bridesmaid

And the catfight....it was fun

Cindy spent two nights in jail

For beating up her beau

And she really laid a beating,

In her words, "Upon that **"

Lucy, never did leave town

But she let on that she did

For at high school graduation

She was pregnant with her kid

Her boy was born at Christmas

She did not even tell his dad

He was off to find his fortune

And she sometimes wished she had

But, she made up tales to tell her son

Of who his father was

But, she never told the truth to him

And that was her son's loss

She worked around the village

Never really getting out

She did her best for her son Jamie

There never was a doubt

She loved this boy with all her heart

And so she chose to stay

She'd sacrifice her future

And she'd dream of "just what may"

have happened to her if she left

If he had not been born

But, to her, a life with out him

Made her feel sad, forlorn

Twenty years past by so fast

The Aces plans were set

Each one had hoped the other

Would not dare to forget

Allthough good friends in high school

They'd never kept in touch

They went different directions

Their new lives, well....were their crutch

Cindy was the first to show

So, she stayed outside to smoke

When a voice came from behind her

And she knew just who had spoke

Lucy, grabbed her arm

And then she hugged her really tight

At least two of the four Aces

had remembered, got it right

They went inside to grab a seat

And Jill came in behind

And over by the bar was where

Andi, they would find

They all dressed up and wore big hats

And prom dresses as a lark

And they sat and told their stories

Of their lives till after dark

They vowed that they would stay in touch

And that they would converse

They all agreed they'd talk this time

And nothing could be worse

Than twenty years of silence

Between friends like the Four Aces

Even though they lived such different lives

They missed each other's faces

Another pact was signed this night

But this one for five years

To meet again for tea and cakes

And they signed it through their tears

Cindy left to catch her flight

and Andi left as well

Then Jill got up and hugged Lucy

And then she bade farewell

This left Lucy all alone

At the table all alone

When a gentleman came over

And he sat down with a groan

"Your party was successful"

Lucy smiled at his words

He was the tea house owner

A collector of rare birds

She thanked him for the party

It was one she could not miss

And on her way out past him

She gave him a light kiss

For not only did the tea room

Belong to this kind man

He was also her employer

For, 'twas his kitchen that she ran

You see, now it's been twenty years

Since they went to lead their lives

Some becoming so successful

Some becoming moms and wives

But Lucy, never left this burg

She raised her son alone

And she'd worked at this small tea house

It was her second home

She did not have the money

To come in as a guest

But her boss, was a sweetheart

And he'd made this night the best

Tomorrow she'd be back at work

Making meals for those who came

To the "Flavored leaves of Green"

and she'd be Lucy, once again..
..
For Kelly....
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Terry Collett Apr 2012
They say three thousand men
Died on Omaha Beach
In 1944;
Far from their mother’s arms

And their father’s proud reach,
Brave men, who walked the path
Of death, paid the highest
Cost with their bone and flesh,

Another red sea was
This, coloured by rivers
From young men’s veins, lost limbs,
Lost lives, and battered brains,

And far from homes across
The sea and loved one’s touch
And kiss and hold. Such is
The price of peace, the cost

Of war, remember them
And the high price they paid
And where their bones are laid.
Poem written in 2010.
John F McCullagh Dec 2011
It seems the battle now has passed me by.
I walk unhindered on the ****** beach.
I cannot hear the screams of shot and shell.
I am immune and quite beyond their reach.

Some men I knew deploy a Bangalore
And blow a hole in ******’s grand defense.
Machine guns sputter but I heed them not.
For me the battle has lost all suspense.

My kit and rifle are light upon my back.
My rage is spent; I lack the urge to ****.
There are others who make up my lack
Here there’s blood in buckets to be spilled.

I meet a German, sitting on a rock.
His tunic bloodied there about his heart
He offers me a smoke and I accept,
Although I’ve heard that smoking isn’t smart..

We speak and somehow understand each other
As we watch our younger brothers play at war.
He apologized for his part in my ******.
I assure him that I’m not the least bit sore.

He asks if I’ve brought coins for the boatman.
I fish through my pockets and come up with dimes
With images of Mercury on the obverse,
rods and Fasces on the other side.
Shoulder to shoulder you bands of brothers landed.
Code name Operation Neptune was underway.
You noble breed, not knowing what lay ahead
Just knowing that your duty was called upon.
The bugle sounded, you all answered the call
nobly you waded those waters for all.
06/06/1944 was the day.
The largest seaborne invasion in history.
Yet, you brothers in arms were not caring of history making
Just making it to the beach, alive.
I can but humbly thank you for what you all did that day,
you that lived and those that died.
What thoughts must have played in your mind.
A lone piper played throughout, what courage you all displayed.
No wonder we that came after you, leave you feeling dismayed.
Many wars have been fought since, their courage is also undenied,
but, you, you thousands on those beaches showed the world the meaning
of pride, respect and warrior.
On the beaches of Utah, Omaha, Gold, Juno and Sword,
you carved a way in. To end the war.
Nobler people I doubt exist, and soon this 70th anniversary
will fade in time, but not that date of June the sixth (1944)
© JLB
06/06/2014
John F McCullagh Dec 2011
The markets up, the Markets down
For weeks it just meanders.
Alas, my stocks are always down
Each time I take a gander.

GM, Lehman, Citicorp
My broker bought for me-
And you can guess the net result-
IHe bought a yacht, not me.

Those friends who don’t avoid me
Say I’ve reversed Midas’ touch.
I don’t turn things I touch to gold
I turn gold into rust.

I’d heard dart tossing Simians
Can best the S & P
So I went to the Zoo this March
to consult a Chimpanzee.

He took the chartt, he threw the dart
And picked a stock for me-
And now I’m getting margin calls
because I bought BP.

He seemed the sage of Omaha
before he ruined me.
I should have tried Orangutans
And paid their higher fee.

They wanted five bananas
My monkey worked for three.
But now I’m bust because I used
the discount Chimpanzee.
This is an older piece written just after the BP oil spill in the Gulf and in full knowledge of the the bailouts and stock crash that preceded the spill.
Conor Oberst Sep 2012
There's a voice on the phone
telling what had happened.
Some kind of confusion,
more like a disaster.
And it wondered how you were left unaffected,
but you had no knowledge.
No, the chemicals covered you.
So a jury was formed
as more liquor was poured.
No need for conviction;
they're not thirsty for justice.
But I slept with the lies I keep inside my head.
I found out I was guilty.
I found out I was guilty.
But I won't be around for the sentencing
'cause I'm leaving on the next airplane.
And though I know that my actions are impossible to justify,
they seem adequate to fill up my time.
But if I could talk to myself like I was someone else,
well then maybe I could take your advice
and I wouldn't act like such an ******* all the time.

There's a film on the wall
that makes the people look small
who are sitting beside it,
all consumed in the drama.
They must return to their lives once the hero has died.
They will drive to the office,
stopping somewhere for coffee;
where the folk singers, poets, and playwrights convene
dispensing their wisdom;
Oh dear amateur orators.
They will detail their pain in some standard refrain.
They will recite their sadness
like it's some kind of contest.
Well if it is I think i'm winning it, all beaming with confidence
as I make my final lap.
The gold metal gleams,
so hang it around my neck.
'Cause I am deserving it: the champion of idiots.

But a kid carries his Walkman
on that long bus ride to Omaha.
I know a girl who cries when she practices violin,
'cause each note stands so pure
it just cuts into her,
and then the melody comes pouring out her eyes.
Now to me, everything else,
it just sounds like a lie.
JM Dec 2012
Nebraska, snowfall.
Grey streets leading to grey lives.
The cold hammers deep.
Tyler Kelley Jan 2011
Around the corner,
a blast of blue
comes screaming
just outside the coffee house.

A small boy,
no more than five,
is a beaming
chocolate goatee
from the local ice-cream parlor.

A woman chases him
with the exasperated look
of a mother on a date
with her son
.

Her eyes still red
from her four hours
of sleep,
but her smile:
as big as her son’s.

She catches him as he stops
at the smell
of fresh chocolate chip cookies
emanating from the coffee house.

Her motion is quick
and calculated
as she turns him around,
zips his jacket,
& kisses his forehead.

She takes his hand
and they are off.

I assume they live happily
ever after.
All rights reserved by the author
I am riding on a limited express, one of the crack trains
     of the nation.
Hurtling across the prairie into blue haze and dark air
     go fifteen all-steel coaches holding a thousand people.
(All the coaches shall be scrap and rust and all the men
     and women laughing in the diners and sleepers shall
     pass to ashes.)
I ask a man in the smoker where he is going and he
     answers: "Omaha."
Silence Screamz Nov 2015
Gloomy skies line the beaches
Treacherous waves battering the landing crafts
Young soldiers getting sick sea in the swells
But their fate is written in front of them

Omaha, Normandy, Gold, Juno and Sword Beach
The day, June 6, 1944

Bullets flying over their heads
Whizzing by in deafening silence
One soldier is killed, then the next one
They hit the beach hard

Operation Overlord is in full swing
156,000 soldiers invade the sands
Duty, devotion and determination
Hell is about to be unleashed

Machine gun nests attack
Mowing down the enemy that invade them
Strike them with hot metal bullets
into blood soaked seas

The smell of war is everywhere
and time slowed to a ticking second hand
Fellow soldiers killed in front of you
No time to think but you have to move on

**** the enemy, **** the enemy
The beaches turn crimson with the fallen
Can not turn back
The chaos surrounds you with a deadly grip

Six days of heavy fighting to unite the beach front
10,000 wounded, over 4,000 dead
Sacrifices of so many
on the day the bullets hit the beach
June 6, 1944 D-Day Remember on this Veteran's Day
Hal Loyd Denton Apr 2013
What I want to do in this writing is do a little stitching of the national fabric we can do that
Because it’s our country I will start with the great loss of America’s sweet heart Annette
Funicello I am fortunate to have several Mickey Mouse club tapes and Annette as an adult she
Does the introduction on each of them her favorite all time Disney movie is Bambi this not over
Reaching or doing harm to the fabric but from that long ago teaching from Walt that told
Children tragic facts of life and the most painful of all when they shot old Yeller and when the
Gun smoke cleared everyone was in tears any and all could use that to help against the plague
Of violence that rest heavy on this land it’s not guns it’s the human heart with its disregard and
Its dismal accounting that human life can be a means of assuaging deep hurts and
Misunderstanding you can never gain anything when you charge and cheat others especially of
Their sacred lives and not to pick on women but as this starts and continues with Annette what
A role model for the girls and women of today you’re going to cringe now women smoking and
Cussing is undignified it has always rested on virtuous women to hold the ground on being
Chase wisdom by itself says those endowments God gave the fairer *** are to be guarded it is
The true treasure of women hood but if you squander it in the attraction stage you will have a
Harder time getting what you really desire and that is real true love and affection if it’s being
Taught no one can see it its going to be the theme of this piece use people that we recognize as
Helpful on the subject matter were addressing next Walt first as a person then as a business
Person we mentioned Bambi so I can’t leave you without this story a dad learned a painful
Lesson from his five year old daughter he had a farm and this dear kept getting into the wrong
Place so he shot it and fixed it for dinner he was so pleased until this little voice said these
Words daddy why did you **** Bambi his chewing continued for an inordinate amount of time or
A chocking sensation was heard but know this in his mind signs were going up all over the place
No deer hunting before I start with Walt again this country needs a lot of stitching as my
Brother-in law said we need a grass roots movement we all know Walt to be fair and a loving
Person just as Annette describes him he knew everyone at the studio it didn’t matter who they
Were he cared and was interested in you since Annette was referring to her relationship with
Walt she told how on her sweet sixteenth birthday he came to see her and gave her a script for
Zorro that she was going to be in as a Birthday gift because he and everyone knew how big a
Crush she had on Guy Williams and then when her first child was born he sent all the characters
Over to serenade her we were never close to Walt Disney but we all are blessed by his life God
Gave to us we can emulate him as a wonderful role model and you can pick people in your area
You know we have a great man here though he is gone Jack Jeffrey’s no one finer represented
Our community he and wife ran a TV store it was a landmark of good will we can’t start clubs
But we can as a people intact these precious qualities of those mentioned above and this is not
A contradiction by reposting a piece I wrote before since then the threat of Asama Bin Laden
Has been dealt with but the malignant spirit that drove him still lives on and it is my continued
Way of supporting the troops

The Flame of Blessing

America’s warriors face dangers untold in a country unlike our own where violent war is a way of life
In evils caldron that burns with natural order hate, teaching laced with poison and ****** is honorable
This can only thrive in a society that kills truth and then in falsehood their black robes invite all strife
Chaos butchery all manner of anarchy is used to try to subdue a people’s God given right to be free
Our troops in one way or another are set to burning Miss Liberty is in their hearts although latent
All that is needed to cause liberty’s flame to blaze is put these blessed ones in contact with tyranny
Every insult and criticism is leveled at the U.S. we need improvement but let evil show and be blatant
Ordinary kids from American streets will rise the last thing you will see is freedom blazing in their eyes
Black hearts are tuff pushing the weak and there fanaticism pretends at being brave every bully’s trait
These cannot be reasoned with madness has one cure annihilation this fight not for the faint hearted
The enemy needs a history lesson Tara, Iwo Jima; Omaha beach a brother hood reborn gun barrel strait
You posses by ideology penned by hell’s most convincing liar we come bearing truth then arms
God’s shadow first then Miss Liberty looms then the unquenchable prayers of a nation they pray for you
Peace, tranquility is worth our sacrifice you are left with a tattered rag a soiled flag marred by carnage
To bleed, true honor the making of a house of arms it will succeed in all war and conflict peace to accrue
We take God given might temper it with mercy and justice for all we are not timid in freedom’s fight
This is the my candle burning and my stitching of the tattered fabric of this once religious sacred
Country that I love and as all good people are pained by the shape it now exists in there is only
One hope a united people in the most Holy God who has kept us and allowed us such freedoms I
Will ask your patience one more time but if this wasn’t important I wouldn’t bother you in the
First place

Most hated twins
Who are these two desperate characters revered but feared by all
To make their acutance few will volunteer those who know them well
All can tell by the drawn face and the tears that swell the pool where wisdom has her rule
Achievers welcome them as honored guest they withstood the test now they the richest blest
At mornings first blade of light they strike with all their might they the quickest to fight
Timorous to afraid how many have dwelt by waters undying well only to die unfulfilled
But others tried and they fell the well is to deep its where darkest shadows creep
We will be lost in these new surroundings the familiar there will be water there too
Yes stagnant unmoved guarded for naught its benefit was for the traveler going places
For you it will be your grave marker he talked and talked but venture on never
He said he was the clever one as his countenance slowly turned to stone killed by apathy
Green pastures call to find them in yourself health you will install
Few are they that were meant and born to reside in the same place you must go
If you stay rebuild the common and ordinary your monument then they will admire
Who stood to long and with all intention he gave it only words action was the wonder that was missing
Treading a narrow path in the end if you buried or squandered your talent divine wrath you will face
Cast your seed far and wide how can you not see the need sorrow has them tied
Push back the encircling darkness with the light in your heart that God did endow
Go and answer the door your guides are here I want you to meet two friends Pain and Adversity
Two finer companions you will never know Washington and his men befriended them at Valley Forge Concord, York town. Lincoln met them first at Bull Run Antietam I think he gave a little speech at Gettysburg. One birthed a nation the other saved a divided one thank you and God bless you
BOX cars run by a mile long.
And I wonder what they say to each other
When they stop a mile long on a sidetrack.
  Maybe their chatter goes:
I came from Fargo with a load of wheat up to the danger line.
I came from Omaha with a load of shorthorns and they splintered my boards.
I came from Detroit heavy with a load of flivvers.
I carried apples from the Hood river last year and this year bunches of bananas from Florida; they look for me with watermelons from Mississippi next year.
  
Hammers and shovels of work gangs sleep in shop corners
when the dark stars come on the sky and the night watchmen walk and look.
  
Then the hammer heads talk to the handles,
then the scoops of the shovels talk,
how the day's work nicked and trimmed them,
how they swung and lifted all day,
how the hands of the work gangs smelled of hope.
In the night of the dark stars
when the curve of the sky is a work gang handle,
in the night on the mile long sidetracks,
in the night where the hammers and shovels sleep in corners,
the night watchmen stuff their pipes with dreams-
and sometimes they doze and don't care for nothin',
and sometimes they search their heads for meanings, stories, stars.
  The stuff of it runs like this:
A long way we come; a long way to go; long rests and long deep sniffs for our lungs on the way.
Sleep is a belonging of all; even if all songs are old songs and the singing heart is snuffed out like a switchman's lantern with the oil gone, even if we forget our names and houses in the finish, the secret of sleep is left us, sleep belongs to all, sleep is the first and last and best of all.
  
People singing; people with song mouths connecting with song hearts; people who must sing or die; people whose song hearts break if there is no song mouth; these are my people.
Jordan Rowan Dec 2015
There's a simple life somewhere
Out there in the cold
If it's dead, I don't care
I'm already too old
The window feels like winter
It makes me think of home
My thought's been split to splinters
On this lonely, teenage road

Have you seen my possessions?
I think I left them in Omaha
I've got no obsessions
As we pass through Arkansas
Can you play our song?
Only if you sing it with me
And if you've been driving too long
Give the control back to me

There's a ringing in my ear
It's the voice of an angel speak
Tell me, I want to hear
Your stories awaken me
This wheel's on fire now
Just like our skin and our hearts
And before it's over now
Can you tear me apart?

I've been in here too long
I can't stand the engine noise
I need to get back home
And have a drink with the boys
Can you fill up the tank?
Can you bring me to the end?
Don't take this to the bank
But I want to see you again
Chad A Dolezal Jun 2011
Well I traded the grey scale pine tree scene
for a city less clean, with the same back drop screen
"The good life" so it seems
Now everything minor you missed it's waiting
A slip of your wrist and an awkward stance
With a backwards attitude
Well now its standing here in front of you
And its laughing
Oh its laughing
John F McCullagh Jan 2012
The markets up, the Markets down
For weeks it just meanders.
Alas, my stocks are always down
Each time I take a gander.

GM, Lehman, Citicorp
My broker bought for me-
And you can guess the net result-
I’m broker now, not he.

Those friends who don’t avoid me
Say I’ve reversed Midas’ touch.
I don’t turn things I touch to gold
I turn gold into rust.

I’d heard dart tossing Simians
Can best the S & P
So I went to the Zoo this March
to consult a Chimpanzee.

He perused the chart then flung a dart
to pick a stock for me-
And now I’m getting margin calls
because I bought BP.

He seemed the sage of Omaha
before he ruined me.
I should have tried Orangutans
And paid their higher fee .

They wanted five bananas
My monkey worked for three.
But now I’m bust because I used
a discount Chimpanzee.

I might have dodged a massive loss
And profited besides
Had I but heeded the baboons’
Sell signaling behinds
Trinity O Feb 2012
I never leave the West when it isn’t raining,*
My brother says to me through the phone.  
He is on his way back
over the Rockies and through Nebraska.
He’ll never make it intact—
hands fuse to the steering wheel
like nylons on a burn victim,
knees and elbows bolted in
precise angles keeping the car straight,
tires pulling everything forward.
One foot is the pedal, one becomes the floor mat.

Shoulder to armpit with a semi truck
hauling jet wings from Denver,
he notices the paths of rivets
like bread lines in Omaha.
Some of them are starving.

But where is the rest, the airplane body
without its wings? A hollow silo,
pilot in a cockpit
not going anywhere.  
I think airplanes molt this time of year.
It’s still raining or it will be,
the white-lined highways
will carry you here unscathed.
Aztec Warrior Sep 2015
HUMAN HISTORY 2: LET'S DANCE
(A few words of acknowledgement: While these are my ideas and thoughts, I drew heavily on the story of 'Waterlily', written by Ella Cara Deloria. The discussion between the two Sioux women described below are drawn from this book. Her book beautifully details the life of 2 Dakota Sioux women and with them the customs, beliefs and beauty of the Dakota Sioux people. I am deeply in her debt.)

~~~~~~~~~~~~~~~~~~~~~

'Let's dance.
Lets dance.
Put on your red shoes and dance the blues.'
-D. Bowie


I.
'Hao, Kola!'
'Hao, Kola!'
Greetings between two
darkly tanned men, black hair
long and waving erratically in the wind,
their deep black eyes smile
and embrace these two warrior friends.
'Hao, Kola!'

II.
Out in the open prairie,
under an intense blue sky,
a few sharply white clouds
float in contrast against it;
two Peoples drew towards
each other for a ceremonial sing,
as was customary before the Great Sun Dance.

Ill.
'Hokahe'. 'Hokahe'.
'Hokahe'. 'Hokahe'.
Dakotas and Omahas meet.'
Hokahe' floats on the fresh morning breeze.
Colorful war standards wave and
flirt about gracefully.
The Omahas have come to sing.
The Omahas, proud, magnificently bold.
The Omahas, self assured in painted red face,
wearing heavily fringed buckskin white,
brilliantly adorned.
With war standards and lances held high,
the Omahas were a breath taking sight.
As there on the prairie's lush green grass
Omahas greet Dakotas with ceremonial song.

IV.
Two Dakota women overheard talking:
Blue Bird: 'You met them?! What are
white people really like?
Are they gentle, kind, as their
skin would imply?'
Smiling One: 'No, they are very hard, very
stern and dull towards each
other. They pass each other without
recognition. Very unmannerly.'
Blue Bird: 'And what about the children?
How do they play?'
Smiling One: 'Oh, this is so sad I would
say. I don't understand the
reasoning behind their ways.
These people actually detest
their children. You should see
them; slapping their little one's
faces and lashing their poor little
buttocks to make them cry!
Yelling and screaming at them
anytime of the day. I have never
seen children treated this way!!'
Blue Bird: Deep in thought, hugs little
Water Lily. She feels sick with
sympathy for these unknown
children. Only crazy people
teach their children like this.
What makes white people act so crazy?

V.
The Sun Dance time has arrived.
All the different Peoples, Tribes.
The Dakota, Teton, Omaha
make good on their vows
to the Great Spirits,
renew the hopes of their families
for peace and plenty from the land.
And they danced.
Looking straight into the sun,
because they knew it was what made them one
with the world and each other.
And they danced.
Time itself was lost in the sun
and new life was begun.
And they danced.
Danced around and sacrificed on
the clean cut pole,
blessed and made holy
just for this ceremony.
And they danced.
Till the sun was thrice Earth eaten
and moon time rose full in the sky.
But now on a different scene
and a People from so long ago,
who in their naked skin,
danced and howled at the moon.
Howled at the dead and the living.
Howled and danced,
danced and howled cause they were human.

VI.
Alone,
orbiting on this blue-toned Earth
I want to ask:
When will we, today’s humans dance?
Dance in global community?
Dance on the lush green grassy plains?
Dance on high hillsides, howling at a full, lush moon?

VII
'Let's dance.
Let's dance.
Put on your red shoes and dance the blues...'

~~written 10.1.98~~
this poem was written a long time ago.. I think it still holds up.
THE MOUTH of this man is a gaunt strong mouth.
The head of this man is a gaunt strong head.

The jaws of this man are bone of the Rocky Mountains, the Appalachians.
The eyes of this man are chlorine of two sobbing oceans,
Foam, salt, green, wind, the changing unknown.
The neck of this man is pith of buffalo prairie, old longing and new beckoning of corn belt or cotton belt,
Either a proud Sequoia trunk of the wilderness
Or huddling lumber of a sawmill waiting to be a roof.

Brother mystery to man and mob mystery,
Brother cryptic to lifted cryptic hands,
He is night and abyss, he is white sky of sun, he is the head of the people.
The heart of him the red drops of the people,
The wish of him the steady gray-eagle crag-hunting flights of the people.

Humble dust of a wheel-worn road,
Slashed sod under the iron-shining plow,
These of service in him, these and many cities, many borders, many wrangles between Alaska and the Isthmus, between the Isthmus and the Horn, and east and west of Omaha, and east and west of Paris, Berlin, Petrograd.
The blood in his right wrist and the blood in his left wrist run with the right wrist wisdom of the many and the left wrist wisdom of the many.
It is the many he knows, the gaunt strong hunger of the many.
If Steve was here to create Jobs then why are they all in China

If Bill is here to create Gates then why did he do it with Windows

If Buffett (not Jimmy) is here as a Warren (ing) then what is he holding behind the levee

And don't Daemonize Matt, he's a benevolent spirit -- Parker & Stone, yes I'm talking to you

What does Bill and Warren do around those small tables? Play bridges or create them?
Written 24 September 2014

Vulcanized in Vulcan, Alberta
spysgrandson Sep 2016
gulls cawed, so loud their calls
echoed off the cliffs behind us, a ghost flock answering,
though not shrill enough to rouse us

they flew crisscross patterns
and dove into the surf, but not one landed
on the carrion strewn across the sands

not like the vultures of my youth,
ravenous black hawks that began their devouring
at the first scent of death, or a moment before

no, these creatures merely called
to one another, a curious conversing
about the carnage below

perhaps their strange song
our dirge, as they swooped to and fro, wings
slicing currents carrying our souls

Omaha Beach, June 6, 1944

— The End —