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"moira" poems
Bakit ka nag iba? Meron nabang iba? Akala ko mga lirico lamang ng kanta Di ko alam na mararanasan ko din pala Masaya naman tayo Ngunit may dumating na iba Simula nang masilayan mo sya Nag iba ang turingan natin sa isa’t isa Nasisira ako malagay ko lamang ang mga ngiti sa labi mo Hindi ko alam na kaya din pala nyang ibigay sayo Alam kong hindi na ako, Ngunit handa akong magpaubaya para sa kaligayahan mo Mahal kita Kahit na hindi na ako ang mahal mo Masaya ako Kahit na hindi nako ang rason ng mga ngiti mo Kailangan ba talaga ang magdusa? Eh paano naman kung nais ko pang umasa? Handa parin akong mahalin ka Kahit patuloy kapang mag mahal ng iba Ikaw yung bumuo sakin sa mga panahong ako'y sirang sira Ngunit ikaw rin yung taong naging rason kung bakit ako ngayo'y lumuluha Mga yakap **** binabalik balikan Sana'y muli ko nang maranasan Mahal kita Higit pa sa pagmamahal ko sa iba Di mo lang nga madama Dahil atensyon mo'y laging nasa kanya Ikaw ang aking hinahanap,oras oras, minu minuto Kahit iba na ang hanap mo bawat segundo Ako’y mananatili parin sayo kahit unti unti ng nasisira ang iyong mga pangako Ako'y mananatiling kalmado kahit ang kwento nating dalawa'y unti unting sumasarado Nag simula lahat sa salitang "kamusta" Hindi ko inaasahang magtatapos sa "paalam na" Ikaw ang bumuo ng aking mundo Ngunit ikaw din pala ang sisira nito Pangako **** walang iwanan Pero ikaw din pala ang unang lilisan Pangakong puno ng kasinungalingan Hinihiling na sana'y hindi mo nalang binitawan Nang hindi na sana ako nasaktan Tayong dalawa ang sumulat ng ating istorya, ngunit sa huli kayong dalawa ang lumigaya Sabi nga ni moira,"ako yung nauna, pero sya ang wakas"
0
Feb 27, 2021
Feb 27, 2021 at 9:42 PM UTC
Mananatiling Ikaw
Bakit ka nag iba? Meron nabang iba? Akala ko mga lirico lamang ng kanta Di ko alam na mararanasan ko din pala Masaya naman tayo Ngunit may dumating na iba Simula nang masilayan mo sya Nag iba ang turingan natin sa isa’t isa Nasisira ako malagay ko lamang ang mga ngiti sa labi mo Hindi ko alam na kaya din pala nyang ibigay sayo Alam kong hindi na ako, Ngunit handa akong magpaubaya para sa kaligayahan mo Mahal kita Kahit na hindi na ako ang mahal mo Masaya ako Kahit na hindi nako ang rason ng mga ngiti mo Kailangan ba talaga ang magdusa? Eh paano naman kung nais ko pang umasa? Handa parin akong mahalin ka Kahit patuloy kapang mag mahal ng iba Ikaw yung bumuo sakin sa mga panahong ako'y sirang sira Ngunit ikaw rin yung taong naging rason kung bakit ako ngayo'y lumuluha Mga yakap **** binabalik balikan Sana'y muli ko nang maranasan Mahal kita Higit pa sa pagmamahal ko sa iba Di mo lang nga madama Dahil atensyon mo'y laging nasa kanya Ikaw ang aking hinahanap,oras oras, minu minuto Kahit iba na ang hanap mo bawat segundo Ako’y mananatili parin sayo kahit unti unti ng nasisira ang iyong mga pangako Ako'y mananatiling kalmado kahit ang kwento nating dalawa'y unti unting sumasarado Nag simula lahat sa salitang "kamusta" Hindi ko inaasahang magtatapos sa "paalam na" Ikaw ang bumuo ng aking mundo Ngunit ikaw din pala ang sisira nito Pangako **** walang iwanan Pero ikaw din pala ang unang lilisan Pangakong puno ng kasinungalingan Hinihiling na sana'y hindi mo nalang binitawan Nang hindi na sana ako nasaktan Tayong dalawa ang sumulat ng ating istorya, ngunit sa huli kayong dalawa ang lumigaya Sabi nga ni moira,"ako yung nauna, pero sya ang wakas"
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42
Born into a house of red hair soulless people and beer my great grandmother is 101 and four months and she has contracted Alzheimer’s which means she sees those who have died before her like her husband two of her sisters and four of her nine children Her sister died just yesterday at 100 and 17 days sleeping in her bed I was named after dead relatives Moira for a cousin who died at 20, before I was ever even born, a cousin who sang like a bird and could have been a mermaid a beauty with straight white teeth and blonde hair who found death after struggling with anorexia Katherine for my great aunt who I never met but my mother told me of her wearing sunglasses and her sleek black car and silky hair always tied back in red ribbons and how she would sneak cookies to the children holding her legs in the kitchen I was born into an Irish house I was born to people who have slaved their life away to make it My great grandmother was born in Ireland in 1912 and came to America with her family when she was 10 my great grandfather was a French Canadian born in Quebec who I was told was gentle and quiet who smoked when he was happy or sad and worked on houses and cars and a large family I was born into the legacy I was born with their blood in my veins
0
Apr 6, 2014
Apr 6, 2014 at 1:57 PM UTC
Helen Condon Lemieux, 101
Outside Stockholm in that base camp having put up the tents and unloaded the bags and suitcases from the top of the truck you walked with Moira to the camp cafe and order two beers and burgers and fries and looked out the window at the spread of tents over the campsite and Moira said if I have to share a tent with that Yank girl another night I’ll go mad her and her talk and boasting of how many men she’s ******* and where she’s been and what she’s done and always wearing that leather gear all black and tight showing her backside and small **** and so Moira went on and you listened half heartedly wondering what Judith was doing in Florence and who she was with and if she remembered you and would bring you back some gift like she did from Amsterdam that postcard of a Chagall print which you pinned to your wall and if she so much as boasts of her education once more I’ll break her FECKING JAW Moira said loudly so that people nearby turned their heads and stared your thoughts of Judith blew away and the image of the Chagall print pinned to your bedroom wall maybe she’ll sleep elsewhere you said who else to sleep with? she said huh? who else is there? what about that Yorkshire girl? you asked maybe she will I’ll ask Moira said can only say no and she sat and thought and sipped her beer and the other people looked away and returned to their conversations and you sipped yours taking note of her small hands and plumpish fingers and the small ******* pushing through the tight tee shirt and the small silver crucifix hanging down between and her moving chin and you wondered how well she ******* but didn’t ask being you thought rather rude.
0
Mar 13, 2013
Mar 13, 2013 at 3:45 AM UTC
MOIRA OUTSIDE STOCKHOLM.
Outside Stockholm in that base camp having put up the tents and unloaded the bags and suitcases from the top of the truck you walked with Moira to the camp cafe and order two beers and burgers and fries and looked out the window at the spread of tents over the campsite and Moira said if I have to share a tent with that Yank girl another night I’ll go mad her and her talk and boasting of how many men she’s ******* and where she’s been and what she’s done and always wearing that leather gear all black and tight showing her backside and small **** and so Moira went on and you listened half heartedly wondering what Judith was doing in Florence and who she was with and if she remembered you and would bring you back some gift like she did from Amsterdam that postcard of a Chagall print which you pinned to your wall and if she so much as boasts of her education once more I’ll break her FECKING JAW Moira said loudly so that people nearby turned their heads and stared your thoughts of Judith blew away and the image of the Chagall print pinned to your bedroom wall maybe she’ll sleep elsewhere you said who else to sleep with? she said huh? who else is there? what about that Yorkshire girl? you asked maybe she will I’ll ask Moira said can only say no and she sat and thought and sipped her beer and the other people looked away and returned to their conversations and you sipped yours taking note of her small hands and plumpish fingers and the small ******* pushing through the tight tee shirt and the small silver crucifix hanging down between and her moving chin and you wondered how well she ******* but didn’t ask being you thought rather rude.
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92
Green light beam shines upon the web of streets, The messenger from strange and distant worlds. You're far away, for me it all repeats - My town is empty, shadows roam the walls. No Savior comes, I run into the void. And when the masts of pines come into view, I stop and fall on salty sand, destroyed. It does not matter if I cry for you - It's not the wind that rustles sleepy trees, It's not the chirps of sparrows or jays, It's Moira, saddened by the Fate she sees, Unknits the lace of my remaining days...
0
Oct 13, 2018
Oct 13, 2018 at 1:33 PM UTC
Moira
In Hamburg an American girl climbed aboard sitting next to the Southend teacher with the spectacles and loud mouth and she looked back at the rest of you and said Hi you guys how’s it going? murmured replies returned Moira said behind her cupped mouth a ******* Yank is all we need you looked windowward spying new buildings post-war the could-be-any-where kind of set up the driver drove off the Polish mother and daughter muttered in their tongue Moira’s hips pushed into yours as the mini bus turned sharp down some side street the American girl chatted up the driver some long haired hippy type smoking and puffing and you remembering the night before the tent up the canvas tight and you and Billy down on your bags he staring up at the canvas green and unclean you listening to Moira in the next tent sharing with some unfortunate giving it the rant and rave about some misgivings in her Glasgow tone Billy raising his eyes in disbelief and you wondering if ever she silenced her tongue and tone and charmed her fearsome stare whether you’d be happy there lying beside her kissing her neck or lips or cheek or nestling between her small plump **** but looking beside you as the mini bus moved off at a pace you saw her sour face glare at the American’s head and thought you’d rather kiss the old Polish mother instead.
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Dec 23, 2012
Dec 23, 2012 at 11:54 AM UTC
HAMBURG IN 74.
From Dover to Zeebrugge across on the ferry Moira said nothing kept herself to herself except moaning at her brother until you reached the base camp outside the port and in the bar after seeing the caravans instead of tents she said did you see the state of those caravans? talk about dosshouses you studied her as she spoke her lips moving ten to the dozen her eyes blazing like a lit up Swan Vesta you saw her short frame shake with her anger I’ve told Billy to have a go but will he? no **** he won’t say boo to a ghost if it was tired to a chair and on she went her words spreading through the bar like spilt oil but all the time her eyes were on you her hands gesturing the thumb pointing back towards the caravans the barman a Belgium guy gazed at her bemused wiping glasses in the background someone put a coin in the jukebox and out played loud and clear Heartbreak Hotel and all you could think was I wonder how she kisses this wild eyed girl?
0
Dec 9, 2012
Dec 9, 2012 at 4:26 AM UTC
MOIRA AND YOU AND THE CARAVANS.
a quantum of soul and cherry ***** in the backseat of a ford- we were going to eighty-six the world the sinews of our unattainable hands that yanked themselves free and went to ruining our best Bellamy salutes and went to forming ladders and tarmacs in the vapor of the night and went to everything it's wasn't the shaking or the vim of the stockyards on the days they hung up ornaments it wasn't those who followed a cheekier Moira and gawked at Rita of Cascia as she passed by it was the way escape felt with you as it's stern it's the way escape felt with you full of sanguinity the kind that your mother gave you in the belly of California the kind that I ripped away for ***** and giggles
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Jan 30, 2011
Jan 30, 2011 at 1:15 AM UTC
Jackie
I am a simulation rebelling against my natural coding. I refuse to believe what others think, just because it's written in the pages of an old book, that, if you flip over too quickly, could cut you. I am an alien, lost on a planet unknown, trying to speak English to its inhabitants, and all they speak is in tongues. I see their mouths moving and yet I hear nothing a gabble of words that string like rope out of their mouths to strangle. I am the scissors, cutting the Moira between me and you. I left you a note on the nightstand with the wedding ring I wore at first, it acted like a buoy, kept me afloat, now it is made of lead, and, with permission, it'd to drag me to the depths. I am the looped flowers growing out of my grandmothers piano, my fingers play melodies that the birds can sing, so the children of the future can hear my voice. I am the scent of your dead mother's perfume. The one that haunts you whilst you sleep, and kisses your cheek to make sure you still think of me. I am the treehouse set alight, without a match in my hands, or gasoline as my lotion, I sink further and further into the grounds as the flame rises, choking you with my scent, you cry out for mercy at Maria up above.
0
Jan 25, 2018
Jan 25, 2018 at 8:02 PM UTC
OmNIp0t£nt
Unfurl origami entries dated March 8, June 2, countless undated of an amygdala hijacked that pitted Moira against Peirce, rejecting my name of Kismet, to watch Forer take his effect (who now has spread his contagion), babysitting Little Albert while Watson scribbled notes in the lecture hall; witness sagacity smeared all over skull walls, spackled on cranial ceilings as I stuck my head out onto subway platforms and displayed out onto train tracks in my mind's eye in favour of recalling Christmas festivities with sisters dolled up in grandeur hospital ball gowns as subjects were consoled in camps and I slept in fields screaming anything audible to no one, listening to track 2 on a continuous loop, sitting on flagpoles and lamp posts as vandals smashed and grabbed, cackles echoing in alleyways... now before I vanish right before your very eyes tell me, why am I here ?
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Mar 7, 2014
Mar 7, 2014 at 12:47 PM UTC
fast forward
Outside Oslo in the base camp after showering you met Moira in the cafe for breakfast and coffee she was in a mood about the Yank girl and having to share a tent with her (when she wasn’t off someplace being ******* Moira said) and always chewing gum and those ******* she wears I’ve seen more cloth on a finger cut she said I’ll take your word for it you said she pouted and stared at you the finger cut I meant you said by the way are you into Oslo today? you asked mind if I hang along? sure as long as you don’t talk about the Yank or football or Mahler or whoever else is hid up in that brain of yours she sipped her coffee and ate her breakfast saying nothing more and you watched as she ate her eyes dark and deep her hair frizzed up after the shower her tee shirt holding tight her **** and her blue jeans hugging her thighs as you’d like to do later in Oslo you toured about the streets saw the sights had a beer or two while you sat with her in some bar she talking of Glasgow and her job and her brother and his girlfriend and how she had this awful wiggly **** and floppy ******* and large eyes like cow pats soft and brown and she laughed and you liked it when she laughed it made her seem better more human less grumpy less critical and had you been more brave you might have kissed her there and then but you didn’t you just ordered another beer and talked of Nietzsche and Mahler just to watch her lips move and incidentally bore her.
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May 21, 2013
May 21, 2013 at 3:25 PM UTC
OUTSIDE OSLO.
She spat out a string of four letter abuse words followed by American ***** you stood at the bar at the base camp outside Stockholm sipping a beer Moira stood beside you in grumpy mood her Glaswegian tones still in the air others in the bar gazed your way amused some giving a small titter if have to share a tent with her one more night I’ll suffocate her with my sleeping bag over her head she said you girls don’t get on then? you said more expletives followed after which she sipped from her glass of white wine you lit a cigarette all the time watching her listening to her talking about the American girl the tour guide and driver had picked up in Hamburg how she spent ages in the shower at base camps across northern Europe how she got her man whom she slept with and what she did and leather said Moira her and her ****** leather I know her sort she added you studied her as she spoke her short stature her wild blazing eyes her hair tight curled her small **** pressing against her tee shirt then she was silent and leaned on the bar sipping the wine grimacing staring at the mirror behind the bar maybe we could swap tents you said you share with the Australian bore and I with the Yank girl   that’s a case from the frying pan into he fire Moira said gruffly I’d rather share my tent with a shaggy dog with fleas she said I guess you thought taking in her tight *** some are hard to please.
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Apr 28, 2013
Apr 28, 2013 at 4:34 AM UTC
EXCHANGE OUTSIDE STOCKHOLM.
Oslo that summer having left the base camp and the tent with the Australian guy (he was with the Yank girl) you walked about looking at the sights Moira beside you in her denims and white tee shirt and her hair frizzed after a shower (which she had taken alone worse luck) and she was talking about the Yank girl with whom she shared her tent O the perfume she wears I’d rather sleep in a tent with a camel than with her and her voice ***** my head and do you know I've heard about her love life from the very beginning I’d rather spend the night listening to a duck quack you nodded and listened taking in her fire talk her four letters words filling the air floating there like black angry birds you can share with me any time well you could if I didn't have the Australian guy there smelling of beer and talking about Sheilas and how he did this and that you said no Moira said and have them talk about me too no I’m not that kind of girl besides how would we work it to allow that to be? don't get so angry about things why do you Scots get so moody? it's not just us she said it's the ******* world's view of us as wee tight ******** when we're not anyway she went on giving you the stare what do you know of Scots? lived in Edinburgh for a while you said nice place so much history well there you go she said anyway what’s that got to do with the Yank ***** and her perfume and the love life of a ******* rabbit nothing I guess you said I think she's over here studying art O then that explains it the way she has the I-couldn’t-go-a-day -without- a man's- **** -in-me kind of talk and philosophy Moira said spitting out words like broken teeth what about a beer? you said chill out and take in a view and have a smoke and I can tell you of my love life? the beer's a good idea but I’m not so keen on the tales of your **** life she said so you found a bar off a street and sat outside with two beers and a couple of smokes and you wondering how she bedded and how indeed to get her into your tent and what to do with the Australian guy and the Yank dame and off she went again moaning about the Southend teacher guy did you see him at the from of the mini bus giving it all that talk of history and that Lancaster ***** all ears and ******* teeth ? you sat and smiled listening to her talking of herself and the world's grief.
0
Dec 22, 2013
Dec 22, 2013 at 2:20 AM UTC
MOIRA AND THE WORLD'S GRIEF.
Oslo that summer having left the base camp and the tent with the Australian guy (he was with the Yank girl) you walked about looking at the sights Moira beside you in her denims and white tee shirt and her hair frizzed after a shower (which she had taken alone worse luck) and she was talking about the Yank girl with whom she shared her tent O the perfume she wears I’d rather sleep in a tent with a camel than with her and her voice ***** my head and do you know I've heard about her love life from the very beginning I’d rather spend the night listening to a duck quack you nodded and listened taking in her fire talk her four letters words filling the air floating there like black angry birds you can share with me any time well you could if I didn't have the Australian guy there smelling of beer and talking about Sheilas and how he did this and that you said no Moira said and have them talk about me too no I’m not that kind of girl besides how would we work it to allow that to be? don't get so angry about things why do you Scots get so moody? it's not just us she said it's the ******* world's view of us as wee tight ******** when we're not anyway she went on giving you the stare what do you know of Scots? lived in Edinburgh for a while you said nice place so much history well there you go she said anyway what’s that got to do with the Yank ***** and her perfume and the love life of a ******* rabbit nothing I guess you said I think she's over here studying art O then that explains it the way she has the I-couldn’t-go-a-day -without- a man's- **** -in-me kind of talk and philosophy Moira said spitting out words like broken teeth what about a beer? you said chill out and take in a view and have a smoke and I can tell you of my love life? the beer's a good idea but I’m not so keen on the tales of your **** life she said so you found a bar off a street and sat outside with two beers and a couple of smokes and you wondering how she bedded and how indeed to get her into your tent and what to do with the Australian guy and the Yank dame and off she went again moaning about the Southend teacher guy did you see him at the from of the mini bus giving it all that talk of history and that Lancaster ***** all ears and ******* teeth ? you sat and smiled listening to her talking of herself and the world's grief.
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140
fate... an invisible power meant to intertwine our strings but soon disappear so everyone else may watch us begin to fray where we've tied our knots.
0
Jul 17, 2018
Jul 17, 2018 at 8:42 PM UTC
moira
Do you feel me holding you, protective? You're part of my sphere of influence, mine to care for, to feel for. It doesn't stop when you **** me off, when I'm impatient or uncomfortable. When my heart expands to include you...and yours.
0
Apr 13, 2013
Apr 13, 2013 at 11:45 AM UTC
moira
Stockholm Moira said grumpily I wanted to go to Greece but the **** war put a stop to that she was sitting with me in a small café she was in denim with a pink blouse smoking a menthol cigarette I like it here I said it's clean and the girls are nice and **** and I am not? she said staring at me her Scottish tones sharp as razors present company included I said smiling she didn't smile her lips were thin and her eyes were icy blue I think have Swedish roots I said she inhaled and looked away I’m fed up she said that Yank woman is getting to me with her talk of men and *** and how much she can have them eating out of her hand and I have to share a tent with the ***** why she can't share with the men in camp is beyond me I don't fancy her at all I said I should hope not Moira said I had you down as one with taste I lit a cigarette and watched her sitting opposite she sipped her *** and cola your brother said you were engaged I said what's that to you? she said nothing except I can't imagine you engaged to anyone well I’m not any more I gave him the elbow always after getting me into his bed after a night out what's wrong with men can't they just have a night out without *** guess not I said I drank my beer and studied her moody features anyway she said hope you're not expecting anything after this wee drink and smoke? I wouldn’t dream of it I said but I had but I didn't her well not at that time I had to wait for her mood to clear and her heart to soften and the Yank dame to take a hike to some guy's bed and I made plans but only in my young guy's head.
0
Apr 29, 2014
Apr 29, 2014 at 7:25 AM UTC
IN STOCKHOLM WITH MOIRA.
Stockholm Moira said grumpily I wanted to go to Greece but the **** war put a stop to that she was sitting with me in a small café she was in denim with a pink blouse smoking a menthol cigarette I like it here I said it's clean and the girls are nice and **** and I am not? she said staring at me her Scottish tones sharp as razors present company included I said smiling she didn't smile her lips were thin and her eyes were icy blue I think have Swedish roots I said she inhaled and looked away I’m fed up she said that Yank woman is getting to me with her talk of men and *** and how much she can have them eating out of her hand and I have to share a tent with the ***** why she can't share with the men in camp is beyond me I don't fancy her at all I said I should hope not Moira said I had you down as one with taste I lit a cigarette and watched her sitting opposite she sipped her *** and cola your brother said you were engaged I said what's that to you? she said nothing except I can't imagine you engaged to anyone well I’m not any more I gave him the elbow always after getting me into his bed after a night out what's wrong with men can't they just have a night out without *** guess not I said I drank my beer and studied her moody features anyway she said hope you're not expecting anything after this wee drink and smoke? I wouldn’t dream of it I said but I had but I didn't her well not at that time I had to wait for her mood to clear and her heart to soften and the Yank dame to take a hike to some guy's bed and I made plans but only in my young guy's head.
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112
THE ESSENTIAL INGREDIENT "Oh love is teasing and love is pleasing. . ." my sister sings to the cake she is about to bake. "And love is a pleasure when first it's new. . ." The rich Christmas mix listens with all of its ingredients. "Ahhhh but as love gets older sure love gets colder. . ." the brandy & fruit weep into the bowl "...and fades away like the morning dew." There is a lot of brandy in the mix. There is a lot of brandy in sis. Sad Irish folk songs appear to be the essential ingredient. A pink and green balloon clings to the ceiling refusing to come down by poker or by broom. Takes refuge in the corner just above the Christmas star. My heart is breaking with baking. "I know my love by his way of talking..." flour in her hair making her so ghostly as if the original protagonist came back from the grave and sang her heart out ". ..and I know my love by his eyes so blue..." until the creambuttersugar is all fluffy. He voice adding a zing of lemon peel. At this stage the eegs are beaten ". . .and if my love leaves me what will I do?" Slowly slowly whipped to form peaks. Now the cake is tipsy. So - is sis. I am drunk on her singing. My mind is in mourning for all the love loved and lost. She daubs my nose and laughs. I lick it off. The tip of my tongue a windscreen wiper! And so the brandy fruit mixture is folded in. I can still taste her singing. Her cake the only cake I could ever ate and oh her almond icing! These songs forever Moira. And still she sings down all the years and I love her versions the best! "...and a troubled mind sure can know no rest and still she cries bonny boys are few and if my love leaves me what will I do!"
0
Jul 30, 2016
Jul 30, 2016 at 9:05 AM UTC
THE ESSENTIAL INGREDIENT
THE ESSENTIAL INGREDIENT "Oh love is teasing and love is pleasing. . ." my sister sings to the cake she is about to bake. "And love is a pleasure when first it's new. . ." The rich Christmas mix listens with all of its ingredients. "Ahhhh but as love gets older sure love gets colder. . ." the brandy & fruit weep into the bowl "...and fades away like the morning dew." There is a lot of brandy in the mix. There is a lot of brandy in sis. Sad Irish folk songs appear to be the essential ingredient. A pink and green balloon clings to the ceiling refusing to come down by poker or by broom. Takes refuge in the corner just above the Christmas star. My heart is breaking with baking. "I know my love by his way of talking..." flour in her hair making her so ghostly as if the original protagonist came back from the grave and sang her heart out ". ..and I know my love by his eyes so blue..." until the creambuttersugar is all fluffy. He voice adding a zing of lemon peel. At this stage the eegs are beaten ". . .and if my love leaves me what will I do?" Slowly slowly whipped to form peaks. Now the cake is tipsy. So - is sis. I am drunk on her singing. My mind is in mourning for all the love loved and lost. She daubs my nose and laughs. I lick it off. The tip of my tongue a windscreen wiper! And so the brandy fruit mixture is folded in. I can still taste her singing. Her cake the only cake I could ever ate and oh her almond icing! These songs forever Moira. And still she sings down all the years and I love her versions the best! "...and a troubled mind sure can know no rest and still she cries bonny boys are few and if my love leaves me what will I do!"
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76
Irises Witnessing  I don't necessarily believe in moira,  as the Greeks laid it out, doubting...  although, I do have faith in everyone  having a mighty purpose, promising  everything is balancing on a tightrope  of betterment, yet some choose doom  allowing their wings to crumble under  the weight of the weary world's gloom  instead the air is an aerial playground, but they're perpetually shot down, aim irises witnessing those colorful heavens, stillness, takes deep the time, aforesaid James Kenneth Blaylock 1-4-18
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Jan 4, 2018
Jan 4, 2018 at 7:46 PM UTC
Irises Witnessing
Realize eminem was lust but Kim has it.. Lock down.. on a love madness... Hell thats sad practice... If sad meant immaculate gravity Of happiness...between a mad man And a divine enchantress... So I grab.. james mckokis And transition... Into woman from a bad habit... Practically a man click With a bad **** Definition... claps the light in Darkness of Sandberg Time of sand between two Sand hands shift... My mom is spacial cosmic passion Its wise to grab your chance And he... Andy... sand man... sand berg Has the last word.... Is it dog or dmx I love or is ******* dog **** become my tragic matter turned to bad word... *** im rath rapture In the last saturated hand of black dirt... Before I bless half earth With magnetic aura... Poring black dirt Through ashes in a Moira... Sanctum My God will be the last verse Last word The son asks never the rapture
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Oct 10, 2020
Oct 10, 2020 at 6:41 PM UTC
Dog ****
I. There's a fear in my eyes when I see you All tomorrows appear in a blink Fearing there'd be day when I will awake And I wouldn't find you near There are days when the pasts seem to shadow All the hope that you've gathered for me But then the darkness fades and then I awake And I feel love setting us free Chorus: And all at once, all fears disappear Knowing that I have you here Though lies may come, there's nothing I can't do. For I see His promise when I look at you." II. So I thank you for all of your patience For loving me even when I explode Taking all of the pain but nothing else to gain Just knowing I don't feel alone Oh I promise that I'll always choose you I will trust you wherever you lead And when there are days when you'll feel afraid I promise I won't walk away Chorus: Coz all at once my future is here It's better than all of my dreams Though storms may come, there's nothing I can't do For He keeps His promise, and the promise is you III. So I stand here today with a promise That together we'll run towards love That I know there are days whether it shines or it rains Together we'll lift up a praise And when our time here has ended And God asks me what I had been through I would lay at His feet all our victories And thank Him for giving me you I'll always thank Him for giving me you Chorus: Through battles won, and fears overcome I found a faithful one Through highs and lows You will never be alone Forever and always My forever and always Forever and always I love you, my home
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Jan 15, 2019
Jan 15, 2019 at 6:47 AM UTC
Moira's New compose for her wedding
I. There's a fear in my eyes when I see you All tomorrows appear in a blink Fearing there'd be day when I will awake And I wouldn't find you near There are days when the pasts seem to shadow All the hope that you've gathered for me But then the darkness fades and then I awake And I feel love setting us free Chorus: And all at once, all fears disappear Knowing that I have you here Though lies may come, there's nothing I can't do. For I see His promise when I look at you." II. So I thank you for all of your patience For loving me even when I explode Taking all of the pain but nothing else to gain Just knowing I don't feel alone Oh I promise that I'll always choose you I will trust you wherever you lead And when there are days when you'll feel afraid I promise I won't walk away Chorus: Coz all at once my future is here It's better than all of my dreams Though storms may come, there's nothing I can't do For He keeps His promise, and the promise is you III. So I stand here today with a promise That together we'll run towards love That I know there are days whether it shines or it rains Together we'll lift up a praise And when our time here has ended And God asks me what I had been through I would lay at His feet all our victories And thank Him for giving me you I'll always thank Him for giving me you Chorus: Through battles won, and fears overcome I found a faithful one Through highs and lows You will never be alone Forever and always My forever and always Forever and always I love you, my home
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