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tangshunzi Jun 2014
Ti ** mai detto che io sono un pollone completo per una storia d'amore ?Probabilmente capito che fuori già



.ma io amo sentire come fuori di tutte le persone del mondo .due persone è capitato di trovare l'altro - e quando finisce in un matrimonio bello come questo.mi rivolgo in poltiglia .Catturato da Heather Pipino Fotografia questa storia d'amore ha un finale molto felice.Vedere ancora di più qui .
Condividi questa splendida galleria ColorsSeasonsFallSettingsHotelStylesTraditional Elegance

Da Heather Pipino Fotografia. "Quattro anni fa non avrei maiè èe credevoè ñessere qui in piedi con una ragazza che camminava in un negozio di caffè che indossa un cappello Dodgers .ditutte le cose . abbiamo aspettato quasi due mesi prima che ci incontrassimo a vicenda . Dopo che tutti i testi .e-mail e telefonate abbiamo tenuto il nostro respiro e ha preso un salto .e abbiamo imparato nella vita.che tutto ciò che serve è venti secondi di coraggio folle afare qualcosa di grande accadere. "

Quelle parole erano solo una porzione di dolce voti Sam 'a Lindsey .ma danno una buona sbirciatina per i bellissimi cuori e amore stimolante che Sam e condividere Lindsey .Sono entrambi persone così gentili e genuini e la loro vita e l'amore riflettere sul fatto che in ogni modo.E 'doesnè èimporta quanto tempo siè èe li noti .Sam e abiti da sposa corti Lindsey sono il tipo di persone che ti accolgono con un caloroso abbraccio e lascerà piena di gioia .Essi vi invitano nel loro mondo e ti fanno abiti da sposa on line sentire come seè èe stati amici per anni .E ' questo amore che essi hanno per l'altro e per le persone intorno a loro che hanno fatto il loro giorno di nozze così incredibile .In una bella giornata in California.presso la Estancia Resort a La Jolla .amici e parenti si sono riuniti per sostenere e amare questa coppia che aveva toccato ciascuna delle loro vite .E 'stata una giornata piena di lacrime di gioia .il romanticismo .l'amore e la bellezza .e Sam e Lindsey meritato ogni singolo istante.

Da Bride.How ci siamo incontrati : Le nostre mamme lavorano insieme in una scuola nella Bay Area .Una volta che la sua mamma ha imparato che vivevo a San Diego .ha pensato che sarebbe stata una buona idea per me di mostrare il suo figlio in giro come gli era stato appena assunto lì .Lei e mi aveva viaggiato a Parigi circa sette anni fa con mia mamma e un altro insegnante .Mi ricordo che lei mi dice allora che avevo bisogno di incontrare suo figlio ma eravamo entrambi risalenti altre persone al momento .Ero titubante a incontrarlo fino a quando ** fatto un po ' di Facebook stalking.voglio dire .la ricerca .Mi fu colpito in primo click.The prima richiesta di amicizia è stata inviata e tanti.tanti .( molti) messaggi e fino a tarda notte dopo.i messaggi si rivolse a testi e testi voltai per le telefonate .Questo è durato per un certo periodo come i sentimenti si erano formate veloce e siamo stati nervosi e ansiosi di incontrarsi other.Finally un incontro è stato fissato al Coffee Bean a Carlsbad .Eravamo lì per quattro ore e quasi chiudiamo il posto in fondo .Il giorno dopo.unè edata irstèè stata impostata e il resto è storia !

Il nostro matrimonio ha avuto luogo a La Jolla .in California presso l' Estancia Hotel.Abbiamo scelto questa posizione perché è rilassato eleganza .giardini mozzafiato .ed è vicino a dove viviamo .Perché ci siamo incontrati e viviamo qui a San Diego e volevamo festeggiare il nostro amore qui .La maggior parte dei nostri ospiti di nozze erano da fuori città .abbiamo voluto l' atmosfera di essere caldo.accogliente.e una volta tutti vorremmo amare .

I colori erano nero.bianco e verde e il tema era classica .semplice eleganza.Volevamo la sede per parlare di se stesso in modo non volevo fiori eccessivamente fatto .ma felci semplicemente dichiarati e fiori bianchi .Isari Floral Studio ha fatto un lavoro incredibile catturare la nostra visione .

Volevamo il matrimonio per avere tocchi di tutti noi in tutto.Abbiamo parcheggiato la nostra hot rod (1932 Ford Roadster ) nel modo di entrata dell'hotel.Mio padre aveva una splendida "Just Married " segno gessato per noi.così abbiamo potuto avere un scappare con stile !Il nostro cane (leggi : nostro figlio ) . Non poteva essere sulla proprietà .purtroppo .così abbiamo avuto una foto incorniciata di lui fatta con un cartello appeso al collo che diceva : " Sono contento che tu sia qui a festeggiare con i miei genitori prega di godere il cagnolinoborse da me . Woof .Lux " .Su quel tavolo .avevamo sacchetti di biscotti monogramma di Michele Coulon Dessertier .Per il nostro libro degli ospiti .abbiamo lavorato con un graphic designer per fare quello di un manifesto sorta di nostra sede .Ora abbiamo questa grande opera d'arte.con parole gentili di tutti appendere in casa nostra .Sulle pareti della Sala Grande .avevo il nostro invito fatto saltare in aria e sparsi sui muri nelle loro cornici .Tutti questi tocchi davvero reso il giorno così memorabile .

nostro incredibile team di venditori e la nostra famiglia e gli amici sono ciò che veramente ha reso questa giornata il giorno più speciale della nostra vita finora.Siamo così fortunati ad aver avuto un bel matrimonio tale .Sono entusiasta di essere sposata con Sam per il resto della nostra vita !Fotografia

: Heather Pepin Fotografia | dell'artista: Aqua Vivus Productions | Event Design : Sherry Glommen | Pianificazione : Swann Soirees | Floral Design : Isari Flower Studio | Floral Design : Isari Flower Studio | Cake : la zia della sposa | Inviti : Smitten Onpaper | Cerimonia Luogo : Estancia La Jolla | Banco Luogo : Estancia La abiti da sposa on line Jolla | Bridesmaids Dresses : Nordstrom | capelli: Jessica / Michelle - Koda Salon | Calligraphy : Brown Fox Calligrafia | Abbigliamento da Groomsmen : Nero risvolto | officiante : Cerimonie Per Bethel | pipistrelli pergroomsmen : Louisville Slugger | vestito nuziale : Tara Keely | sposa / damigella d'onore Abiti : Abbastanza Plum zucchero | Cookies : Michele Coulon Dessertier | Guest Book Graphic Designer : Designs J Gal | Musica live / DJ : Collin Elliot -Ancora Ascolto Productions | Trucco : FioreBeauty | Photobooth : Photobooth mobileHayley Paige e Jim Hjelm occasioni sono membri della nostra Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .Fiore Bellezza .Isari Fiore Studio + Design Event .Plum Piuttosto Zucchero.JLM Couture .Inc. e Mobile Photo Booth sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Fiore di bellezza VIEW PORTFOLIO Isari Fiore Studio vedi portfolio Plum graziosa Zucchero vedi portfolio JLM Couture Wedding Gown Bouti ... vedi portfolio Mobile Photo Booth VIEW
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Elegante Wedding at Estancia La Jolla_abiti da sposa 2014
E Mar 2014
Blistered hands, blistered feet
Hit hard and left confused
Is the rocking boat or the betrayal
making me sick?
The salt water on my cheeks
either came from the ocean or my eyes
But what difference does it make

Blistered hands, blistered feet
Broken heart
Two thousand miles couldn't soften the blow
Lily Gabrielle Jun 2013
I've never been quite crazy
or ever fully sane
but I swear to God I've seen you here
on a day when there was rain.
Did we share the same umbrella
or maybe a cup of tea,
I tend to fall in love
with all the eyes I see.
Tears clouded corners
of your softened emerald eyes;
your fist hit the table,
blood began to rise.
The record player sang and wailed
a million broken songs
and in a flash I saw your hands
and knew I was all wrong.
History reminded me
you were no face unknown,
I know those emerald eyes,
those hands have held my own.
I can't recall who did what
beneath that hazy sky
but my fingertips warn
it's not worthy of a try.
I turn to escape your haunting eyes
but notice, heavy with regret
your crooked smile as I catch a whiff  
of tangerine and cigarette.
Harmony Sapphire Jan 2015
Hawks, Eagles, Falcon, Owls, & Seagulls.
Ariel always wants to go to the beach.
So the ocean water she can touch & reach.
About seashells to show & tell.
But I don't want her to get sunburned.
A lesson we already learned.
One time we took the cat on his harness leash & he got scared.
To see what it would be like but we never brought him again because we cared.
We used to video tape it so we'd remember.
How little she was & cute we were.
It has been two years since we last went.
We'd only stay for thirty minutes something was what it meant.

© Harmony Sapphire . All rights reserved,
judy smith Mar 2016
Detective stories have been making a splash on European screens for the past decade. Some attract top-notch directors, actors and script writers. They are far superior to anything that appears over here -- whether on TV or from Hollywood. Part of the impetus has come from the remarkable Italian series Montelbano, the name of a Sicilian commissario in Ragusa (Vigata)who was first featured in the skillfully crafted novellas of Andrea Camilleri.

Italians remain in the forefront of the genre as Montelbano was followed by similar high class productions set in Bologna, Ferrara, Turino, Milano, Palermo and Roma. A few are placed in evocative historical context. The French follow close behind with a rich variety of series ranging from a revived Maigret circa 2004(Bruno Cremer) and Frank Riva (Alain Delon) to the gritty Blood On The Docks (Le Havre) and the refined dramatizations of other Simenon tales. Others have jumped in: Austria, Germany (several) and all the Scandinavians. The former, Anatomy of Evil, offers us a dark yet riveting set of mysteries featuring a taciturn middle-aged police psychiatrist. Germany'sgem, Homicide Unit -- Istanbul, has a cast of talented Turkish Germans who speak German in a vividly portrayed contemporary Istanbul. Shows from the last mentioned region tend to be dreary and the characters uni-dimensional, so will receive short shrift in these comments.

Most striking to an American viewer are the strange mores and customs of the local protagonists compared to their counterparts over here. So are the physical traits as well as the social contexts. Here are a few immediately noteworthy examples. Tattoos and ****** hardware are strangely absent -- even among the bad guys. Green or orange hair is equally out of sight. The former, I guess, are disfiguring. The latter types are too crude for the sophisticated plots. European salons also seem unable to produce that commonplace style of artificial blond hair parted by a conspicuous streak of dark brown roots so favored by news anchors, talk show howlers and other female luminaries. Jeans, of course, are universal -- and usually filled in comely fashion. It's what people do in them (or out of them) that stands out.

First, almost no workout routines -- or animated talk about them. Nautilus? Nordic Track? Yoga pants? From roughly 50 programs, I can recall only one, in fact -- a rather humorous scene in an Istanbul health club that doubles as a drug depot. There is a bit of jogging, just a bit -- none in Italy. The Italians do do some swimming (Montalbano) and are pictured hauling cases of wine up steep cellar stairs with uncanny frequency. Kale appears nowhere on the menu; and vegan or gluten are words unspoken. Speaking of food, almost all of these characters actually sit down to eat lunch, albeit the main protagonist tends to lose an appetite when on the heels of a particularly elusive villain. Oblique references to cholesterol levels occur on but two occasions. Those omnipresent little containers of yoghurt are considered unworthy of camera time.

A few other features of contemporary American life are missing from the dialogue. I cannot recall the word "consultant' being uttered once. In the face of this amazing reality, one can only wonder how ****-kid 21 year old graduates from elite European universities manage to get that first critical foothold on the ladder of financial excess. Something else is lacking in the organizational culture of police departments, high-powered real estate operations, environmental NGOs or law firms: formal evaluations. In those retro environments, it all turns on long-standing personal ties, budgetary appropriations and actual accomplishment -- not graded memo writing skills. Moreover, the abrupt firing of professionals is a surprising rarity. No wonder Europe is lagging so far behind in the league table of billionaires produced annually and on-the-job suicides

Then, there is that staple of all American conversation -- real estate prices. They crop up very rarely -- and then only when retirement is the subject. Admittedly, that is a pretty boring subject for a tense crime drama -- however compelling it is for academics, investors, lawyers and doctors over here. Still, it fits a pattern.

None of the main characters devotes time to soliciting offers from other institutions -- be they universities, elite police units in a different city, insurance companies, banks, or architectural firms. They are peculiarly rooted where they are. In the U.S., professionals are constantly on the look-out for some prospective employer who will make them an attractive offer. That offer is then taken to their current institution along with the demand that it be matched or they'll be packing their bags. Most of the time, it makes little difference if that "offer" is from College Station, Texas or La Jolla, California. That doesn't occur in the programs that I've viewed. No one is driven to abandon colleagues, friends, a comfortable home and favorite restaurants for the hope of upward mobility. What a touching, if archaic way of viewing life.

The pedigree of actors help make all this credible. For example, the classiest female leads are a "Turk" (Idil Uner) who in real life studied voice in Berlin for 17 years and a transplanted Russo-Italian (Natasha Stephanenko) whose father was a nuclear physicist at a secret facility in the Urals. Each has a parallel non-acting career in the arts. It shows.

After viewing the first dozen or so mysteries of diverse nationality, an American viewer begins to feel an unease creeping up on him. Something is amiss; something awry; something missing. Where are those little bottles of natural water that are ubiquitous in the U.S? The ones with the ****** tip. Meetings of all sorts are held without their comforting presence. Receptionists -- glamorous or unglamorous alike -- make do without them. Heat tormented Sicilians seem immune to the temptation. Cyclists don't stick them in handlebar holders. Even stray teenagers and university students are lacking their company. Uneasiness gives way to a sensation of dread. For European civilization looks to be on the brink of extinction due to mass dehydration.

That's a pity. Any society where cityscapes are not cluttered with SUVs deserves to survive as a reserve of sanity on that score at least. It also allows for car chases through the crooked, cobbled streets of old towns unobstructed by herds of Yukons and Outbacks on the prowl for a double parking space. Bonus: Montelbano's unwashed Fiat has been missing a right front hubcap for 4 years (just like my car). To meet Hollywood standards for car chases he'd have to borrow Ingrid's red Maserati.

Social ******* reveals a number of even more bizarre phenomena. In conversation, above all. Volume is several decibels below what it is on American TV shows and in our society. It is not necessary to grab the remote to drop sound levels down into the 20s in order to avoid irreparable hearing damage. Nor is one afflicted by those piercing, high-pitched voices that can cut through 3 inches of solid steel. All manner of intelligible conversations are held in restaurants, cafes and other public places. Most incomprehensible are the moments of silence. Some last for up to a minute while the mind contemplates an intellectual puzzle or complex emotions. Such extreme behavior does crop up occasionally in shows or films over here -- but invariably followed by a diagnosis of concealed autism which provides the dramatic theme for the rest of the episode.

Tragedy is more common, and takes more subtle forms in these European dramatizations. Certainly, America has long since departed from the standard formula of happy endings. Over there, tragic endings are not only varied -- they include forms of tragedy that do not end in death or violence. The Sicilian series stands out in this respect.

As to violence, there is a fair amount as only could be expected in detective series. Not everyone can be killed decorously by slow arsenic poisoning. So there is some blood and gore. But there is no visual lingering on either the acts themselves or their grisly aftermaths. People bleed -- but without geysers of blood or minutes fixed on its portentous dripping. Violence is part of life -- not to be denied, not to be magnified as an object of occult fascination. The same with ****** abuse and *******.

Finally, it surprises an American to see how little the Europeans portrayed in these stories care about us. We tend to assume that the entire world is obsessed by the United States. True, our pop culture is everywhere. Relatives from 'over there' do make an occasional appearance -- especially in Italian shows. However, unlike their leaders who give the impression that they can't take an unscheduled leak without first checking with the White House or National Security Council in Washington, these characters manage quite nicely to handle their lives in their own way on their own terms.

Anyone who lives on the Continent or spends a lot of time there off the tourist circuit knows all this. The image presented by TV dramas may have the effect of exaggerating the differences with the U.S. That is not their intention, though. Moreover, isn't the purpose of art to force us to see things that otherwise may not be obvious?Read more at:http://www.marieaustralia.com | www.marieaustralia.com/short-formal-dresses
Lyss Gia Jun 2014
The cloud are reflecting off my computer screen
Moving at a rapid pace
They have somewhere to be
They have to move on
Fading into my shadow
They’re like daggers

My head is like daggers

And my smile is like a rifle
Loops one more time
Just picking the achy strings
I think he’s exhausted
Really just ******* tired
And the way he sings

Just wants to speak

And pour all of his heart
Thoughts
Emotions
Pain
Pain
Pain

These pitches, John, they aren’t real

They aren’t right
You aren’t right
I’m listening to this for you
Because last night was the night I took your life
I was tired too
I was tired and used your insecurities

As an excuse

To blow you off
Bryce come back please
I love you
I CAN’T SEE WHAT I’m typing anymore
It’s waterwashed
I love you I love you

I lov you please

Please trust me
My tears are ocean currents
My calves are the sand
Pull me to La Jolla please now
Hold my hand Bryce
You’ll be unconscience in 5 minutes

Fiberglass isn’t all that dependable

Fiberglass will float on
You’re heart is lead
Let it sink
Hold my hand
Let it sink
They’ll find our bodies

Eaten decayed by algae

You look just as fine with your
Skin pruned and ribcage exposed
I would kiss you all the same with your
Toes consumed by fishes
4 times over John
4 times you don’t sound anymore like an answer
My boyfriend plays with guns
CH Gorrie Sep 2013
Lavender parted by blunt wind:
the unkempt morning hair
of a park's running path.
Pale-green grass crawls up everywhere
in tufts like a thousand lost toupées.

In spring
cars, northbound from San Diego,
packed with kids and camping tools
or slimmer businessmen,
get full view of it:
                             a transient glance
between La Jolla and Los Angeles,
a moment of flashing color amid asphalt miles.
Sharon Talbot Apr 2022
Before hearing about your death
I began a novel inspired by you
and your struggle with the truth--
The truth of who you were,
what you wanted of life and of me.
And it became a journey
into the past, into a life
that had happened before
we met, decades ago,
and after we parted for good,
I wove a new life out of remnants,
of things I knew or just supposed.
And like a good researcher,
I told of your parents' failings,
the darker side of love.
Of your grandmother and friends,
and even your cousin who
brought you to me,
Luring you out of the homogeneous crowd
and into our perfect valley--
"the land of spires and dreams".
I even spoke warmly of our artless love
and our drifting apart like ghost ships.
After our second parting,
when you left the mortal coil,
I tried not to reminisce about us,
for the story was yours, not mine,
But I fear that a mirror kept
cropping up behind me and
around corners, erasing mystery.
Narcissus caught me time and again.
Even so, I created times for you
that I had never seen or heard.
I have you swimming off La Jolla,
traipsing on mountain paths
in the wilds of British Columbia,
or arguing with your wife
in that mansion you dreamed of.
I invented a girl you would like
and two kids who loved you
in spite of everything.
Your memories of me became
less urgent, locked in a chess box,
in songs or on film, hidden away.
I analyzed your youth, your vanity,
lust, boredom, mistakes and age.
And when it came time for you
to make a decision: to stay or go
again, either west or east,
I stopped and looked over your life,
rolled out flat, like the American plain
from western crags to eastern city
and like a broken record,
the choice shuttled back and forth,
not letting me decide for you.
Glancing at a photo
of your childhood home,
I realized at last,
not that you had died too soon,
but that I really never knew you.
I was sitting by the Jolla tree
writing a list of what I need
it started with world peace
and ended in tears of children

That was the list sitting by the Jolla tree
my list was d cup, would you like to see
love me, hate me
but you will never be rid of me

I am shaving off my beard
and colouring my hair ruby red
for I care little of myself
and soon I will be dead

I am a rabble in my own underwear
a faded clown worlds apart
my love is for words
it's a pity we have to part

I was made to crash and burn
this is the wage I earned
what was it all for
what the hell did I learn

For I crash and burn


By Christos Andreas Kourtis aka NeonSolaris
By NeonSolaris

© 2011 NeonSolaris (All rights reserved)
Harmony Sapphire Feb 2015
Grains of sand fall through the cracks.
Gritty & hot between your toes.
Squishy & mushy in the salty water.
Waves crash forward one after another.
During the winter & the summer.
The rocks near the shore have seagulls.
They are waiting for the fish.
Their silent daily wish.

At the beach it was just us two.
I couldn't are anyone else there I knew.
The color of the water was green & blue.

The ghost voice speaks, but can it see?
La Jolla Cliffs is haunted.
On video tape in 2008 I recorded it's voice that taunted.
Then it said ' Ha ha, I found you".
Spooky right? It wasn't like Casper saying "boo".

It said " Ariel come closer".
It's like it chose her.

Seashells wash up on the shore.
Like little presents from the sea floor.
The relentless sun bakes your flesh.
Sunblock or sunscreen works the best.
Feeling thirsty to drink some ice water.
Under the shade from the trees just me & my daughter.
© Harmony Sapphire . All rights reserved
dearly beloved
Kagan only
to brighten
robe in
La Jolla
with Saint
Mark there
on the
Square when
Harlem was
despair yet
Georgetown there
made this
legal parade
mirrored in
this Fall
of 2020
Jamiee Z Oct 2015
I am from
        waking up at 5 a.m.
        and making my dad pour me a glass
        of chocolate milk and put in
        the Tom & Jerry VCR tape.
I am from
        the years spent on stage
        performing, acting, dancing,
        making music from the keys and strings of instruments
        that I have since abandoned.
I am from
        the technology that shaped me,
        which I cannot live without-
        the shows and movies and games; staying up,
        the bright screen of my laptop glaring against the darkness of my room.
I am from
        crying until my eyes are red and raw,
        happy and sad and laughing tears
        from the deaths and lives and breakups and reunions
        of the characters and shows I will never forget.
I am from
        lying in my bed
        listening to the music that has healed me,
        blaring in my ears
        and against the four walls that enclose me.
I am from
        the places I’ve been-
        from La Jolla to Lancaster to Boston and Nanjing,
        to the places I wish to go-
        from Sydney to Quebec to Venice and Chicago.
I am from
        homework and studying and tests,
        and homework and studying and tests.
        Yearning for college since middle school,
         to be around people who crave knowledge, too.
I am from
        Modus Ponens and Modus Tollens and Disjunctive Syllogism,
        and memorizing fallacies and philosophy arguments at 8 a.m.,
        the course that challenged me beyond my limits,
        the course that introduced me to my favorite place in the world.
I am from
        my home away from home-
        lying on the grass of the quad,
        dancing beneath the stars
        to the Canon, the soundtrack of my youth.
I am from
        the memories I hold
        within polaroids and photos behind screens,
        within songs and books and between the lines
        of the poems that I have bled from my heart onto paper.
I am from
        my previous and continuing attempts to escape this town,
        and the meaningless interactions within the cold halls of highschool;
        trying to find the people who will become my people
        and the places I will call home.


                                                         ­                                j.z.
"I am from..." poem
Ken Pepiton Jul 2023
Vu. { as long as any story's told wrong}

- suffer not a novice to teach

No bet. Nothing wagered, no pledge to be paid,
no bet was made between the unspeakable name,

core processing access id-entity… we'll call Truth.
And time, if there were a wager, Truth be against Time.

- thus we develop a worth for attention.

The way life works super resiliently, bouncing back
after starry chaos leaves a constant possibility
for truths beyond our scale of instant relativity
to manifest as seems with none the wiser,

the sun could flick us from existance, and be
acting as naturally as all such suns act
after a while, maybe

seven minutes ago.
---
listening to me bellyache and moan,
woe is me I am good for nothing.

Hmmm. I could just die, but then, there
would be just cause to believe me selfish,
and selfish is something I try not to be, in fact.

Information flow, twists awry through held truths,
never taken apart to reset the spring.

Nietsche was wrong about a lot of things.
Knowing he had a voice he could
convince himself was otherwise,
he had a real raw idea of God.
That's good.
Not useless, mostly used up. Flame.

That's what the real old *** in me said.
Fretting naught,
letting go all wishery wasery,
growing old effortlessly,
be causing, as wishes are supposed,
sup-post,
same as prayers properly aimed, to
be collected to be
be answered, as information related
to pain in the brain or heart, or core
mental effort processing part, which
detects and destroys the infecting barb.
Just in time.
Release relief, unbelievable lies,
pile into icy dams, late spring
in truth
past all thorny issues,
life is not intentionally difficult,
ants - the super colony kind
run vast ecology balancing systems,
on auto pilot, pure intuitive duty drives.
On a global scale, spreading without war.

We can see we can be better rich than poor.
We can see we live on a wet ball spun
along a spiral in a spiral in a spiral, and so, on
and on and on, looping the grand loop, a little
farther along than last time,

our eyes have seen the glory, our children
can imagine thought speed, information passing

as time carries matters to gravitationally bound
points past which nothing is ever the same,

because you, cause me, to cause you to imagine
we share a plane conscious level,
as we stare across the heavens from JWST,

just adjusting reasonable focus, is it asking
too much? Asking to effect the healing
with truth that cannot be denied, and be truth
indeed…

Whatsoever, whensover, so today is fine,

infinitely fine, as a whole time bit, with us in it.

Who arranged the world's laws of nations,
?
not men in my general class, retired disabled
boys used in immoral warfare, and paid glory

and allowed to march in war winner parades,
even though, Wounded Knee and My Lai,

fester under America's Exceptional Blessing.

Agricultural superfluity, aided by machines,
and the modern incarnation of king control,
usurious
war debt, cost of plunder,
always need latest enemy detection tech.
- Confidential is above us all down here.

Who you gonna call to collect on reneged
deals, see the big picture, be visionary,
wars are lost for want of a nail, a nail
that woulda been seen missing, if the smith's
bills had been paid in time for precharge inspection.

Who allows evil to prosper,
who prospers from peace never made?

imagine you're the powerful and magnificent
leader of North Korea, or a Metro-mega Church.

You quote Lincoln, and agree with the great
promoters of idle time boredom prevention,
knowing you can fool some of the people,
all of the time. And some of the people
a predictable percentage of the time,

and all the people, after a while.  

Oakridge radiant Gospel,
"you listen too long
  you do eventually die."

- and thus it came to pass
- none found fusion, pfft.
Deep mindtimespace silence

Nonsense to any, therapy to me,
the effectual fervent prayer,

which is really
closer to need announcing, auto
awareness, missing pieces, up
ethos more or
pathos, up path of logos,
as winds winding times
recurrency circuits
up right
is not.
Down is not. Here is midway,
midterm… middle distance
**** sapien augmentedus
in the net spread
in the sight of radio beacons.
submicrowave accuracy,
acutron concept of counting
seconds worth of your attention

Practically stretched
past tensile strand strength

stretching to a C-note,
harmonica

calling all my musing friends,
come hang with me,
in my tree.

In the forest of humanity,
the ant intuitive interconnecting -umph
-- last stack, let patience prove possession --
---- Pa-airing Suckacessfull…
Yeah, blue tooth vestibular augments.
-- I can hear birds now.
Who is on war's side, if this were after
I made my case and closed it,
this is the future when we have
global access to once secret libraries.
5g- ****… radio directly individuated,
as once first accounts were coded, so
now, we are our comm device's user,
we filter using truths we used
and proved just so, we lived

asking truth to show itself in ways
a mortal who labored fifty years,
could be led to expect, jubilee,
boom,
I am free, and I am not uncomfortable,
U may read my mind and find news,
formed from used theories untwisted,

and stretched to the extent of one man's
heart fire, expanded with knowledge,
edified with activated agape, lief be,

take a second, what's such a bit of being
left alone, at second glance, become,

some kinda curious thing, clap trap.

****, all wishery is yours, it's time again,

to review the prayer/wish fullfillment section.

Did you, dear, oh, dear, what, what makes
dear the lessons life teaches for your attention,

no price, a quote, a song
"Come, all you who are thirsty,
come to the waters;
and you without money,
come, buy, and eat!
Come, buy wine and milk
without money and without cost!"

Isaiah 55, thriving on hope deferred,

refer again to the references,

decide yourself if you believe James I of England
was at any point a person you could work for?

My task is not to teach, unless my life proves
worth my continuing continuance, thinking

plinking, *** shots, clang… in the olden days,

when a family could live by a prentice knack,  
for taking things  apart, to play new roles,

as whole days that may be shared with wary
few, readers readied by experience, to become

as ware, soft, observant, paying eyeservice,
alert for entertaining clap traps when we all laugh.

Okeh, in a dark bijou-kiva, place where aspirations
are presented to the gathered together
to be entertained, de-brained, turned off, and

let be so, the picture show, as it were,
in the so esoterical initial induction, holiness exposed.

It is all in what you did not know, that makes
what you know now, worth living
through.

Yep. Fishing for a whole reality blessing
as living water
does occur to us as time,
we live in the flow, but we row,

because war rules the world we were born in,
and all the churches of messages etched in spirit,
written in light, of course, as on the silvered screen,
live to preach divine rights as old as lobsters's
stacking urges…
tapping scratching

And fire and memories paradiddling
cloudy smoky misty
shapes and shades noise uselessness knowing inspiring
zingers written on the door post, for good luck.

I read a coloring book, once, at a mall, in La Jolla.
"Grandma keeps a Kosher Kitchen" had a scene
to color yourself into, as a curious child noticing,
the little thing Grandma touched as she came in
from the garden of herbs and flowers for bees,

"what is that for?"
In the uncolored coloring book, it was so nonchalant,
"Good luck."
Grandma's grasp the lucid concept.
- food you know not of, love… luck
Thanks given. Praised be.

Long stories, should only be told as true,
if you, personally… lived to tell it, with no sugar on it.

Bitte, Schön. And so it goes. Kosher us, unclean other.

And what am I? Wild child left between the pillar
and the post of an aspiring great man, whose hopes

were dashed, when he crossed a line, in other peoples
ways of sealing soul stealing redemption agreements,

with a shotgun one potential solution…

by the grace of good luck from any source such
luck appears to have kept me breathing, aimlessly

as I imagine a spirit might decide, in truth, one breath
let go , allows a sense to follow, as glowing cardboard ash,
as the teller zones across old causes fought for and won,

which winning needs another singing, which cheek
this time? Which last laugh is led upto, now,

as I acknowledge the precious readers who form
the recognostic think thank thing,
deja deja
This has a sunset with it on Facebook and kenpepiton.com
Julia Anniina May 2016
Johdatat meitä läpi kapeiden portaikkojen, poikki kaltevien askelmien, jotka saattavat pettää niille astuessa
Puiden reunustamille kujille, joilla luonto tuntuu tukahtuvan omaan vihreyteensä ja kesäyön hämärään
Läpi ihmismassan, jolla on päällään kimaltavia mekkoja ja suussaan kieliä, joita en täysin ymmärrä
Paikkoihin maanpinnan alapuolelle, jotka ovat nekin laitojaan myöten täynnä
Vietämme niissä hetken kerrallaan, muiden ympäröimänä mutta silti kovin kahden
Halusit eksyä meihin ja siihen iltaan, enkä minäkään uskalla toivoa mitään muuta
Pian kätesi hivuttautuu omaani ja olemme taas ulkona
Pysähdymme katselemaan, kuinka horisontin takaa alkaa päivä nousta heti kahden jälkeen
Korkeiden rakennusten estäessä merituulen pääsyn keuhkoihin ja takin sisään

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