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preservationman Jan 2019
James Ingram with a voice sultry
Encouraging Love
Keep the Romance no matter what
Living is only once
But once is never enough
It’s Heaven being James Ingram’s call
James Ingram had a style in music totally his own
It was Radio Station’s that let it be shown
Just once
But James Ingram’s music, you couldn’t listen just once
If you were looking for and loss a love in a romance, James Ingram will help you find it and start another
He was that kind of Brother
His message was step out with your true heart
But keep finding love as in everything, there will always be a fail
But you don’t have to make it your trail
Just once was only a start
Then again, Just Once would be that moment to cherish
Thank you James Ingram for making me a Man I was meant to be
A time to live and give
James Ingram was a devotion and commitment to his music
James Ingram achieved what he set on Earth in life
His music will continue being our advice
Tomorrow being no promise
Let the truth be said, as I am being honest
Just once will lead somewhere out there
But love is something sincere beyond compare
Just once being a moment to try
But James Ingram doesn’t want his fans to cry
We are thankful for your music contribution
But in my heart, you are my institution with your legacy with no conclusion
Your life is beyond in Heaven’s ways
Your music is our inspiration that will always stay
Until we meet again James Ingram, let your soul be peace and honor written in the stars.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
nic Sep 2013
I read somewhere,
that as adults,
we try growing into
the traits that would've
rescued our parents.
And when my father moved out
I started moving.
The day my his signature
danced across a set
of divorce papers,
my body became boat.
These ankles retracted anchor.
I have been sailor ever since.

2. Mental illness runs
in my mother's family
so leaving was more like
a race for sanity.
There are days when
I wonder if schizophrenia
is what happened
when Liz stopped writing.
When a poet stops being a poet
I guess all of that empty
silence leaves room for
the walls to start speaking.
There are days when I wander
just to see if my feet
are as fast as they
used to be.
I used to leave what I love.

3. I love a lot
so I jog often.
Not for hobby,
but for healing.

4. Survival is a scary thing,
especially when it means
running from what's
already been sewn into
your family genes.

5. If your body ever
feels foreign,
remember home is
where the heart is
so it is no worthless carcass.
Call it Cathedral.
You. Holy congregation
of bones filled to the brim
with sin but blessed
from birth.
Your skin is nothing short
of sacred. Sanctuary.
Your muscles only grow
from being torn and rebuilt
so it makes sense
for your walls
to crumble sometimes.
Destruction is a form
of creation.
And of course,
you will want to dance
amongst that rubble.
Movement is a sign of life.
Let them see
you're still alive.

6. This life is magic
and you come from
a long line of magicians.
We people of Black suits
and bow ties threaded
from braided chains.
We, wands for wrists,
perfect for reaching
for potions and people
and dreams.
We, top hats for teeth,
perfect for abracadabra speaking
things into existence.
We, artists.
We, storytellers.
We, preachers and poets.
We who spit spells
disguised as poems.
Poems that work like
prayers born between pews.
We, walking sanctuaries
with pews for knees.
We who birth life. Love,
you are nothing short
of magic.

7. The day the spine
of my father's signature
tangoed along the rubble
of a broken marriage,
my mother's hips
kissed a beat like
Stevie Wonder
was just invented.
And my God,
is it lovely.
How she wears her lonely
in the sway of her shoulders.
See you come from
a long line of magicians
who don't need to be rescued.
You are not our final flare.
You are not our savior.
Love, you are my plagiarized draft
of a poem called God.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Robin Carretti Jul 2018
How the silence greeted her never be?
Never see the clock to fool you
Always react quickly the change
will get you
About  her time never to be wasted
And never the right time to be free
Please she is the lady never
defeated like General Lee
The revelation to be loved
he had this clock-wise
reaction

Charlotte curved her position
like a pendulum going back and forth.

It was all she could say
she looked up at him
dancing with the golden flames
piercing her eyes. nineteen roaring
just about twenty dames
The clocks how she envisioned the
quarterback the hands like wands
had different names of foreign lands
Please, not my clock hand my hand
I am running out of time
The love doesn't last even the
first time or your
Last race against time
I assure you the competition never the
right words
But I am feeling all the wrong
signals so indecisive
Clocks somehow can be relative

Her heels not so concrete when
we are talking
and especially walking running late
its always like  her and his debate
So conclusive men campfire no clocks
But the hot fire bacon
Her clock is near the mason jar
Hollywood star is way out of line
Throw her overboard
The babe is so pompous
ladies taking trips beyond the clock
Graveyard shift please assure me
I can use a facelift
Feeling the dead of night waitress shifts
looking at the clock nothing to rave about

The quiet ones so sensitive giving
them a lift be positive to be saved
and please clock them into the tick.
There shining with there own click
computer ((Apple)) bite with Gents
of martini ladies turn the clock
like Houdini.

We need to be more responsive
to the thing that ticks back at us
So like we are living together so costly
Being passive at the time but expensive every-time
that elapsed like the war of the flow of clocks world.

She hopes so strongly she didn’t jump into his frying pan of words like trying to read the top of the hour newspaper trying to tell the time it’s like a second-hand clock.

But first, most importantly we cannot turn the clock
back to undo the harm it caused.
But we certainly have the power to go with the flow to make things better instant pudding have a way of coming unstuck.

To ensure ourselves what happened in our past never again will we let it flow into our future. Let our minds flow with more positive energy.

Day in and Day out:
Please assure me the right day you come on in
The day that you want to leave but please
don't stay out more time that's what life is about

All you do is dig dig dig… how we conserve energy per unit time. How we put all our energies into works.
Or also our nervous energy fighting trying so hard to focus to find the time to balance our energy our mass movement.

Like the sacred going deep well dig your way to a spiritual time and knowing the truth of things will set us free.

Your the one going solo feel a pounding in your heart needing so much to tell someone how you care about them what happens to you when your day begins.
Do we have a second to think about can we undo something or will it remain deep in our hearts?
Something touched you like explosive words at war with one another how they develop.

How does this entire world deal with such terrorism?
But not having the time
What! I see the clocks and the
Watchtower every soap opera hour to tell someone you love them how you need them because your days come to close to the end.

You feel like a thousand drums
hit you like a bomb going off ticking clocks.

We visualize more what love really is and the day in and day out like the song continues on your digging way down to finding something its huge so major to bring it way up to the surface.

Telling one another the game isn’t over until the clock says zero.
We are going to below trying to dig deeper.
Like time management oxymoron time beyond like anger management, we cannot control it will keep ticking regardless of our lives any flow or form.

He changed to be pleased or she retreated one arm against the mantelpiece his eyes surprised
The engagement turned like a clockwork orange so irritated beyond a different time.
To refresh the orange pulp going to the Gulf of Mexico
She felt stopped for a moment in time how she couldn’t gasp for air.
The sensation got stronger how she was being watched making the right or wrong moves her steps going back and forth.

With an effort,
Please assure me
I know it not easy to please me or how you know me
Like a six sense our eyes went the same direction
Like the romance endless kisses of France
She forced herself to straighten her body
to behave but her mind really needed to function.
He sensed the last word
The next word I assure you it's like a love bomb
For quite some time  I felt in a coffin
like tic rock boom of logs
Emboldened she allowed herself
to see the contour of destined time.
Please assure me all contours shaped his face.
Please assure me I still have a brain but a
different environment place
My clock stopped just when I felt my writer's block
Somewhere over Finnegan's rainbow, his colors
changed my clock.

Like the 'French Emperor Napoleon"
Too many derogatory stereotypes.
The morning mist
The ending  list was lifted by the time
like our world became
so responsible for the past
and future how different the time became.
Like the Rehma time

The flow of electric mechanical
The clock number remarkable, please dig into the deeper movement, beautiful Girl flow’s inside.
Like Yoga life of the party, Gala adulterated minds drift oceans wave brains of Psychology.
Love and hope but our souls the core of our brain.
That cozy warm inviting library with the creative cafe of old grandfather clocks Ingram 1828 Ansonia 1850
His name Gilbert rocking pendulum newton equation
Please assure me we will meet again there is so much space

How someone is born with the proverbial silver spoon those compounding assets please assure me I will look up your face in my clock became all in one heirloom faces.
Another clock I assure you its different uniquely written but we need time do you have some time to read this its important your all invited I am giving you lots of space
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Inspire me. ****** me. Serenade me.
Send to me ******* rhythms and let
the ****** hymns play... And then the songs play as we lay.
Frank Sinatra has us on the road, Irma
Thomas telling us to be ourselves...
Love me like Aretha has never loved a
man, move me like Nina Simone, just
you and I alone. Dinah Washington says I should teach you, Etta James
warning me not to tear your clothes.
Let's play some Sarah Vaughn and
Fontella Bass. Ease me with some Diana
Krall and Dianne Reeves, swing motion
with Chris Boti. Tell me you love me Inside Out as does Shara Nelson. Let's
fall in love to Cassandra Wilson. Let us go the jungle and listen to the
bears sing, the legends of love lore...
Sing and groan; Some Isaac Hayes,
Barry White, Teddy Pendergrass,
Marvin Gaye, James Ingram, Gary
Taylor... Let them play, let them sing. And some love bees; some Betty
Wright, Angela Winbush, Regina Belle,
Sade, Marsha Ambrosius... Tone it
down on a spunky blue with some
Meshell Ndegeocello, Janet Jackson,
Laurnea, a bit of Floetry, some Incognito and Karyn White. Max it up with some Maxwell, Rahsaan,
Ralph Tresvant, Glenn Jones and Tevin
Campelle. Let's jazz it up with some Fourplay,
Brian Culbertson, Quincy Jones, Euge
Groove and Marion Meadows... Lounge
and spice it up with some Prince Alec,
Hed Kandi and Kalliope. Funk it up with some Rick James, Ten
City, Brothers Johnson and Billie
Ocean... Let us ****** and swim in the
love ocean. Making love in a Time Machine,
fading through timeless scenes
listening to stimulating music
searching for a combine that is our
fusion
Biting on some dust and swallowing colour
lush are the strips that are dripping
from the trees of chemistry
dancing to music lively, singing to
blues puzzling
beating to jazz dubbing, responding to ethereal loungy sound
music and our souls will be one
in a time machine, learning
combinations orchestrated through the
ages
We will evolve and be sages Until time linear is more sincere and
eternity for us is here. Let the music play, my bed will be a
time machine, shut never your ears
listen to the music that does play and
wipe them tears
all the drama you've been through all
these years in a second we'll be naked and
climbing stairs
we'll be invited to the kingdom of
Romance and Serindipity
You can be the Queen, I'll be King
Poetry painting neverending pictures surreal
in a world ethereal and the real will dull
feel
and forever you and I will be, if we
journey in the musical time machine.
Robin Carretti Jul 2018
How the silence greeted never be the lady defeated
The revelation to be loved he had this clock-wise reaction
and Charlotte curved her position
like a pendulum going back and forth.

It was all she could say
she looked up at him
dancing with her golden flames
piercing her eyes. nineteen roaring
just about twenty dames
She wasn't sure what to make out
of this particular clock

Please, it doesn't work well like the others?
I am so indecisive

So conclusive to many pompous
ladies taking trips beyond the clock
nightshifts nothing to rave about
The quiet ones so sensitive giving them
a lift to be positive need to be saved.
So please clock them into the tick.

There shining with there own click
computer ((Apple)) by the clock bite
with her Gents of martini, ladies turn
the clock like Houdini.

We need to be more responsive Christies Auction house for clocks
The heart ticks faster back at us

The like-wise Owl we are living together so costly the Lady Bird head her nest eggs expensive.
The time that elapsed the war of the flow of Coco clocks.

She hopes so strongly she didn’t jump into his frying pan of words like trying to read the top of the hill climbing his hours.
The newspaper trying to tell the time it’s like a second-hand clock.

But first, most importantly we cannot turn the clock back to undo the harm it caused.

But we certainly have the power to go with the flow to make things better instant solutions have a way of coming unstuck.

To ensure ourselves what happened in our past never again will we let it flow into our future.
Let our minds flow with more positive energy.

Day in and Day out:
Please assure me the right day you come on in
The day that you want to leave but please
don't stay out more time that's what life is about

All you do is dig dig dig… how we conserve energy per unit time. How we put all our energies into works. Or also our nervous energy fighting way over time trying so hard to focus.
To find the time to balance our energy our mass movement.

Like the sacred going deep well dig your way to a spiritual time and knowing the truth of things will set us free.

Your the one going solo feel a pounding in your heart needing so much to tell someone how you care about them what happens to you when your day begins. Do we have a second to think about can we undo something or will it remain deep in our hearts?
Something touched you like explosive words at war with one another how they develop.

How does this entire world deal with such terrorism?
But not having the time to tell someone you love them because your days come to close to the end.
You feel like a thousand drums hit you like a bomb going off ticking clocks.

We visualize more what love really is and the day in and day out like the song continues on your digging way down to finding something its huge so major to bring it way up to the surface.

Telling one another the game isn’t over until the clock says zero.
We are going to below trying to dig deeper.
Like time management oxymoron time beyond like anger management, we cannot control it will keep ticking regardless of our lives any flow or form.
He changed to be pleased or she retreated one arm against the mantelpiece his eyes surprised
The engagement turned like a clockwork orange so irritated beyond a different time. To refresh the orange pulp going to the Gulf of Mexico
She felt like a stop moment of time how she couldn’t gasp for air.

The sensation got stronger how she was being watched making the right or wrong moves her steps going back and forth.

With an effort,
Please assure me
I know it not easy to please me or how you know me
Like a six sense our eyes went the same direction
Like the romance endless kisses of France
She forced herself to straighten her body
to behave but her mind really needed to function.
He sensed the last word
The next word I assure you it's like a love bomb
For quite some time  I felt in a coffin
like tic rock boom of logs
into the stillness of the room.
Emboldened she allowed herself
to see the contour of destined time
Please assure me all contours shaped his face.
Please assure me I still have a brain but a
different environment place
feeling at times like writer's block
but then someone is out there to change my clock.

Like the 'French Emperor Napoleon"
power request so many derogatory stereotypes.
The morning mist was lifted by the time like our world became so responsible for the past and future how different time became.
Like the Rehma time
The flow electric mechanical clock numbers how they dig to her movement beautiful Girl flow’s inside. Like Yoga life of the party, Galla  adulterated minds drift oceans wave brains of Psychology
Love and hope but our souls go deeper into the core of our brain. That cozy warm inviting library with the creative cafe of old grandfather clocks
some of the names
Ingram 1828 Ansonia 1850
His name Gilbert rocking pendulum newton equation
of physics tome arrow how were fighting for time
Please assure me we will meet again there is so much space

Getting into the light or the dark like a sparrow.
How someone is born with the proverbial silver spoon those compounding assets please assure me I will look up your face in my clock became all in one heirloom faces.
Another clock I assure you its different uniquely written but we need time do you have some time to read this its important your all invited I am giving you lots of space
Mateuš Conrad Oct 2016
a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.
Arjun Tyagi Dec 2013
Nomine Christi Amen
gushing,  came a crescendo;
Tenor, Alto, Baritone and Mezzo,
along-with an angelic Soprano.

In *Christ's
Holy Name
she sang with those of Faith.
While snow-laden trees
falsely sheltered a human wraith.

Unlike some on the street,
his lips were cold but not complaining.
Two frozen crutches, his legs; yet
heart warm and with purpose, beating.

A cigarette in his mouth,
skin like the smoke, deathly white.
Discomfort was an easy price
for watching his lover tonight.

As the final notes passed,
of the Diminuendo, into the night;
the pews were left in a rush of haste,
by people eager for homely sights.

Slowly the Gabriel Choir also
departed to its own ways.
The silent Soprano singing to herself
at the right of God, in wait.

Out by the door, he came,
and held her in full sight.
The neon-lit cheap Cross, humming
songs of static to a drowsy night.

And not unlike the moths,
fatally attracted to an electric glow,
he trudged along inside, to her;
ache of cold bones lost in the snow.

Expanded pupils relaxed,
dilated to a semblance of normalcy.
As his stoic eyes adjusted,
his lover, was all he could see.

A moonlit shaft of dust-motes
played above her head.
Whilst she watched him approach, with
Neptune eyes of the Ocean-bed.

Fifteen steps of a distance,
and he came to the edge.
Existed nothing beyond this, save
two entwined breaths.

A soft parting of her lips,
almost soft as a whisper.
Much like the snow melting
at the passing of an unyielding winter.

Rosemary, Sage and Thyme,
odor of her skin, him it assaulted.
Aroused his senses, memories
of a Home long discarded.

You took your time,
complained the Soprano gently.
Your Daddy's gift ran out of gas,
he rebutted amused, mildly.

They left the Church, as ordinary
as the Sun, to eyes unwary.
But a keen observer would compare this companionship
to His and Magdalene's Mary's.

++

The Glasgow George Square,
above two heads, it looms.
Residential Avian families echoed their voices,
with soft caws, chirps and coos.

The Soprano sings a merry hymn,
an invitation to them, a debate.
Gladly did the residents accept, 'tis sufficient
to say the dialogue did not abate.

And whilst she sang her tune,
they replied in equal measure.
He looked into his empty cigarette holder,
wistfulness is seldom a pleasure.

A kiss on the cheek and a hand,
tender on her waist he kept;
I'll be sitting over there, Eve,
come when you are content.

He watched her then; the Soprano,
joyous yet somber as she sang.
Till the bell from the Church, in finality,
ten times it rang.

The dialogue it then ended,
with the Avian families eager for more.
For not many deliver them, from
their monologues in the cold.

She walked to him, steady
a child of gazelles and nimblest of men.
The aura of her pulsating radiance,
begging to enfulge them.

Outstretched hands, even
on plain Earth devoid of danger,
to those in love may feel like
a lifeline to grasp and reach a place safer.

He took her in, his arms
all the Sanctuary she needed.
A sober expression, not always
reflects that the soul in fact is elated.

They walked again, two souls in the streets
of Cochrane, Ingram and Miller.
What trouble is distance to a man's feet,
when another pair walks together?

St. Enoch's came and passed too,
so did Dixon Street and its leaves, strewn.
Till the lovers came to rest, at The Clyde
reflecting the newborn moon.

Night-time, self-proclaimed
sailors still pedaled and rowed.
While The Clyde, with its waters black, licked
the bridge across the road.

Care for a swim milady?
he chided with a boyish smile.
Amusing the Soprano now and then,
was indeed worthwhile.

Eve, he uttered, at a roll
of her eyes. His muse, her name.
Quick pecks on the lips
could put woodpeckers to shame.

Its cold she replied, Mona Lisa
smile hiding amusement unknown.
He led her away away from the breeze,
It was time to go home.

++

A glorious smell of familiarity,
came with the inevitability of Dawn.
Arms at ease around her waist,
her head tucked under his jaw.

Oi, he asked her to wake up, attempts
in futility, not always are of lost cause.
A soft moan and to press closer
was all he received for a response.

Oblivious, on purpose with
no heed to the workings of the world outside.
In ceaseless comfort of slumber,
wrapped around each other they did hide.

Warm of skin, warm of heart,
a bed warmed by nightly hours.
The Soprano and he, content
in their lovely little Glasgow bower.

Moons waxed and waned,
Suns rose and fell.
Every breath escaping their lips,
only promise it would foretell.

For a man needs not much, save
his Love, his God and his Peace.
The Soprano sang each morn, blessed by the Lord
his life, calm as the Clydian breeze.

The Song of Life went on for them,
each day the same as last.
The Glasgow Soprano sang till his death,
but her Voice he took with him as he passed.
Robin Carretti Jun 2018
How the silence greeted her
1-2-3-4-5-alive-next five
We dug deeper get-up
sleepyhead Zzzz
Clock 5:O clock went boom*
Who met her expectation
Oh! Dear feeling deprived
Things exposed
On the Network 5
But not like a **** painting
Dear Boom all your relatives
came in five
Let's save your heart
It goes boom
Didn't come with gifts
to bloom

High expectations realizing
how low your smile five
degree angle
He's the high hands five
mighty spirit
didn't show to really live it
The revelation he had this
clock-wise reaction
Hush hush sweet Charlotte
curved her position
Heirloom she was seated
The pendulum going back and forth

Mr. Fort William Henry
Lake George new birth
  It was all she could say
she looked up at him
Hearing a boom her eyes were his
golden flames soothing piercing
but painful as we know the
war was heartbreaking

She wasn't sure what to
make of the time
He elapsed like the war
within her legs of her flow
Mommy Dearest Heirloom clocks
At her beach house those
charming ducks
She hopes so strongly
she didn’t jump
into his frying pan of words
like trying to read the top of the hour
Her newspaper eating lemon chicken
with capers

  His second-hand clock tick tock
But first, most importantly we
cannot turn the clock
back to undo the harm it caused
But we certainly need new steps
singing in the rain
And relieving our dear ones
  how there stuck
Getting unstuck  but the stick of
the worst Tacky glue
   Dealing with our negativity but keeping
your chin high positive energy
Here it is the song
Day in and Day out how we listened
to it over again

All you do is dig dig dig…
how we conserve energy per unit time
We put our energies into our brains
With the things that don't have
any use for us
Whoa what a dig of nervous love energy
fighting trying so hard to focus on sexuality
Our bird and the bees
Trying to balance our energy
E=MC -2  that mass movement
He booms my speed of light

the truth of things will set us free

Your the one going solo just go
That pounding and higher ground
How I feel like the piece of rare meat
Clank  clink there he goes boom
Another drink
  What's to think my dead nail beat
Strongheart needs attention
to smooth the beats
How he leveled all his baking cups
to show
her she was his equal

What happens to you
when your day begins
Do we have a second to think
Have a  French kiss Vermouth the warm drink
How can we undo something
How everything remains deep in our hearts?
Something touched your hands it spooked
your thoughts having a retouch
being a good sports nothing gets to me
I am not getting  touched by your words me
My dear boom wasn't enough
explosive words
We develop like a wasp of yellow jackets
How does this entire world deal
with such terrorism? Bloodstain pockets

But not having the time
to tell someone
you love them
because your days come to
close to the end
The drummer boy or the
a thousand drums
marching soldiers
like a bomb will succumb
still on his limb

We visualize more what love really is
All the basic pleasures or nightmares
day in and day out like the song continues on
your digging way down to find something
it's huge so major song flat minor to the surface

The game isn’t over were out
of love down to zero
Like time management oxymoron time
beyond like anger management
regardless of our lives
He retreated one arm against the
mantelpiece his eyes surprised
engagement turned clockwork
burnt orange
so irritated beyond a different time
She was expressing her love and pain
moment of time how she couldn’t
gasp for air

The sensation got stronger how
she was being watched making the
right or wrong moves
With an effort, she forced herself to
straighten her body to behave but her
the mind really needed to function
He sensed the last word rock paper
scissor boom of logs into the
stillness of the room
Emboldened she allowed herself
to see the contour of destined time
contours shaped his face

Like the French Emperor Napoleon
power request so many derogatory
stereotypes
The morning mist was lifted by the time
The Robin responsible for the
past and future
how different time became wanting
my time back
Like the Rehma time flow electric
mechanical clock numbers
How the Heirloom perhaps her time
might have been doomed those deep digs
Like the women movement
Ane her deep mind Goddess of  yoga
her terra cotta hacienda
Her name is Gina he was digging her nails
She had the grace of a ballerina
That dear core of our brain
That cozy warm inviting library
Orient train
Digging out our old grandfather clocks
some of the names
Ingram 1828 Ansonia 1850 and Gilbert
rocking pendulum newton equation
of physics how were fighting for time
and space getting into the light
How someone is born with the
proverbial silver spoon those compounding
assets of his time clock heirloom faces
To dig relive to hug a dear moment
just goes boom
But I will never change my old room
This is an ancient time of love story how something ticks like a clock but it works like a bomb feeling body numb we must move ourselves to another time is this possible dream or Heirloom change the scene like a love science
Julian Aug 2020
Eyelash blinkered in hubris Rubik’s knight
Elevation of pogrom ennobled by triaged triumph minus the cynic summation of all light
Littoral swank bronzed like starlet fantasia with a Carey mountaintop jeer
Reichstag extinguished blaring sirens of cacophony capers to benumbed Linkin Park cheer
Knells intrepid by quakes of remonstrance staged in histrionic applause
Southern Colonies shifting in Charleston surgical in orderly slugabed dogged laws
Slipshod through ribbacles of rengall zenkidu among the sertivine poison ivy
Grimace at gamboled rivulets of a moribund Vanilla Sky for departed wiseacres of savvy dicey ICE toxic Harvey Dent slimy
A mannequin Marx Ralph alienated the truest alien by pioneering disdain of a hostage giraffe summiting a Swiss Alp
Master of time 12th bradycardia for Generator design parked beneath escarpments of base aphasia milquetoast in killjoy Strickland nickels away from a gubbertushed mouth
LOST legend enunciating the furor of epochs of egalitarian traipse
Trapped by the bootlick of a wrinkle of Van Winkle revolutionary agape
Curved by soliliquy master of belletrist prose
The vogue can’t help but bunt, balk, denounce the remembrance of Lady Madonna pose
We beat the muckrakers of rummaged lisp of culinary suns that the sons of privilege are emoluments to apolaustic zeal first known to transmogrified nuns, before the poppies made the few into many and the notion of an insuperable line of infinity into a spherical nullification of the concept of none
Estrapade engorges the fustilug magnet of the kitsch Kenosha Chicago Demolition drive-by-derbies “once read”
That two kings one Titanic by skin-color dashed dreams the other both the coins of tails eloped with heady dreams of head
Sacrifice shadow dancing with pettifoggery in slumps of aboriginal dances of marsupial rice
Native to extortion gouged blind as Samson exacts lachrymose cremations of Pikes Peak trick-or-treat aghast with fright
Temples raised in 46 years cemented never in the Mumbo Jumbo politics of those lacking the oceanic schadenfreude among queers
That by their exclusion the panmixia of fluid alchemy is dauntless scrabble limited by NORAD notions of Tears for Fears
Henpecked rooster awakens the serfdom of Ronald’s (sly spy) Drugs sailing with dovetails of elapse downtrodden in modern clubs
Drunken *** addict sell-out charlatans berated  by Ingram Angles sent by maleficence are the grubhub of Harriet Tubman torching promising tapestries with rugged rugs
Slinging the bait of fish-hook dimples on freckled effigies of ****** humiliation outmantled by Mickey weight
I thunder a fulgurant explosion against recrimination of white-collar criminals that philander saturnalia in pretense with facetious swarpollock freight
Crooks of tyranny exhort the paranoiacs of indemnity to sunken canned soup applause of a Warhol extortion
Berating my audience with drooling slavers of inelegant tortoise byzantine like an Istanbul dredged with intortion
Mr Deeds is not a champion of BRE Properties nor the pinnacles of inertia, a psychiatric squeeze
My orange juice is not a car chase against treecheese in terminal punitive disease
Soaring with the prosperous tongue against the walloped nativism of pounced impounds having too much fun
I let the other guardians of the order of salvation pivot vitriol in loaded dice against Orangutans of Swedish minted gum
Caesar died for the seizure of Anglican pride of a namesake percolating millenia for Brutus in the Washington Bullets of a conquered Ottawa on strike carnal with Chauvinism in regional divide
Never has there been a more hollow trope than the agency of deep state defamation of a scurrilous backbite of gnashing pride
Lost to pollster tricks of acquiescence and caricatures of a menacing personage Swift on the Riff but never the snarling Menace of a Blondie Biff
I tower above the anthills of conformity of luxury in Jamaican Bob Sled Teams testing the curiosity of enlightened “What Ifs”
Canada Dry for striking people enthused by Rye abides in the memory of reform that skulks the skunks that make every Scudworth cry
Because a Dental Dam damsel living in streets of peril fascinated by distance is the contortion of entreaty in the pasquinade of attempts at American Pie
May the city of a figurative crucifixion burn with the irony of a thousand suns as Wendy’s burgers unload on prejudice with albatrosses of winsome puns
Fixed data interpolated by convenient lies of serial killers who aim for blue skies shanked in Oswald infamy for the imposture of any flashbang revenge against cinematic guns
I blacklist the Zemeckis villainy as a trudge of travesty
Hedged lies blinkered by Batman and Robin puns redeemed by Dinosaurs of Amnesty
Obviously belittled by futures etched by a more honest infinity
Because 88 keys are not a stroke because the infinite bees know the parlance of divinity
Invited lissome taxidermies of Capone against teetotalers of parvanimity of vainglory overthrown
Showers the honest hominist reckoning of a world where neither crudity of know-nothing radical polarization owns every inept baritone
Crusading a secular war because the gubbertushed eccedentesiast spinsters of Santa Cruz deserve a gassy overtone
Torch the SC Pacific Avenue for peace
Let the world unite behind a singularity with purpose in ventilation of Speedman’s release
That antithetical Jacks of many names are wed with the progeny of enduring lists of NSA protection rather than rentgourge Denver PD eager to chaos decimated by the decimals of a region forever boycott and impeached
To the decisive curling of the frolicked Abandoned Pool servitude crass disasters are the sheol of impudent flagrant overreach
Regnant on the turmoil of invented throne
I scowl at the chicanery of Capone’s Chicago sweltering with Kenosha infamy tossing contortionist strippers a vulcanized bone in a DIA Diamond that even 11,500 years of knowledge is surpassed in condemnation of screaming E.T. calling the right home
Speak Now because the reach of forever is God appeased not by a kowtow but a mobilized ambition for Why? When? And How?
History will remember gentility as the kind steward rather than a Disco Demolition Derby of urbacity venerating a seasonal Golden Cow
Hipsters flock with folly to South African extortion for freebooters who bootlick the aceldama of war against the sublime currency of a winner surrounded by thugs
TOO MANY URBAN KIDS ARE TAUGHT BY REDUCTIVE TAUTOLOGY TO HATE The United States of America RATHER THAN NURTURING SYNCRETISM IN PATRIOTIC HUGS
Imperfect in design with disagreement in plainest sight
Sometimes libertarianism with a Democratic twinge is clearly in the right that should believe in reform even when the footloose girouettism is too tight
Yet forestalled for authentic grit the grisly rentgourge of venal abysses knows the countermand against Rand with hyperboles of the clearest *******
The true flock congregates around scepters built not with militant graft but a promenade of sultry dance for the defiant C.L.I.T.
Exercise with the Rock knowing school buses of dogmatism inferior are distraught
Dying dogmatism is a peacock of industry the yeggs can easily unlock rather than truckle with truculent Scottish Rites tasty with Connery Scotch
Defenders of the misleading staircase because of the carapace of Hovering pertinacity easily won and bought
Neither scary nor deliberate streets are rumpus of elevations of unbounded anarchy considerate but robbed by the illiterate
That the delegated mansion will be robbed by the cooperation of the remorseful idiot recognizing his snide mendaciloquence in destructive Roswell Records limerick
Scowls are on petrol and patrol hoping Tesla is a short of bravado too intrepid to sanction free-for-all profligacy in alleys that bowl
To the Emerald Street lie of hypes of perdition rather than merely a seasonal token embarrassment coal
The fossilized future is the irrevocable past because more respect is needed than the ***** of a maskirovka caste
Diamond Lightning in Bhagavad Gita prancing with the delusion of the everlasting mummification of Brawndo ash
Dinner with Egyptsy malingers on tomes etched flippant in integrity and all about the curated snare of kitsch cash
The cache valley of LASER tag shattered like Joseph Smith flagellating the confederate hayday with articulate gnash
Fast & Furious the amused by Suburban subway know the trailblazer trashes of The Stupids’ being Einstein about Boogie Dubs rather rash
Streaking through a Tucker rule the Buccaneers live for the SoulSeek of a riddled ruler benighted of prerogative of Roger Goodell bumping in his Ferrari the tucked serenade of Tool
Wrong band because they linger in the shadow dancing backpages of scandals of Norweigan hourglasses of shameful hush hush Vikings mining furloughs of pulverized anticipation sand
Humbled retinue shelves the ossified limpid droll drool
As the haze of submarines scouting pridefall galls of indolence betraying innocence becomes moral cigarettes of Menthol Kool
Reparations for chappy chapstick games of bowery riches
The urbane needs to read, discern and maneuver against whiplash found in Navi witches
Swapping homes with crack addict legalese an *** to a bronzed party crackling with cackles Home Alone
Knows a toiletry of escape gullible like Seahawks wishing they could contain a fumbled season by Mahomes
Jones methamphetamine paranoiac manure desiccated by folksy homilies of brimstone cremation deserts his flock to abide by a flagging wayward temptress
Decimated by the agency of time his Austin crenellation flounders in grimace of the untimely swoon his covert empress
Blinded by the light of darkness in subversion
Excoriated for the deeds of his permission to demote commotion into only an acquiescent dance with barbed etch-a-sketch conclusion- a half-baked *******
Quacksalver poetaster wrinkled with hatred simpering paranoia strangled by Hendrix abeyance of turgid delusion
Lurid underground Princeton gilds infested with defected dementia in cozens in the fritty of heralded mistress SHE appointed
Sandlot ravens cloistered the bravado of thirst for chosen words scrappy in clawed henpecks the pointless illegal sanctioned to brusque witticism anointed
Lamps of pathway sparkle with coruscated stargazer Winslet dreamy swank illustrious by providence
Engrenage of delopes of pettifoggery identity staggers the woozy dismal day of disjointed wounds on Native sons Denver can’t damage in a lonely campaign for the prodigal bends of Overlook Lorraine Motel bent
Intrepid in gallantry I swoop the scrivello tusked with might
Penetrating the vivid dreams of the serenade of alpenglow daylight
That love might rule over chance and probability above the specter of dynasty prodigy progeny tithing gravity in rent
Yet this taper of majestic poise will outfox even the careless gambles of the prodigal son Mr Sender already traipsed conquered and went
The mountaintop is so clear from the cloister of authenticity drinking Eminence Front of the WHO rather than the coherence of the near
Because titans shepherd the good flock without insult and not quavering with insuperable time flackey with tremulous fear
I dare this day to outlast benighted ignorance of the narrow gate of a persecution tsunami on a Lisbon tear
Because galloping ahead of the internecine sheds the serpentine craft of 3:1 Genesis met with the worst fleeced fleer
Not auctioned off like ******* vogue to the disfavor of poor taste
I am the true Royal Flush that can always count on the aced basic but mostly acidic flourish of a jest in bass predicated on the basis for Mozart pH
Today could be the summit of acclimated prodigy in startled degrees temerity could never bet against
Because you better bet the Bros and Cos of civilization are skilled in ostentation of Sterling Pound defense
Never offensive to the liturgy of triumph beckoning an apocalypse now tentative memory on a Manifest Destiny frontier rarely on wickers of extinguished cattle ranchers knowing the gamut of acumen to defend a fortress with the best fencing James Bond could dispense
Now is either a cordial joke of a flagrant anarchy balking at destiny
Or the sunrise majesty of the twelve tribes and beyond defeating the stingy bees of infamy
Your choice doesn’t defeat my voice
But your action heralds my loyalty with a triumphant Victoria of an age not for agelast geeks intimidated but living clairvoyance with fidelity to the right choice for the right time to swim in elegant rejoice
(1977 Words)
jeffrey conyers Oct 2012
I can't say it.
I won't say it.
I'm determine not to even speak it.
But it's a vital part of America's english.
Even if the teachers against it.
We know writers have confirmed it.
And it's true.
Notice the many songs referring to it.

Mel Tillis and Webb pierce layed it down.
When they stated, they Ain't Never Seen  a woman so great.
Make no mistake about it.
The creation of a woman were simply great.


Even the Four Tops sung about her.
Proclaiming to us all Ain't No Woman Like The One I Got.
Who doesn't think they have the best one on the lot?

And the Temptations stated they Ain't Too Proud To Beg.
When it came to keeping her.
Not that the man was weak.
But because he was in love.

Luther Ingram spoke volume of true.
In things love will make you do.
Ain't That Lovin' You validated the reasons too.

Fats Waller, spoke it and we agree.
Least when it comes to us.
Ain't Nobody's Business What I do.
And we very aware that when adults many wants to know.
But sometimes we say a little.
Because too much have them asking more.

Marvin Gaye and Tammi Terrell sung twice concerning it.
With clarification in Ain't Nothing Like The Real Thing.
That was borrowed by a drink.
And Then in Ain't No Mountain High Enough.
Many of us don't wants to be on a cliff.

Then there was Faron Young addressing life too.
You Ain't Lovin' then You Ain't Livin'.
No truer words spoken concerning your love for someone.

So this one single word.
Carry a power affect.
It might not be spoken correct.
But even the proper speaking folks gets readdressed.
Karijinbba Mar 2020
Hold me holy lover sinner
worldly lover mine twin soul,
like Rhett Buttler
beheld Scarlet in his arms
as she sobbed

hold me speace me madly
love me long like
Rae Ingram (Nicole Kidman) and her husband, John (Sam Neill),
held each other on their yacht
rocked by oceanic waves in
Dead Calm!
 
Oh beloved gold key come stay rock me hear my plee

regardles of names time and space or sand hour glass
I love you
fly to me I am wearing my red robe waiting for you up the magestic flight staircase,
the captured sacred
chronological dream spell
impregnating imagination

come up quickly search for me
inside your master bedroom
kick the door if you must
grab me apeace my despair
find me shivering in the closet burning with anticipation
save me hold me
put my fire out gold hearted lover mine
praying eons isolated hold on to your photograph
patiently waiting for a word
news thwt you caré as promised
I am breaking save me

Pop up the bubbly bottle is chilled O sweetheart sweety pie
I long to get high with you
fill up my cup full
twist my gold lock open with your
gold key Enter me! I can't live without you

let the fireworks begin to sing
I adore you do with me as you
please
eternity is ours to love
let me devour you apeace me
the nights long the days and eves long ***
see you ginham shirt buttons popping up strong long
pants zipper tearing up
my He-Man Ruddy divine

the nights eons long I sought you
out of time and space is only for the devil not for true love.

I have dreamt with this dream
since you and I carved it
lovingly photographic memory
and all once upon a time
has come suddently

and though another soul grabs
you tieing you down
as you gave her presence ring and name
I know you love me forever
more as you're a man of your word
hold me for the ocean waves
drown me they now wrack
our boat for you two as I watch
I break uphold me
Oh how it hurts not to feel you
caressing my existence in person

but I have felt your beautiful loving passionate ways
long time ago my gold lock
and your gold key did laid your bridge
openning heavens portal in me.

and that makes all the
difference today

sigh
~~
To honor you in memory
closing the chasm with a poem
a gold lock to gold key.
the alarm rings in Guernica
All wounds open with this one

The first verse of Dalton’s Como tu
“I love love, life.” witnesses as
All wounds speak with this one

Ingram’s interview with Ms.Goodman
the Jews Hamburg taken to the Mintz Ghetto stripped of clothing  and then shot
All wounds unravel with this one

The way I cannot speak the language of my ancestor and the violence it took to strip our tongue away but not our lives
All wounds open with this one


Refaats join Jara
All wounds open

And as they open still mothers and fathers wipe the clean the face of their dead children and smile

My your god and mine have mercy and smile upon us again as these wounds open I begin to understand a smile is a treasure

— The End —