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mjk plumage Sep 2014
all i wish for
are your wings ;
( great. powerful. endless flights through places i would call home, just me and just my thoughts and just the wind. )

all i wish for
is your beak ;
( sharp. different from a human mouth. responding and calling out every wordless sound i want to scream to the world. )

all i wish for
are your paws ;
( carry me as far as you can )

but i am not you
i don't have your wings
                             or beak
                             or paws
                             or what i wish for most of all

( let me tell you the most striking thing: reading an interpretation of you, learning about how you could possibly, probably, maybe predict and detect and deduct lies, never being fooled, gazing at people, being able to gauge their sincerity with just a sharp threatening sweep, of your eyes. )


                              most of all i wish for your eyes.
dealing with you would be easier if i was a gryphon. ...then again, if i was a gryphon, i'd probably never have to deal with you.
Xyns Mar 2014
It's like I'm climbing a mountain
With no safety gear
At first, it was easy
Perfectly placed footholds
Easy access
But things have changed
They are crumbling and slippery
And the ones below me have crumbled away
All above get more and more spaced out
They get smaller and smaller
But I just can't turn away
I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd’s fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd’s note.

Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.

What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.

Hylas is dead,
Nor will he e’er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.
Seán Mac Falls Aug 2012
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
robin Mar 2015
i have no patience for you your feet sunk in the mud im leaving even if you stay behind.
nosebleed in a public restroom irrational shame,
dark stains on the carpet and we strain with the task of memory.
if your feet hold you back cut them off at the joint.
self-dissections in the lab,
case studies of the effects of
obsolete diseases. black plague typhoid smallpox
specimen pins/surgical staples, an efficient kind of suicide.
ill try not to smudge your lipstick when i kick in your teeth,
your white-knuckled hands digging grooves in your thighs.
efficiency as poetry.
brutality as poetry.
█████ as poetry.
i am trying to make a perfect vacuum of myself, purer than space. purer than black holes.
this is for the dirt ground into my jeans for the rusted nails in my walls , this is for you,
your delusions, your lover impaled on a sundial and you weep to complete the scene,
admire your artistry.
this is how to make feathers look like armor,
this is how to renounce your body,
how to be a living parody how to give up on yourself,
from a vulture to a prince. wren to a gryphon.
the water i drink is infested.
with eggs hatching in my throat i become more than myself,
mother to a thousand maggots.i name them all.i divide my love evenly among them.
here i staple my grievances to the doors of the church,
here i scream of plagues in the streets, filth in shining skyscrapers,
here i imagine myself cassandra here i prophesy misery
here i staple my grievances to your chest where you cannot brush them off this time.
you licking the doors, trying to taste what's gone, finding splinters in your tongue,
stuck in the braces you had
when you were twelve.
{i curse all metal grow more crooked by the day,
crooked man in a crooked house crooked cat on a crooked fence i can still rip your throat out with crooked teeth} you glisten you glisten you shine
like oil in the pan,
oil dripping from the car,
oil on top of the lake. lover where are the matches the pilot lights gone out again,
burn off the blockage till the heat shines blue.
domestic arson.in the forest you gather tinder,
too damp to burn clean.you smoke us out of our home.
leave it for someone better, stinking like a forest fire.the soundtrack is so loud i cant hear what you say,
im shouting with the strings it all sounds the same when you close your eyes,
smoke-blind you whisper from across the room and ive never hated you more than i do now.
i read your lips i write your words i staple them to the bedroom door i kick in your teeth too fast too fast a reminder that this isn’t pretty, eggs in the throat an exoskeleton too brittle to block the blows.
[me fetal on the kitchen floor me standing with ****** boots]
i count the teeth,
mark them as a symptom.
shedding the physical/shedding teeth.
shedding children from an open mouth.
Seán Mac Falls Feb 2014
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Seán Mac Falls Jul 2013
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Timothy Fuller Dec 2015
Here in Wonderland once more,
Let me hint at whats in store,
We will talk to all our friends,
And tie up some of the loose ends.
If you wondering who is my Alice?
Go see Sarah in the palace.
I am The Hatter; mad for sure,
This rhyming thing is mine and pure.
So lets go back to before,
The Red Queen is no more.

My Alice here by my side,
On Gryphon’s wings we ride.
Going to the hills up high,
There is no better way to fly.
Looking down we see March Hare,
Bouncing around everywhere.
To and fro we watch him go,
Seeing what he has to show.
He stumbles across Mock Turtle,
Then he jumps him like a hurdle.
His toe did slip and hit his skull.
Leaving him; his senses dull.

As we reach the hilly top,
Looking down we saw the drop,
The curving ground,
We saw all around.
Cheshire cat there was waiting,
Mockingbirds his tail was baiting.
Showing his trademark grin,
He danced around Alice’s shin.
On twilight skies he did float,
His latest conquest he did gloat.
Taking candy from a goat,
Showing us his stomach bloat.

Tweedledum and Tweedledee,
Stand before us now, you see.
Still they **** upon their thumb,
Dee’s in the mouth of Tweedledum.
They offer us some milk and tea,
My Alice asked, “Is it free?”
“In wonderland all is a gift,”
I state, “Just like Gryphon and his lift,
For here you see all possessions shift.”
She says, “I just didn’t want to grift.”

At the bottom of the hill we see a spot of rust,
I turn to my Alice and tell her what I must.
“This is just a solemn grave,
The last house of the Knave.
Red Queen did this yes my dear.
Pay me no mind as I shed this tear,
For this little crime,
When it was his time,
I could not speak,
My tongue was in my cheek.
I know it was so bleak,
It cost him his life, right at the peak.”

So here my new friends,
This is where it ends.
This tale was spun,
And it was fun.
Let me know in your script,
If you want more tale flipped.
Give this Hatter characters you enjoyed,
And you will see them here employed.
Tried a different rhyming scheme for this one than I normally use...
You pass the gryphon house,
     mythology perched atop like Snoopy,
And pick a lemefruitange from the
     omni-citrus tree, and
You cross the threshold onto the
     marshmallow carpeting of my brain, and
My monkey heart leads you by the hand
     to the furtive frenzy of my
          butterfly garden lungs, and
Through my eyes, you watch a movie
     while a unicorn makes ice cream
           on the comfy sofa of my
     stereophonic
laugh . . . .
Seán Mac Falls Oct 2021
.
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                         ­         Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.



— a metamorphosis
.
Seán Mac Falls Sep 2014
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                         ­         Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Seán Mac Falls Jan 2015
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                         ­         Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis
Seán Mac Falls Aug 2016
( a metamorphosis )*

In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                         ­         Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
clxrion Nov 2014
Slip into the viscous stream of starched fabric knowing I belong not here, ever the dissonant clef rattling its bar

Presence coaxes the parched throat but slakes not the gut's burn. I have learnt to swallow the fireballs I fear may wayward fly

Lactic oblivion strains the milk, scrubbing out taints of blossom-red

Speak, so their shunted breaths return trembling to the lips. There is nothing to see, hear, this drum echoes with ghosts you fathom not

Twice weekly I cross over to the past, fleeting high-breasted gryphon among the bright-eyed hatchlings. Then the summons of the bell

Reality strikes as lightning; the boom that trails it is the singed silence of the mute mind
Donall Dempsey Jun 2019
HE DO THAT TED HUGHES IN DIFFERENT VOICES

Nothing but
- a waste land.

Crow is bored

perched upon a branch
like a haiku

waiting to happen
but where

is a haiku
poet when

one really needs one.

Crows agree to play
Charades.

One falls to the forest floor
clutching its chest shouting

"Aghhhhh ya...got me
I'm  a gonner!"

Then another and another
with a more cornier

one-liner than
the one before

looking more like spilled ink
than the last.

Crows having a blast
laughing their feathers off.

All big Film
Noir fans.

"Yeah, yeah...I got it
a ****** of crows!"

Across a hillside
a human stands

as if he had just sprouted
out of the land.

An Easter Island
of a man.

The sneer of cold command
upon those chiseled lips.

An Ozymandias!
"Look upon my mighty words and despair!"

Or more like
a granite gryphon

glaring at the crows' play
turning them over in his mind

until they
become words.

"Oh not that ******
Ted Hughes again!"

Crow mutters
to itself.

The poet unaware
that human thought

hangs frozen on the air
on such days as these.

The giant Hughes man
a poet made of iron

by some process of
emotional osmosis

absorbs their world and words
making it up as he goes along

for he great poet though he be
never learned to speak Crow.

The great man glares
at the sun

willing it into submission
the sun falters on a hillside.

He disappears into the snow
his fragile footprints

vanishing in a trice
lost to time

as if he has
never been born.

Crow does his best
impression

mocks and mimics
the human's thought.

"Nailing Heaven and earth together -

So man cried, but with God's voice.
And God bled, but with man's blood. "

A bell breaks
the sky's silence

crows scatter to
the heavens.

"Oh that Charlie
Crow...he is a one!"

One crow smirks to another.

"He do that Ted Hughes
to a tee!"
***
T.S. Eliot’s 1922 masterpiece “The Waste Land” was originally titled “He Do the Police in Different Voices,” a quote from Charles Dickens’ Our Mutual Friend.

I went to see Ted Hughes at the Royal Festival Hall after an extensive day and night shift work in mental health for about four days as staff went sick or simply didn't turn up.. Couldn't remember if I was to meet my ******* Thursday in Friday street or not or wot. I was right under his lectern and he looked immense  and a lot like Sam the Eagle in the Muppet Show in looks and manner. I kept falling asleep between syllables and would **** myself awake and every time I did so I would get that fierce Hughesian glare!
Xyns Sep 2017
Sparks suspected to have caused this flame to be ignited
Put under pressure to hide it, conceal it, deny it
Insecurities and greed are the main culprits of all the violence
Curses foretold as warnings in the planets' alignment
Ignorance has been molded into an art or a science
If it isn't explicit, expect that they've securely implied it
So many sounds, go deaf and then drown in the silence
Invading homes and thoughts as though it was invited
Truth exposed is sneakily altered to disguise it
Misleading masses to control a majority's mindset
Freedom lost as they prevent attempts to revive it
Attempts to distract from the reality that existence is timeless
Peace of mind secured when tensions are excited
Crippling angels to prevent the liberty of flying
Heavily fueled by a cocktail of deciet mixed with spite
Significant events whispered as pointless wars are incited
Think of unity as a gryphon paralyzed and rendered flightless
Crowds convinced to be content when mindless
The search continues for those not mentally lifeless
What is considered humanity's finest
Authenticity has yet to be provided
It widens the gap that has us divided
The flame of those being blindly misguided
Runs the risk of roaring wildfires being ignited
No requests for your all, you've already supplied it
Made oblivious during the time of a crisis
Values labeled on treasures proven priceless
Privacy no longer permitted to be private
Eyes wide open yet views remain sightless
Individuality, a thing of which we may one day be reminded
Exterminations ordered of all those free and enlightened
Fortune concealed as the desperate all struggle to find it
Identities and dignity become commonly traded
If only they knew they were being violated
Unfortunately, their ignorance has been properly validated
After the ******, I wonder who lives to inaccurately explain it
Donall Dempsey Jun 2023
HE DO THAT TED HUGHES IN DIFFERENT VOICES

Nothing but
- a waste land.

Crow is bored

perched upon a branch
like a haiku

waiting to happen
but where

is a haiku
poet when

one really needs one.

Crows agree to play
Charades.

One falls to the forest floor
clutching its chest shouting

"Aghhhhh ya...got me
I'm  a gonner!"

Then another and another
with a more cornier

one-liner than
the one before

looking more like spilled ink
than the last.

Crows having a blast
laughing their feathers off.

All big Film
Noir fans.

"Yeah, yeah...I got it
a ****** of crows!"

Across a hillside
a human stands

as if he had just sprouted
out of the land.

An Easter Island
of a man.

The sneer of cold command
upon those chiseled lips.

An Ozymandias!
"Look upon my mighty words and despair!"

Or more like
a granite gryphon

glaring at the crows' play
turning them over in his mind

until they
become words.

"Oh not that ******
Ted Huges again!"

Crow mutters
to itself.

The poet unaware
that human thought

hangs frozen on the air
on such days as these.

The giant Hughes man
a poet made of iron

by some process of
emotional osmosis

absorbs their world and words
making it up as he goes along

for he great poet though he be
never learned to speak Crow.

The great man glares
at the sun

willing it into submission
the sun falters on a hillside.

He disappears into the snow
his fragile footprints

vanishing in a trice
lost to time

as if he has
never been born.

Crow does his best
impression

mocks and mimics
the human's thought.

"Nailing Heaven and earth together -

So man cried, but with God's voice.
And God bled, but with man's blood. "

A bell breaks
the sky's silence

crows scatter to
the heavens.

"Oh that Charlie
Crow...he is a one!"

One crow smirks to another.

"He do that Ted Hughes
to a tee!"    

*

T.S. Eliot’s 1922 masterpiece “The Waste Land” was originally titled “He Do the Police in Different Voices,” a quote from Charles Dickens’ Our Mutual Friend.

I went to see Ted Hughes at the Royal Festival Hall after an extensive day and night shiftwork in mental health for about four days as staff went sick or simply didn't turn up.. Couldn't remember if I was to meet my ******* Thursday in Friday street or not or wot. I was right under his lectern and he looked immense ;and a lot like Sam the Eagle in the Muppet Show in looks and manner. I kept falling asleep between syllables and would **** myself awake and every time I did so I would get that fierce Hughesian glare!
Donall Dempsey Jun 2018
HE DO THAT TED HUGHES IN DIFFERENT VOICES

Nothing but
- a waste land.

Crow is bored

perched upon a branch
like a haiku

waiting to happen
but where

is a haiku
poet when

one really needs one.

Crows agree to play
Charades.

One falls to the forest floor
clutching its chest shouting

"Aghhhhh ya...got me
I'm  a gonner!"

Then another and another
with a more cornier

one-liner than
the one before

looking more like spilled ink
than the last.

Crows having a blast
laughing their feathers off.

All big Film
Noir fans.

"Yeah, yeah...I got it
a ****** of crows!"

Across a hillside
a human stands

as if he had just sprouted
out of the land.

An Easter Island
of a man.

The sneer of cold command
upon those chiseled lips.

An Ozymandias!
"Look upon my mighty words and despair!"

Or more like
a granite gryphon

glaring at the crows' play
turning them over in his mind

until they
become words.

"Oh not that ******
Ted Huges again!"

Crow mutters
to itself.

The poet unaware
that human thought

hangs frozen on the air
on such days as these.

The giant Hughes man
a poet made of iron

by some process of
emotional osmosis

absorbs their world and words
making it up as he goes along

for he great poet though he be
never learned to speak Crow.

The great man glares
at the sun

willing it into submission
the sun falters on a hillside.

He disappears into the snow
his fragile footprints

vanishing in a trice
lost to time

as if he has
never been born.

Crow does his best
impression

mocks and mimics
the human's thought.

"Nailing Heaven and earth together -

So man cried, but with God's voice.
And God bled, but with man's blood. "

A bell breaks
the sky's silence

crows scatter to
the heavens.

"Oh that Charlie
Crow...he is a one!"

One crow smirks to another.

"He do that Ted Hughes
to a tee!"
T.S. Eliot’s 1922 masterpiece “The Waste Land” was originally titled “He Do the Police in Different Voices,” a quote from Charles Dickens’ Our Mutual Friend.

I went to see Ted Hughes at the Royal Festival Hall after an extensive day and night shiftwork in mental health for about four days as staff went sick or simply didn't turn up.. Couldn't remember if I was to meet my ******* Thursday in Friday street or not or wot. I was right under his lectern and he looked immense  and a lot like Sam the Eagle in the Muppet Show in looks and manner. I kept falling asleep between syllables and would **** myself awake and every time I did so I would get that fierce Hughesian glare!
Born as a desert bird black hearse sheppard
Far from the Lord most largely ignored
Went back to the drawing boards for my vocal chords light up ya spinal chords
A rappin' Moor sickamore flow blows like satchmo
Off of the roof tops tops drops cashed stocks
No bail bonds once im locked on
These bars crash a galaxy stars Mars
To earth see my girth and my true worth
Infinite word to the dark senate independent
Fools hate to see me spin it winded
Out my opponents exposed to an exponent
Who want it taunt it my guns blazin' horrors to the top of the auroras
Flashback relapse ya life collapse
Perhaps you need to take precaution
I cause exhaustion when I breath in oxygen
Injectin' cold carcinogen sippin' gins
Golden boy dojo this ain't taebo **
Let me show you how to flip this dough
P cooked this beat so now it's time to eat
Greet melanin's activated from the obsolete
Black mind's that didn't get to speak
Flowin' up **** creek watchin' for the Meeks
Inherit the earth four corners spread
Imagine all the thorough heads shed-ding
Bloodshed black Genghis these fools singers
Become mock birds once we measure the stingers


Welcome to danger!!!!! Twilight!!





Boomeranging Halle berries yo its kind of scary
Everyday i pace back and forth close to the cemetery
That's my true friend ultimate perdition
I'm tryna find something to believe in lies within
Self learn wisdom yo that's real wealth
Guarded by the spiritual stealths left welts
On the back of my black dot check my plots
Slave descendant rocking drums crescent
Shining once i supper the moons elegance
My presence alone even make demons tense
Silver rings left by the side of my left cheeks
Washing the silent tears that try to speak
They don't want no beef with the Indian chief
Smokin' irons like pipe pieces feces increases
Now you drippin' soon to be sky trippin' rippin'
Through the ozone cosmos daydreams
Found my team once I learn to scheme cycling
Ponzi cool az The Fonzi grandson to Bumpy
Johnson watch the clouts gain pain strains
Even the biggest giants David to Galliaths
See how serious war paths can get you hit
Dont let your emotions send you a free trip
Check the African tip spears thrown out the atmosphere
Split the hemisphere
Parted the windy ways that sways cardinal obeys
Its the order of nature
Says met up with the mystic gryphon liftin'
Gave me an invisible crown whisperin'
How to operate my enemies drag em to their knees
Holdin' a sword over their vocal chords
Ack-nowledge the brother with over a thousand Lords



Welcome to danger!!! twilight!
HE DO THAT TED HUGHES IN DIFFERENT VOICES

Nothing but
- a waste land.

Crow is bored

perched upon a branch
like a haiku

waiting to happen
but where

is a haiku
poet when

one really needs one.

Crows agree to play
Charades.

One falls to the forest floor
clutching its chest shouting

"Aghhhhh ya...got me
I'm  a gonner!"

Then another and another
with a more cornier

one-liner than
the one before

looking more like spilled ink
than the last.

Crows having a blast
laughing their feathers off.

All big Film
Noir fans.

"Yeah, yeah...I got it
a ****** of crows!"

Across a hillside
a human stands

as if he had just sprouted
out of the land.

An Easter Island
of a man.

The sneer of cold command
upon those chiseled lips.

An Ozymandias!
"Look upon my mighty words and despair!"

Or more like
a granite gryphon

glaring at the crows' play
turning them over in his mind

until they
become words.

"Oh not that ******
Ted Hughes again!"

Crow mutters
to itself.

The poet unaware
that human thought

hangs frozen on the air
on such days as these.

The giant Hughes man
a poet made of iron

by some process of
emotional osmosis

absorbs their world and words
making it up as he goes along

for he great poet though he be
never learned to speak Crow.

The great man glares
at the sun

willing it into submission
the sun falters on a hillside.

He disappears into the snow
his fragile footprints

vanishing in a trice
lost to time

as if he has
never been born.

Crow does his best
impression

mocks and mimics
the human's thought.

"Nailing Heaven and earth together -

So man cried, but with God's voice.
And God bled, but with man's blood. "

A bell breaks
the sky's silence

crows scatter to
the heavens.

"Oh that Charlie
Crow...he is a one!"

One crow smirks to another.

"He do that Ted Hughes
to a tee!"

*

T.S. Eliot’s 1922 masterpiece “The Waste Land” was originally titled “He Do the Police in Different Voices,” a quote from Charles Dickens’ Our Mutual Friend.


I went to see Ted Hughes at the Royal Festival Hall after an extensive day and night shift work in mental health for about four days as staff went sick or simply didn't turn up.. Couldn't remember if I was to meet my ******* Thursday in Friday street or not or wot. I was right under his lectern and he looked immense  and a lot like Sam the Eagle in the Muppet Show in looks and manner. I kept falling asleep between syllables and would **** myself awake and every time I did so I would get that fierce Hughesian glare!
Donall Dempsey Jun 2020
HE DO THAT TED HUGHES IN DIFFERENT VOICES

Nothing but
- a waste land.

Crow is bored

perched upon a branch
like a haiku

waiting to happen
but where

is a haiku
poet when

one really needs one.

Crows agree to play
Charades.

One falls to the forest floor
clutching its chest shouting

"Aghhhhh ya...got me
I'm  a gonner!"

Then another and another
with a more cornier

one-liner than
the one before

looking more like spilled ink
than the last.

Crows having a blast
laughing their feathers off.

All big Film
Noir fans.

"Yeah, yeah...I got it
a ****** of crows!"

Across a hillside
a human stands

as if he had just sprouted
out of the land.

An Easter Island
of a man.

The sneer of cold command
upon those chiselled lips.

An Ozymandias!
"Look upon my mighty words and despair!"

Or more like
a granite gryphon

glaring at the crows' play
turning them over in his mind

until they
become words.

"Oh not that ******
Ted Hughes again!"

Crow mutters
to itself.

The poet unaware
that human thought

hangs frozen on the air
on such days as these.

The giant Hughes man
a poet made of iron

by some process of
emotional osmosis

absorbs their world and words
making it up as he goes along

for he great poet though he be
never learned to speak Crow.

The great man glares
at the sun

willing it into submission
the sun falters on a hillside.

He disappears into the snow
his fragile footprints

vanishing in a trice
lost to time

as if he has
never been born.

Crow does his best
impression

mocks and mimics
the human's thought.

"Nailing Heaven and earth together -

So man cried, but with God's voice.
And God bled, but with man's blood. "

A bell breaks
the sky's silence

crows scatter to
the heavens.

"Oh that Charlie
Crow...he is a one!"

One crow smirks to another.

"He do that Ted Hughes
to a tee!"
***
T.S. Eliot’s 1922 masterpiece “The Waste Land” was originally titled “He Do the Police in Different Voices,” a quote from Charles Dickens’ Our Mutual Friend.

I went to see Ted Hughes at the Royal Festival Hall after an extensive day and night shift work in mental health for about four days as staff went sick or simply didn't turn up.. Couldn't remember if I was to meet my ******* Thursday in Friday street or not or wot. I was right under his lectern and he looked immense  and a lot like Sam the Eagle in the Muppet Show in looks and manner. I kept falling asleep between syllables and would **** myself awake and every time I did so I would get that fierce Hughesian glare!

— The End —