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"conjunctions" poems
I reserved a table for the two of us at the only restaurant in the world that not only offers atmosphere and setting but tone and syntax as well. First some articles for appetizers. They're easiest on my pocket you know. An an, a the, and an a. Let's not even start on the punctuation, I'm treating you to a rather large meal. As large as the entire English language, now back to the articles. Sure these taste like lint but they still taste. Petit fours but there you are. Try to be disinterested or you'll put me off my food. Nouns now. My, what a variety. Bit meaty, eh? These have staying power. They taste like a bit of everywhere, and everyone, and everything. What's that? Surely they're not that bland. Maybe you need some seasoning. "Adjective" comes from the French for "to the word." So exotic aren't they? These really are fantastic. Exquisite, unique, zesty to say the least. You must admit, they make the meal worth it. I hope you're not allergic, I could have sworn I just had something "nutty." Oh, it had nuts "in it"? There must be some prepositions mixed in here. (I'm glad we're getting through these now, I've never been a big fan of them. When I was a kid, I would always push my prepositions to the end of my sentences. You just can't do that in a joint like this, it seems.) Ah finally. The verbs are served. Well-prepared it would seem. Yes, anything you can do to a verb they've done to these. Infinitives (too good to realistically be believed!), gerunds, and participles (No, not particles. But we did have some of those at the Japanese restaurant.) Fairly lean too, as I can't see any auxiliary fat. For some reason those adverbs (just to your left, under that thesaurus) really go well with this. Plus those adjectives from earlier, rather pleasantly. Now a brief selection of conjunctions, but don't ruin yourself. They're not a meal of themselves, just a link to... Oh! Look at those interjections. So delicate, so (Wow!) incisive. I told you to keep your appetite. Well, just try a little of this. Goodness, me! And then everyone proceeds to die from a split infinitive.
0
Mar 21, 2010
Mar 21, 2010 at 7:44 PM UTC
I Eat my Words.
I reserved a table for the two of us at the only restaurant in the world that not only offers atmosphere and setting but tone and syntax as well. First some articles for appetizers. They're easiest on my pocket you know. An an, a the, and an a. Let's not even start on the punctuation, I'm treating you to a rather large meal. As large as the entire English language, now back to the articles. Sure these taste like lint but they still taste. Petit fours but there you are. Try to be disinterested or you'll put me off my food. Nouns now. My, what a variety. Bit meaty, eh? These have staying power. They taste like a bit of everywhere, and everyone, and everything. What's that? Surely they're not that bland. Maybe you need some seasoning. "Adjective" comes from the French for "to the word." So exotic aren't they? These really are fantastic. Exquisite, unique, zesty to say the least. You must admit, they make the meal worth it. I hope you're not allergic, I could have sworn I just had something "nutty." Oh, it had nuts "in it"? There must be some prepositions mixed in here. (I'm glad we're getting through these now, I've never been a big fan of them. When I was a kid, I would always push my prepositions to the end of my sentences. You just can't do that in a joint like this, it seems.) Ah finally. The verbs are served. Well-prepared it would seem. Yes, anything you can do to a verb they've done to these. Infinitives (too good to realistically be believed!), gerunds, and participles (No, not particles. But we did have some of those at the Japanese restaurant.) Fairly lean too, as I can't see any auxiliary fat. For some reason those adverbs (just to your left, under that thesaurus) really go well with this. Plus those adjectives from earlier, rather pleasantly. Now a brief selection of conjunctions, but don't ruin yourself. They're not a meal of themselves, just a link to... Oh! Look at those interjections. So delicate, so (Wow!) incisive. I told you to keep your appetite. Well, just try a little of this. Goodness, me! And then everyone proceeds to die from a split infinitive.
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63
It all begins With pronouns I becomes the subject Of my project Adding you And collectively we I choose you and me And I exclude the he and the she Until I am certain of we You and I pick verbs actions Inflect them to match fit begin narratives Transitive verbs take objects You touch tickle tease taste take skin ******* lips me with words Words have become a clause But still a simple construction So, you tickle me where? For this you need a preposition To position your tickling ammunition Do you touch tickle tease me ON my ******* ******* thighs buttocks **** Do you feel me INSIDE my mouth **** soul? Positioning is envisioning. Then you use adjectives To modify descriptions of Sensory inscriptions So, gentle complements touch Soft and passionate kiss And you become superlative And adverbs elaborate experience expression exploration You fill me deeply thoroughly violently with all that is you But adverbs can also mean time Not sweet or cursed time Or time denoting age But timing is always important And grammar dictates That Time adverbs are placed As a beginning or an end Like a lover's embrace Thus, This morning, you woke me with A demanding "here and now! " and I will reciprocate this, tonight, I vow. Conjunctions are sentence connectors And sentences behave like detectors Bodies balancing with and, but, or Otherwise subordinate And the scale tips towards Conditioning hypotaxis Making actions a complicated praxis (before my mind can connect, you will have to pursuade it /pursue it) But we coordinate conjunctions Equally I touch you You touch me Exploring Exploding sensory functions So, together we cry imperatives Completing our ****** narratives Moaning Whimpering Begging Yelling: Please... bind me! touch me! bite me! take me! come! Oh! Please, come! I love the English language... ;)
0
Feb 24, 2013
Feb 24, 2013 at 5:10 PM UTC
Exploring Grammar (why I love the English language)
It all begins With pronouns I becomes the subject Of my project Adding you And collectively we I choose you and me And I exclude the he and the she Until I am certain of we You and I pick verbs actions Inflect them to match fit begin narratives Transitive verbs take objects You touch tickle tease taste take skin ******* lips me with words Words have become a clause But still a simple construction So, you tickle me where? For this you need a preposition To position your tickling ammunition Do you touch tickle tease me ON my ******* ******* thighs buttocks **** Do you feel me INSIDE my mouth **** soul? Positioning is envisioning. Then you use adjectives To modify descriptions of Sensory inscriptions So, gentle complements touch Soft and passionate kiss And you become superlative And adverbs elaborate experience expression exploration You fill me deeply thoroughly violently with all that is you But adverbs can also mean time Not sweet or cursed time Or time denoting age But timing is always important And grammar dictates That Time adverbs are placed As a beginning or an end Like a lover's embrace Thus, This morning, you woke me with A demanding "here and now! " and I will reciprocate this, tonight, I vow. Conjunctions are sentence connectors And sentences behave like detectors Bodies balancing with and, but, or Otherwise subordinate And the scale tips towards Conditioning hypotaxis Making actions a complicated praxis (before my mind can connect, you will have to pursuade it /pursue it) But we coordinate conjunctions Equally I touch you You touch me Exploring Exploding sensory functions So, together we cry imperatives Completing our ****** narratives Moaning Whimpering Begging Yelling: Please... bind me! touch me! bite me! take me! come! Oh! Please, come! I love the English language... ;)
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89
The first cold letters, alone on the page. A quick pencil found them, and the lively and beautiful syllables blossomed. The pale book felt the pencil, and the terrifying, hot words entered. The lines grew, living and sensitive, gleaming as never before, and I knew the unheard lines! First, a tiny and unselfconscious sound. A noun struggled to appear among overpowering words. A strong, golden adjective ran out, a short, fragrant adjective, beautiful in the early spring. A young verb grew among tiny blue conjunctions, and a fortuitous adverb understood, instinctively. The first sentence dreamed of trees, and a sad cloud. It dreamed a grey rain, and the tall trees felt the rain. There was a first and unknown river, imagined, inconsequential, like snow in summer. A red bird glided beyond reach, as if it had never happened. The soft sounds fitted the lines, and the quick bird cried, Remember the short rain! Remember the sad poem!
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Aug 23, 2018
Aug 23, 2018 at 11:34 AM UTC
Inconsequential Syllables **
me and i and nobody nobody and me and i me? who? "who, him? nobody" her. her... somebody. (anybody!) her...... .... she--! her: "you." me: "...me?" her: "you and me." ... me: "you and i." her and i, me and her, her and i, me and she us.... us! it! (mhm, that.) us, and that. us! us, us, we, us, we, we, us us and them, us and those, us and some them and me?... ... us. us and them. me, and her and them. me and her...and them. and him. him... him? me and him...me...and you. ... ... ... "her and him..." him? him!? HER AND HIM!? ME!!!! me: her and him her and him her and him her and him her and him me: "you and him?" her: "me and you!" me: "you and him!" her: "you..." me: "YOU AND HIM!" her: me: "me or him." her: me: "you and him." ... us...me and her... ... her. and him. it. (that.) (that!? her and him!?) me and i and nobody nobody and me and i me? who? (her...) "who, me? nobody."
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Apr 1, 2014
Apr 1, 2014 at 6:24 PM UTC
a love story as told by pronouns & conjunctions
Conjunctions creak, the adverbs ache, nouns bear more than they can take. Verbs are screaming for Ben-Gay while pronouns atrophy away. Adjectives have lost their bite, possessives just give up the fight. The subject's upset, naught agrees, which weakens metaphoric knees. Contractions all together moan; the objects better left alone. Ah, life is at a frightful stage when poets and their poems age.
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Feb 9, 2011
Feb 9, 2011 at 5:34 PM UTC
Aged methane
People have asked why I use so many conjunctions And But Because I love them.
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Dec 17, 2013
Dec 17, 2013 at 11:42 PM UTC
Conjunctions
But I know I am not good enough, Nor will I ever be, So thinking about that makes me cry, And I don't like that, For it makes me uncomfortable, Or I just can't stop crying, Yet sometimes that's okay.
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Nov 25, 2014
Nov 25, 2014 at 8:18 PM UTC
Conjunctions
Independent clauses never see cause for a But, we coordinate conjunctions like its our job and, So we work independently to avoid fused run-ons since who likes those anyway? Pause,
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Sep 10, 2014
Sep 10, 2014 at 5:38 AM UTC
,
There are periods that need to be put at the end of sentences that started with a thought, rambled onto paragraphs that branched into multiple ambitious topics that was then left hanging in jumbled confusion half-way through time. In the endless strings of unecessary conjunctions, painful careless adjectives, and inappropriate prepositions, a simple period, used at the end of a completed, sensible sentence, one in which you put an effort to complete, regardless of the distracting pauses of time...a perfect period like that could go a long, long way. It ends THAT sentence so that another, more mature, wiser, more sensible one that could bring forth beautiful thoughts in endless paragraphs, could then begin. Such is the language of life. Such is the power of a period. It is called closure. Sometimes, we should use more periods in our lives, to make our sentences clear. Yes. Period.
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Dec 23, 2009
Dec 23, 2009 at 6:56 PM UTC
period
This burden of breaths Takes its toll at times Conjunctions cloud these corollaries For fog to float further And away, and away..... And away
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Dec 1, 2014
Dec 1, 2014 at 7:37 AM UTC
As
tucked in, nice curtains frame the photograph while i google syntax and superlative, conjunctions, filling. forgot the dentist appointment, another dark mark on the horizon. lead soldiers may cause lead poisoning, the line come longers, the family taller. yes, it was a lovely day, pat. sbm.
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Mar 21, 2014
Mar 21, 2014 at 2:37 AM UTC
pleasant day
For years they'd tried and failed in their conjunctions to conceive. The wife prone to miscarriages so a surrogate was decreed. Her closest friend from college took pity on their plight, and volunteered to help them by bringing forth their child to life. It would be their bun, her oven. Their tenant in her rented womb. The pregnancy was uneventful and their son was born last June. It's a miracle of science. to some couples it's a boon. but the procedure is expensive so don't expect a baby boom
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Aug 10, 2013
Aug 10, 2013 at 11:30 AM UTC
Their Bun, her Oven
Mnimalists uproot everything, Aiding natural entropy. Poets can do likewise. Omit redundancy; Scorn verbosity, Make words work Hard. Articles shunned, Prepositions abhorred; Conjunctions - need none. Edit, For our sake. Snip, Fit words together. Make words work Harder.
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Aug 1, 2014
Aug 1, 2014 at 12:59 PM UTC
Words Working Hard
Your nouns are spread On sheets Of white impeccability Attached complements provide Detail Description Of beauty Excellence And we both inflect Flex Our verbs With precision In perfect concord We take specific (pre)positions Towards me Around you Inside In out in out Up Upwards Denying every possibility Of negations Conjunctions Limitations in scope And we end existence In a loud Exclamation!
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Mar 11, 2013
Mar 11, 2013 at 4:14 AM UTC
Loving Grammar
The coordinated conjunctions know they have the advantage against all other conjunctions. I mean, let's face it. The other conjunctions are just spastics.
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Dec 11, 2015
Dec 11, 2015 at 12:41 PM UTC
War Of The Words
where do they go? to mountains of synonyms pushing lilac or purple or puce or lavender from valleys of russet metaphors? do verbs frollic? nouns place themselves before mirrors asking themselves "who am I?" adjectives, do they answer? do the long words most people don't understand do they go on spending sprees with their million dollar Lotto winnings? do conjunctions play matchmaker? or hitch up boxcars for the more expressive poetic engineers to haul through the long winds? ghosts of past tenses invade present and mixed metaphors haunt the nightmares of learned readers. gerunds run on their little wheels and stuff their cheeks with prepositions. where do words go when they die? they must hang as DANGLING PARTICIPLES.
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May 17, 2017
May 17, 2017 at 7:26 PM UTC
when words dream
Late afternoon, haze hung low, heat and sky holding breath. You’re it. No tag-backs. Asphalt freckles our knees. Dinner is anytime: bologna on white; Kool-Aid cut thin with tap. No hurry home unless for the news. We don’t. We want what’s coming, not what’s been. Paper fortune tellers flutter open, close. She writes the answers first, back turned. Lift one flap: your dog dies. Another: a prince charming. Another: best party in town, limousine awaits. He lifts a flap: her name. actually meant for you, her sister whispers. Then rain, the blue-lined paper sags, ink settles in cracks, bare feet scatter, futures wash mid-fold into a storm drain. At Cheshire and Green Meadows, a drunk witch swears Venus and Jupiter will make us all rich. She leaves out how long the sky makes you wait. Lunch money turns to lottery slips. Rounding the corner, moving vans idle over chalked hopscotch, our names folded under.
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Aug 17, 2025
Aug 17, 2025 at 1:35 AM UTC
Paper Fortunes
Of the world's most handsome poetry Of the champagne of the tongue The rapt lovers of cursive stroke And the sweetest, most decadent paper caress I like the cheap beer remarks and the box wine conjunctions The whorish, scribbled word on the back of café napkins The bitter inky graze and the rancid graphite touch Some days I have drowned in a sea of elaborately dressed words With less intent than proud showmanship And most days I’d rather float on a Dead Sea of salty wit
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May 14, 2013
May 14, 2013 at 1:28 AM UTC
Deep Water
Sunday morning and I'm tired of macDs and cigarettes and diet pills and coffee they don't make me happy Im not thinking about you because I think I hate you but I'm not really sure if it's hate or annoyance because if we're to be honest I'd have to love the **** out of you to hate you,  or even feel just the slightest bit of emotion but I don't because I've realized that's resent you for being such a ******** of a person you disgusting , ****** I asked you multiple times not to drink my mother's coke and you assured me you'd bring a full bottle right before mothers came home from work but you had no intentions of doing that you disgusting , ****** anyway this is not about you it's about how I've burnt myself to ashes trying to understand where I am right now and why I think I love almonds cause they're good for me and are just what I need and the doctor won't warn me against it, but almonds are boring and are nothing like the nauseating feeling of finishing a whole pack of ciggs alone outside of a lecture you know you're gonna pass anyway , unintentionally Im here thinking about how I know I don't want any of these things but I do, and conjunctions, **** conjunctions and the way they're meant to connect two things together but when it came to you and I , our only conjunction was the very scripture I was too scared to tell my sunday school teacher because I made a deity out of you to the point where you were my king but the only time you made me feel one with your royalty was late night's on bent knees , when you held my crown to control  the motion of your pride finding warmth right deep down my throat . throat
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Mar 31, 2015
Mar 31, 2015 at 4:06 PM UTC
a shame
Sunday morning and I'm tired of macDs and cigarettes and diet pills and coffee they don't make me happy Im not thinking about you because I think I hate you but I'm not really sure if it's hate or annoyance because if we're to be honest I'd have to love the **** out of you to hate you,  or even feel just the slightest bit of emotion but I don't because I've realized that's resent you for being such a ******** of a person you disgusting , ****** I asked you multiple times not to drink my mother's coke and you assured me you'd bring a full bottle right before mothers came home from work but you had no intentions of doing that you disgusting , ****** anyway this is not about you it's about how I've burnt myself to ashes trying to understand where I am right now and why I think I love almonds cause they're good for me and are just what I need and the doctor won't warn me against it, but almonds are boring and are nothing like the nauseating feeling of finishing a whole pack of ciggs alone outside of a lecture you know you're gonna pass anyway , unintentionally Im here thinking about how I know I don't want any of these things but I do, and conjunctions, **** conjunctions and the way they're meant to connect two things together but when it came to you and I , our only conjunction was the very scripture I was too scared to tell my sunday school teacher because I made a deity out of you to the point where you were my king but the only time you made me feel one with your royalty was late night's on bent knees , when you held my crown to control  the motion of your pride finding warmth right deep down my throat . throat
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21
My mind never sleeps my thoughts defeat me. I just need some sleep. my head spinning round and round like a merry go round. how do you sleep with a broken heart when the one you want is so far gone? Thoughts control my emotions leaving me open. My mind is effortless it leaves my breathless. its amazing how our hearts and minds work. A wonderful creation of art graven. We all have the same functions but different conjunctions. When the mind never sleeps the soul slowly departs the body leaving an empty shell where once a person dwelled. Sometimes i feel like my life is a dream. At 3 am i'm tossing and turning laying restlessly.. Hoping one day i'll finally wake up and be stress free.
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Dec 21, 2013
Dec 21, 2013 at 1:05 AM UTC
Wake up
*i have six beers and only two cigarettes and no philadelphia digression.* as a pronoun you can dissociate yourself from nouns and common noun usage and censorable noun usage, and find that the deconstructive aspect of derrida is not found in nouns but primarily in prepositions & conjunctions and the timing of adjectives to respect the manual labour of cobblers & tailors is almost arbitrary for the six digit people employed to use two five digit extensions and swing less under par when unemployed on retirement looking for busyness and 6am and the alarm clock’s chandelier at noon.
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Sep 29, 2015
Sep 29, 2015 at 8:27 PM UTC
the six beers two cigarettes trick
Vulnerable smile, cherubic.    Vessel in the well.   Watery eyes. First tooth.         Nameless relation.     New birth. Memories.             New joys. Old pain.        Overflowing love.                    Half-voice. Kin-sister. Stars, crackling up in the creux.          A relation called Nights. Angling; moon.                 brumeux love, half-hug, Nets wide cast; comets pass.                folded in the wallet. Pouring out. Half-gong.      Calling to the valleys. Brook. Shadowy corners.    Tongues, welling up Delight, discovery.               voices, hushed whispers Bleating with the sheep,      hymns rising. crying with the birds,          Conjunctions of states. whirling with the winds;    Conjurer of fawns. Casting; soil; roots; new growings; smiling, spiralling around the hollow, new life; a cherub, the new dawn.
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Feb 15, 2015
Feb 15, 2015 at 2:18 PM UTC
Creux Brumeux | The Hermit
“I’m still in awe of words” (in life, as in poetry, timing is everything) objects, humans, surprise and interrupt our daily modalities, knocking us, yo! to the ground, we, pounding it, for the word void appears, the frustration of incapacity incarcerating, accompanied by the loudest silenced scream, of no poetry available, try again later! in life, as in poetry, timing is everything we walkabout, thinking of the scheduled eventualities, or the dates calendar-circled, though some questioned marked, in pencil inserted, will I be a mother, find me a husband, a human grander grandee, fit to be with me a noble progenitor of more than our generation, watching the sidewalk cracks for an inkling of when, on or about such and such an alteration, a seam undone, a stumbling, seeing a realization as we fall, hands extending, a notice of arrival, all needing reconnoitering, commemorating, a poem prepared, but none to no avail in life, as in poetry, timing is everything so we are in awe of words, so necessary, everybody knows, the awe in awesome, a description for the pixels encapsulates in I-phone photos, the where and the why of when, I was grinning like a stupid fool, the inability to deliver precisely when required the covering of an appropriate description, your words, use your words, will fail you spectacularly and so we remain awed, realizing in life, as in poetry, timing is everything but awesomely awesome word worlds, near and dear, held forever in scrapbooks, the literary overlay of the treasures of everyday life, are the still life of our longevity contextual, the celebratory, the unexpected losses, largest to smallest, in size order, kept fresh when you flip through those poems in dusty binders, in oversized sewing boxes, yellowing in concert with our eyes, graying with follicles of past pluperfect, recalling not just the when’s, but the more important,  now, the wherefore and whereupon, the words marking the conjunctions, recoding the recorded synapses firing sequentially, brain to fingers, the ah so of the poetry of lifetimes “I’m still in awe of words” (in life, as in poetry, timing is everything) <> Saturday September 21st 2019
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Sep 21, 2019
Sep 21, 2019 at 1:31 PM UTC
“I’m still in awe of words” (in life, as in poetry, timing is everything)
“I’m still in awe of words” (in life, as in poetry, timing is everything) objects, humans, surprise and interrupt our daily modalities, knocking us, yo! to the ground, we, pounding it, for the word void appears, the frustration of incapacity incarcerating, accompanied by the loudest silenced scream, of no poetry available, try again later! in life, as in poetry, timing is everything we walkabout, thinking of the scheduled eventualities, or the dates calendar-circled, though some questioned marked, in pencil inserted, will I be a mother, find me a husband, a human grander grandee, fit to be with me a noble progenitor of more than our generation, watching the sidewalk cracks for an inkling of when, on or about such and such an alteration, a seam undone, a stumbling, seeing a realization as we fall, hands extending, a notice of arrival, all needing reconnoitering, commemorating, a poem prepared, but none to no avail in life, as in poetry, timing is everything so we are in awe of words, so necessary, everybody knows, the awe in awesome, a description for the pixels encapsulates in I-phone photos, the where and the why of when, I was grinning like a stupid fool, the inability to deliver precisely when required the covering of an appropriate description, your words, use your words, will fail you spectacularly and so we remain awed, realizing in life, as in poetry, timing is everything but awesomely awesome word worlds, near and dear, held forever in scrapbooks, the literary overlay of the treasures of everyday life, are the still life of our longevity contextual, the celebratory, the unexpected losses, largest to smallest, in size order, kept fresh when you flip through those poems in dusty binders, in oversized sewing boxes, yellowing in concert with our eyes, graying with follicles of past pluperfect, recalling not just the when’s, but the more important,  now, the wherefore and whereupon, the words marking the conjunctions, recoding the recorded synapses firing sequentially, brain to fingers, the ah so of the poetry of lifetimes “I’m still in awe of words” (in life, as in poetry, timing is everything) <> Saturday September 21st 2019
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44
to buy a book at half-ten with no time wasting. go back, await instructions ‘cause ****** will have their trinkets, with novelty of accented voice. and i once would talk often of a love – let’s separate that word from ***** often of a love, but am rare to fall to elaboration. and through contemplation the soul may ascend to knowledge of the Form of the Good, penultimate object of Knowledge but not Knowledge. and often writ of this love, writ of what was to be then and never now. never to find affirmation in fleeting memory. oxymoronic oblate of the mind – this soul. attempting for attainment of Kenosis. shambling i wandered, rambling i wandered, and humbly wandering on to pluck till times and times are done. and the dogs of this life have re- moved dearest effects. in turn, sho- wing the vanity in materialism. end turn, showing futility in ret- ention and the sun's continuous gro- wth forcing abatement of winters’ vespers. cradling a gourd filled with oil from the skin of ages, to reflect micorocosms of preceived death. those silver apples of the moon. and when vespers return in color, when the ground aches tensing muscles. this love, if only the conjunctions had been denied. perhaps by abor- tion of if, then could have been a block for now. these times found oblate of memory by zealous self- truth of the wronged past, and humbled by skewed memory of the hermit on unseen path for Kenosis. unseen growth of those golden apples of the sun.
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May 15, 2013
May 15, 2013 at 10:05 PM UTC
5-amiss