Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.

997

Crumbling is not an instant’s Act
A fundamental pause
Dilapidation’s processes
Are organized Decays.

’Tis first a Cobweb on the Soul
A Cuticle of Dust
A Borer in the Axis
An Elemental Rust—

Ruin is formal—Devil’s work
Consecutive and slow—
Fail in an instant, no man did
Slipping—is Crash’s law.

Profitis Ilias

Zefian brought the Toxota and Pezhetairoi arrows; they were sovereign moldy points of the Bronze tips of the Taxota Archers and the Falangists. That in turn from the high sky formed a great pinwheel when the great dimension shone from the flat equinoctial sky, bumping the chins of Kaitelka, the dealer of the Parthenon lost, which rang the great bronze pine, and kilometers in length forming the makro koelum of Patmos; with vertices of the Pythagorean canon of Polykleitos. A large horizontal "V" was seen from Aorion's falling acrotera, projected in a bronze mega bolt coming from Betelgeuse's armpit, and forming a sidereal Vee, launched by the hunter Aorion from his constellation. This would be architectural form and Pythagorean canon-mathematical for purposes proportional to the Mandragoron. They fell from the four arrows that Zefian launched, from Crete that approached the contravening of Apollo, and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points. Thus they began with two first sagites that are placed in the arc string, each one belonging north-south trajectories and the other two that were again violated with the eastern arc, to shoot the east-west arrows with southern magnetism limits. Three bolts are deposited in the canon of Polykleitos, and in the reticulum of the Pleiades that Aurion pursued.

The first two were Taxotas:

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)

The last two were from Pezhetairoi:

- West: Dyticá (Sunset of Leiak)
- East: Aftó (Equinoctial of Kaitelka)

A - Zefian Vóreios

In the intertestamental of these egregious Pythagorean calculations, they stood out in the Vernacentricus, or extra automatism of foundation of the points to refer geodesics for the lifting of the Ultramundis Vernacentricus. From the Vóreios the Zefian canons are inter-testamented, which uses Horcondising forces, following the northern one of the Nothofagus Obliqua, essentially in the fungi of their trunks that paraded along the paths of the iterated populations of the Ezpatkul Forest; who was a servant who had remained from the last diaspora of the horcondising transmigrant by Joshua de Piedra, patriarch of the Orthodox mountains, and from the cordons of the Ambrosiella Ceratocystidaceae fungi, with a large proportion of the Ambrosia Mercurial, and of great influence from the fungal fungi, provided from the Legacy of Vernarth in Zefian to demarcate the northern boreal or Vóreios for the purpose that this Ezpatku, with its prominent Augrun or Gold teeth turned all the borer beetles demarcating the Vee of the Vóreios throughout the Horcondising region, bilocusing it in the borers of the Encinas de Patmos, with such frenzy... !, that from there they would extract the force of the Mapuche north winds from the Meli Witran Mapu, starting with the Pikún-kürüf North wind, first two arrows of the Taxotas, and South Waiwén, of the Pezhetairoi, of the quantum of transmigration of the sub-mythology of the Horcondising – Panhellenic. Then the Puelche that drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the East vertical, to culminate with the Lafkén-kürüf.

Zefian had enough time to mediate the ratio of Polykleitos to Ezpatkul. This Kanon or Canon will be of great relevance for the topography and survey of the temple, knowing that we must emphasize the perfection of the basal measurements, and the acrotera that will be suspended in the sensorial iconography of its forms, and in the star Betelgeuse giant with red blood cells, for the morphology of their own three-dimensional bodies, towards a comparatively human paradigm of Gaugamela anatomy bled in his pectoral, from here the Templar base of Megaron or Mandragoron began. Its size will be colossal but more ergonomic; it will be to redirect visuals of the Orion Belt, from where the fourth and last Zefian arrow was already on its way, to join the other three remaining from the Cretan *****, for the entire front of the façade Principal. The chromaticity will be sulfur yellow and red blood cells, both dependent on complementation with Cinnabar, and on the raised bodies of Court V of the Helleniká Necropolis in Kímolos. Under vileness or absence of light among the darkness, or of the apocryphal light of Evil, in contrast to the robust equanimity of light, and partisan shadow of Saint John the Apostle, for the hegemonic good and the incorruptible vision of him.

The naturalness made the world apologetic, and the immune defenses of the polish textures, invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times, starting from the base of the feet as the base of the plinth or frieze, until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David will declaim the measures of the psalms, counts in degrees, and sighing dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolts as the faint glow of the canon rays struck. The stone of the mound was made of the sustentacular, and Vernarth's counterpose when the Himathion was tried, appearing disguised and in composing. In this way the movement and position of the muscles and of the figure in general of the human temple are portrayed, when pressing the third arrow of Zefian it adorned the consecutive cardinal points; in this position of the myriad, and their forces widened the line of sight of the Vernacentricus, dispersing the oblique line in forty-five degrees that would join with its right counterpart, in the middle of the radius that joined the central point destined where the fourth arrow would fall.

Zefian falling from the Belt of Aorion, destined to embed itself at the intersection of the next full moon. The volume of naturalism resembled the directive of Polykleitos, but it was far from his figurative geometric conception, being conceptualized by an intertestamental tendency of sub-mythology, and the Duoverse, which in turn was condescending of morphology by reestablishing a prehistoric figurative, which tended to be reflected in the similarity of an anachronistic contrast of the original morphism of the aesthetic universe, being retransformed into a sub-mythological Duoverso.

ENDNOTES:

(1)  ll. 1-9 are preserved by Diodorus Siculus iii. 66. 3; ll.
     10-21 are extant only in M.
(2)  Dionysus, after his untimely birth from Semele, was sewn
     into the thigh of Zeus.
(3)  sc. Semele.  Zeus is here speaking.
(4)  The reference is apparently to something in the body of the
     hymn, now lost.
(5)  The Greeks feared to name Pluto directly and mentioned him
     by one of many descriptive titles, such as 'Host of Many':
     compare the Christian use of O DIABOLOS or our 'Evil One'.
(6)  Demeter chooses the lowlier seat, supposedly as being more
     suitable to her assumed condition, but really because in her
     sorrow she refuses all comforts.
(7)  An act of communion -- the drinking of the potion here
     described -- was one of the most important pieces of ritual
     in the Eleusinian mysteries, as commemorating the sorrows of
     the goddess.
(8)  Undercutter and Woodcutter are probably popular names (after
     the style of Hesiod's 'Boneless One') for the worm thought
     to be the cause of teething and toothache.
(9)  The list of names is taken -- with five additions -- from
     Hesiod, "Theogony" 349 ff.: for their general significance
     see note on that passage.
(10) Inscriptions show that there was a temple of Apollo
     Delphinius (cp. ii. 495-6) at Cnossus and a Cretan month
     bearing the same name.
(11) sc. that the dolphin was really Apollo.
(12) The epithets are transferred from the god to his altar
     'Overlooking' is especially an epithet of Zeus, as in
     Apollonius Rhodius ii. 1124.
(13) Pliny notices the efficacy of the flesh of a tortoise
     against withcraft.  In "Geoponica" i. 14. 8 the living
     tortoise is prescribed as a charm to preserve vineyards from
     hail.
(14) Hermes makes the cattle walk backwards way, so that they
     seem to be going towards the meadow instead of leaving it
     (cp. l. 345); he himself walks in the normal manner, relying
     on his sandals as a disguise.
(15) Such seems to be the meaning indicated by the context,
     though the verb is taken by Allen and Sikes to mean, 'to be
     like oneself', and so 'to be original'.
(16) Kuhn points out that there is a lacuna here.  In l. 109 the
     borer is described, but the friction of this upon the
     fireblock (to which the phrase 'held firmly' clearly
     belongs) must also have been mentioned.
(17) The cows being on their sides on the ground, Hermes bends
     their heads back towards their flanks and so can reach their
     backbones.
(18) O. Muller thinks the 'hides' were a stalactite formation in
     the 'Cave of Nestor' near Messenian Pylos, -- though the
     cave of Hermes is near the Alpheus (l. 139).  Others suggest
     that actual skins were shown as relics before some cave near
     Triphylian Pylos.
(19) Gemoll explains that Hermes, having offered all the meat as
     sacrifice to the Twelve Gods, remembers that he himself as
     one of them must be content with the savour instead of the
     substance of the sacrifice.  Can it be that by eating he
     would have forfeited the position he claimed as one of the
     Twelve Gods?
(20) Lit. 'thorn-plucker'.
(21) Hermes is ambitious (l. 175), but if he is cast into Hades
     he will have to be content with the leadership of mere
     babies like himself, since those in Hades retain the state
     of growth -- whether childhood or manhood -- in which they
     are at the moment of leaving the upper world.
(22) Literally, 'you have made him sit on the floor', i.e. 'you
     have stolen everything down to his last chair.'
(23) The Thriae, who practised divination by means of pebbles
     (also called THRIAE).  In this hymn they are represented as
     aged maidens (ll. 553-4), but are closely associated with
     bees (ll. 559-563) and possibly are here conceived as having
     human heads and ******* with the bodies and wings of bees.
     See the edition of Allen and Sikes, Appendix III.
(24) Cronos swallowed each of his children the moment that they
     were born, but ultimately was forced to disgorge them.
     Hestia, being the first to be swallowed, was the last to be
     disgorged, and so was at once the first and latest born of
     the children of Cronos.  Cp. Hesiod "Theogony", ll. 495-7.
(25) Mr. Evelyn-White prefers a different order for lines #87-90
     than that preserved in the MSS.  This translation is based
     upon the following sequence: ll. 89,90,87,88. -- DBK.
(26) 'Cattle-earning', because an accepted suitor paid for his
     bride in cattle.
(27) The name Aeneas is here connected with the epithet AIEOS
     (awful): similarly the name Odysseus is derived (in
     "Odyssey" i.62) from ODYSSMAI (I grieve).
(28) Aphrodite extenuates her disgrace by claiming that the race
     of Anchises is almost divine, as is shown in the persons of
     Ganymedes and Tithonus.
(29) So Christ connecting the word with OMOS.  L. and S. give =
     OMOIOS, 'common to all'.
(30) Probably not Etruscans, but the non-Hellenic peoples of
     Thrace and (according to Thucydides) of Lemnos and Athens.
     Cp. Herodotus i. 57; Thucydides iv. 109.
(31) This line appears to be an alternative to ll. 10-11.
(32) The name Pan is here derived from PANTES, 'all'.  Cp.
     Hesiod, "Works and Days" ll. 80-82, "Hymn to Aphrodite" (v)
     l. 198. for the significance of personal names.
(33) Mr. Evelyn-White prefers to switch l. 10 and 11, reading 11
     first then 10. -- DBK.
(34) An extra line is inserted in some MSS. after l. 15. -- DBK.
(35) The epithet is a usual one for birds, cp. Hesiod, "Works and
     Days", l. 210; as applied to Selene it may merely indicate
     her passage, like a bird, through the air, or mean 'far
     flying'.
__
The Homeric Hymns in the Hello Poetry collection are provided by:
Online Medieval and Classical Library.
Source site: http://omacl.org/Hesiod/hymns.html

The presence of Wonthelimar, is invisible before Borker but epically static in his balustrade, and in all the rings that chorally wore them for each patronage of the general Diádoco Seleucus examining him next to him, even more having betrayed the Hellenic legacy, by an orthodox Hellenic one in the disappearance of Alexander the Great in Babylon, without knowing that he had been rescued by Wonthelimar, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibex, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, here passages from the Old Testament are explored that Say...: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal., a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this class the schismatics of ancient Christianity and orthodox Judaic derive a prioris, separating one from the other. Previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, leading to the exile and captivity of the Hebrews in Babylon.

Judicious Borker of this premonition takes the Ibic Rings and selects one of them to unite with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to occur in future similar events, avoiding invasions that cause looting and destruction of the temple to be built on Patmos. Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibic Rings for each linear meter, and cubic. Traced by a nanometer which is one-billionth of a meter. Here the borer beetles will trap the fungi and displace the viruses geometrically from the beams of the Icosahedrons.

Says Borker: “On these stigmatized coal platforms the mineral has been activated, yes…! In the same dioxide, the twenty faces of the icosahedrons, convex or concave. Yes…! The twenty faces of the icosahedrons are equilateral and congruent triangles, equal to each other; the icosahedron is convex and is called regular, being then one of the so-called Platonic solids”

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magical vectors of the polyhedron internally, triangulating at the tip of the ram that carries an illustrious triangular phalanx, opening with its prop the areas vulnerable, to consolidate the buttress of the façade; the Áullos Kosmos, and pay homage to the apse that was filled with rejoicing.

Sones of the philosopher Plato made them regular or perfect in convex polyhedral, such that on all their faces regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, such a professor and Platonic guide, will follow towards nomenclatures of nano-structures that affirm the volume and structure of the central sections of the radier, and its foundation bases shielded by the icosahedrons in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that they were developing the borer beetles. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedrons, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to arrive at the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the supporting quantum and its theological harmony.

Borker says: “if organic cells operate in homage and in larger multicellular fields, here are the nanoparticles, in larger fields of fiato, and in the slides that will recirculate in favor of the Mandragoron throat, and in the carbon nanotubes, essential elements of the biosphere and useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this nanotechnology scale, will make a three-dimensional shape and a large voluminous serial in the Austral Nótos.

Since the omens of Wontehlimar, the linamen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibicos rings will be enlisted chorally by the patronage of the Hellenic orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally, take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located ”. From this dome the larnax of the Great Macedonian, apriorism, will derive into the schismatics of ancient Christianity and orthodox Judaism, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to unite them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos. Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms that will forge the support in chemical units for the re-conception of nature, and its two- or three-dimensional networks. Being immanent and masterful, the nanotubes with 60 carbons distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, thus being concealed by the Ibics Rings for each linear meter, and cubic traced by a nanometer which is one-billionth of a meter. Here the borer beetles will catch all the ambrosiella ceratocystidaceae fungi and will displace the virals in a calculated manner from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magical vectors of the polyhedron internally, triangulating at the tip of the ram that carries an illustrious triangular phalanx, opening the areas weak, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, as in all their faces where regular and equal polygons were made, with holistic solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and of Platonic pattern, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and its foundation bases shielded by the icosahedron in the scale nanotechnology, having physical material cells, for adaptation of structural changes and their environment.

The bulk will adapt microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that were developing. borer beetles. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and stony grounds that will be elaborated from the flow of the buttress of the apse that rose towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the faeces of the Borers, until pasting and reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the supporting quantum and its post-Byzantine Greek patristic theological harmony, passing through vectors of time that run through the pre and post of temporality of the Invisible Eclectic Portal, with remarkable poles and penumbras of the contemplative orb as seven steps of liberation, and as a manumission of the wheel of time forward, where Hermes will bind him with serpents to a fiery wheel that will spin without ceasing, stopping the naivete of the 7 donkeys, and their autonomy of self-consciousness, crushing each serpent with their hooves.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the Mandragoron throat, and in the essential carbon nanotubes elements of the biosphere and useful layers of life that roll back the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make a three-dimensional shape and a great plump serial in the Nótos Austral ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! , and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely the second step of consolidation of the Megaron was established in the linear from the seven donkeys eagerly left it, as likely masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.

Sun and traffic - day economy.
Six a.m. drive to plywood mill. Too tired
to be angry. Each day a step
toward death. What is being accomplished? The
small satisfactions
within each day. Book consciously read.
And frustrations. Package dropped, honey jar broke.

One of 175 soil types. With the fifty
tree species
comprising the canopy under which Eric and Lisa clean
      their baby's face.

Sun in winter, old apples.

Inside the school
a brilliant but rebellious history teacher
is suspended by the school board.
200 students
wearing armbands and painted teardrops
protest. Another 400
are silent.

Within each structure
human dramas and routines.
Nancy will not love
any man who cannot do as many push-ups as she.

Trees grow,
porcupine **** in snow.

No job,
no niche,
no existence.
How you earn money is who you are. You are
what you do to get food to eat
and shelter from the winter, summer heat.

Each morning I seek God
by holding still
waiting for the smoke to be black or white
coins heads or tails
wind dark or bright.

Flock of evening grosbeaks
nipping maple buds:
the sign I need.

                   --------------------------------------

Less need =
more wealth.
2/23/89. So much equipment just to sleep.
More than a bare floor.
Plumbing vs.
wash at stream, find a log in woods.
Implements of human existence
unlike the deer or bear who
nip buds, forage berries.
I cannot eat the gum out of balsam fir
or bark from a popple.

I am not Wendell Berry
with a wife, a farm, philosophy.
I like the accuracy
of counting pear thrips in maple buds.
8/bud = complete defoliation.
This insect has four wings fringed with hairs
and is minute, 2.5 millimeters.
Two species within the genus:
one with tubular abdominal segment,
the other with conical abdominal segment.
Sugar maple their preferred food.

All I need
are names.
Names and habitats.
Elements, products, decay fungi, egg masses.
Marriage, copulation, regeneration, education.
Machinery, accounting, hand tools, laboratory.
I need your names
and histories.
****** histories, books read, imaginings, unrequited loves,
      significant landscapes, broken bones, periods of boredom,
      favorite shows.

                   --------------------------------------

Immediately means
without mediation, intermediate moments
time in the middle.

Time in the middle
time in the middle.
I'm bummed I never saw a dinosaur, an ice age, a cave man,
      even missed the last world war.
Thanks to paleontology, geology, archaeology, history
mind equipped to take
time out of the middle.
It's in our DNA!

Why should she love me, her tenant?
Because I pay the rent on time.

                   --------------------------------------

Excellent. The white sun rose
and lit the frost.
Early February, late March, or in between.
Birds begin
discussing family. Sap starts to flow.
Where the borer spirals in, it comes out wet.
Birch or maple.

I watched from the window. Beautiful
but no desire to go out and touch
swelling buds of elderberry.
Is this shrub crazy? It knows what it knows
with elderberry knowledge.

Come Spring, so much to identify and name.
Insects, diseases and new flowers.
Lepidoptera, root rot, the pinks.
I think I might get married too
and watch the moons pass through the mists.

                   --------------------------------------

March rain.

Some snow remains
roads dangerous
but truck deliveries must be made.
                                                           ­ The light
pushing back the dark.
Bark
getting softer, slippery
at the cambium. Sap
simmering. Summer
and spring are here and there
although only winter birds are in the air.
Some buds
break swell
want
to turn inside out
but wait
knowing better.

I too will not break or run
early
hold hope bound by ropes of discipline, experience
time the magic moments to come
take the last sleet and pain
slap in the face
glad for predictable seasons.
                                                 We anticipate however
drought, maple defoliation, increased gypsy moth infestations
which some attribute to our existence.
That may be true.
Or it may be that the universe
has reversed its decision on us
and there's nothing we can do.
But we will do
what we can
and some things we shouldn't
because that is human.

Continuing
into the space inside me
unconnected to the light switch, plumbing
fairly independent of materials beyond
food and sound.
Where I pray
like an oak
that the light will enter me
unbroken, forever
and I will live the meanings in the wind.
                                                           ­          Basic
necessities, wood
wine
and friends. And
the names
of everything
by which we know our way.

du planter følelser i min hovedbund og
alle ord lyder pludseligt æstetiske i din mund
bygger bittesmå ophold af sanser, der sitrer
i knoglerne som små, skarpe, solstråler, der
stikker mod hud
de bittesmå tråde i dine fingerspidser, som
får mig til at indse de øjeblikke, hvor
sjælesygdomme ligger sig som en tyk dyne
over huden, men samtidig gør øjnene mindre
barnagtige
som skovbrande og fugleslagsmål på fortovet
snart hvisker smerten til angsten, og snart
borer den sig ud fra et bekvemt sted
herude er virkeligheden, og det er smerten

Tænk dig
at stå der og se det smukkeste i verden, når du stirrer tomt i kolde vandpytter.
Fordi du ikke kender til andet.
Tænk dig
at efteråret sidder i dine krageben. Dit betonsind.
Dit vinylhjerte føles palperet af kulde,
at du har skadedyr i maven.
Tænk dig
at være anopsi-(tist) og alt du ønsker er at være en aerobe
der lever af kaffekunst; men dit sind søber i inkurabel mercury
Du inficeres af revolutionære misbrugere af forandring.
Tænk at du ikke kan andet
end at lade fremmedlegemerne borer i dit sind
Tænk at være et segment af dig selv
at dit deoxyribonucleic er forkert.
At gå staccato rundt.
Tænk dig at forsvinde.

Kaitelka was in the Equinoctial Aftó, she bathed but always oriented herself as an Argonaut star bathing in the Aegean while waiting for the ******* of Áullos Kósmos. Between both Aulos and Citara, she modeled the auletic- citaristic, in glimpses of her Psychic Trisomy.  In effect of the existence of an extra chromosome in a diploid organism 158, for a number of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting her chromosomes of normality in the genetic proximal when entering the bay of Skalá that she was waiting for her native, where the art of navigation danced in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, mimetic was thrown towards the art of the unknown sea, collapsing and disoriented by its territorial similarity, and maritime per se of its Otolith that brandished it in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the auletic to infer Ballenid genera, which acted precisely between the island and the Bay of Patmos with the same name as Skalá.

Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that rotated on the backs of all the borer beetles, being Scarabaeidae that delimited towards a dialectic, and paraphrase of a qualitative satirical one, especially in the form of Vernarth's sub-mythological subgenre. To commend all the hypotheses of this whale, it sang with the native cephalization ultrasound, where it continued to harmonize media in its cranial cavity, and in the muzzles of its larger fins that transmitted waves of parapsychological regression towards Vernarth, parodying the transparent sendal ballads that it made. with his transit through the water, however, not having members that strengthen his controversial cetacean passerby by waters of a melodious literary language, such as a great inspirational propeller, and satires that host greenhouses in most of the jubilation, related to rudders that furrow his verbal poetry, easing restrictions, and possessing the genome that was deprived him in his gestation, of a maternal expropriation victimized with fears of an end, and Apocalypse hungover by the sea and freshwater. They piloted their heart valves, mere and Dantesque with Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirizing formula additions, and a piece of dull wood on its spur that was It bore like a whale, it was carrying its weight in a literary category where there is no way to test it. Without hindrance, she laughed alongside the breakers in the manner of a belligerent tendril in thick keel skins, dramatizing him and perhaps delaying the investiture of Vernarth's Himation Proskynesis, peering jocularly and foreshadowing his encounter with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single Down Whale destination, ******* with her dorsal to exhale genome rearrangements with Cinnabar, refining hormones and stereotyped whale chromosomes.

The concordance of the Satirical subgenre, and the polarized gender correspondence inanimate Kaitelka, usurping the intentionality of the sub-mythological drama, in two roads of Skalá that appeared to lose the standard of their ears, in tragic representation versus the comedian staging, harbinger of an interlude between two areas that struggled to have it directed towards three comedies that plunged into three tragedies, missioning the furrowed features of the ideals of survival, with preceded parables of the psychic-linguistic being, due to its canonical supernatural modality by blending itself with disciplined domains. Of a rhetorical poetics, rectified in religions that grant Orphic and messianic structuralism; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, comparison, or image.  Song and poetry, song and prayer, prayer and ritual forming an inseparable phrase of meaning in it, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; "Make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for those who feel vibrations under his belly in his orphic water, portraying semis or semiotic cathartics of their own trisomic roots, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he told her about the melting of Horcondising, seeing in them friendly glaciers that included her within the storytelling of provinces that sensitize the culture by rebirth on spherits and plasma hematocrits, for an apologist that admits inanimate corporality actor. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, commanding them ibid to the inter-dogmatism that it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Borker  Nótos. "Evil tears their veins heal their goods and relegate the forgetful in the tradition of existence alongside the demiurges, incontinent to their ills that enjoy making creation sleep, soothing it in innocuous myths that are often more than a truly supernatural!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of light that distorted his view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and the phenomena of the underwater stones were relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish, brushing against systematic hermeticisms of what was infinitesimal. All this dialectical journey towards inevitably alternating molecules of his genome, to re-establish himself in his hybrid status upon reaching Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale but in interrogation. …?  Based on Leiak's sexagesimal nanoscale extension, endowed with a fractional comparison that collects mythologies within them, for the uncertain truth. The only burden of etiological myth in Kaitelka is a consequence of her suffering, which is offered in psychic trisomy, for being **ized by three chromosomes, disorganizing her reality as a specimen that unfolds as a congenital disease.

Kaitelka says: "Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and honeysuckle, which tell a story ****** under the tripod of Herophila.  Authoritarian truth that will bow before the pig to become, smelling here the tragic essence in truths that are hidden in symbolic denial"

Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that the self encourages to plunge into diluvian tears and moan in the scenarios of uncertainty, in the judgment of pouring out real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that lifted it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous polymorphology. With joys and hilarious meltdowns on the mountains, she approached everything when she reached the pleasant Skalá, escaping from the cosmogony that bound her ungraciously on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimicry gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on disturbed waters, a dipsomaniac leitmotif in early Christian justice. Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will remain Kaitelka Down, but Patmos will arrogate her Thracian gift from her Orphic origin to her, for purposes of radial preeminence in the Ballenids that hoist sacred sites. The adventure prescribes a univitelino twin, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into a rainy sphinx on the thick bronze roof when the coins are broken, towards a seduction stop that is enthroned in the gloom of the minotaur, in the numinous hands of a daffodil and on the face of the Epsilon. Or crawling in mitral of valvulopathy with the carriage messengers, with the swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually more than multiplied towards her, with the amazement of her animal consorts, which are dolphins, and Thracian pigeons, a priori of being covered by the Pythia of Delphi that is migrating in murky triumphs of the Achaemenides in Gaugamela.

Hvilken side af mit ansigt vil du nu ramme?
Hvilken farve vil dine øjne være?
Hvilken lyd vil dine ord udforme, når de rammer mig i mit dybeste indre? Klokken 07:42 går jeg ned ad trappen.
Synet af dine pupiller som svulmer op ved tanken om dine næste ord.
Smerten når de rammer, som en kold håndflade på mine sprukne kinder, borer sig igennem mit kød og giver genlyd i mine knogler.  
Skyggen fra mine arme som dækker mit ansigt.  
Vil du nogensinde kunne se igennem smerten og strømmen af ord, eller fylder min eksistens for lidt i forhold til dit ego?  
Når min krop visner og falder sammen på stengulvet, afviger lyden af dine skridt og mine øjenlåg lukker sig og omfagner min krop.

Kaitelka was in the Equinoctial Aftó of Áullos Kósmos IV after geomancy was oriented as a star Argonaut bathing in the Aegean while waiting for the ******* of various sectors of Áullos Kósmos. Between both Aulos and Citara, she was modeled with the aulética-citarística, glimpses of her Psychic Trisomy. In effect of the existence of an extra chromosome in a diploid organism 158, for a quantity of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting herself with her chromosomes of normality in the genetic proximal, upon entering the Bay of Skalá, which was waiting for her native again, where the art of navigation flourished in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, she mimetic, she turned towards the art of the unknown sea next to Wonthelimar who endorsed her with his favorite, collapsing and disoriented by their anti-gregarious territorial similarity, and maritime per se the Otolith that brandished him in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the aulética to infer Balénid genres, which acted precisely between the island and the bay of Patmos with the same name as Skalá, to meet everyone and be a participant in the construction of the sanctuary.
Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one again carried the Demiurge Ezpatkul, with his prominent Augrum or Gold incisors that turned on the backs of all the borer beetles, being Scarabaeidaes that were delimited towards logic, and paraphrase of a qualitative satirical, especially in the modality of the subgenre, and sub-mythology of Vernarth. To commend all the hypotheses of this whale that sang with the native cephalization ultrasound, where it continued to arrange means between the middle and in its cranial cavity to the percentage of the world map, with the muzzles of its larger fins transmitting waves of parapsychological regression towards Vernarth, and parodying the transparent cendal ballads that he did with his passage through the water, despite not having members that strengthen the controversial cetacean passerby by waters of a melodious rhetorical language, such as a great inspirational helix, and satires that house greenhouses in most of the jubilation, akin to rudders that I furrowed in his verbal poetry, easing restrictions, and possessing the genome that was deprived of his gestation, of the maternal expropriation, victimized with fears of omega, and of Apocalypse hungover by sea and water candy. They piloted their heart valves, mere and Dantesque with the Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirized aggregates of their formula, and a piece of stony wood on their spur he braced himself like a mammal, he was carrying his weight in a literary category where there is no way to test it. Without hindrance, she was hilarious next to the breakers in the manner of a belligerent tendril with thick keel skins, dramatizing him, and perhaps that would delay her in reaching the investiture of Vernarth's Proskynesis Himation, some looked out jocular and foreshadowed to meet with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single destination of Balénido Down, ******* with her dorsal that exhaled rearrangements of the Cinnabar genome, clarifying hormones and stereotyped balenid chromosomes.

The concordance of the Satirical subgenre, and the inanimate polarized gender correspondence to Kaitelka, usurping the intentionality of the sub-mythological drama, in two Radas of Skalá that appeared to lose the standard of their ears, with tragic representativity versus comedian staging, heralding an interlude between two areas that struggled to have it directed towards three comedies that pounced on three tragedies, missionizing crossed features of the ideals of survival, with parables preceded by the soul-linguistic being, due to its canonical supernatural modality when it was mimicked with disciplined domains after of a rhetorical poetics, rectified in religions granting orphic messianic structuralism bis of the equinoctial aft; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, or in comparison to imagining. The song is one poetry, and the song such a praying too, prayer and ritual forming an inseparable syntagma of meaning in her escaping from Arbela's zither, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; Orpheus says: "make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for whom in his Orphic water, he feels vibrations under his belly portraying cathartic and semiotic of his own trisomic root, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he tells her about the melting of Horcondising, seeing in them friendly glaciers that included her within provincial storytelling that sensitizes the culture being reborn on its spheres and plasma hematocrits, for an apologist who admits acting corporality and inanimate. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, ordering them from the ibidem to inter dogmatism, in which it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Nótos of Borker. "Evil tears their veins heal their goods relegates the forgetful in the tradition of their existence alongside the demiurges, incontinent to their ills who enjoy making creation sleep, soothing it in innocuous myths that are often more than a supernatural truth!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of a cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of lights that distorted the view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and in the phenomena of the underwater stones, they relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish other than Theseus, brushing systematic hermeticisms with the gloomy and infinitesimal. All this dialectical journey towards inevitably alternating molecules of his finite genome, to reestablish in his hybrid status when arriving at Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale, but in the interrogation after being swallowed…? based on the extension of the sexagesimal nanoscale of Leiak, equipped with a fractional comparing that collects mythologies within them, for the uncertain truth. Kaitelka's only etiological myth burden is a consequence of her suffering, which is offered in her psychic trisomy, for being bastardized by three chromosomes, disorderly the reality of her specimen that unfolds her as a congenital disease.

Kaitelka says: Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and vines, which tell a story ****** under the tripod and vapors of Herófila. Authoritarian truth that will bow before a pig to become, smelling here in the tragic essence, and in truths that are hidden in its symbolic denial?
Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that self promote her to blink in deluded tears and moan in the scenarios of uncertainty, in the opinion of pouring real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that raised it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous poly morphology. With joys and hilarious meltdowns on the mountains, she approached everything when she arrived at the pleasant Skalá, escaping from cosmogony that linked her weightlessly on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimic gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on troubled waters, a dipsomaniac leitmotif in early Christian justice.
                                            
Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will continue to be Kaitelka Down, but Patmos will arrogate her Thracian gift of her of Orphic origin to her, for purposes of her radial preeminence in the Ballenids that hoist all the sacred sites. The biological diagnostic prescribes an univitelino twin whale, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into the rainy sphinx on the thick bronze ceiling as she breaks in the minting of the coins, towards a stop of seduction that enthrones in the gloom of the minotaur, and in the numinous hands of a daffodil on the face of the Epsilon. Or crawling in the mitral and in her valvulopathy with messengers, carriages, and with swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually multiplied in excess towards her, with the amazement of her animal consorts that dolphins are, and Thracian pigeons, a priori being covered by the Pythia of Delphi that is migrating in the murky triumphs of the Achaemenides in Gaugamela.

bag tæppet af nostalgi ligger
fossende imitationslege og
mindreværdskomplekser i samme form som
selvretfærdighedens diktatur
akkumuleret støj som emalje over byen, barrieren mellem universet og os
gennem tæppet af nostalgi ser man
absolut  i n g e n t i n g
vi griner som om vi mener det
men ingen af os er hinandens første valg, dette er ingen frivillige løsning
sådan bliver andre mennesker ens sidste udvej
tilfældige mennesker
tilfældig ensomhed
bitterheden ætser ind i sjælen hvis den ophobes
ensomheden borer sig så dybt at den med tiden
erstatter ens skelet
så bygger og støtter hele ens tilstedeværelse på følelsen, der som
istapper i åbne arme den udstrakte hånd den opsøgende kommentar
modarbejder ens eksistens

Spitting up blood;
Living, dying,
What's its worth?
I feel as the Emerald Ash Borer,
Hated by those around me
And stamped upon
Until I am eradicated
Whilst those same people
Attempt to find some use from me
Before I am killed.
These are not loving societies,
Reflected in our treatment of others;
It was very nice to have known all of you.

They loosed the moorings from Cala Cogone prematurely, when the tide seemed to be lifting over the separate lumps in the dews of the hailstorms, and on the head of the Cyclops distancing itself from its corporeal organism. On a lavish and romantic day, they went to Genoa, to continue with their travel logistics to Piacenza. During the displacement Etréstles was contemptuous in the prow under the Shemesh that seemed to be a fearsome specimen, before an embroidered intestinal being stirred in his own dream, perhaps more longed for than a dual itinerary. While they slept, at the helm Etréstles argued ringing dressed in his black cyclamen tunic, the comrades were also sleeping with their rhapsodic physiognomic dreams, coloring mutinous gestural jaspers, on some faded signs that were deteriorating.

A chimera of Etréstles: “His off-center memory of him ..., was still in Izzana, the capers rumbed through the pathetic clouds over the gray tulles, and the layers of the sky tried to stop being a reign emeritus for a prince without a crown. The paradisiacal layer "kyklámino stémma", was glimpsed melted in the scattered limestone Nuraxis, turning into sticky aeroliths agglutinated in the deployment of the Conjuration, laying the rye species in the jaws, and on the head of Vernarth himself. As they continued with their abstract journey, they remained to parade with the legal aid in his own mirage. He tells her that: "I see them beyond from where their ceremonies collide, they cross eroding the vanished reason of their itinerancy." They get up and take the ship's moorings and attach them to the neck. Then they all cooperate to walk along the edge of a tracontero's sooty ship, moving them all barefoot…, waking up at once! Vernarth, try to wake them up, shake them off, but they don't wake up. And when he tried to evade him from sleep, he saw that he had the ropes on his neck, along with two Unicorns who were escorting him and looking at the infinity of the uni-****** between them tied to infinity itself, supporting that Genoa was already coming in front of its antlers. The others began to wake up and ate reclined, almost without any desire to rasp the cover full of self-sliding and unctuous linen, which allowed them to pass each one their own aperitif from Apollo's head, surrounding them in their cohorts inclusively, being semi dissipated and rolling down the hatch cover. Etréstles transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead. At the foot of the homonymous promontory, 36 km from Genoa; Portofino could be seen, close to some spiral planks that floated in their hydro form, with Apollo's eyes narrowed and circumscribed in the radius of his orbital process, with submerged herrings that frolicked from Apollo's zygomatic, and in the regional natural garden of Portofino. They found different entrance gates through San Rocco, Portofino Vetta, and Nozaregoino, entering with the agaves on the way with different levels of accessibility and auriferous perspective escape. The path traveled from northwest to southwest on the same promontory that was hidden, communing with all beauty the Mediterranean vegetation, with its beautiful pine forests, and bluish scrubs in the waters of the Mediterranean, filling them with itching lungs, and especially in the offshoots of the Kardiá , silencing the peaceful companions by the suggestive Natural adonis in the indigo abyssal eyes.

Vernarth wraps himself in two linen cloaks and a spárgana for Etréstles, then intervenes, eclipsing each of the Unicorns from his uni-******. They frank him with their antlers on their pectoral, loving him with the subtle hint of attachment that is born from a primal genesis. His gesture softened the expectation that crowned the Empire of his cohort, with the impetus of Arbela, and in the semi-precious Onyx Crowns in chalcedony ..., lightening the gavels of the semi-precious sleep that awakened them before reaching the shores of Genoa. The land in Genoa, all descend in separate fractions and say goodbye, distantly gesturing their signs and making retro gestures with their hands dressed in the mineral encrusted with their rapacity. The ramblings showed on multiplex-rays at the levels of a growling aura, which instigated them to the enclave's inn among the algae that levitated on the ear tags of the ducks, and of some ruminant bluish unicorns, to reinsert themselves into the world of the adjacent daily chores of the cornucopia. The ship luridly hovered in the indigo bay, where it spurred on the Unicorns that were returning back to Sardinia, positioning itself in the bow bulb and in the stern the other to lighten the sails and return to Izzana.

The Scarabaeidae sing: “The Vernarthian tenor of Kaitelka carried them behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that turned on the backs of all the borer beetles, delimiting towards a dialectic, and paraphrase of a qualitative satirical, especially in the form of Vernarth's sub-mythological genre. The sacredness of the unicorns was the winner of all the dull fantasies, pretending to raise the rainbow over their senses, delegating them remnant spatiality from the growing infinity. To praise the hypothesis of this whale, she sang native arias and cephalization ultrasounds in Genova, where she continued to harmonize the media in her cranial cavity, and in the muzzles that reached the larger fins, transmitting waves of parapsychological regression towards Vernarth.

Cooing white wing doves
singing of cicadas
deep voiced croaking of bullfrogs
tapping of woodpeckers

The clicking of beetles
the chirping of crickets
the tapping of booklice
natures sounds as I sit quiet

Humming birds acrobatically fly by
the green shine of emerald ash borer
the orange fiddle of the black widow
red fuzz of the velvet mite

Barn owls begin to hoot
the calling of the scaled quail
scurrying ground squirrels
dart from hole to hole

Tranquility as afternoon ends
sitting still and silent
enjoying natures show
undisturbed

Ask someone clever, a person you trust,
what the country will do when the fossils go bust.
What's that by his ear? A flick of a tail?
"I really don't think that our fuel's gonna fail."
Isn't that brain dust I see by his shoe?
"The market will save us the way that they do."
I hear something chewing. "Our history's laced
with the fact that technology's always replaced."
His answers seen tenuous, nebulous, vague,
as we've come to expect in the brain-borer plague.

is it the same as ash die back
i know I should research this
and will
just not now

she sings
i remember

he told me you can burn it
anytime and chanted a verse

that I do not remember

he cannot come a while for

you should only mix indoors or outdoors with members of your own household or support bubble

see
she sings
i remember

some things come easy for some
even pleasant
impossible for others

i did look and see it is a fungus
rather than a borer james

i do not have all the particulars like you
james
and my roof is higher

she sings