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Carrot dances in a sweat
an onion laments it's death
potato sings the potato blues
the parsley is dreaming
of some tea for two
the cabbage is tired
of the baggage
it's lovers bring with them
& remembers the knife
cutting through it
the stock cube
listens to the chatter
of the bubbles
rising through the ***
& the salt & pepper
are feeling a bit hot
I have another poem about soup which is probably even more quirky & far better than this - it's called Tomato Soup if you want to look it up.
It's here: http://hellopoetry.com/poem/1353298/tomato-soup/
You can live without me, and I can live without you, but who's to say we didn't already die.
Our little film set

has been abandoned months ago

but we are still here

stopped acting for cameras

that won’t record anymore

the light around us turned white

and everything blurred

when the dust started setting

on our film reel

laying forgotten in the backroom

of the shut down cinema

with it’s steel roof glistening

in the late afternoon’s sun

we will never be found

encaged in our very own reality

the smallest part of heaven

we were ever granted
 Sep 2015 Vamika Sinha
SOLACE
all of their faces are red. swollen and fat and full of shame. there is a regret to be had here. there is a lesson to be learned and a moral to be made.
The night is a cold loose shawl that dangles over our shoulders.
It has a secret we are yet to discover
and it shows it through the clouds and the moon.
The moon is a wide grin,
a full circle,
a white and dusty pill.
It hides between clouds,
spying over the mountains,
watching from a far.
It thinks we will hurt it.
We cage the beauty
and mock the ghastly
and everyone that falls in between.
My fingers sink into screens,
falling forward like drips of rain into the concrete.
I am locked to my body
and it feels like a casket
and I panic.
A man plays inside my home.
I can hear his hands move skittishly against the guitar,
distinctly out of tune.
It rustles in the air like stretching leaves in the wind.
The music rapids through me like waves crashing to the shore.
and I bleed into the background scared.
In a crowded place,
I watch a lady dance
and hear the beads in her hair patter upon her bony chest.
Her smile is wide like a crescent moon.
Her silhouette swims out in front of her,
circling endlessly like leaves over departed souls,
soaring up and down;
Her arms flick against it,
She moves like a dying flower caught in the wind.
She is the sky.
She snaps and decays against the cool misty air.
The people progress around her,
they seal her secret with their working bodies.
They are like fleeting clouds,
and I was their moon
I have reedited from another poem I had posted on here awhile ago
Copyright © 2015 Tessa Calogaras.
All Rights Reserved
 Sep 2015 Vamika Sinha
NV
 Sep 2015 Vamika Sinha
NV
BUT YOU HAVE TO STOP TELLING PEOPLE,
THAT NO ONE WILL LOVE THEM UNTIL THEY START LOVING THEMSELVES.
YOU HAVE TO STOP PLANTING THIS IDEA IN PEOPLES BRAINS THAT THEY ARE UNWORTHY OF LOVE,
JUST BECAUSE OF THEIR OWN STRUGGLE.
 Sep 2015 Vamika Sinha
NV
he just sounded a bit down over the phone.
and all i really wanted to do,
was wrap my arms around his body like a ring on a finger.
to tell him about the times i get lonely too,
and how the only things that take up space is air,
and the echoes of my heartbeat.
and i swear to god,
i could have cried at the fact that technology only made it easier to love someone you aren't able to touch.
the drop in his voice deeper than any ocean i've been to.
but an ocean i don't mind swimming in,
sinking in.
it's 4:28 in the morning and i don't know if all this writing even makes sense,
or if it's just as bad as the one before.
but one day when he gets lonely again,
i just hope that i'm blessed enough to pick up the keys and drive my way into his arms.
Torn newspapers
littering the sunset
idle cranes lining the guilty sky
by the glowing harbor
Open mic night
you walk in
to the room
& no-one notices
except me
& your friend
invisible, until you read
& your voice is like an epiphany
the homeless man outside
is singing a tune
perhaps
perhaps a little child
somewhere is falling asleep
in her mother's arms
perhaps somewhere
love is being found
but between us
there is only silence
& you do not even know
that it is me
in front of you
& if you did
it would be worse
because
my ragged heart
for you is something
to be scarred
Uncle Sam sometimes whispers a little bit too close.
I’ve felt so many scraps scraping against my cheek-
those numerous numberless things he carries in his
beard by ‘accident’. So many things get stuck there
and I feel them all, whenever he dares, and he dares
often, to whisper alittlebittooclose. One time the grey
beard leaned in and touched me in my sleep and
planted in me strange dreams of faraway gothic towers
passing off as libraries: Harvard dreams, Princeton
dreams, Yale dreams: I haven’t quite slept since. The
shaggy scraps stuck to the forest of strands on his face
would never let me. They scratch away at me often
even in the brightness of day, and claw jaggedly in the
darkness of night. Little heart of mine has lost its own
beat. It beats to the beat of a beat on a beat from a beat
with a beat by a beat which beats those beats and beats
beats that beat not of my beat. Little heart of mine, when
did you lose your own pulse? Why won’t you tell your family
that Uncle Sam’s whispers are more than whispers? Why
won’t you tell your family what Uncle Sam does to you
in the brightness of day when everyone is smiling as Uncle
Sam pats your shoulder? Little heart of mine, why doesn’t
your family know what Uncle Sam does in the darkness
of night as he whispers whispers under your whispers and
what he does beneath your skin? Didn’t you know, little heart?
They have laws that say that greybeards shouldn’t be digging
into little boys’ insides, don’t they.

(Uncle Sam has travelled
far and wide, far and wide to tell me lies.
Recall that this is not the first time…)

But little heart you know why. This is not the first time.
It is the natural progression for a Coconut like you:
darkness of night on outside and brightness of day on inside.
Your skin doesn’t matter; you all taste the same.
Cut you off the homeland-tree and cart you all away.
Then, in this way we can say and say the homeland is “Rising”-

Uncle Sam tells the world of his diversity in selection
of little boys to touch with strange dreams.
And I like the feel of the scraps in his beard. Maybe
I can become one of them. One with them.
So... I'm yet another African scholarship student in America.

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