On the far edge of the world there are
fanatics of many minds and religions.
They have uninteresting histories,
jejune existences, and distorted ideas of nature.

Some are belligerent, felony-friendly foreigners.
I’ve never given them a single thought,
because they're nothing to me.

They’re insignificant—living curiosities
and I grant them no more sympathy
than I would a flock of wild birds.

Of course, I’d never wish to harm wild birds
unless they had the wherewithal to attack me,
in inimitable, Hitchcock style.
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Songs for this:
Kashmir by  by Toni Jevicky
broken people by narcissists cookbook
Bring Me to Silence (Audiotree Live) by Fievel Is Glauque

Have you ever seen a pair of Nine West Folowe Pumps in Red Blooms Floral - or ever held a feathery pair? They offer the pure pleasure of perfection.

You can see them popping up lately, in streetwear silhouette, matched with Dolce & Gabbana’s floral-print leggings, making a duet of blooms—petal upon petal, like a garden in motion, or paired with the new, high-waisted barrel leg jeans, lending a flash of elegance, a bright flourish against dull denim.

They’re visions, wrought as if by the hand of Michelangelo, who once from marble freed David’s pose, or da Vinci, whose brush summoned the Mona Lisa’s secret smile.

In form, they’re d’Orsay cut, sporting curves as deliberate as the Sistine vaults arch. The stiletto heels rise with the ambition of a cathedral’s spire - neither too proud nor too meek, but balanced, like the symmetry of a butterfly’s painted wings.

Upon their surface, blood red blooms unfurl - petals as vivid as spring’s first flush - each blossom a testament to an artist’s hand, in riots of color and romance that dance with the same spirit as a flowerbed at dawn.

No flaws mar their making: the stitchings are true, the fits precise—as if tailored by the muses themselves. Each pair offers its own unique foliations, bespeaking the freedom of a craftsman’s careful art.

Lastly, of course, they’re marvels of harmonious function, lightly cradling and lifting each step - comfort and glamour aren’t adversaries here, but partners in making each step a sonnet and each stride an artist's brushstroke.

Now, maybe you aren’t into fashion - perhaps you’re a male - oh, poor you, I’m sorry, but maybe, just maybe, in times of chaos, you long for the pleasure of inexpensive perfection.
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Songs for this:
Glamour Girl by Louie Austen
This is what falling in love feels like by JVKE

Now the cuts
have faded to pale seams,
from the girl
who left her key on the counter,
and took the why with her,
and the friend
you hadn’t seen in years
but still called brother,
his paintings hanging quiet on walls
in rooms no longer yours.

like the ghost of an old song,
still in key
you rise again
fingernails dark with soil,
burying sunflower seeds
in morning’s cold fog.

The dog needs feeding.
There’s toast to burn,
and leaves to steep.
You carry your small life
like a cracked bowl
that still holds water.

After years bent in ritual hunger,
knees pressed to rice,
tongue dry from vow,
nights lit like altars,
no revelation came.
No divine telegram.
No trumpet of truth,
just the kitchen humming
and the silence after the call.

Only the widow neighbor,
waving through fogged glass.
Only the pipes in the wall
clunking like an old lung.
Only the light
barging in
without your consent.

You believe in coats
with missing buttons,
safety pins where zippers gave,
old threads that never matched
but held anyway.
You forgive the past
not because it asked
but because you need the room.

It builds in your bones
like wind in an empty house,
constant, uninvited,
and full of old names.
Like a tune half-remembered,
only the hum
remains.

Cut me wide,
let the truth spill out

This isn't mercy,
it's the cost of doubt


I didn’t break the way you planned

I held the fire in my hands
You wanted quiet,

I roared instead

A hurricane

Inside my chest

You called it peace when you walked away

But I still wake with your name

Like a scar behind my teeth

Like something
I can't rinse clean


You left, but you still remain

A bruise I sing through every day
I wasn't still
I shook the ground

You wanted shadows,
I gave sound

No apology for thunder skies

I never learned to whisper lies

No soft goodbye,
no fading line

Just silence dressed up as divine

But peace should never taste like ash
And I still carry what we had

You called it peace when you turned away

But I still wake with your name

Not just a bruise, not just a sting

It’s carved into my everything

You left, but I remain

With your storm beneath my skin

The 101 slopes like a spine bent too long.
Camarillo yawns wide in the morning hush,
valley stretching slow, hills bare-shouldered,
fields glistening, half-asleep, half-prayer.

Lemon trees blink slow, bruised gold in the mist.
Figtrees call a name behind a rusted gate.
Sagebrush whispers gossip through chainlink,
its breath full of stories that outlive the tellers.

To the east, the nursery stirs,
plastic sheeting *****,
row tags flutter in the wind.
A thermos, abandoned, rests by a wheelbarrow.
Mud boots, discarded,
stand like sentinels
against the wood plank wall.
No footsteps follow.
I never asked where they went.

Matilija poppies raise their paper-white heads,
and the raspberries, furred with morning dew,
shiver, just slightly,
as if remembering friends
they were no longer allowed to say aloud.

A coffee roaster hummed somewhere distant,
low and steady, warming the wind.
That scent I never could shake,
burnt and sweet.
I could almost belong here again,
but it’s not mine without them.

I worked inside this valley with my back.
With my knees.
With the same hands,
now soft on the wheel,
muscle memory steering roads
as if nothing ever left,
as if the ghosts still ride along.

I pass a strawberry field, stitched in silence,
no voices rising in laughter today,
no corrido escaping from a shirt pocket radio,
no teasing between the furrows,
no calloused hands tossing tools,
only the soft ticking of irrigation
and the hush of work
that now waits for no one.
This silence has been swept, labeled,
nothing out of place but sadness.

I was here with them,
but only as a pair of eyes,
that never opened wide enough.

The strip mall stands like a broken promise,
painted stucco, faded western wear,
alongside roadside markets
missing the opening crew.
Still, the hills lean in to listen,
velvet green with memory,
quiet as folded hands.

Even now, under this sun,
the dust knows who knelt here.
Who sang into the rows,
who fled before sundown,
their names erased from the ledger
but carved into the earth.

And in soil’s hush, their names still root and rise.

As nightmares subside
at dawn, your eyes
reflect the fear and the
pain.
They spill a desire to try.

Please try.

You can walk in the
rain without an umbrella
and let the clover and
honeysuckle guide you
to safety.
Evict the chaos from
your thoughts, and
leave the incubus behind.

Bowing to the ***** god,
I lived like a pleasure
seeking missile, propelled
toward all things ME.
Empty as a carcass.
Hungry as a desert.
I didn't see the
strawberry moon of
summer.
It was me and the
Ferryman, until the
river ran dry.
Eternal winter for
the soul.

And then

A revolution in my
being.
A total shift in
my values and
perception.
The Creator purchased
my dilapidated heart.
He moved in and lives
there still.

My home, on the outside
might look like
a shack to some, but inside
it's a mansion with the
most sublime bread you
ever tasted.
Fruit trees in every room.

On the backs of
flies
we wait for the
next thing.
Something is
always coming.
A birth or death,
food or hunger
hatred
laughter
love...

Something is always
coming around the
corner.
The Mad Hatter with
mushroom tea.
A strange color of
blue that tastes like
almonds.
A ****** that sparkles
in the night.

Listless mornings
of languid
walks with the
wife in the cool
of the evening.

A knife in the back,
a shark attack,
or maybe, just
possibly, you write
a poem about
waiting for the
next thing.

this feels brighter
as if the light
has remembered
how to touch skin

the colors of our childhood have come back
crayon blue skies
the chirping
the colors of the flowers
and the smell
oh the smell

not exactly as they were
everything feels like return
but not quite return

and still, underneath it all
a strange quiet
not absence
as if we’ve died so many little deaths
the body has stopped keeping count

this ending feels like
a well-rehearsed ritual
the last page of a book
we wrote in pencil
softly erasing itself
while we smile and say,
yes
this is how it always was
and was always going to be

what a gentle way to disappear
by becoming more visible
by returning, not to youth
but to the myth of it
and letting it wash over us
one final time

like a sky too blue
to believe in
but still, we look up