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all i see now are the silent ruin
of words teeming with wisdom
in every trail. you are gleaming
in the moony boondocks,
Ibabá remembers you as you were -
timeless and ruminative,
pursuing the source of rivers.

our sublime versifier,
the crucifixes now tremble without
the fullness of your flesh.
each page is turned without
the hover of your voice yet
stills its resonant message in my mind's premises like redolent graffiti.
striding river-pace,
once in moonlit Orfeo
graced by your sibilant being,
leaving only the strongest of impression
on the surly couch, a toppled glass
of Shiraz remembering your attendance
leaving the clamor of the audiences
real to touch, elusive in thought.

before the war was the ever-present word, and after the fray was
the armistice of the Sun where in
humdrum Sampiro, your fire's genealogy
is in the hands of the muse!

idly go the hours, wading everlong past
Calle Herrán - the bells of Paco Church
tell in this imperfect hour
the roads where you once traversed,
travailed and perhaps beer-maddened,
putting a face in the metaphysical!

in your banquet i partake
the wisdom of your wine
and the reason of your flesh -
the gods delight in you,
  o, Manila of all Manila.
For Nick Joaquin, one of the greatest literary fellows in his own time.
superimposition of celestial ampersand:

a continuity of all things
  stars hanging loose in the pupil
of this deadbeat word.

typhoons in a swirl of tempestuous ballet,
dogs shivering in the blue cold,
biting their canine integument the way
scarabs would, sinking in a temporal flotsam-way within tectonic display
    of text

hectares of blank stares bringing
to life lysergic field of black birds.

and then some

equal number of evocativeness:

continuing on into the ground
are the bones warm in their compost.
the sudden fragrance of rat ****
appeals to the masses.
too much laughter in flooded thoroughfares pockmarked by
the vehement jam of staccato jackhammer.
choking us is today's headline
in supreme obbligato - its stench
reeks of libidinal perfume etched
in the flesh of the rigmarole.

one filthy day in Manila.
billboard's calligraph --
past the haze of Manila infested
by car sprawls and belching machines.

magnanimous treatise of tarpaulins,
people chin-up asking God
with askance

something like this
"o god make this bearable
like a mound of fresh fruits
from ****** labour."

maniacal sensurround:
earth-shattering frequency
of footsteps trampling the mouth
of monolith shadows - the peak
of this quake is our complete silence.

rain's catharsis in effect
sousing us in the blood of unreal light.
this diastolic shrinkage
jamming the beat of constricting vessels.
the adrenaline surges
within the dermis of this pretension.

a collective of tired beings heeding
the recherché of voice metamorphosing
into form, a dagger-butterfly
paring us skin to bone, cranial
to visceral, soul to nothing -

catapult of a trajectory spit
plummeting in eased-up pace
from Taft Avenue flyover
to a subjugated wagon of scraps
and empty wine bottles.

today's paper reads:

"Palace hits hiring
   of **** dancers"

fancying to fall right in the
spanked curved of this
insatiate melodrama - something
  prayer could not save from
this land's mutinous ignominy.

   we resume to fulfill our madness,
hundreds of tack-headed people
  rolling down the streets of Makati,
drenched with rain's trilling aftermath.

squinting to look at
  no sun, only the grieving of skyscrape,
thumbing down unidentified objects
  in the depth of loose pockets,
    desperate for home.
**** the Philippine government.
Palutang-lutang sa gitna ng dagat
Gawa ng luha kong
sinubukang saluhin sa tasa
ngunit hindi nagkasya
Sinong sasagip
sa pusong takot malunod?
Hahayaan na lamang bang magpaanod
sa tulirong mga alon
Wari'y sila ring nalilito
Saan nga ba patutungo?
Ngunit ang damdamin,
Sa iyo pa rin gustong dumaong
Umaasang sa dalampasigan,
Sa mga bisig mo, ako sisilong



Parola, Margaret Austin Go
i see him straightening the
ruffle of his native clothing,
putting words of truth
inside the empty parentheses
of mendacities -

it is through his leonine eyes
that i see the pointlessness
of men. through the
TV's hoarse static i can hear
his voice occupy the space
of obligation without swerving
to paths made available for ease
without clear trudge.
    sir, you make it painless
to conceive these cutting truths -
death trembles in these taut attestations. in half-lighted periphery i can see the shadows
threatening to cast us into damnation, and it is in the bright ray of your speech that i have started to uncover the beasts
  and their diminutive language.

dark as dark these ploys could be,
  now that they are whiter than
  ever with their transparencies,
you have handed these people
  flames to torch effigies
   and use their glare to light
  the intransigent paths
    to this nation's true calling!

    spare us from the debaucher
of this once sacred land, the contortionists   of these ill fates.
and preserve our just tillage
  over these archipelagos!
save us from the vertigo of these
   mangled, twisting roads!
give our speech obdurate
   magnitude so we can hammer down
the lies thrown at us and cast them away together with their wretched demagogues!

    let us once more, be brave
    to withstand the eye of storms
    and emerge wizened like
     trees in the summer of
    our old, resplendent memories
     where everything is
   and nothing
         is speaking loosely
   of something far from our hands
     to hold, like
   prosperity,
        or effulgence - altogether!
for Ernesto Mercado and his staunch will for truth.
Ken Alorro Sep 2015
Sa labing-apat na araw na nakilala kita
Minahal ka ng buo
Puso'y napahinto, natulala
Dahan-dahang bumilis ang bawat pintig
At sa bawat pintig na ginagawa nito
Dala'y dugo na umaasang sana mahalin ako

Namumulang pisngi
Namumulang labi
At kagaya ng dugo sa katawan
Akoy pinaikot-ikot, ikot, ikot...
Hanggang sa maubos ang enerhiya
Na baon-baon mula ulo hanggang paa

At sa dahon ng saging ako ay ibinalot
Na parang betamax
Iniluwa ng hindi nasarapan
Ikinamuhi dahil sa lasa
'Di ko alam kung ako'y tanga o nagmamahal lamang
At kung alin man ako sa dalawa
Hindi na mahalaga dahil alam kong mahal kita

Sa labing-apat na araw na nakilala kita,
Pinaglaruan mo ako
At kagaya ng mga bata sa lansangan
Ako ay naging kalsada
At ikaw, ikaw ang trak
Na piniling di pansinin ang mga butas sa ibabaw ng dibdib
Dinaanan lang
Hinayaang bukas
Nakabilad sa araw
At sa pagbuhos ng ulan
Tinulungang lunurin ng tubig na may dalang putik

Sa labing-apat na araw na nakilala kita
Minahal ka ng buo
Nang walang halong pag-aalinlangan
Na di inisip kung mahal din ba ako o hindi
Pero sa ating munting panahon
Nalaman ko na ikaw ay isang relihiyon
Na piniling isantabi ang agham
At ako, kagaya ng lahat ng bagay sa mundo mo
Ay isang bersikulo lamang ng iyong bibliya
Na kung hindi maintindihan
Gagabayan ang sariling kamay
At ibubuklat ang mga kasunod na pahina

Mahal, sa labing-apat na araw na nakilala kita
Pagod na akong maging kalsada
Ayaw ko nang maging parte ng iyong bibliya
At higit sa lahat
Hindi ako ang iyong dugo
Na gagawing betamax at ibebenta
Kapalit sa kapirasong salapi
Mahal, hindi ako iyon

At ngayong tapos na ang labing apat na araw
Magiging mahalaga ako para sa akin
Nasaktan, nadurog
Pero noon 'yon!

Mula ngayon tatanggi na ako
Tatanggi akong masaktan
Tatanggi akong paglaruan
Tatanggi akong gamitin
At higit sa lahat tatanggihan na kita
Lilimutin ko ang iyong pagkatao gaya ng paglimot mo sa akin.


Masakit, pero kaya.
Matagal, pero kailangan.
Ken Alorro Sep 2015
Sa isang gabi, tinapos ko ang lahat
Tinapos ko ang mga luhang nanlalamig
Luhang ikaw mismo ang nagdulot
Mga luhang ni minsa'y di inakalang manggagaling
sa pagmumukhang ito

Sa isang gabi, tinapos ko ang lahat
Tinapos ko ang sakit na ikaw mismo ang nagdulot
Mahal, 'wag nang itanggi
Ikaw ang nagdulot nito.

Sa anim na bote ng alak, tinapos ko ang bawat sandaling kapiling ka
Sa mga sinehan na pinuntahan, sa mga kamang inilapag ang mga katawan, sa mga piling lugar o sa kahit saang sulok na ninais.

Sa anim na bote ng alak, tinapos kita.

Ang unang bote ng alak ay para sa iyong panlalamig
Totoo, nanlamig ka
Mas malamig pa sa boteng hawak-hawak
Sa bawat gabing kapiling ka, ang mga bisig mo lamang ang nagsisilbing unan
Oo mahal, nasa bisig mo ako, pero ang lamig na.

Ang pangalawang bote ng alak ay para sa'yong di pagpaparamdam
Nagdaan ang mga araw na nasanay akong wala ka
Nasanay akong mag isa sa bawat gabing ako'y may pangangailangan
Nasanay akong bigyan ng init ang sarili gamit ang mga kamay
Sinanay ko ang sarili
Pero higit sa lahat, sinanay mo ako

Ang pangatlong bote ng alak ay para sa iyong pagsisinungaling
Alam kong nagsinungaling ka na wala kang iba
Pag uwi mo sa akin, iba ang amoy, iba ang itsura
Kasi naman diba? Iba na ang nag-alaga
"I love you" sabi mo, pero sinungaling ka
Sinungaling

Ang pang-apat na bote ng alak ay para sa hindi mo pag-uwi sa akin
Mahal, ako ang iyong tahanan
Pero pinili mo ang lansangan

Ang pang-lima na bote ng alak ay para sa hindi mo pag alala
Pinili **** limutin ang ating mga sarili
Pinili **** maging bulag upang di ako makitang nasasaktan
Puta ka? Sana naging bulag ka na lang talaga

Ang pang-anim at panghuling bote ng alak ay para sa hindi mo pag-laban
Ipinaglaban kita
Ipinaglaban kita sa mga taong pilit tayong paghiwalayin
Ipinaglaban kita sa mga kaibigan ko
Ipinaglaban kita sa buong mundo
Pero please naman, ipaglaban mo rin ang sarili mo
Gawin mo para sa'yo


Sa anim na bote ng alak
Tinapos ko ang lahat at naitanong ang sarili
Sino nga ba ang nagpapasya kung minahal kita o hindi?
Ikaw ba? Sila?
Hindi ikaw! Hindi sila! Kundi ako!
Hindi sila ang magpapasya kung inibig kitang tunay
Dahil sa huli
Ako ang nagmahal, hindi sila
Ako ang nasaktan, hindi sila

Sa anim na bote ng alak
Tatapusin na kita at patuloy pa kitang tatapusin hanggang sa hindi maghilom ang sugat sa puso na pinili **** iwaksi.
estelle deamor Sep 2015
I remember this time of the day
In the front yard where it's almost dusk
Swarms of mosquitoes buzzing in
We need to close the windows hurriedly
Or else they'll prey on us tonight

Then Nanay, with her broom without a stick
Will burn the dry leaves on the ground
Which she gathered together with
Abandoned paper planes and plastic kites
As the sun slowly disappears from our sight
Reminiscing those afternoons at our previous house in Caibaan. Those familiar afternoons before Typhoon Haiyan happened. Those familiar afternoons before I left Tacloban.
Abby Elbambo Aug 2015
There is nothing worse than choosing to break your own heart. Because you knew that if you chose to stay, your world would shrink until it crushes you apart. There are things you simply outgrow, like shirts and dresses that start exposing parts of you you’d rather keep to yourself. Memories that have fallen flat, you become two dimensional reruns of the past. Wells you have run dry, you need to leave and start digging for new founts. But don’t get me wrong, you can always stay.  But if you stay too long, you may become someone who has simply stayed behind.

Day 1
The door was left open I didn’t need the key to find my way in. I saw the desperation in the darkness, whimpering that I see the lines and edges obscured by shadows left by the one who lived there before me. I swipe my hand across the walls, patting recklessly for a switch that has to be there somewhere, only to find my hands covered in the filth that have settled there for too long, it claims all the walls as its own. But I was right to assume that all houses have lights to be turned on, the brightness of which at first will be unknown. So, I reach, and I flick the switch, and I see it half-glow- tired and overused yet eager to bid hello.

Day 4
The boxes come one by one and I am careful as to where they are laid. No, not there, in the puddle of murky water. Not there near the hole on the floor. Not there next to the pile of used…I don’t know what those are. Too *****, too filthy, too unpolished. Place it on those three spots that have been wiped down and cleaned, adorned by roses and fences, maintained by the past resident to gleam.

Day 11
I can’t sleep. This house is too foreign my body refuses to let the air sink into its pores.

Day 29
I wake up today refusing to believe that the rest of this house will be any better. I am carefully planning how to reach those three clean spots without my toes touching any of the grime. I tiptoe, like a hungry teenager during midnight, only to smack into the door frame. And I see lines. No, I didn’t have a concussion, there were really lines drawn on the side of the door frame: 1982, 1992, 1996, 2008, 2014. And for some reason, I lay back on the slender piece of wood and I draw a line right above my head as well, 2015: 158 cm.

Day 56
I stepped outside today to catch my breath, trying to find the same air that filled my lungs 7,463 km away.
I try looking for the same sun. The dimmed lights inside is starting to engulf my soul that I refuse to believe that my feet would not plunge into the darkened floors, I would not move anymore. I look across the street and I see my neighbors trimming their garden. I realize that not all things are simply given, not all things simply sprout, the filth will not blow itself out, nor will the light bulbs brighten itself. It stays as is because I simply let it be. In this life, you don’t always get to choose how everything starts, but you get to decide how it ends.


Day 180
Tonight, I’m sleeping over at a friend’s. The house is bigger and has more…food. It smells of cinnamon and peppermint or something foreign. But that just it, it’s…foreign. My body can’t seem to settle its bones on the proportions these chairs were carved out to have. I start missing new familiarities: that crack near my counter that I turned into a mail holder, that small stool that always trips me up on my way out but I never really moved, or that strong scent of aged wood which constantly reminds me where I’m at. It’s not exactly the best. But it has a warmth that tells me I will be missed if I ever decide to go anywhere else.

Day 240
I haven’t done the dishes for almost a week now nor have I done any form of “cleaning” that my mom would probably start questioning life when she sees the state of this house. I’m amazed by how it still holds itself together instead of choking me with the loam I made myself. Thank God houses aren’t people who hurt when they’ve been hurt because no one really likes crying alone. But sometimes alone is what we should be to remind ourselves that our two feet can still hold us up.

Day 320
They ask me what house I liked better. My heart was still left in the other.

Day 350
They asked me what house I like better. I’m not so sure.

Day 428
They asked what house I liked better, I still like the other. But it isn’t home anymore.

You see, home isn’t always where you’d like to invite people to stay, a place built by love and dreams, or where your heart is. Sometimes home is made by your screams of pain, it has become a dwelling place for your broken heart. Sometimes home is where you only stay for a while because it cannot contain your wandering heart. Sometimes home is there simply to tolerate and remind you that you can feel, that you may have left a piece of you with someone else but all pieces can be replaced. Sometimes home is where time is the fastest and no work is done, a place that takes you places just by sitting around.
Sometimes home is where you don’t want to be in because you want to know what else you can be out there.

Darling, in this world, there will always be better houses but better is not always what we need.
Kate Cruz Aug 2015
I'll write you poems and songs
of bliss and hurt
And give you unexpected bites
all over your whole being

I won't ever get bored
staring at the cute tiny gap between your front teeth
And will always, always
be entangled to your curly hair

I will kiss you on your nails,
eyeballs,
feet and knees
Because I'm crazy enough to leave my mark
on the parts of you
that have never been touched

I will say thank you for the little things that you do
I will say sorry when I have to
And I will annoy you all over again

I will say the words "I love you"
And will make you feel loved
in a thousand different versions

I'm the type of girl that doesn't
fall in love
I
crash
in
love

And I am lucky because
I think
and
I know
that
YOU
are
worth crashing for.

:)
Finally got to write a happy poem. :)
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