You and I; we are both formidable
But then, like the thin line between its two definitions
We both live in each other's opposition

You.
You always had this grace—this delicateness and feebleness
That kind that would make anyone protect you with their lives
Not to mention the talent you were blessed at birth
The way notes would dance in accord with your fingers—how formidable

I.
My sight would always give people chills down their spines
That kind that would make you either fight or flight
With the cold demeanor I was cursed upon birth
Like how I would twist the words from my mouth.

You.
You were everything the world wanted—only more, nothing less
Can you see how their eyes would spark upon your descant?
You were a living, walking goddess upon mortals
And you were the kind of formidable one would stare in awe.

I.
I was nothing the world wanted—nothing more, only less
In how I would see the hatred in their lids at the mention of my name
I was the epitome of Lucifer incarnate, disrupting serendipity
And I was the kind of formidable everyone would want to be gone.

Us.
Yes, we are both formidable
You elegantly, I grotesquely
And the thought of us, meeting even just once
Will only be this pitiful mind's apparition.

Patricians have our best interests in mind.
Administration is impartial, kind.
Keeps us laughin’, keeps us singin’—
And I’m Hildegard of Bingen.

She gets it like she gets the working class;
My head is nodding, up my Marxist ***.
White woke wedding bells are ringin’
Happy Hildegard of Bingen.

Government will gladly redistribute.
As our paychecks sing eternal tribute.
Gangsta-leanin, frontin’, blingin:
Chill with Hildegard of Bingen.

Icecaps, like medieval saints, are HOT.
Climate is in crisis when it’s not . . .
Global warning: winter’s springin’
Heating Hildegard of Bingen.

Intersectionality has meaning.
Hormones lie, biology’s demeaning .
Genderfluid queens are kingin’
Checkmate, Hildegard of Bingen.

Transnationals are cleaning up the mess;
Their CEO’s have little to confess.
Silver in the till, ka-chingin’
Profits Hildegard of Bingen.

Hildegard, the Moorish maiden, lauded.
Wokeness smiled. Diversity applauded.
Flames ascend and seraphim are wingin’
To the throne of Hildegard of Bingen.

Crabalocker fishwife, pornographic priestess
Boy, you’ve been a naughty girl, you let your knickers down...
                           John Lennon

A carnal muse and fallen sprite
I’ll paint for you, in flattering light.
My model’s sensuality
Shall trump all dull reality;
Inspired by Womankind’s raw truth,
Life-drawing class heats up, uncouth.
Still, I am sure some stiff-necked *****
Shall smear my heartfelt lay as lewd.

Edenic exile sought by men,
Receive this tribute from my pen
And keyboard, played inexpertly
By one who knows you rapturously
As a muse of Aztec/Latin race
Prodigious in your works and grace:

Born Ruth Ayon, in God-Knows-Where,
She overwhelms in underwear—
And shedding that, turns good men bad,
Makes angels fall and gods go mad.
Los Angeles (and that’s the joke)
Is where this cherub went for broke
Cashing in her soul for action,
Soreness, ***** and tumefaction.

Laurie Vargas, mouth full of ***,
Spread for us now your Aztec ***
Your sultry contours hypnotize;
The laughter in your ******* eyes
Brings music from Tenochtitlán
And opens windows to Aztlán
You smile, unlike those other *****
Who merely grimace. Gringa butts
Are less audacious than your own . . .
Their charms are better left unknown.
Your cheeks in tan proportion shine
Embodying some rare truth divine.
(Through Poetry, I’ll make them mine.)

I must speak forth of what I found—
Though standing on unholy ground,
Here I behold your lively art . . .
Your unpierced flesh has lanced my heart.
Whereas most stars are tattooed, jaded
Your bright aspect shines, unfaded.
Clad in campesina thread
While moaning on your torrid bed,
Adorned in homespun broidered blouse
In some vaquero‘s rancho-house
Or naked as Mexica dawn,
Bespattered like a dewdropped lawn,
Spurting with some panting plumber
In an endless *****-summer,
You glow, like honey dipped in light
And undulating Latin night.
Your burning bush, much-trafficked place,
Recalls the Red Sea’s parted space
No less than your beatific face.

An unrepentant Magdalene,
You plunge into each graphic scene.
Madonna of the varied act
You swell, engorge, dilate, contract
And play the part with crazy wit
Suckling madly at your own ***.
The way you can accommodate
What barely seems to satiate
With pure abandon, leaves us awed,
As mesmerized, your name we laud,
(With one hand—harder to applaud !)

Will you survive to have regrets
When raw desire no longer gets
Your body hot with inner flame?
When *** has ceased to call your name?
I wonder if you’ve found such paths
Of flesh and pimping sociopaths
A route to riches, gain, and pleasure
Or mere sacking of your treasure.
At the end of your sweaty day,
Is there more than a harlot’s pay?

I wish you well—and hope in time,
When life has left you less sublime,
You’ll find your way to God through Christ
And learn of what was sacrificed
To free you from your sordid fame
Where sinners hail your glorious shame.

It’s Easter in Coronaland;

The empty malls hold silent air.

There’s paranoia on demand

For Easter in Coronaland.

The baby chickens make their stand;

And pastel rabbit eggs declare:

It’s Easter in Coronaland

In empty malls of silent air.

> < > < > < > < > < > < > <

A White Rose said to an African Violet:

Purple darkness makes my day.

The Violet, showing forth her petals, spoke:

Let’s share some sun, okay?

Poetry is the message, not the way it gets conveyed (SNIFF)
Do NOT make it your own (SNORT)
It’s not about saying it in a new way (HICCUP)
It’s all about a message delivered lyrically (BURP/BELCH)
Poetry is NOT about emotions recollected in tranquility (****)
Poetry is not about pushing the boundaries of language (YAWN)
Nor is it spasmodic unburdening (AHH—CHOO!)
Poetry has no militant agenda (GRUNT)
and Poetry is not about your prosaic observations (SIGH)

          LET’S GET THAT STRAIGHT !

Oh Kushite muses, open wide my lips
Regardless whether blood or honey drips,
To speak against the backwardness of those
Who progress, light, and liberty oppose.
To clarify a theme of clannish wrong
While nomads move the camel-herds along.
Animal husbandry takes on new meaning:
Their brides sewn shut; their pasturelands are greening;
Sheba’s daughters cheated of their pleasure,
Despoiled through painful plunder of their treasure.

Filthy blade in hand, the crone bears witness.
The girl in terror, clueless, cut, then clitless.
As if this weren’t enough, infibulation
Ensures the bridegroom’s ****** *******.
The honeymoon brings every husband joy:
Reopening the wrapping on his toy.
Where knife or horse-whip place their gentle kiss,
there Kushite swains deliver nights of bliss.
And nine moons later, motherhood, grown mild,
is opened yet again by blade for child.

From Kush to Punt, on Afric’s burning horn,
Sadistic ways cause modern minds to mourn.
We wonder how this barbary was born . . .
Many Bantus, and Ishmaelites as well
consign their birth-machines to living hell.
Explain to me how Satan sold this rite
to those who dwell in bio-****** night?
Veiled in flesh, her godhead cast aside
Subjected to some herdsman’s wounded pride . . .
Let Kush and Punt, their glory days recall;
Their daughters drink the wormwood and the gall.

Old scars, reopened, threaten to infect
What multi-culti feminists protect.
(But no one ought to talk about such things
because of all the prejudice it brings.)

Secrets of Wysteria flow in the vessels of my brain
And so I do not hear, nor comprehend the calling of my thought’s train
Vowing to never be held again in constrain
Eradicating the rotten fingers pointing to my disdain

Muses of bruises, callouses, and roses
Excuses the clueless, hung in ruin’s nooses

Flagitious tongue sharpens itself with sprawling centipedes
Rusted teeth from perilous mandibles bleed as it feeds
On the oozing, ****** veins of the wicked ****** as it pleads
Maybe these are too much for one’s avaricious needs?

Mindful, careful, piercing the syringe of refrain on plump flesh
Yeuking as the substance flows on blood so raw and fresh

Amid all, the past and future gather in Sheol’s pavilion
But missing is the presence of present in emblazing vermillion
Yet fleetly missed as the siren descanted her composition
Somber statues of ivory pretense witness with volition
Saints and snakes tear each other’s throats in a languish cotillion.