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Robert McQuate May 2018
The Wanderer meanders west,
Atop his horse,
Topping the dusty mountain crest,
Pulling his steed to a gentle stop,
To give him the moments necessary to process what he sees.

A great forest aflame,
A creature most glorious and terrifying,
Charging up mountains and sending up great pillars of flame.

Tidal waves of orange and red dash themselves upon these ridges,
Sending a mist of super-heated embers down the other side,
Beginning the process anew.

Great billowing towers of black smoke that roils and is in a constant state of flux,
Losing form as it ascends miles high.
Such beautiful and glorious destruction that could ever be seen,
An apex predator that could not be tamed.

The Wander turns his horse around and meanders back,
Changed from this experience,
The likes of which would never be seen again.
Act 5- Storm King
Scene 1-Inferno
The temperature in the room is high
Thick, sweaty bodies grind to the rhythm
As music swells like smoke coming
From the joints being passed around
Laughter fills the air as full as the cups
That clutter her bedroom, like the friends
On her bed, sharing the bench in front of the keyboard,
Making out in her closet, and behind her *****
Shower curtain. She’s faded, just like the rest of them,
But through the clouds of smoke and conversation,
The date circled in black on her calendar
Reminds her of the day her mother fell to her knees
In the middle of the grocery store screaming,
Like the ****** girl who hears a funny joke
In the background, after getting a phone call
That would rewrite the date, no longer a stoner’s holiday,
But the same day as seven years before, when her mother,
Once in the car, continued hyperventilating, no passerby
Stopping to help, or to ask the twelve-year-old girl
What was wrong, like her friends who try to do so
Now as she stands and picks a picture off the shelf
Her aunt in it, alive, and kissing her cheek. /Are you okay?/
A hand comforts her shoulder. /I think I’ll smoke a little more./
She loses the staring contest and hands the picture back to the shelf.

-E (c) 2018
Jonesy Apr 2018
Gone too soon...*
Sometimes memories ain't enough...

The sun shone today,
As it always does.
I woke up today,
But I wonder if that is enough.

A life is given birth to.
inner voice
Yes I know
While another one dies.
inner voice
Its just how it goes
Life is perfectly imperfect
inner voice
That's just how it roll
No matter what we do.

inner voice
So what can we do
It's an inner strength,
That push us to greater measures.
We will go the length,
To seek out our most precious treasures.
inner voice
But what do we do once that strength is gone?
We shut down
We become annoyed
inner voice
But it needn't be this way
If we fight harder we can take that crown
That crown that is metaphorical to everything that brings us joy.

I know you feel like you lost a fight,
Like everything is gone and no longer bright
Like you should give up and just take flight,
So when you feel low all day and night,
Use this poem as a guiding light.



Jonesy 2018 ©
Death.. Is always terrible
Izlecan Mar 2018
Tethered between branches:
The aesthetic of unsettlement,
The sweet mortality that tastes
Like a dead *** of leaves;
Shed on a cleavage of daylight,
Where the breaths chatter like autumn trees.
The gush that blows a fleeting murmur,
Its alibi in disguise.
The dust creeps upon a fall,
That screeches an eventual end of a boulevard;
Stuttering the leaves on a dawn,
Where they covet for to be hither or thither,
For twere,the mortality, in awe of them,
And for did I unleash them aught,
Under it crawled in my flesh
Sewed through as if an intravenous flow.
Death, my fellow(!)
for 'tis headed to thee,
As it cleft hither a flaw.

On a light it flickers,
On a death it singed,
For 'tis a shed,
Upon the day when it cleaves
L Perry Feb 2018
[i]

No soaring pain could match her, draped across a dying flame.
Like cinder,
                    she whisper-whistled through lungs thin, teeth sallow,
a promise in song.

“Towera jinner mulbeena,
Poodinyoober mulbeena.”
        
    It was a good promise;
    belonged to everyone
                                   and wouldn’t change for Tomorrow’s ranges.
It asked for nothing
but patience and faith.
                          From where she lay,
                                              the trees, gums, were akimbo.

[ii]

                          For generations she had walked, through the wettest of wets and driest of dries.
       With hope in her ribs and a nature savage and pure.
                     You could break her, throw her to the cockatoos,
                                                      ­And yet, ***** and punctured,
                                                 like driftwood, she would drift back,
                                                           ­                                                                Blossoming in your lap again.

[iii]

                      When the kangaroos have done their dance
                                                 in the twilight.
There she'd been.
Supine. Broken open and
lily-white (on the inside).

                                                  
    ­                                        and we did this.
                            with our prospecting and land grabbing

                                      we did this,
                      with our parking lots and Starbucks cup

         she was dismembered, priced, "loved," owned.
                    
                                     discarded.
                                            to the meek edge
                                       of an eternal flame ****** to embers.
Adapted from the last chapter of the novel "Coonardoo" by K. S. Prichard.
Robert McQuate Jan 2018
The heros were at a crossroads once again,
But a much different one from the time before,
This one was one where they had not been,
And one they would end up not all traveling along the same path.

The Drummer and the Bassist pleaded for the Frontman to see reason,
That the path he chose only would lead to ruin,
But with the spider whispering its words their pleas fell upon deaf ears.

It is here that the Frontman struck it out alone,
Feeling betrayed upon their refusal to join him on this path.

He was alone now,
With only the spider for company,
Too blinded to it all to realize the dangers upon the road he went.
Act 4- Ypres
Scene 5- Crossroads II
Robert McQuate Jan 2018
As time went on,
The days grew long,
And the struggle for The Frontman grew ever greater.

Feeling adrift in time,
Without a map or compass,
The spider ensnared him further still.

It whispered wicked things,
Full of malice and hate,
Corrupting the Frontman wings,
A cruel arrow shot through him by fate,
A great gift tainted by the spiders poison.

Like a volcano that lay dormant,
For so long it seemed almost forgot,
But after too long it exploded,
The target of it all were those that were adorant,
Tearing asunder all that it sought.
Act 4-Ypres
Scene 4- Ypres
Stephanie Jan 2018
Maybe I'm not a good writer
Maybe I'm not that talented
Maybe there's no one who's interested in these combined phrases
Maybe it's only me I can become
But lemme ask you this, people
What does really matter?
Does it really matter to be good af?
Does it really matter to be **** talented?
Does the number of supporters really matter?
Listen to me, does it really matter?
Or does it only really matter to you?
Yes, probably the latter is true
Because you, society, requires everyone to please you
You requires everyone to be the way it satisfies you
You stole everybody's happiness
You stole everybody's reality
You stole everybody's identity
Laugh out loud for the irony
Because that "everybody" is the same society itself
Listen to me, can you please stop being that society to someone
To someone like me...
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