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Benji James Sep 2018
I'm going to write this one in blood
Just so you know it's straight from my heart
Where should I begin, where do I start?
Let me fill a new page with art
This was written in the dark
By the candlelight spark
****** ink spilt across the page
With all these things
That I just have to say
It all comes bursting out my chest
Just so you know I mean what it is that's said
So that this can all heal and mend

I'm sorry for the way
I let you down
In your emotions
I let you drown
I'm sorry for not speaking out
When you clearly needed sound
Someone to just say it's all gonna be okay
I just looked the other way
Only cared about me
And now that thought plagues my conscience
I'm sorry that I am stuck in selfish ways
Only thinking of my own feelings
And not much of yours
I'm sorry that I couldn't save you in ways that you had pictured
You thought that I'd be different
I let you walk that lonely road
Ignorant to your hurt
Our lives drifted in different directions
Now you're somewhere out there
beyond my detection
Just hope these sorries find their way to you

I'm going to write this one in blood
Just so you know it's straight from my heart
Where should I begin, where do I start?
Let me fill a new page with art
This was written in the dark
By the candlelight spark
****** ink spilt across the page
With all these things
That I just have to say
It all comes bursting out my chest
Just so you know I mean what it is that's said
So that this can all heal and mend

I'm an ocean of emotions
When we hit rough seas
That's when you don't see
The best parts of me
I'm sorry in my anger
I can get violent
Sometimes I just can't stay silent
I lose control when this rage stays caged
And that is one of my greatest flaws
Hurt people that mean so much to me
Out of anger and stupidity
I'm sorry for the bruises and marks
I'm sorry for all the hurting parts
I'm sorry for the damaged soul
I'm sorry I lost control of my thoughts
Let rage overpower,
still, decisions made in moments of regret
These are moments that weren't my best
Maybe that's why they say rage is blind
Cuz we don't see in those moments
What we become, It's only after it is done

I'm going to write this one in blood
Just so you know it's straight from my heart
Where should I begin, where do I start?
Let me fill a new page with art
This was written in the dark
By the candlelight spark
****** ink spilt across the page
With all these things
That I just have to say
It all comes bursting out my chest
Just so you know I mean what it is that's said
So that this can all heal and mend

I'm sorry for all the missed signs
and all of the misinterpreted lines
I'm sorry to those that I've offended
I'm sorry to those I couldn't connect with
I'm sorry that sometimes I struggle to find the line
I cross that thing a lot of the time
I'm sorry for the worries
I'm sorry for the tears
I'm sorry for filling you with fears
I'm sorry for the times I just couldn't bring myself to write
I'm sorry for all the failed lines
And mediocre rhymes
I'm sorry this took me a long time

I'm going to write this one in blood
Just so you know it's straight from my heart
Where should I begin, where do I start?
Let me fill a new page with art
This was written in the dark
By the candlelight spark
****** ink spilt across the page
With all these things
That I just have to say
It all comes bursting out my chest
Just so you know I mean what it is that's said
So that this can all heal and mend

Dear me, are you listening...
Most of all I'm sorry to you
And for all the things I've put myself through
I'm sorry for tearing myself apart for art
I'm sorry for holding out air from my lungs
I'm sorry for all the times that I've looked in the mirror
Only to call me ugly, a monster, a freak
Frequent hate to which most can relate
I'm sorry for all the self-loathing
I'm sorry for the sleepless nights
And the endless fights inside my own mind
I'm sorry for saying, I'll never be enough
I'm sorry for not being able to let myself love

I'm going to write this one in blood
Just so you know it's straight from my heart
Where should I begin, where do I start?
Let me fill a new page with art
This was written in the dark
By the candlelight spark
****** ink spilt across the page
With all these things
That I just have to say
It all comes bursting out my chest
Just so you know I mean what it is that's said
So that this can all heal and mend

I'm sorry to the girls
Who wanted my love
I couldn't return the love they gave
Cuz I didn't feel the same way
I'm sorry to the friends that I cut off
I only did what I thought was best
I'm sorry that this life of mine is still a mess
I'm sorry to the girls that I hurt with words
Out of jealousy or rejection
I'm sorry for the lyrics that I wrote about you
May have been something said that hurt
I'm sorry I take so long to learn

I'm going to write this one in blood
Just so you know it's straight from my heart
Where should I begin, where do I start?
Let me fill a new page with art
This was written in the dark
By the candlelight spark
****** ink spilt across the page
With all these things
That I just have to say
It all comes bursting out my chest
Just so you know I mean what it is that's said
So that this can all heal and mend

I'm sorry that in my weakness I want to die
I'm sorry that I struggle with this life
I'm sorry for all the crazy things that cross my mind
I'm sorry for all the broken promises
I'm sorry I haven't achieved any of my dreams
I'm sorry that I'm inconsistent
I'm sorry that I claim I'm a victim
I'm sorry for the times I don't accept the blame
I'm sorry for the jokes I made that were lame
I'm sorry that this song is full of sorries
I'm sorry to all those people I've wronged
I'm sorry to myself for never feeling real love
I'm sorry for having no faith in a god above

I'm going to write this one in blood
Just so you know it's straight from my heart
Where should I begin, where do I start?
Let me fill a new page with art
This was written in the dark
By the candlelight spark
****** ink spilt across the page
With all these things
That I just have to say
It all comes bursting out my chest
Just so you know I mean what it is that's said
So that this can all heal and mend

©2018 Written By Benji James
It's taken me so long to write something completely new, but I finally did it, I sat myself down and finally just gathered some motivation to finally finish something. :P
Sophia Granada Nov 2012
Sweet-lipped Psyche's pale white skin
All the men in Greece dragged in.
And the poor girl's dark brown eyes
Led Aphrodite her to despise.
For Psyche truly was a beauty,
Reputed as brighter than Aphrodite.
If Aphrodite was a dark red rose,
Of which we've written poetry and prose,
Psyche was a pure-white Aganisia
For which they wrote a deep-sea saga.
But she knew it was sore unwise
To find herself level with a Goddess' eyes.
The only proof needed for Psyche
Was the sad fate of the maiden Arachne,
Who challenged Athena to a weaving contest,
And though her tapestry was judged the best,
It was she that ended as the melancholy loser,
For Athena punished her with the life of a spider.
And so it was that Psyche knew
Aphrodite wold claim her life too.
So Aphrodite sent her son,
The lovely, winged, holy one,
Whose golden arrows fly at night
And relieve bored lovers of their plights.
She sent Eros to shoot his arrow
And pierce it through to Psyche's marrow,
Then set before her a crocodile,
The scaly terror of the Nile,
With which she'd fall in love straightway,
And then she'd come to rue the day.
For crocodiles have no love to give,
So it would eat her, and she'd cease to live.
On the sleeping Psyche Eros descended,
Long before the night had ended,
In whose dainty breast to shove
A golden arrow poisoned with love.
He prepared to bury it to the hilt,
But a drop of love on him was spilt,
At the moment he saw her eyes, dark brown,
Look to him and stare him down.
Then Eros went back to his mother
And told her he could not wed another
Who did not shine quite so brightly
As his sweet-lipped brown-eyed Psyche.
So spiteful Aphrodite cursed
Psyche through her red lips pursed,
That the girl would find no husband
Among God, animal, or man.
And Eros this so greatly angered
He could no more with arrows linger
At the foot of lovers' beds
To foster love in their young heads.
The entire world then ceased to love
Whether it walked on foot or hoof.
Whether it swam or flew on wing
It could not love nor gain others' loving.
When love no longer circulated,
Aphrodite it aggravated
To see her temple lying bare
And to feel the gray growing in her hair.
She told Eros he'd have what he desired
If only he would kindle love's fires.
So at the mountain, Psyche's family offered her
And she was borne away on the back of Zephyr
To Eros' golden gay abode
That he and his ghostly servants called home.
In the golden rooms she wandered by daylight,
But she lay with Eros in the dark when came night.
She knew not who her darling was,
But called her ignorance a test of trust.
Never to look upon him by day,
She continued in this way,
Until she longed to visit her family,
Which her husband granted her gladly.
But he held her, and he warned her
Not to let her sisters persuade her.
"They may try to tear you away
By telling you gruesome stories." he'd say.
Then, trippingly, from Olympus she jumped down
To walk the streets of her hometown.
She told her sisters her whole story
And they turned it into something gory.
"He could be a serpent," they'd say,
"Fattening you up for the day
When he can pop you in his mouth and eat you"
Unfortunately, she took their words as true.
"So, when he comes to you at night,
Just gaze on him by candlelight!
If he's a serpent, use this knife,
And you'll no longer be his wife.
But make sure not to spill the oil,
Or his waking will cause great turmoil!
We'll find out about that young buck!
Use the candle, the knife, don't spill, and good luck!"
She walked back to the palace at their behest,
Butterflies banging within her chest.
Could the faceless man with whom she'd spent her nights
Be revealed as a serpent by candlelight?
She did not have to wait for long
To prove her treacherous sisters wrong.
As she lay in the great soft bed,
The instructions tangled inside her head,
And lighting the candle, she almost fumbled,
But when she saw his face, she truly stumbled!
Eros' beauty knocked her senseless,
Leaving mortal Psyche defenseless,
And causing her to spill the oil, which smoldered
On Eros' godly golden shoulder.
He, awaking with a start
Was disappointed to his heart
That Psyche cold be so unfaithful
And make a decision so egregiously fatal.
Then, jumping from the casing, he flew
Out of Psyche's lustful view.
And she, for her part, suddenly found
That from the palace she'd been cast down
To a field of which she had no memory,
Or very dim, if she had any.
In despair, she began to flounder,
Then resigned herself to wander
Until she came to a temple edifice,
Which was, on Earth, Aphrodite's face,
And begged the unseen Goddess hear her out,
Trying her patience with childish whining shouts.
Aphrodite, trying only to divert,
Cast a basket of grains down to the dirt,
And told the weeping lovely malcontent
That if she sorted the grains 'fore day was spent,
She just may see her sweetheart once again.
All she had to do was sort the grain.
But Psyche, though her fingers were dainty and thin,
To separate the grains could not begin,
And sobbing, lay upon the stony floor
That was as cold as the Goddess had acted before.
The ants, which had been drawn to the golden grain,
Bore her load and relieved her of her pain.
In their famously sure and straight black line,
They each picked up a piece of grain so fine
That it might with ease pass through a needle,
And into order they the sweet grain wheedled.
Then at the very setting of the sun,
Aphrodite found the task was done,
And though she praised the poor girl outwardly,
Inside she felt the bloom of hate for Psyche.
So she set her down on one side of a stream,
Where on the other was a field of green,
In which lived Helios' golden sheep
From which she was to obtain some shining fleece.
Then Aphrodite left her there to play,
And flew to Mount Olympus far away.
But Flumen, God of Rivers, raised his head
To warn sweet Psyche from his riverbed
That the sheep were so fierce, if she but pulled one hair,
They'd all turn on her and eat her then and there.
It was better if she waited 'til midday
When the sheep lay down to sleep the heat away.
Then she could cross where the river rushes,
And pick the wool that had got caught in the bushes.
So Psyche followed Flumen's good advice,
And for Aphrodite's cruelty she paid no price.
Aphrodite's blood boiled when she saw
That Psyche had survived it after all.
Again, she tried to send her to her death
And charged her to collect water from a cleft
Which mortal humans could not enter,
And in which serpents would surely spend her.
But now it was an eagle came to her aid,
Who stormed inside and flew between the snakes,
Then picked a pouch of water in its beak,
And back out of the cleft to Psyche it sneaked.
Aphrodite, at her dastardly wit's end,
Devised a horrible place for her to Psyche send.
"Psyche, caring for my ailing son
Has drained each drop of beauty, every one,
From my former glory of a face.
Therefore, I command you to that place
Where Persephone dwells. Then you must beg
For some of her beauty, just a tiny dreg.
Then you may have my son, I give my promise,
As holding him from you has marred my face."
Then Psyche, with tears streaming from her eyes,
Decided the only way there was to die.
In what she had appointed her fatal hour,
She climbed up to the top of a high tower,
But her melancholy was so disturbingly great,
All the Universe moved to it abate,
So that the very tower she climbed upon,
Awoke and spoke to her as if a person.
"Psyche, there is a way to the Underworld alive,
So that you need not from my roofing dive."
And to the Underworld the tower gave her
A route and some directions just to save her,
Then it sternly warned her that not of meat,
Nor of anything but bread in Hades could she eat.
So she followed the Tower's path back down
And disappeared into the heaving ground.
And when she found herself before Persephone's throne
She asked to take a parcel of her beauty home,
Which the emotionless Queen of the Screaming ******
Without word placed in Psyche's quivering hand.
The hardest part of the impossible task being done,
Psyche headed back up toward the sun,
And, reasoning that she was to see her beloved before nightfall,
Decided to use some beauty from the parcel.
Inside she found not beauty, but a stifling sleep,
Which forever in its clutches would she keep
If Eros had not chancely happened by,
And wiped Persephone's sleep from Psyche's eye.
Then, carrying her on his back, he barged
Into the Hall of the Olympian Gods.
He bade them let him wed himself and Psyche
And disregard the protests of Aphrodite.
Then Jupiter, indeed, allowed it obligingly,
For he was a man who greatly enjoyed a party.
Ambrosia she was given so to seal
Her immortality and place her among the surreal.
Then after many years of love and laughter,
Psyche bore Hedone, their lovely daughter.
This is how the beauty of the Human Soul,
Triumphed over the beauty of lust and gold.
All this Eros and Psyche had to take.
All this they endured for their love's sake.
They demonstrate the purity of love,
That is admired by Gods above.
In the end, it is the pure Mariposa
Who is more deserving of ambrosia.
WE that have done and thought,
That have thought and done,
Must ramble, and thin out
Like milk spilt on a stone.
jayellen  May 2017
spilt tea
jayellen May 2017
i spilt tea on my floor
tonight
and it reminded me of you
the way the sticky sweet
coated each tile
the way it stuck to my skin
like an undeniable sin
like you
suicidal tendencies
with starved remedies
breathe me in like a camel ninety nine
i parch your mouth
and chap your lips
like a deceitful crime
i am the sound of silence
that plasters your room
you sit there like it's your
self-proclaimed tomb
and i sit here awaiting
a silent conversation
to resume
my thoughts are absurd
and obscured
and they twist and churn
rarely settling
as though they are waters post stir
i do not like being less than
and i am afraid i am never more than
and i'm always settling
for less than
because i am
less than
hot tea sticks to my lips
and i can feel a death sentence on
my tongue
and it tastes like ***
mixed with ***** and wine
and i cannot comprehend why
i would make such a drink
but i cannot comprehend
why i do much of
anything
you say i am thunder
that you love the sound of me
but in my wake you blunder
and i realize
how i am a horror story
that you shoved with the rest of
the skeletons in your closet
and i realize
i reek the most
instigated arguments
tearing parchments
isolated little girl
i am alone
i am alone
i am alone
i am surrounded by people
but i am alone
do you hear me screaming
for you to look at me
and see me
for all you see is
sticky sweet
like i am spilt tea
you could lap up
on your charcoal tongue
cancer smells good on you
it smells like lilac lullabies
like lavender daydreams
and lily sighs
you are a nightmare
lost in a fantasy
of being something real
and i am alone
lost in a reality
of wanting adventure and fantasy
but nobody could foresee
the greenest of envies
that sat in my fragile mind
all i could feel anymore
was blind
for i cannot see
i cannot feel
i cannot breathe
help me
my heart is not beating
and i can feel it rising
to the ceiling of my throat
i'm afraid i will choke
each of my organs have shifted upwards
i cannot think
my tongue is not in my mouth
rather it sits in your hand
and you dip it into spilt tea
before asking if i would like a drink
i am smoke
sifting down your throat
chasing all of the memories
of happiness that no longer
sit in your chest
instead they dance
and adhere to the floor
as hot tea sticks like glue
and holds you hostage
and my thoughts run rampant
and spill onto my floor
with the black tea
that suppresses my urge to breathe
and it is like it is spilling into my lungs
and you ask me
if this is fun
but you hold my tongue in your fist
and my lips still feel smothered
by your kiss
because your lips feel like
your fist
and my blood oozes
like spilt tea
and you want to take a drink.
Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
WiltingMoon May 2016
The plead of love
Forever stains my hands
The colour of your heart
Always to be seen
Your voice
Bouncing forever in my head
The light in your eyes
Shall rid my sleep for eternity
It was love I asked for
It was the kiss of your peace I craved
It was your touch of warmth I miss every day
I wished for your love
That's now spilt on the floor
Staining my hand's
Blinding my eye's...
I asked for silence of your touch
For my breath to be felt again
For my sight to again clear
For your mind to reverse back...
To the day we meet
To the day I knew
To the day I thought I truly loved you...
I'm sorry that I spilt your love on the floor
When it was mine you wanted spilt...
Aric Wheeler Jul 2013
My cigarette tastes like uncertainty and now my plain croissant is seeping my black coffee onto my plate.

Was it too much to ask for something simple? Life isn't as complicated as people make it. Right?

Now I sit here, with coffee spilt on myself and my shirt.

Annoyed.

Or Annoying?

Is it my fault that **** is falling apart? Am I the problem that is ruining something so pure by pouring black liquid all over and complicating something I was so sure about?

Am so sure about.

My croissant was perfect until I spilt **** all over it. Now I have a soggy croissant and a crooked cigarette that still tastes like uncertainty.
calm  Jan 2018
spilt milk
calm Jan 2018
Music blaring violently loud
You can hear it every word even though he's wearing headphones
Not concentrating,
He quickly goes through cupboards
Finding a glass
Then slowly but surely pulls open the fridge door
He wants a drink of milk, like when he was seven and rushing around the garden til his chest hurt
Having the time of his life
Until he needed a drink
Water? Yuck. Boooooring!
Juice? His mother would disapprove of that until after dinner.
Milk? Seems like the only good option.
The boy, now a man at 22 again, chuckles to himself as the song ends and he remembers what life was like as a child.
So innocent, so pure.

Then the song ends. A new one begins.
Your song.
His hand unwillingly jerks, spilling milk on the polished-to-perfection-counter,
He curses and puts down the bottle, sliding the cap on as tight as possible so he feels he still has strength in him.
He curses repeatedly,
But not because of the spilt milk.
But because he forgot.
All pictures were deleted from phones, all text messages ignored, all social media blocked
But he forgot about the song.

He hurries to find something to mop it up
And he tries hard not to
But he lets the lyrics pour into his brain
And he begins to crumble all over again

He remembers.
He remembers you telling him
"There's no point crying over spilt milk."
Yet his eyes are prickling with tears.
He chuckles because he thinks that's what he's doing
He believes that he is crying over spilling milk on his polished-to-perfection-counter in his tiny flat in the large, daunting city.
But he isn't.
And deep down
He hears a voice telling him he isn't.

But he won't listen to that voice.
He has to get over you.
He has gotten over you already.
Angry, pathetic tears fall down his face
As he sinks down to the ground
Looking into nowhere
But seeing only you

His hands tremble ever so slightly
As he fishes around for his phone
Buried deep in his pocket.
He begins to whimper slightly
But tells himself he is a grown up
And how he needs to act like one.

He slowly and uncertainly unlocks his phone
Which no longer has a selfie of him and you as a lockscreen
And fingers shaking with regret
He presses 'delete'
Just as the song ends

And just like that
Tears pour out of nowhere
As if he was suddenly hit on the back and they were pushed out
As if he was a bottle of milk
And someone's arm jolted
So what he had been holding in for too long
Just
       spilt
               like
                      milk.
This is another oldie, as you can maybe tell from the way I wrote it. I've always liked this one of mine, even though it may not be my most well-written piece ever. I just love the emotion in it is all. Hope you enjoy.
Cedric McClester Sep 2019
By: Cedric McClester

Now that the tea’s been spilt
It’s conscientiousness of guilt
Like a game machine you tilt
His image can’t be rebuilt
Although his many apologists
Will no doubt still insist
While balling up their fists
Simply, he must resist

Now that the tea’s been spilt
We see a patchwork quilt
The knife’s in to the hilt
In time we’ll watch him wilt
By now we all should know
The rules of quid-pro-quo
His nose is bound to grow
Remember who told you so

Now that the tea’s been spilt
We see him walking on a stilt
So we know what’s under his kilt
And he isn’t that well built
So let me take time to expand
By asking what manner of man?
He’s used to having the upper hand
But they’ll impeach him on demand

Now that the tea’s been spilt
And everything’s atilt
His voice has a weary lilt
Who else must he try to jilt?
All his sycophants
Must be peeing in their pants
As he carries on and rants
They may not get a second chance





           Cedric McClester, copyright © 2019.  All rights reserved.
Out here there are no hearthstones,
Hot grains, simply.  It is dry, dry.
And the air dangerous.  Noonday acts queerly
On the mind's eye erecting a line
Of poplars in the middle distance, the only
Object beside the mad, straight road
One can remember men and houses by.
A cool wind should inhabit these leaves
And a dew collect on them, dearer than money,
In the blue hour before sunup.
Yet they recede, untouchable as tomorrow,
Or those glittery fictions of spilt water
That glide ahead of the very thirsty.

I think of the lizards airing their tongues
In the crevice of an extremely small shadow
And the toad guarding his heart's droplet.
The desert is white as a blind man's eye,
Comfortless as salt.  Snake and bird
Doze behind the old maskss of fury.
We swelter like firedogs in the wind.
The sun puts its cinder out.  Where we lie
The heat-cracked crickets congregate
In their black armorplate and cry.
The day-moon lights up like a sorry mother,
And the crickets come creeping into our hair
To fiddle the short night away.
Victor D López Dec 2018
You were born five years before the Spanish Civil War that would see your father exiled.
Language came later to you than your little brother Manuel. And you stuttered for a time.
Unlike those who speak incessantly with nothing to say, you were quiet and reserved.
Your mother mistook shyness for dimness, a tragic mistake that scarred you for life.

When your brother Manuel died at the age of three from meningitis, you heard your mom
Exclaim: “God took my bright boy and left me the dull one.” You were four or five.
You never forgot those words. How could you? Yet you loved your mom with all your heart.
But you also withdrew further into a shell, solitude your companion and best friend.

You were, in fact, an exceptional child. Stuttering went away at five or so never to return,
And by the time you were in middle school, your teacher called your mom in for a rare
Conference and told her that yours was a gifted mind, and that you should be prepared
For university study in the sciences, particularly engineering.

She wrote your father exiled in Argentina to tell him the good news, that your teachers
Believed you would easily gain entrance to the (then and now) highly selective public university
Where seats were few, prized and very difficult to attain based on merit-based competitive
Exams. Your father’s response? “Buy him a couple of oxen and let him plow the fields.”

That reply from a highly respected man who was a big fish in a tiny pond in his native Oleiros
Of the time is beyond comprehension. He had apparently opted to preserve his own self-
Interest in having his son continue his family business and also work the family lands in his
Absence. That scar too was added to those that would never heal in your pure, huge heart.

Left with no support for living expenses for college (all it would have required), you moved on,
Disappointed and hurt, but not angry or bitter; you would simply find another way.
You took the competitive exams for the two local military training schools that would provide
An excellent vocational education and pay you a small salary in exchange for military service.

Of hundreds of applicants for the prized few seats in each of the two institutions, you
Scored first for the toughest of the two and thirteenth for the second. You had your pick.
You chose Fabrica de Armas, the lesser of the two, so that a classmate who had scored just
Below the cut-off at the better school could be admitted. That was you. Always and forever.

At the military school, you were finally in your element. You were to become a world-class
Machinist there—a profession that would have gotten you well paid work anywhere on earth
For as long as you wanted it. You were truly a mechanical genius who years later would add
Electronics, auto mechanics and specialized welding to his toolkit through formal training.

Given a well-stocked machine shop, you could reverse engineer every machine without
Blueprints and build a duplicate machine shop. You became a gifted master mechanic
And worked in line and supervisory positions at a handful of companies throughout your life in
Argentina and in the U.S., including Westinghouse, Warner-Lambert, and Pepsi Co.

You loved learning, especially in your fields (electronics, mechanics, welding) and expected
Perfection in everything you did. Every difficult job at work was given to you everywhere you
Worked. You would not sleep at night when a problem needed solving. You’d sketch
And calculate and re-sketch solutions and worked even in your dreams with singular passion.

You were more than a match for the academic and physical rigors of military school,
But life was difficult for you in the Franco era when some instructors would
Deprecatingly refer to you as “Roxo”—Galician for “red”-- reflecting your father’s
Support for the failed Republic. Eventually, the abuse was too much for you to bear.

Once while standing at attention in a corridor with the other cadets waiting for
Roll call, you were repeatedly poked in the back surreptitiously. Moving would cause
Demerits and demerits could cause loss of points on your final grade and arrest for
Successive weekends. You took it awhile, then lost your temper.

You turned to the cadet behind you and in a fluid motion grabbed him by his buttoned jacket
And one-handedly hung him up on a hook above a window where you were standing in line.
He thrashed about, hanging by the back of his jacket, until he was brought down by irate Military instructors.
You got weekend arrest for many weeks and a 10% final grade reduction.

A similar fate befell a co-worker a few years later in Buenos Aires who called you a
*******. You lifted him one handed by his throat and held him there until
Your co-workers intervened, forcibly persuading you to put him down.
That lesson was learned by all in no uncertain terms: Leave Felipe’s mom alone.

You were incredibly strong, especially in your youth—no doubt in part because of rigorous farm
Work, military school training and competitive sports. As a teenager, you once unwisely bent
Down to pick something up in view of a ram, presenting the animal an irresistible target.
It butted you and sent you flying into a haystack. It, too, quickly learned its lesson.

You dusted yourself off, charged the ram, grabbed it by the horns and twirled it around once,
Throwing it atop the same haystack as it had you. The animal was unhurt, but learned to
Give you a wide berth from that day forward. Overall, you were very slow to anger absent
Head-butting, repeated pokings, or disrespectful references to your mom by anyone.    

I seldom saw you angry and it was mom, not you, who was the disciplinarian, slipper in hand.
There were very few slaps from you for me. Mom would smack my behind with a slipper often
When I was little, mostly because I could be a real pain, wanting to know/try/do everything
Completely oblivious to the meaning of the word “no” or of my own limitations.

Mom would sometimes insist you give me a proper beating. On one such occasion for a
Forgotten transgression when I was nine, you  took me to your bedroom, took off your belt, sat
Me next to you and whipped your own arm and hand a few times, whispering to me “cry”,
Which I was happy to do unbidden. “Don’t tell mom.” I did not. No doubt she knew.

The prospect of serving in a military that considered you a traitor by blood became harder and
Harder to bear, and in the third year of school, one year prior to graduation, you left to join
Your exiled father in Argentina, to start a new life. You left behind a mother and two sisters you
Dearly loved to try your fortune in a new land. Your dog thereafter refused food, dying of grief.

You arrived in Buenos Aires to see a father you had not seen for ten years at the age of 17.
You were too young to work legally, but looked older than your years (a shared trait),
So you lied about your age and immediately found work as a Machinist/Mechanic first grade.
That was unheard of and brought you some jealousy and complaints in the union shop.

The union complained to the general manager about your top-salary and rank. He answered,
“I’ll give the same rank and salary to anyone in the company who can do what Felipe can do.”
No doubt the jealousy and grumblings continued by some for a time. But there were no takers.
And you soon won the group over, becoming their protected “baby-brother” mascot.

Your dad left for Spain within a year or so of your arrival when Franco issued a general pardon
To all dissidents who had not spilt blood (e.g., non combatants). He wanted you to return to
Help him reclaim the family business taken over by your mom in his absence with your help.
But you refused to give up the high salary, respect and independence denied you at home.

You were perhaps 18 and alone, living in a single room by a schoolhouse you had shared with Your dad.
But you had also found a new loving family in your uncle José, one of your father’s Brothers, and his family. José, and one of his daughters, Nieves and her
Husband, Emilio, and
Their children, Susana, Oscar (Ruben Gordé), and Osvaldo, became your new nuclear family.

You married mom in 1955 and had two failed business ventures in the quickly fading
Post-WW II Argentina of the late 1950s and early 1960s.The first, a machine shop, left
You with a small fortune in unpaid government contract work.  The second, a grocery store,
Also failed due to hyperinflation and credit extended too easily to needy customers.

Throughout this, you continued earning an exceptionally good salary. But in the mid 1960’s,
Nearly all of it went to pay back creditors of the failed grocery store. We had some really hard
Times. Someday I’ll write about that in some detail. Mom went to work as a maid, including for
Wealthy friends, and you left home at 4:00 a.m. to return long after dark to pay the bills.


The only luxury you and mom retained was my Catholic school tuition. There was no other
Extravagance. Not paying bills was never an option for you or mom. It never entered your
Minds. It was not a matter of law or pride, but a matter of honor. There were at least three very
Lean years where you and mom worked hard, earned well but we were truly poor.

You and mom took great pains to hide this from me—and suffered great privations to insulate
Me as best you could from the fallout of a shattered economy and your refusal to cut your loses
Had done to your life savings and to our once-comfortable middle-class life.
We came to the U.S. in the late 1960s after waiting for more than three years for visas—to a new land of hope.

Your sister and brother-in-law, Marisa and Manuel, made their own sacrifices to help bring us
Here. You had about $1,000 from the down payment on our tiny down-sized house, And
Mom’s pawned jewelry. (Hyperinflation and expenses ate up the remaining mortgage payments
Due). Other prized possessions were left in a trunk until you could reclaim them. You never did.

Even the airline tickets were paid for by Marisa and Manuel. You insisted upon arriving on
Written terms for repayment including interest. You were hired on the spot on your first
Interview as a mechanic, First Grade, despite not speaking a word of English. Two months later,
The debt was repaid, mom was working too and we moved into our first apartment.

You worked long hours, including Saturdays and daily overtime, to remake a nest egg.
Declining health forced you to retire at 63 and shortly thereafter you and mom moved out of
Queens into Orange County. You bought a townhouse two hours from my permanent residence
Upstate NY and for the next decade were happy, traveling with friends and visiting us often.

Then things started to change. Heart issues (two pacemakers), colon cancer, melanoma,
Liver and kidney disease caused by your many medications, high blood pressure, gout,
Gall bladder surgery, diabetes . . . . And still you moved forward, like the Energizer Bunny,
Patched up, battered, scarred, bruised but unstoppable and unflappable.

Then mom started to show signs of memory loss along with her other health issues. She was
Good at hiding her own ailments, and we noticed much later than we should have that there
Was a serious problem. Two years ago, her dementia worsening but still functional, she had
Gall bladder surgery with complications that required four separate surgeries in three months.

She never recovered and had to be placed in a nursing home. Several, in fact, as at first she
Refused food and you and I refused to simply let her waste away, which might have been
Kinder, but for the fact that “mientras hay vida, hay esperanza” as Spaniards say.
(While there is Life there is hope.) There is nothing beyond the power of God. Miracles do happen.

For two years you lived alone, refusing outside help, engendering numerous arguments about
Having someone go by a few times a week to help clean, cook, do chores. You were nothing if
Not stubborn (yet another shared trait). The last argument on the subject about two weeks ago
Ended in your crying. You’d accept no outside help until mom returned home. Period.

You were in great pain because of bulging discs in your spine and walked with one of those
Rolling seats with handlebars that mom and I picked out for you some years ago. You’d sit
As needed when the pain was too much, then continue with very little by way of complaints.
Ten days ago you finally agreed that you needed to get to the hospital to drain abdominal fluid.

Your failing liver produced it and it swelled your abdomen and lower extremities to the point
Where putting on shoes or clothing was very difficult, as was breathing. You called me from a
Local store crying that you could not find pants that would fit you. We talked, long distance,
And I calmed you down, as always, not allowing you to wallow in self pity but trying to help.

You went home and found a new pair of stretch pants Alice and I had bought you and you were
Happy. You had two changes of clothes that still fit to take to the hospital. No sweat, all was
Well. The procedure was not dangerous and you’d undergone it several times in recent years.
It would require a couple of days at the hospital and I’d see you again on the weekend.

I could not be with you on Monday, February 22 when you had to go to the hospital, as I nearly
Always had, because of work. You were supposed to be admitted the previous Friday, but
Doctors have days off too, and yours could not see you until Monday when I could not get off
Work. But you were not concerned; this was just routine. You’d be fine. I’d see you in just days.

We’d go see mom Friday, when you’d be much lighter and feel much better. Perhaps we’d go
Shopping for clothes if the procedure still left you too bloated for your usual clothes.
You drove to your doctor and then transported by ambulette. I was concerned, but not too Worried.
You called me sometime between five or six p.m. to tell me you were fine, resting.

“Don’t worry. I’m safe here and well cared for.” We talked for a little while about the usual
Things, with my assuring you I’d see you Friday or Saturday. You were tired and wanted to sleep
And I told you to call me if you woke up later that night or I’d speak to you the following day.
Around 10:00 p.m. I got a call from your cell and answered in the usual upbeat manner.

“Hey, Papi.” On the other side was a nurse telling me my dad had fallen. I assured her she was
Mistaken, as my dad was there for a routine procedure to drain abdominal fluid. “You don’t
Understand. He fell from his bed and struck his head on a nightstand or something
And his heart has stopped. We’re working on him for 20 minutes and it does not look good.”

“Can you get here?” I could not. I had had two or three glasses of wine shortly before the call
With dinner. I could not drive the three hours to Middletown. I cried. I prayed.
Fifteen minutes Later I got the call that you were gone. Lost in grief, not knowing what to do, I called my wife.
Shortly thereafter came a call from the coroner. An autopsy was required. I could not see you.

Four days later your body was finally released to the funeral director I had selected for his
Experience with the process of interment in Spain. I saw you for the last time to identify
Your body. I kissed my fingers and touched your mangled brow. I could not even have the
Comfort of an open casket viewing. You wanted cremation. You body awaits it as I write this.

You were alone, even in death alone. In the hospital as strangers worked on you. In the medical
Examiner’s office as you awaited the autopsy. In the autopsy table as they poked and prodded
And further rent your flesh looking for irrelevant clues that would change nothing and benefit
No one, least of all you. I could not be with you for days, and then only for a painful moment.

We will have a memorial service next Friday with your ashes and a mass on Saturday. I will
Never again see you in this life. Alice and I will take you home to your home town, to the
Cemetery in Oleiros, La Coruña, Spain this summer. There you will await the love of your life.
Who will join you in the fullness of time. She could not understand my tears or your passing.

There is one blessing to dementia. She asks for her mom, and says she is worried because she
Has not come to visit in some time. She is coming, she assures me whenever I see her.
You visited her every day except when health absolutely prevented it. You spent this February 10
Apart, your 61st wedding anniversary, too sick to visit her. Nor was I there. First time.

I hope you did not realize you were apart on the 10th but doubt it to be the case. I
Did not mention it, hoping you’d forgotten, and neither did you. You were my link to mom.
She cannot dial or answer a phone, so you would put your cell phone to her ear whenever I
Was not in class or meetings and could speak to her. She always recognized me by phone.

I am three hours from her. I could visit at most once or twice a month. Now even that phone
Lifeline is severed. Mom is completely alone, afraid, confused, and I cannot in the short term at
Least do much about that. You were not supposed to die first. It was my greatest fear, and
Yours, but as with so many things that we cannot change I put it in the back of my mind.

It kept me up many nights, but, like you, I still believed—and believe—in miracles.
I would speak every night with my you, often for an hour, on the way home from work late at
Night during my hour-long commute, or from home on days I worked from home as I cooked
Dinner. I mostly let you talk, trying to give you what comfort and social outlet I could.

You were lonely, sad, stuck in an endless cycle of emotional and physical pain.
Lately you were especially reticent to get off the phone. When mom was home and still
Relatively well, I’d call every day too but usually spoke to you only a few minutes and you’d
Transfer the phone to mom, with whom I usually chatted much longer.

For months, you’d had difficulty hanging up. I knew you did not want to go back to the couch,
To a meaningless TV program, or to writing more bills. You’d say good-bye, or “enough for
Today” and immediately begin a new thread, then repeat the cycle, sometimes five or six times.
You even told me, at least once crying recently, “Just hang up on me or I’ll just keep talking.”

I loved you, dad, with all my heart. We argued, and I’d often scream at you in frustration,
Knowing you would never take it to heart and would usually just ignore me and do as
You pleased. I knew how desperately you needed me, and I tried to be as patient as I could.
But there were days when I was just too tired, too frustrated, too full of other problems.

There were days when I got frustrated with you just staying on the phone for an hour when I
Needed to call Alice, to eat my cold dinner, or even to watch a favorite program. I felt guilty
And very seldom cut a conversation short, but I was frustrated nonetheless even knowing
How much you needed me and also how much I needed you, and how little you asked of me.  

How I would love to hear your voice again, even if you wanted to complain about the same old
Things or tell me in minutest detail some unimportant aspect of your day. I thought I would
Have you at least a little longer. A year? Two? God only knew, and I could hope. There would be
Time. I had so much more to share with you, so much more to learn when life eased up a bit.

You taught me to fish (it did not take) and to hunt (that took even less) and much of what I
Know about mechanics, and electronics. We worked on our cars together for years—from brake
Jobs, to mufflers, to real tune-ups in the days when points, condensers, and timing lights had Meaning, to rebuilding carburetors and fixing rust and dents, and power windows and more.

We were friends, good friends, who went on Sunday drives to favorite restaurants or shopping
For tools when I was single and lived at home. You taught me everything in life that I need to
Know about all the things that matter. The rest is meaningless paper and window dressing.
I knew all your few faults and your many colossal strengths and knew you to be the better man.

Not even close. I could never do what you did. I could never excel in my fields as you did in
Yours.  You were the real deal in every way, from every angle, throughout your life. I did not
Always treat you that way. But I loved you very deeply as anyone who knew us knows.
More importantly, you knew it. I told you often, unembarrassed in the telling. I love you, Dad.

The world was enriched by your journey. You do not leave behind wealth, or a body or work to
Outlive you. You never had your fifteen minutes in the sun. But you mattered. God knows your
Virtue, your absolute integrity, and the purity of your heart. I will never know a better man.
I will love you and miss you and carry you in my heart every day of my life. God bless you, dad.
You can hear all six of my Unsung Heroes poems read by me in my podcasts at https://open.spotify.com/show/1zgnkuAIVJaQ0Gb6pOfQOH. (plus much more of my fiction, non-fiction and poetry in English and Spanish)
Alyssa Underwood Mar 2016
I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

— The End —