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Àŧùl Nov 2013
Let me declare in the opening of this article that at the time of writing this article I was a young man aged almost 23 years but have never had *** as a personal choice based upon my experience. My reasons for not getting laid till now are not many but just three reasons:
1. I am a guy who is a one woman man.
2. I believe that whatever may be my future wife's virginity status, I am not to loose it to anyone else but to herself.
3. I have analysed and found that for Indian men the best age to loose their virginity is not before 25 years of age and similarly for Indian women, the best age to loose it is not before they themselves are at least 23 years of age.

You all might already have labeled me various titles till now, but wait let me tell you the whole story and I would rather recommend you to be ready for trashing all your presumptions. It's all about self-control that this article is about. You can easily relax and lie back as you are going through my article.

I have a female friend from a big city in India who has been subjected to the raging problem of today's world. I'll be referring to her as Dhara, she was in the first year of her college life when she fell for a good looking rich guy and this guy, Sagar, was her classmate.

In the beginning of their relationship, they both were like the very much perfect 'made-for-each-other' couple like in stories. They both shared a golden relationship between each other and neither of them were aware that one day they will be made to separate away from each other.

The two of them seemed inseparable and one fine day Dhara even eloped with Sagar to start a new life with him. Sagar took her to a new home that he succeeded in procuring for them. It was a farmhouse away from the city. Dhara started following all the daily chores as an ideal housewife would. Both of them ceased attending the college and dedicated all their time to love making. Three months after having eloped, Dhara happily told Sagar that she was pregnant.

In the mean time, Sagar's father who is a powerful person in politics decided to make him marry a different girl for political benefits. And this way a problem arose from this fact that Sagar was told by his family that soon he would be married to a girl for political reasons. Along with this, both Sagar and his father were jailed in a political context. The trouble which had befallen was resolved by another powerful politician who bailed both the father-son duo out of the problem with a condition that Sagar married his daughter.

Sagar then told Dhara regarding the same problem at his home. Dhara straight away went to Sagar's home hoping to win hearts and showed them the Mangalsutram which Sagar had tied around her neck. The Mangalsutram turned out to be the same which Sagar's mother had found missing.

Dhara was accused of thievery and was put behind the bars for the same in the followup time. Sagar somehow succeeded in bailing Dhara out from behind the bars. Soon, Dhara was asked by Sagar to take some emergency contraceptive pills which halted her pregnancy in a period less than three months. Then Sagar ejected himself out from the unregistered marriage, resumed his regular college studies and ditched Dhara.

Here, both Dhara and Sagar were at fault according to me. Neither of them were at an age which could be considered marriageable, either medically or morally. Both had studies to undertake which they turned to for diverting their minds.

Dhara shared with her elder brother regarding the same event having taken place in her life. Then one fine day, I met Dhara at our university's Students' Activity Centre - SAC, where I had been to the University Food Orbit - UFO, and I started conversation with a group sitting there and we both got to know about each other and exchanged numbers at her insistence.

So much experience had made Dhara a wisecrack when it came to making friends. She accepts that it was her mistake that she took a rush of hormones to be love.

In addition to this Indian viewpoint over the subject, a Western viewpoint needs to be mentioned separately because of the biological differences between our bodies' biological observations and our differently made up societal liabilities and settlements.

The West has a superior physique for both men and women and professional services. So the ideal age to loose it dips by 2 years.

To end with the article, I would like to summarise the best age and conditions of loosing virginity globally with a special localisation to India:
1. Get married firstly and then loose it only to your life partner.
2. If you must still have the pleasures of love making before your marriage with the person you have your first *******, keep it safe and pleasant. Use a ****** or similar contraceptive if you must have *** before the ideal age but remember that these may fail as well, even if rarely.
This is not a poem, so comment keeping this thing in mind.
Originally published at:
http://aksspiritualthoughts.blogspot.com/2013/11/the-best-age-to-loose-it.html
Maa ki mamta ko dekh maut v
aage se hat jati hai
gar  maa apmanit hoti
dharti ki chaati fat jaati hai
ghar ko pura jeevan dekar
bechari maa kya pati hai
rukha sukha kha leti hai
paani *** kar soo jati hai

Jo maa jaisi devi ghar ke
mandir me nahi rakh sakte hai
wo lakho punya bhale kar le
inshan nahi ban sakte hai
maa jisko v jal de-de
wo paudha sandal ban jata hai
maa ke charno ko chukar paani
Gangajal ban jata hai

Maa ke anchal ne yugo-yugo se
Bhagwano ko pala hai
maa ke charno me jannat hai
Girijaghar aur Shivala hai
Himgiri jaisi unchai hai
sagar jaisi gahrai hai
dunia me jitni khushboo hai
maa ke anchal se aaye hai

Maa kabira ki sakhi hai
maa tulsi ki chaupai hai
meerabai ki padawali
khusru ki amar rubai hai
maa angan ki tulsi jaisi
pawan bargad ki chaya hai
maa ved richao ki garima
maa mahakavya ki maya hai

Maa maansarovar mamta ka
maa gomukh ki unchai hai
maa parivaro ka sangam hai
maa rishto ki gahrai hai
maa hari dubh hai dharti ki
maa keshar wali kyari hai
maa ki upma kewal maa hai
maa har ghar ki phulwari hai

Saato sur nartan karte jab
koi maa lori gaati hai
maa jis roti ko chu leti hai
wo prasad ban jati hai
maa hasti hai to dharti ka
jarra-jarra muskata hai
dekho to dur kshtiz ambar
dharti ko sheesh jhukata hai

Mana mere ghar ki deewaro me
chanda si murat hai
par mere man ke mandir me
bas kewal maa ki murat hai
maa saraswati lakshmi durga
ansuya mariyam sita hai
maa pawanta me ramcharit
manas me bhagwat geeta hai

Amma teri har baat mujhe
vardaan se badhkar lagti hai
he Maa teri surat mujhko
bhagwan se badhkar lagti hai
saare teerath ke punya jaha
mai un charno me leta hu
jinke koi santan nahi
mai un maawo ka beta hu

Har ghar me Maa ki puja **
Aisa sankalp uthata hu
Mai dunia ki har maa ke
Charno me ye sheesh jhukata hu.....
Copyright© Shashank K Dwivedi
email-shashankdwivedi.edu@gmail.com
Follow me on Facebook - https://www.facebook.com/skdisro
Ceida Uilyc Jul 2015
I could tell you,
But you’d laugh at me.
Because it is bare, raw and pure.
You gloat on the preservatives.
You discard the genuine.
Listen to me, my friend, there is a part of the world, where even a bulb is never, ever, witnessed in real, but reel of the sanskrit Cartoon slots. The peppy  and ‘lone B-grade Cartoons .
Filled with Flesh.
The stories of tantric mantras, with a sliver of diminishing hearth,
on the
Dimensions and depth of the Yoni in the resin of shellac
on the Immaculate ceremony,
In a woodpecker hole just underneath the sealed power of the Yakshini who truly screws it up if you have taste of her once.
the one who harbingers drunk loners of Kavadiyattom alley after 3:20 am.
She takes them to the crown chakra of palm trees.
Shows them the world.
she pushes them off the crown and the falcon falls in endless spirals of a inhuman push that pushes the concrete innards to a danlgling mass of amoebic copulation.
Breath comes back.
It is a big nauseating gag of Kumbhakarnan's long sadya that lasted for half a decade.
Of the soma saras that made the entire India go, ga-ga and believe they've seen the god.
But not one nor any saw the same face, colour, shape or even vibe of the god they had seen alone.
They agreed in unison that all their hallucinations of beautiful humans in Flower UFO s and high-tech cloning, were a vital hair in the nostril of the cosmos.
They made, each a god out of their genuine mix of memories.
Or in the, priest's ways,
Hence, the 2.3 Billion populous of the country had the same, well, odd Spiritual benefactors.

Keeping it all aside, lemme be honest, I'd follow many a fairy god-mother but give my milkey teeny tooth to the special one.
Hinduism tells you God is omnipresent.
Hinduism tells you God is within you.
It also says, there is no God.
The clipper to snap off the confusion of this, lies in the same cheap stained-yellow cliche of love. It entails everything. You, me, animals, plants, cosmos, vibes, thoughts, dreams and the universe.
It tells you to live with your body mind and soul.
From Kamasutras that teaches sense.
The excitement, control and breakthrough of it.
Like tao did under his exposed roof without the sacred dung of from Hindu Land.
This is the secret of a rumoured Mohini,
Of her 1000 per hour ******* during the her/ his/ its 352 incarnations.
which was the reason for Big bang.  
Amidst the sultry scant of the voluptuous *******,
Their skin,
a vernacular reflection of a dusk on the Japanese gold beaches, And the mounts,
firm and glowing with the rusty shade of pharaoh’s Gold anklet.
The gooey glaze of yesterday’s glamour in the wink of a gay galore.
Paulo Ceolho’s Holy Communion with God,
Or like the Japanese Tengaman says,
Or rather screams,
That all it it takes is a little *******.
So, yes.
That precise art of attaining a consciousness, from where your mind was
Afloat
Wild
Free
Satiated
By yourself
You’ve just consumed the essence of you
Your Ojhas
And the tiny matter that teaches the universe
Of a Shunya.
That, momentary sense of lapse of your body mass,
Or the breakthrough into your eye of the crown.
Only to join the mundane bustle of the 10,00 speakers on all four
JBLs, Boses and Pioneers live looping the zillions of sanskrit mantras under one roof.
In your Ear drum.
A synechdoche of the Gods and their jacuzzi of amphetamine bubbles.
Splashed from a white Elephant's bejewelled Snout, which has the
crowned ring in your pineals.
Secret lies under
the rotten bone chip of Hussain Sagar
deep under the ***** green lake,  
drowning the rainbow Buddha in the city of slimy immortal maggots on ham.
Open your eyes.
For the Gods will
Else
Cut your eyelids off
to show you that
the city's shardminds await you.
roaring
Playing close to the fire demons of Redland
A nail close to your wide open lid-less
White flowing eye.
Hear the city scream.
The deafening chaos,
In unison,
Intoxicating their venomous fruits
of the delirious worlds
Or simply put, divine prayer and offering
for
the Omnipotent,
Omniscient
And the
Om.
Shunya.
Or the cyclic abyss of meaninglessness.
But,
Like, the wilted azures
that seduced those flies,
From a far far away,
To come the praise the combs of their bellies,
Filled with the red from the omnipotent, dead, weak and evil
In one little fly belly.
They came from the
land called Lullaby.
To go there
from here,
But, first,
bear the Weasleys' infamous extendable ears and heed me now, for I say twice and See him Come.
The snake, the tangy smell of goated black rub and blueness.
Siva shouldn't come?
Not yet. A little DMT more in the brain and perhaps the spark will happen.
Better than the potions of those gigantic forest priests.
No, Heed me, now.

3 Dodos Walk-afar,
And, take the lone left-laden log
the one that is,
limitless Long
loyal and  let alone
By those
languors which
Killed
Lord Leopard Loot'.
While,
Lord's Lass
Lays lolled lambs,
Lolled ‘long le ******,
Leech on the laiden log,
leading to Lord Lava,
Yes.
The bridge of Casilii Po.

Of the Lord.
Guarded
By these bubbling bellies with a drop of the world's make.
Assassins.
the Fly, flies.

retain the scarification of theolden curse,
Older than the rocks underneath this gurgling lava,
On which reincarnation steams.

As destiny should have it,
the astrologers had seen,
3 centuries back
That at a Sphinx’s Wedding,
a war of Vision,
will break.
It will
Bring the Stars
Out of those melting blue nightsky of Neruda's wails;
And the diabolic estrangement inflicting Eagle,
From Meena’s vibes,
that rubbed of a distinct scent of Malabar embedding a little of everybody in the village,
on its Kasavu lines posing
at the focus
of Sahib's Ferguson or Baker.

The gold turned white.
A liquid white, like that of the sap,
For that,
***** on a parrot green rubber plant
And work your fun with the white gluey milk,
fragrant than the sap
Like the  Ylang Ylang buds freshly kissed by the drooly dew,
sealed away
elegantly in a crystal Indigo bottle by the pen stand.

One that glitters if you look at its surface, but smells of naphthalene ***** in the sink
in
that
creepy trailer in
mid salem night of the tut.
Colourful.
This is colorblind.

White is motile.
White is wriggling.
White is life.
With a **** of Eve’s fabric-less
Skin.
White is divinity
feeding you excess of everything,
With an tenfold over dosage injected intravenous, by a silver-haired-glow-in-the-dark-dodo-cupid;

She is divine.
**** Her.
**** her on a Pyre.
**** her innards on a fire.
inflame the bubble
of her her oily effluent you found on the toilet seat
Instil in her, the seed of your sodomic occult,
Not by compassion, but through a hiss and sting
of the
flawless venom of the diabolic.  
Then. Disinfect your fruit that you flicked off the paradise.
And bellow to the blowing gurgling below.  
A reign of ****  nihilism,
moaning the mood-swings-of-a-98-year-old-menopausing-Bhairavi of the Indian Aghora Tales;
And Shelly, fueled in his undiminished hearth with the help of his impetous West Wind,
dreaming lucid,
on a flight in the sky for one week,
with Lucy’s sewing  sequined buttocks,
Stinging their luminescent, lactating, lustrous skin,
Like a tatto machine, lifting rays into the epidermis
So that it roasts, burns a soot and neonifies the only colour
A shade of
The rave, rainbow-red karmas of human existence,
Its little greedy quantas waltzing around the matter
And of its unleashed illuminations
That fuel the same vessel in the universe,
infamously known as,
the
black hole.
Uggh!!
All characters and plots are fictitious.
Your nightmares are yours, not Caesar's.
This is truly the fruit of my insomnia. I have been awake 52 hours now. Had to rant the wakefulness out.
It is unedited. All those offended, I didn't mean it, you did.
JISKI DHUN PAR DUNIA NAACHE ,DIL AISA EK TARA HAI
JO HUMKO BHI PYARA HAI AYR JO TUMKO BHI PYARA HAI
JHUM RAHI HAI SAARI DUNIA JABKI HUMARO GEETO PAR
TAB KAHTI ** PYAR HUA HAI  KYA EHSHAN TUMHARA HAI

JO  DHARTI SE MABAR JODE USKA NAAM MUHABBAT HAI
JO SEESHE SE PATTHAR TODE USKA NAAM MUHABBAT HAI
KTARA*2 SAGAR TAK ** JATI HAI HAR UMR MAGAR
BAHATA DARAIA WAPAS MODE USKA NAAM MUHABBAT HAI

PANAHO ME JO AAYA ** TO USPE WAR KYA KARNA ?
JO DIL HARA HUA ** USPE FIR ADHIKAR KYA KARNA ?
MUHABBAT KA MAZA TO DUBANE  KI KASHMKASH ME HAI
JAB ** MALUM GAHRAI TO DARIA PAAR KYA KARNA

BASTI BASTI GHOR UDASI  PARVAT PARVAT KHALIPAN
MAN HIRA BEMOL BIK GAYA GHIS GHIS REETA TAN CHANDAN
IS DHARTI SE US AMBAR TAK DO HI CHEEJ GAJAB KI HAI
EK TO TERA BHOLAPAN HAI EK MERA DEEWANAPAN

TUMHARE PAAS HU LEKIN JO DURI HAI SAMAJHTA HU
TUMHARE BIN MERI HASTI ADHURI MAI  SAMAJHTA HU
BAHUT BIKHARA BAHUT TUTA THAPEDE SAH NAHI PAYA
HAWAO KE ISHARO PAR MAGAR MAI BAH NAHI PAYA
ADHURA ANSUNA HI RAH GAYA YU PYAR KA KISSA
KABHITUM SUN NAHI PAYI KABHI MAI KAH NAHI PAYA...

WRITTEN BY  : SHASHANK KUMAR DWIVEDI
                                          1993shashank@gmail.com (FACEBOOK)
Aapka saath humein har janam mein mile,
Dua hai hamari aapke jivan mein phul khile.

Sabse khushnaseeb hai hum mere humsafar,
Jo aapka saath hai hamare saath har dagar.

Meri rooh ka rishta hai gehra us rooh se,
Chehra basa hai sirf aapka dil ki tasveer mein.

Sagar ki gehrayi bhi kam hai is mohabbat ke saamne,
Beinteha mohabbat hai tumse kehti hai dadhkane.

Ruke na zindagi me hamare pyaar ki hawa,
Hum tumhare hain tum hamare oo humnawa.

Sukoon milta hai sun khud ka naam aapke saath,
Jaise koi subah judi ** shaam ke saath.

Meri haathon ki lakeere, mehandi sirf aap **,
Har pal aapka hi rehta hai khayal humko.

Qubool ** gayi har dua tumhari,
Jab se mili hain saanse hamari.

Dil ki gehrayi se chand ki roshni se,
Kehna chahte hain hum kuch aapse.

Phulo ke kagaz par likhte hain kuch labz,
Beinteha mohabbat hai har lamha har nabz.

Jaati nahi aankhon se surat aapki,
Aapki zindagi mein rang bharne ki kasam khayi.

Mil gaye humein hamare bholenaath,
Jab se mila is khaas dost ka saath .

Aapko dekhte hi ** jaata hai dil bekaraar,
Aapko mile khushiyan beshumaar.

Jab saath hai aapka dil mein dadhkan ki jagah,
Fir zindagi ko saanso ki jaroorat kahan.

Rabb se yhi ibadat mein karte hain fariyaad,
Ye jodi yu hi banaye rakhna kr tumhe yaad.

Kabhi ruth na jaana humse piya,
Saath rehne ka vaada hai kiya .

Jabse mehsoos kiya is dil ne aapko,
Milne gayi zameen par jannat humko.

Pyaar saccha ** tou waqt bhi Ruk hai jaata,
Is pavitra rishtey ke liye aasman bhi jukh jaata.

Aapse shuru hote hain hum aapke saath hi khatam,
Saath rahenge aapke har janam mere sanam.
Shrivastva MK Oct 2017
Aate hai farishtey bankar,
Rehte hai har waqt haath thamkar,
Milta Hai anmol dosti ka vardaan jise,
Phulo se sazakar rakhna use,

Aate hai anzaan bankar,
Rahte hai dilon jaan bankar,
Sari hasratey pure ** jate hain,
Jab wo pyare dost muskurate hain,

Gum ke sagar mein dubne na dete
Khushiyan ka paigaam hain bhejte
Zindagi jeene ka maksad btate
Pyaara sa sansaar hai chahte

har pal ko khushnuma banate,
Sahi galat ka ehsaas karate,
Jo gumo me bhi saath nibhate hai,
Wahi sacche dost kahlate hai,

Khuda kasam kya khubsurat rishta hai dosti
Phulo se mehakta bagicha hai dosti
Yaaron ke bina adhuri hai zindagi
Zindagi jeene ki wajah h dosti


Written By
Sonia Paruthi & Shrivastva MK
U can also read this poem on allpoetry.
https://allpoetry.com/poem/13546476-Yaaron-ki-yaari--by-Sonia-Paruthi
Ceida Uilyc May 2019
Sitting around the patchy tree stumps at Sagar’s Cafeteria,
Campus was not solitaria*.
Listening to songs saved on our tiny phones, decade ago,
We devoured the sound of silence and the fields of athenrye
Together.

We lit mary jane and made merry singing along to ***** Gun
in broad daylight without the purview of uni cam puns.
Who cared if it was just a five-minute break from Hemangadutta
Or Sheeba’s hungry call for relief,
we made it seem wakeable in the dewy morns.

Sagar’s had the tastiest samosa, chicken puff
and Tiger biscuits so cheap we could fudge it in the lassi whuff.
Days and months went by hovering around Sagar than classes.
We never saved pennies, we spent bills on choora
from our pocket monies for bura.
EFLU= English and Foreign languages university; my campus.
A dash of nostalgia.
*Solitaria= solitary-area
Dil ki kalam se kuch likhte hain aahat,
Bn chuke hain aap hamari aadat.

Aapki pyaari si muskurahat dekh jo sukoon milta,
Hamara masoom chehra bhi nanhi kali jaise khilta.

Saanso mein chupi har hayat hai aapki,
Jab aap hain saath sawar jayegi zindagi.

Do pal bhi nahi reh sakte aapke bin,
Raatein kat jaati taare gin gin.

Naam aapka pehchaan hai hamari,
Har dadhkan ki awaaz hai tumhari.

Hothon par muskurahat hai aapke naam ki,
Aapke khayalon mein uljhe raat se subah ** jaati.

Qubool ** gayi dua hamari,
Mil jo gayi humein chahat tumhari.

Nahi hai koi Chah ab hamari,
Jabse judi humse dadhkane tumhari.

Jazbaaton ka sagar hai gehra,
Dil mein hai humsafar ka basera.

Mohabbat ka rang aisa chhadhaya hai tumne,
Feeke lagne lage har rang iske saamne.

Jaane kis qadar imtehaan leta hai khuda,
Bs gujarish hai usse karna na kabhi juda.

Jab tak dadhkane chal rahi hain unki,
Zindagi ki har saanse hai sanam sir aapki.

Jahan mera humsafar **,
De dena jagah humko.

Har kadam par saath chalna piya mere,
Jeene ka shauk nahi ek pal bhi bin tere.

Har pal sirf aapko yaad hain karte,
Jaane kab mitange ye meelon ke faasle.

Saath nibhayenge har mod par aapka,
Tumhare andar paya humne khuda apna.

Shiddat se itna chahte hai tumhe,
Labzo mein baya nahi hum kar skte.

Aisa koi labz nahi jo is sacchi mohabbat ko sanjo le,
Mohabbat se kai upar hai ye mohabbat jisko koi naam na de .
JAMIL HUSSAIN Oct 2016
Jab Raat Dhali Aadhi Maikhane Ko Hosh Aaya
Angrai Li Botal Ne Paimane Ko Hosh Aaya

When the night cast halfway, tavern came to its senses
The bottle took a yawn and the cup came to its senses


Utha Jo Naqaab Unka Deewane Ko Hosh Aaya
Jab Shamma Howi Roshan Parwane Ko Hosh Aaya

They appeared from their veil, crazy came to their senses
Then the flame became evident and the moth came to its senses


Phir Dard Utha Dil Mein Phir Yaad Teri Aayi
Phir Teri Mohabbat Ke Afsanay Ko Hosh Aaya

Then the pain grew within, your memories unfolded
And then your affectionate tale came to my senses


In Mast Nigahon Ne Girtay Ko Sambhala Hai
Sagar Ke Saharay Se Mastanay Ko Hosh Aaya

Intoxicating glances have balanced the tumbling
With the support of a cup, the drunk came to their senses


Woh Daikho Fana Daikho Jaam Aa Gaye Gardish Mein
Woh Mast Nazar Uthi Maikhane Ko Hosh Aaya*

Look there O’ Fana, see the cups are quickly rotating
Emergence of intoxicating glance; tavern has now come to its senses


— Translated by Jamil Hussain, Poet Anwar Farrukhabadi, Sung by Nusrat Fateh Ali Khan
Tujhe dekhte hi mein khush hua
Tune mana kiya  ishq ki duniya
toh samundar me doob gaya mein
Log kehte hai...ab tum pagal aashiq **
Meine kaha haan hoon toh hoon..
Ishq toh dariya hai ...
Sacha pyaar aur naseeb...
Hasti lakirein...
Ghoomti pyaar ki botal
Jaam e ishq
Samundar kinare baitha hu...
Jhootha hi sahi haan keh de!
JAMIL HUSSAIN  Sep 2017
TheBOTTLE
JAMIL HUSSAIN Sep 2017
Botal Khuli Hai Raqs Mein Jam-e-Sharab Hai
Woh To Khaliq Hai Banda Parwar Hai

The bottle is open and dancing is the glass of wine
He is the Creator and the Benefactor so divine

Sari Duniya Ka Rab-e-Akbar Hai
Mera Sarmaya-e-Hayat Na Pooch
Ek Saqi Hai, Ek Sagar Hai*

God of entire creation He is so Great
On source of my life, what can I state?
Cup-bearer is One & Sole, and so is the bowl

✒ Translated by ℐamil Hussain , Sung by Nusrat Fateh Ali Khan
Akta Agarwal Apr 2021
Bikhre alfaz
Tute khwab -

Bikhre bikhre s Kuch alfaz h
Tute tute s khwab h
Antarmn ab bechen sa h
Hue khwab aahat s h
Dil m lga ghav sa h
Bikhre bikhre s Kuch alfaz h
Tute tute s Kuch khwab h
Sangharsh krna bna muskil sa h
Aasan raah ki talash v na ktm hota sa h
dra dra sa ab mn rhta h
Hoton ki hasi v ab khi chupa sa h
Khi gm K sagar h to khi shukh K leher aae h
Kisi K sapne hue raakh K s
To kisi ne nae sapno ki chavi bnae h
Sunn K baat yh nae dil m
aae Kuch aash sa h
Bikhre alfazo ko sajakr koe
Naye sapne bunne ka khwab sa h.
Bikhre s alfaz h tute s khwab h pr ek asha ki kiran ne di nae si aash h

— The End —