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JA Perkins May 28
He cradled pieces
of poetry that
no longer
made much sense

He'd add a word,
here and there
or change some
misused tense

But from metaphors
forgotten to a flow
that slowed to still

the penman died
a lonely death
from all that
moved his quill

Beautiful words
from a dying man -
had he lived and
loved at all

but who will know or
care enough to brace
the penman's fall?
You write so beautifully -
your mind must be a
terrible place
Bryce  Jul 2018
Political Poetry
Bryce Jul 2018
Art is opinion masquerading as truth.

When I draw a city, I am drawing the city of my dreams, just as the city that is does not exist.

Putting policy into words in the hopes of having yourself heard is not the point of the philosopher,

and should not be the end of the penman.

When I attempt to make the world see, I manufacture my enemy. We should seek instead to illuminate gracefully, to speak the words beyond the void of flesh, and to touch emotions that swim with depth

It will get us nowhere to make art political, of which it is propaganda and employed many an artist in the past;

whose dreams of good deeds became hung in a museum for all the wrong reasons, leaving a remnant of an unforseen circumstance hanging dry on an empty tour-guide phonecall

Descriptive yet lies

Argue the dialectic of truth than the present purfume of lies that is fumigated from the salivary discharge of a cetaceous yearning of ******* of thought, that leftover dream of God

That all things should be the same, that all minds should think that way-- if they were, we'd be done with the experiment.
Robert Browning  Jul 2009
Waring
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
Alexander K Opicho
Eldoret, Kenya; aopicho@yahoo.com

when i start by name
perhaps in a flap of fault
exculpate my soul
for maximum rectitude
is the true  fill of my heart
glory to the sons of Russia
Kudos to you all and your foremen;
Nikolai Gogol the master in the dead souls
Alexander Pushkin the effeminate poet
Vladimir Lenin who knew what was doable
Alexander sholenestysn the Siberian jail bird
who was on the poetic phone by five
Feodor Dostoyevsky the epileptic Karamazov
Maxim Gorky and Antony Chenkoy leave them alone
Ayn Rand the woman who shrug the atlas for we the living
Vladimir Nabokov the school master who asked for ***
from her student the adourous ******
Boris Pasternak the Muzhik like Leo Tolstoy
who wanted land beyond the horizon
for doctor Zhivago the **** peasant
or Vladimir Makayavosky who slapped the public
in the face of their capitalistic taste,
Glorified be you all you sons of Russia
your Muse is beautiful and erotically crazy
glory for your humour and your finer threads
with which you have woven for me my poems of dystopia
glory be to you all in the stark oblivion
of Leon Trotsky and his penman Leonid Brezhnev
Andrew Penman Dec 2012
A fond kiss
memories are made
of this.
when love is present
it is sheer bliss

Lips meeting
hearts racing
merging happiness
sublime moment
an action repeated
time after time

salivating prowess
an art practiced
by lovers
the starter
before the main
feast of melting
torsos entwined
followed by contracted
******* ecstacy

A fond kiss
memories are made
of this.
When love is present
it is sheer bliss.

© Andrew Penman 2012
It is about love, foreplay and joy!!
Ja  Mar 2016
POETRY
Ja Mar 2016
Poetry, is not just
The rhyming of some words
It’s expression of a feeling
Which a heart shepherds

A rhapsody of heart and thought
Immersed in joyful bliss
Or dashed upon those rocks
Of agony’s abyss  

Pictures made of words
Painted by a quill
Words that dance and twirl
At the penman’s will

The fusion of a thought
With the gift of soul
Emotions that are freed
Without any control

The sorrow of a heart ache
Set in rhythmic prose
The rhythm of true love
Which two hearts compose

Visions sketched in words
For everyone to see
Desires and their dreams
In hopes that they will be

The harmony of lyrics
A mind and heart have spawned
Set, in melodies of verse
To which, we all respond
BOEMS BY JA 413
Andrew Penman Jan 2011
Music is a life
lived
songs are dreams
still
to be
realised
Music is diverse
the people
its
melodies
Music and life
a duet
that thrives
within an
environment
of
harmonious
rhapsody

© Andrew penman 2011
There's a pit where my heart should be
And it'd **** me if you found out,
But I suppose there's no reason you could,
Not when the writing's this ugly.
I don't even have a doubt.

The marks that I got were accepted,
Except for the "two" in my scripting
"Untidy and dull. Short and fat,"
She wrote in perfect penman's art.
Well I didn't care too much for that.

And I watched them pass under the scope,
Fluttering dove feathers with delicate designs,
Learning what they meant, not what was drawn
In bronze or cream or scarlet masks,
Where all traces of blank spaces were gone.

But the mind learns what wasn't taught
And then the eyes can't help but see
The pretty slants of every letter and
The smooth curves between the words
That draw in the reader oh-so lustfully.

Without a care to what was written,
The mind befalls upon the neat,
Tidy, perfect, intricacy of handwriting.
And I could soon see for myself
That I lacked this very crucial feat.

And all my work became so obsolete.
My stories offered so much more, but THEY,
They had the notebooks with the colored cover.
The pages wrought to dust inside
But people tend to push that all away.

So my silken words in their ugly ink
Fell into the shelves without a trace.
All they wanted was to be seen
From inside, but now they're too ashamed
To begin the story with such a rotten face.
I feel so ugly, I can't even look in a mirror... I want a guy but how can anyone want me when this is what they see?!?! (A typo made me change "sullen" to "silken")
Andrew Penman May 2011
I sit alone on the grass
fixated thoughts of you
my mother so bold
a vision of loveliness
a sight to behold
I miss your passion for life
through tales recalled
so much trouble and strife
combined with the joy
of giving me life.

I am walking in a meadow
of beautiful flowers
that whisper sweet melodies
carried away in the wind
captured by birds in flight
who serenade me well
into the night.

I will cherish the memory
of this day
when I saw your vision
in the light
holding it in my mind
until we are no longer apart
two spirits dancing
in a meadow of song
happily sharing one heart.

©Andrew Penman 2012
Ottar Oct 2014
invisible flight
paths, translucent truths
lines crisscross
parallel lives
parallel loss
masks and disguises strewn about the place,
meeting me, you would recognize this face,
don't look my age,
what can be seen,
is there any happiness that is not obscene,
is there any doubt in this poet's remorse,
too many lines,
only one life,
words on paper can not be deciphered,
not in code, who taught this boy to write,
penman-ship,
sank in plain view,
this is too easy for the lot of you...

wind gusting as weather digests,
any life form brave enough to venture,
out,
                                                   ­   capital idea,
run in a thunder and lightening storm,
with scissors in your outstretched hands,
how is that again,
Eddie?

Didn't work for you?
Sorry this is not about October thirty first,
                                                   what a thirst,
For a dark brew,
cesspool stew,
pouring from the insides out,
don't believe what sounds,
words shaped like scalpels,
can do
shave your heart and soul,
down,
down,
why do these sounds,
have a voice that cuts like my own,
oh on a positive note, this too shall end,
tear a strip off there is nothing to defend,
with,
with,
no one to stand beside,
no one too trust at my back,
can't reach the bullseye to prevent the attack,
there may be rhyme
but no reasonable prose,

for if a dark cloud grew darker as it was over
a forlorn brow, upside down smile, caffeine,
fuelled fool spin doctoring, the story of a lifetime,
always forgetting the best part, no heart for
memorization, lazy man playing at this for real,
always a decade plus three hours behind,
write something happy with bunnies and frogs,
talk about love...

bring the lightening
hear the thunder,
face into the wind,
can't leave you all,
                                  like this,
rain pellets feels
like bullets,
absorb every hit,
would put me on my
knees if the legs weren't so stiff,
like the neck,
not a question of pride,
I have none,
not one gram of self worth,
hope grains like a sandy beach,
dream streams like a rainbow arc,
sure,
am I okay,
I will be okay,
when the dragonfly returns my smile.
Holding on till spring.
Let there be spring
Andrew Penman Dec 2012
I often sit on my own
although never alone
my pencils make me smile
after scribbling for a while
I see beauty flow from
my inner core
a creative spark
fills me with glee
I am content being me
alone in a crowded room
characters bounding around
on the paper singing loud
a maddening crowd
making me proud
I often sit on my own
although, never alone.

© Andrew Penman 2012
I penned this for my artist friend. It may be true of other artist friends without family and friends, some of whom may prefer to be on their own with their tools.

— The End —