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Nat Lipstadt Aug 2013
Motet: an unaccompanied choral composition with sacred lyrics; originated in the 13th century.  Suggestion: look up on YouTube, the Hilliard Ensemble.*  Jewish tradition says that there are 36 righteous souls on Earth, whom for their sake, God preserves the planet and its inhabitants.
~~~~~~~~~~~~~~
Motet II

August 2013

Last night,
I lay with God,
Again.

We made love inimitable,
As if it were the first time.
The music of purity, voices ensemble,
The only commonality.

Afterwards, heaving, sweaty, in bed,
He reminded me that I had already
Written of the motet, long ago,
But permission granted to
Love it, write of it, once more,
As I He, and He, me...

Because after-all, the motet prayers belong to Him.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Motet

Nov. 2010

Ce soir, I am prepared, My Love,
hopeful of being worthy,
diminished before all,
rendered and prepared,
transported and train-spotted,
prostrate and yet risen.

The motek-sweet motet wings me
heavenward to more than relief.
Grace, grace, I am both,
becoming and becalmed,
drowned and delighted,
entwined and unwound,
compost but composed,
invaded and imbued.

These voices doth
wrack my fibers,
seethe and contract,
my internal power plant
implodes, heart attack.

Glorious generations of singers,
O woven voices that harmonize,
your motet is
umbilical to my lyrical,  
calming chemical reaction,
I am servant and
you are my server,
uplift, calm and provoke me.

Sing out loud God's
ephemeral, unpronounceable name,
cover me with the fame
of His naturity,
love me with divine kisses,
release unto and within me
the essential oils,
oils by which we breathe,
ancestorally transfused,
oils once called the
blood of the soul.
~~~~~~~~~~~~~
In my past harmonies of poesy,
you shared, lost or just deleted,
tribute unto tribulations human:


I recorded, ven diagrammed,
sorrowed tales of souls waylaid,
debts foreclosed, dues unpaid,
tales of non-fictional agonistes,
suffering a tutti frutti of sarcastic
Earthly  Delights.

Wrote writs re some poor souls,
Prado preserved,
by threading and dying,
on a cloistered tapestry
woven by Adonai worshipers.

With those selfsame oils,
they painted anticipated memories of
Heaven and Hell,
the ones of which I write,
far too oft.

But this night,
In my customary hour
when inspiration is my only tongue,
in the lean hours after midnight,
afore dawn's orangerie of
morning skyed break fast,
I am risen, nourished and
uplifted by the motet's synthesis,
by what I hope to see,
by what I wish to hear.

For I watch,
porched and perched on rooftop,
in the company of
urban spelunkers and debunkers,
all of us desperados,
differing reasons for despair,
yet together,
a human minion-minyan of ten,
we search Jerusalem,
from the Battery to the Cloisters
for glimpses, hints of human angels,
the thirty six^
ministering to the
homeless and dreamless,
to us all.*

Ce soir, I am prepared,
hopeful of being worthy,
diminished before all,
rendered and prepared,
transported and train-spotted,
prostrate and yet risen,
the motek-sweet motet wings me
heavenward to more than relief.

Grace, grace, I am both,
becoming and becalmed,
drowned and delighted,
entwined and unwound,
compost but composed,
invaded and imbued.

Reveal, reveal to me the identity
of your ministering angels!

As the thirty six preserve me,
motet me on eagle's wings, and
return us to you Lord,
that we may be returned.

Renew our days,
as they were before,
when the motet
was bright, organic,
in each of us.






----------------------------------------
^www.neveh.org­/winston/wonder36/36-08.html
Motel is Hebrew for sweet. Minyan, a gathering of ten (minimum) Jews in order to pray collectively.

In the PRADO , The Garden of Earthly Delights by Hieronymus Bosch
This is without doubt one of the most enigmatic paintings in the Prado Museum. The left-hand panel of the triptych represents Creation and Paradise, the central panel the sins of modern man, and the right-hand panel illustrates divine punishment. The obscene poses, strange characters and impossible buildings that populate this 16th-century work create a delirious world that anticipates the Surrealist movement.


In my youth, I was too young to know love, for I thought it was me thst mattered.  In my old age, I was sorrowful for not having loved enough, knowing that it was me that mattered. Nowadays, I only speak of God in tongues, for now I know but just a few words to speak, woman, human. He or She who has read this in its entirety, will have seven years of luck.  Very few of you will, for you have yet to listen to a motet.  Should you do so, I will carry you heavenwards on a ladder of these words. Promise.
Nat Lipstadt Jun 2014
This is the game, set and matching end-piece to what is known as:

http://hellopoetry.com/poem/385266/poetry-round-find-your-self-within/

by way of an introduction....

T'is season to move forward,
back to old acquaintances renewed,
sand, water and salty sun,
three lifelong friends who,
Auld Lang Syne,
never ever forget me

I get drunk on their eternity,
their celestial beauty,
and they, upon my tarnished earthly being,
muse and are bemused

unreservedly and never judgingly,
share shards of inspiration unstintingly,
we share, never measuring
this captain's humanity, his human efficacy,
by mystical formulae of reads or hearts

grains of sand, water wave droplets and sun rays,
and his beloved words, derived there from,
all only know one measure...
immeasurable

http://hellopoetry.com/poem/699991/adieu-my-crew-my-crew/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Pilgrimage (Reunion)


at last to begin,
to begin the 'at last,'
this reunion occurs
this first day of June
where on my
body's flesh colored calendar,
X red-marked,
deeper than any real cut of despair


this morn, leave for familiar parts,
embarking 100 steps to that
Adirondack chair,
my name, my self,
(oh god at long last)
so often, long lovingly
revealed unto you


the garden's sundial welcomes me,
Prince, Guardian, of the gate to the green,
the green steppe way to bay and beach,
a brief song of "ring around the irises,"
blooming around him,
he issues,
to celebrate his own glory recalled,
his own purpled prosed long ago one ecrivez'd,
by having the third mate
ring the greened worn,
bronzed ship bell
upon conclusion of
his raising of the gate


shorts and T white hair shirt,
costume de rigueur
of this Peconic pilgrimage,
turban and baseball uncapped,
stepping humbly
toward that worn wood throne
where carved are
the initials of
my poetic friends,
and his vast modest,
Concordia of poetic essays


Those odd disordered
collection of aleph bets
that have been prepared for this hour,
are sun dappled,
breeze caressed,
wave watched,
a fresh redressing after a
dum hiems,
a long dark winter


all rise up welcoming with voices
tremulous yet oratory,
sing with a love so spectacular ,
Handel's Messiah Hallelujah Chorus,
au naturel


the armies of ants declare this a
Truce Day,
parading before me in formation,
the rabbits race
in elegant uniforms,
white tailed bemedaled, dress grays,
announcing their  showoff arrival
with a new across-the-lawn
land speed record


the dear **** deer,
familiar families and generational,
look upon this human and
grumble while chewing our shrubbery,
an act of sherwooded lawn high robbery
but perforce acknowledging our entrance,
by uttering a Balaam blessing/curse,
a neutralized
"****, they're back"


the seagulls on the dock,
sovereign state observers from
Montauk and the far island city,
sent by the mother winds superior,
observers and reporters to nature everywhere,
Summer Season of Man Has Begun


a few white wakes disturb the water's composure,
the early low arc'd sun has not peaked in strength,
at 10:00am, the temp just breaches 60 Fahrenheit,
the beach sand untrod, no unlasting human impressions,
no children's red pails yet to them decorate,
amidst the sea life's detritus and smooth licked pebbles


Enough.


each tree ring and grass blade demands a verse,
an all my own tributary accolade,
this too much to accommodate


a year ago I issued an invitation,
do so again for my word is my bond
my responsibilities, my *******,


there are chairs for all
on my righted round and my motet left,
here, there are
no Americans,
no Canadians,
no Aussies or Brits,
or Indians and Fillipinos,
no African or Asians present,
East nor West,
None Invited here,
Only Poets


even those hardy pioneer
West Coasters, a proud lot,
and my Southern family drawling,
and perhaps lessening the mourning
just a touch, a minute modicum,
all sit quiet in the admixture
of poets come to celebrate
the blessing to have been tasked,
to write from and of places we visit
in the cerebral,
and to imbibe each other's words


Three Hundred and Sixty Four Days ago,
I wrote :

We sit together in spirit, if not in body,
You join me in the Poet's Nook,
A few frayed and weathered Adirondack chairs
Overlooking the Peconic Bay,
Where inspiration glazes over the water,
And we drown happily in a sea of words...

I am exhausted.
So many gems (poets)
to decorate
My body, my soul

I must stop here,
So many of you have reached out,
none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.

Once again, in your debt


Again,
I await your beckoning wave of hello,
greet you in your mellifluous native tongue,
iced drinks at the ready,
the opening ceremony already started,
when all are seats taken
we commence officially,
with a blessed

*"Now, let us begin"
See the banner photo...paying off the promissory notes owed to myself
Nat Lipstadt Sep 2013
Expect miracles every minute
Not.

Go away children if you want
Uplifting,
This is a dark adventure
Composition.

Gloomy the mood,
Gorgeous the day,
You have received my disclaimer,
Scurry away.

I scribe smoke that is uncontainable,
Smoke that suffocates, not for decoration.

You are the unrighteousness, not on the list,
Peekaboo voyeurs who read and dismiss.
Why I pen this or this.
Lost in the shuffling cards,
Luck is not inexhaustible,
Mine, bottled in the bin labelled,
The last recycling.

Dark is the blue sky,
White clouds just clothing to disguise
Morose is the vision,
Of eyes that have not seen a miracle
In decades of waiting.

Let us divorce today,
Find good cheer and company elsewhere.
From my finger these words fall freely,
No waiting, from me to you instantaneously.

What ails thee smoke scribe?
I have given and been taken, leeched and bled
and now wasted the last of my
Nine lives.

This is where I stand, edged and ledged,
Miracles are not shown to me anymore.
My quota, used, I'm not us-confused,
Cause I wrote the disclaimer,
The warnings, the risks, well understood.

Write of the good, the bad, of the
Beautiful that does not last,
Wonder if this is the poem  
shall be my Epitaph?

Poetry craft, was the sword I breathed thru,
Unlike you, my motet is completed,
The music, the canon smoke, here, come, then
Gone.
Nat Lipstadt Aug 2013
All is revealed.

Look at my photo.
You see the solitary Adirondack.
So oft writ, it is almost yours,
From which I ply my craft.

Sentinel, overlooking the bay,
Looking for poem invaders,
Need prisoners to do the hard labor,
For I am on duty, elsewhere, peripatetically,
A new tour of duty to family.

See the coffee mug,
The contents, a warm hug,
For though it sumer still,
The sky and breeze beg to differ.

I think time is nigh,
To close this chapter,
A few itinerant thots yet rumbling,
But the rush is gone, like my contented season.

Wise men do not deny perception,
Grown cold, my warm invitation,
Perhaps, I injusticed you with repetition,
But I left you a motet for comfort.


And hints of an address,
In case some enchanted evening....
Photo removed, if u wish I will send to you.

Some enchanted evening
You may see a stranger,
you may see a stranger
Across a crowded room
And somehow you know,
You know even then
That somewhere you'll see her
Again and again.

Some enchanted evening
Someone may be laughing,
You may hear her laughing
Across a crowded room
And night after night,
As strange as it seems
The sound of her laughter
Will sing in your dreams.

Who can explain it?
Who can tell you why?
Fools give you reasons,
Wise men never try.

Some enchanted evening
When you find your true love,
When you feel her call you
Across a crowded room,
Then fly to her side,
And make her your own
Or all through your life you
May dream all alone.

Once you have found her,
Never let her go.
Once you have found her,
Never let her go!
Nat Lipstadt Jun 2013
Entanglement: First Poem of the Day

We awake simultaneously, syncopated.

Guests next door,
Can't risk love making noises at five am,
A noisy first coffee of the day,
An oops, unintended,
Guest wake-up call.

Nope.

So, instead,
We ear-insert our buds, white flowers,
You, to the Land of Thrones, yay,
Me, to the land, nay,
The **island
of my
Secret poetry life.

I'm carried there on music-waves,
A Motet For Five Voices and
Jason Mraz, Tracy Chapman, Billy Joel,
Pandora's music box escapees.
Pandora's an oddball shuffler,
Just like me.

You read/listen/sleep head-resting upon
My good arm, my cunning one,^
And I leftist type write, hunt and peck at 6:00 Am,
And tho we will not fluids exchange,
I smile at our white wires all crossed up
As metaphor for our
Heart's happy entanglement.



^ Psalm 137
If I forget thee, O Jerusalem, let my right hand forget her cunning.

6:15Am
June292013
Nat Lipstadt Jul 2016
aimless ruminations
(this is who I am, this is how I write)

<>

" I couldn't work or get ready for a piece of work
from a city base, from city life.
I need deep, deep quiet and a landscape too
that I can be absorbed into.
So much of the work is in the process of
aimless rumination
in which things may or may not take seed."

Daniel Day--Lewis

<>

just past six pm,
early but late, on a finely finished Friday,
long after-the-noon-hour,
the sun, presentable, clothed, well established,
high enough majesty in the hued blue sky

(all the orange pinks of  sunsetting soon to come but as of yet,
still guests of prior poems)

all around surround, the essential quiet,
essence of demure, parfumerie of the bath oil of
wind and wine, woman, a pacific stillness,
a soft sloping declension into the purity of just breathing

(well graced to prepare us for a slow descent into the soft richness
of a black ermine fur, a royal, star-studded night sky robe,
come to envelope, lit by jeweled sparklers of white dippers flickering)

but not yet...

O Magnum Mysterium!^
O Great Mystery!

a matin motet for a choral of four voices,
served up as an afternoon gift to us,
a present from the 16th century,
a tonal harmony of sweet majesty,
fills the sunroom atmosphere end of day musicale,
where we sip a Provence Rosé drink the music,
thoughtfully munch upon its pianist-accompanist,
slightly salted roasted cashews

punctuating the natural silence,
small bites of crackling noises,
planting the seeds of the nut tree in our bodies,
and licking the dead sea salt crumble, that moistens lips for licking-living

these then are the flavors of the moment,
quiet simple poignant pink and tawny tan of
clearly colored perfection

of earthly and earthy life tastes,
warmed salty sweet, from which all drawn to drink,
a celebration of the coordination of the sun outside,
the sun inside us,
sustaining, melding a harmony of soaring quietude

<>

ashamed, to have this spoil,
for just us two,
wondering why I,
why am I, compelled once more
to write of this Eden,
that so late in life I've come to cherish
as a rejuvenation, even satisfyingly sufficient
as just a bridging continuance between the speed bumps of...

of this time and place, I write once more,
surely not to flaunt, surely not to arouse,
somehow to share and tame
our crusted residues from a work week's enslavement,
end the drip of marking minutes, until to here, return,
where there are only tributes,
and no tribulations

but with you here, as well

how many times can
one mediocre poet write
of the same scenery,
the precise light, the my-oh-my-sky,
and not think, wish repeatedly,
as I do,
how I wish you were here,
all our dear ones,
to share the sharing

come sit beside us,
let I,
your faithful Sancho Panza,
pour your wine, remove thy scuffed shoes,
pull open the curtains, gift you the certains
of the great goodness of this garden,
give guidance to the yellow orb on how
to best warm the tarnished, slow eroding, river plain of
undernourished souls

let me bring you the readied ink utensil,
place in thine hand, the thin sliver of tree,
feed you, feel you feeling the felling blush of the grape skin,
all warm softened and proper chilled,
for receiving the new born fruits of inscribing

let all enfold, as we sit beside you,
watch with unconstrained delight,
as you too,
understand the addictive compulsion of this moment,
of this place and time that demands,
requires of you,  
not to justify existence, nay,
but to be absorbed,
but be come part and parcel, a resource,
grace this place and time by your hand,
elevate our existence

& write write write...


<>

always here, upon all this,
in this more or less, precise time and place,
doth nature beg me ruminate

permit eyes to inhale absolute aimlessly,
taste the floral glories, kiss the Roses of Sharon come to lavender bloom,
think deeply about nothing, and for anything present,
be concucopia bounty-full forever grateful

coming now to this our ending,
moved along by the gentling means of holy water sanctified tides,
the slow march of the sky's mentoring friends,
my aim, my ruminations, pointedly aimless,
my hands flowing, my eyes, purposedly never keener,
culminating in this so faintly heard,
nocturne of the absolutes of perfect...


<>

gifted to all my friends here,
poets who have happily transgressed into
kind caring friends


and also,
one gone missing,
Harlon,
who was, by his skill at praising this Earth's excellence,
was appointed by Nature as its very own poet laureate


7/29/16   6:06pm
Shelter Island
^ https://www.youtube.com/watch?v=Q7ch7uottHU
Martin Narrod Nov 2015
tonight i woke up a man
covered in a thin film of
your magical black dust

and then I'm thinking
how long I can breathe in fire,
if I can I touch your face with my face
and we can still be friends

I see the sick with their broken jaws
what if I purposely picked the shortest straw
I can carry heavy things
and see them too, hold this face until my lips turn blue
All of these pachyderms and lies,
is worth this new motet
clear conscience Jul 2020
this is how the poetry bows out



the tying of the tongue,
fingertips are shaved, nubbed,
heart seized, it rhyming ceased,
veins are dammed, arteries blocked,
the emotional fled, to a wild wind wed,
this is how the poetry bows down ‘n out

the remainders, sticky stuck, viscous,
through small pore filters they leak,
with the soap and the sins, all drained,
the shower uses holy water to no avail,
this is how the poetry bows down ‘n out

the brain cognitions loss, realizing a release
ending, time sensitized, the mantelpiece badly
cracked, each of the body’s words in reliquaries hidden,
the other worldly acquaintances greet him joyously,
commence a choir chant, a motet centuries old,

this, this! is how the poetry bows out
Nat Lipstadt May 2020
if you don’t know by now,
going to early mass is not my thing,
as I am one of those peeps of the tribe
that for your sins, died and then, again, and again

‘bout 6:00am, exchanging messages with
my fellow Indians (nooo, I’m not Indian) poets
on mundane subjects like tradition, grandchildren,
nagging wives, profits, revenues and earnings, expenses
(of that, more later)

now that we are living on the isle-no-elation,
the distractions are numerous though varied,
so I find myself unloading the dishwasher,
chopping, peeling, red, yellow peppers, cucumbers

then to a puzzle I am sent, how to fit in two
big cases of water into a Manhattan-sized
closet which shall we say, with largesse, isn’t
large-esse, comes pre-crammed from urban foraging

which means it’s coffee prep time so more
cleansing of yet another device, which happily
annoys by providing step by step, non-negotiable demands,
what me, just another human pretense machine, must execute

ménage a trois, three poems are pre-forming in
a mind that says concentrate, please don’t slice a fingertip,
but if you must, that romanesque nose, certainly
could use a trimming, if you are so energized & inclined

and it’s Sundae morning and I deliver the coffee,
making the route I’ve been plying for many morn,
this one is black, this one is oat milk, extra hot,
this one is awake, cause she’s giggling at **** emojis

oh yes indeed, a liturgical motet, a prayer to a lord,
I’ve never seen, but who insists on interrupting me,
when the mood is upon him, as if we humans were his own
coffee machine toys, don’t forget to make him herbal tea

and you say this is not a poem, and you whine,
overly long, and I laugh and say please, please,
don’t read it, I’ve got plenty others that garnered
accolades of multiple thousands and love this one better

feeling so holy, feeling so hollywood, my tasks nearly
completed, return to bed, when the nagging begins,
what have I forgotten, ****, my own coffee hides,
in the microwave and by now needs a reheating twice

and while I must off to write of Indian traditions,^
the gains and losses of grandchildren, grandmothers,
a new debate rages, how shall I end this morning-prayer,
and
I offer myself
three choices,
in a language I speak in the original,
Hallelujah, Amen, and Selah.


8:49am
Manhattan Island
May 17
2020
Nat Lipstadt May 2020
It’s ‪7:00pm‬, You Feeling My NY City?


a nighttime crescendo, daily grows stronger for longer,
a major miracle for a city where blasé arrivée so fast in
a New York City Minute, uncool, you’re done, see ya,
starring in your-***-banging-solo-reality-show

but this loving polyglot *** clanging, more akin to being in...A Chorus Line?
no stopping a diurnal ritual, soon to be the longest running musical,
a clap & dance prayer ‪@ 7:00PM‬ sharp, a very civilized NY hour,
quarantine is French for sleeping-in, we vive les temps viral!

‪this evening service, no choral motet, no anthem rock,‬ nope,
just a single note, a cheer, a celebratory count, taking stock,
we noise makers beat back death once again, we’re alive,
kickin’ up heels to a dance guv-anointed as NY tough

that bell ringing noise is us saying, see here, we are all heroes,
stir crazy got nothing on us, it’s a bust, no showing rust, aging,
in a city that never sleeps, we may have changed but temporarily,
an unnatural reflective silence prevailing, still take a moment to say:

our city’s style, no way Jose, this noise is a surround sound blessing,
it’s a street sign, “stick around,” here is our home, not going down,
we are troops, seasoned by history, how to survive, sheltering live,
underneath our huge racket, we quiet whisper, raucously shout


staycationing here, my homies

May7th

5:35AM

— The End —