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I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
Cecelia Francis Mar 2016
Oh my God, I forgot
how ******* amazing Manga
is and I wonder can't

Remember why I ever stopped
reading it tickles then torments
my sensitive nature and
reminds me

I am a romantic when
my green grows and swells
resonating from her hand on
his coat or her resounding
"I belong to him" sound

It sounds like drivel:
to need so little as a trope's
grip of some coat in a storm
Mahou Tsukai no Yome
Paul d'Aubin Dec 2016
Ce si long chemin des Mages

Ils se mirent en route juchés sur leurs chameaux,
pour accomplir les prophéties prolongées par leurs subtils calculs.
C'étaient de fameux astrologues et des savants emplis de bonté, de sagesse et de savoir.
Ils n'avaient pu dresser du Cosmos et du chemin à parcourir que des cartes incomplètes mais se mirent d’accord pour suivre cette étoile nouvellement apparue, déjà annoncée dans les écrits anciens.
Cette étoile se manifesta à leurs longues scrutations du cosmos en brillant avec une clarté particulière dans le ciel des comètes.
Deux Mages partirent de Chaldée, le troisième vint des hautes sources du Nil.
Ils se rejoignirent à Jérusalem dans le palais du roi Hérode.
Leur entretien fut marqué par des échanges de présents, de paroles, de miel et d'observations méfiantes  mutuelles.
Cependant, Hérode, s'enquit avec cautèles du motif d'un si long voyage et demanda s'il était en lien avec cette étrange prophétie annonçant la naissance d'un nouveau-né destiné à devenir un jour le probable roi des Juifs.
Puis il demanda qu'ils veuillent bien lui faire connaître l'endroit exact où était tenu ce nouveau futur roi pour l’honorer à son tour.
Les Mages hochèrent la tête avec gravité et évitèrent de se prononcer sur la demande pressante qui leur était faite.
Puis les Mages prirent congé du Tyran Hérode en l'incitant à préférer la pratique de la sagesse plus que de verser dans l' « hubris » que blâmaient tant les philosophes Grecs.
Dès qu'ils eurent repris leur étrange voyage, le roi cruel rongé, par la peur, ordonna à ses espions de suivre les Mages jusqu'à leur probable découverte.
Bien sûr, les Mages furent suivis par de nombreux espions à cheval mais ils dormaient rarement dans des auberges ou des caravansérails.
Pour éloigner leurs suiveurs, les Mages voyageaient souvent de nuit car les suivre devenait alors difficile.
Et, eux seuls, connaissaient l'étoile messagère.
Plusieurs fois, ils perdirent leur chemin s'égarant entre les monts et le fleuve Jourdain.
C'est ainsi qu'ils finirent par égarer les espions.
Avant de s'endormir ils discutaient des sujets inépuisables des science mais surtout de cet enfant à naître promis à tant d'espoirs, du moins l'interprétaient-ils ainsi.
Ils ne savaient pas exactement quel nourrisson, ils allaient trouver, et qui et ou, étaient et résidaient ses parents.
Puis ils pénétrèrent dans un pays d'éleveurs, de rochers et de grottes.
Certains ont dit que c'était le pays de Bethléem de la tribu de David, d'autres ont rapporté que c'était le hameau lui aussi nommé Bethléem mais proche de Nazareth ou Joseph avait son atelier.
Mais le doute est resté tant les témoignages sont souvent bien difficiles à interpréter.
Ce qui est sûr, c'est que l'étoile messagère devint soudain rouge feu et projeta sa clarté tombante sur la terrasse d'une modeste auberge emplie de voyageurs.
Ils se firent connaître de l'hôtelier et demandèrent que leur soit présenté un nouveau-né qui serait abrité ici.
Jésus, fils de Joseph et de Marie, avait été placé dans une mangeoire servant de berceau dans une chambrette bien chèrement louée.
Mais le nourrisson dormait, le plus souvent, et parfois tétait comme tous les bébés de son âge.
Les Mages furent éblouis par tant de simplicité et d'innocence pour celui qui avait été annoncé par tant de prophéties lui annonçant un si grand destin.
Les Mages se présentèrent aux parents, firent connaître la prophétie, leur donnèrent les présents variés; l'or, l'encens et la myrrhe et incitèrent vivement Joseph à se défier du perfide Hérode mais aussi d'un roi criminel de Cœlé-Syrie nommé Cheb Bachar el-Assad et de son complice, le Boyard au visage anguleux et aux yeux froids d'esturgeon, vêtu d'une Chapka et d'un Kaftan et leur commun admirateur et complice Celte, « Fourbix Fillonix » à la triste figure.
Avec l'or qu'ils leurs avaient donné les parents pourraient se rendre aussi discrètement, le plus tôt possible, dans « le pays des pharaons. »
Ils ne pourraient revenir que lorsque la froideur et la rigidité des membres auraient saisi le corps du Tyran qui avait déjà fait périr sa magnifique femme Mariamne, l’Hasmonéenne et deux de ses propres enfants.

Les Mages comprirent alors que le sens profond de leur voyage était de mettre, à l’ abri, pour le futur ; eux, les hommes de savoir, une famille dont le nouveau-né était déjà, en quelque sorte, déjà un « réfugié politique » avant que d'avoir pu marcher et parler.
Car de tout temps le vrai savoir fut souvent l'un des rares secours des Peuples opprimés par ces tyrans ne vivant qu'entre peur et crimes, selon la très ancienne malédiction de ceux qui usent de ce pouvoir immodérément.
Joseph et Marie, avertis par les Mages et de surcroît par un songe fuirent avec discrétion en Egypte dans le pays de Pharaon mettre Jésus à l’abri de la folie sanguinaire de celui qui transmutait sa propre peur en sang. Plus de deux mille ans après,  les questions presque insolubles de la tyrannie et de l’accaparement de l'argent, de la liberté des consciences et religieuses et du pouvoir ne sont toujours pas réglées.

Paul Arrighi
Kalen Doleman Jul 2018
I’m looking out on the road the sky is bright the wind is cold.
The wind my element it blows so hard, the sheer force of the world is felt in this air.
I feel the life being ****** out and then in to my body at the same time such a beautiful sensation.
This is the sensation right before you begin the Great Work when you feel the energy of the universe.
The energy just whirling around in circles the path of lapis ruber or another path.

But my journey if not for lapis philosophorum my journey is for blank, my mind is not for anything.
The journey I travel is not for life it is not for death this journey is not for a **** thing in existence.
My journey is for something much more what it is only one on the road will understand.
So when I feel the wind blowing I ask myself is it time for me to move? Is it time to start?
I am going to the center of the sun what will I do now that I’ve taken the first step has it all begun?

It is not possible to turn back not in this particular journey.
In this journey once you take a step, the platform you were walking on before is completely destroyed.
It is swallowed up in the sea of what, the platform is consumed in the place of never-ending nothingness.
Really it is not a place, it is swallowed in the void, so you can’t turn around even if you will it.

Now I as I walk this path I sit here and I see the star, on it are five points.
The five points of the star are all looking at me I just wonder if the look is inverted or upright.
If it is observing me inverted what will I do? If it is watching me uprightly what can I do?
These questions are both the same but which way is the star observing me.
I couldn’t give a **** either way, but at certain points it seems I would give a ****, now why is that?

See I’m on a spiraling path of this something, and it’s becoming clear, it’s not that I’m stepping forward.
In this journey I am not stepping forward I am not stepping backwards I am doing much more.
But I am stepping.
That’s the beauty of this journey where time ceases to exist.
It’s because at the end of this journey I might have explored the universe in its entirety.
I may have went to the edge of this universe of motion and jumped off the edge.
I would have slipped through the corners barely escaping the hound dogs of the barrier.
And after facing the eternal beasts, I would have ended up back inside of the universe.
It’s funny because after this timeless journey, I may have gained so much and time will have certainly passed.

est ruber in terra, populous non est faciem in principia pater sol regnat
in terra humanos est regnant.
deus sol non est in oceanaia luna non est in caelum nocte quam quam non lux.
non lux quam quam sol non est regnat.
hominis the rise of the moon is so great that the light of the sun can be overtake.
But the light of the moon come from the light of the sun there is nothing else that can actually and truly be done.
What to be done is what to be given to all who want to go forward in the way of life.
The path of love and the path of light leads to the same sources it is up to one of us to decide which one will be our tool. Back to what I was talking about the sand was awesome.
The alpha and the omega a rise of the sun and the fall of the moon also rise of the moon and the fall of the sun.
Will you know the meaning of the magus order
Glynis Kearney  Jun 2010
Tarot...
Glynis Kearney Jun 2010
Glass ball rotates in gypsy hands
Fortunes told of master plans
yet darkness looms behind the cloak
Untruths in words she never spoke

Laughter crackles from hollow holes
Sights unseen in distinctive roles
Light appears then dims to shade
The jagged edge of a lovers blade

She twists the cards and they reveal
The saddened loss of last appeals
Hangman, Magus, Prince of wands
Shackles tied in tireless bonds

Blatant hurt from heathen cry
Today I choose the time to die
Credence blurts it last farewell
The journey begins out of hell....
© Glynis Kearney 2008
Sam Knaus Dec 2014
I was asking around for poem ideas, and one of my friends told me to write about past relationships. I was looking through an old box of notes and cards and stuff that I still have, and this poem just kind of bubbled up inside of me. I'm not sure that I like it, I was just kind of writing to write and then FEELS.



When I was young
and my family told me boys (or girls) would be
"breaking down the door to date me"
I didn't realise quite how many people
would say they loved me
and how many people I'd say I loved
in a lifetime.
It's amazing how love can be given away
so freely,
so willingly
yet so painfully...
I have memories
of each one.
Lucas will always be my Percy Jackson.
Devon was a constant "babe" and "baby",
"you and me,"
and a Valentine's card/stuffed bear that I still have.
Evan was "1... 2... 3"
playing Doctor Who with my little brother,
I wonder if he still keeps that 4th grade picture
of me in his wallet?
Derick was "#dickerdoodles"
and a Valentine's card/stuffed Pikachu that I still have,
Netflix, a rainy day, a pack of cigarettes
a notebook
and a promise of New York City in a year.
Hannah was a bass
duct tape wallets
carmex,
a song lyric or three, and
"How do I love thee?"
Ellie was the Tumblr Accent Challenge
cigarettes, alcohol
a homecoming dance
and incredible music.
Magus was Zelda, movie nights, and
"I love you with all my heart,
with all that I am, with
everything I have."
Jayne was (and is) "kiddo," and now "baby girl"
JannaLee was "Stay strong, babe, and burn bright.
You're my fire; I'm your hurricane.
Those nights belong to us."
Jason L. was "Aw, butts..."
Scooty is "John SNOOOOWW",
"Groot..."
heart-to-hearts, and
Jekyll and Hyde,
#TeamApplesauce.
Travion was "Hey, let's face battle"
a note on yellow lined paper
and Hotel Transylvania.
Andrew was a lick of the lips,
my 9th Doctor,
"Hey, Nii-san."
Randi was "honeybabe" to me;
I still think that's a cute nickname.
Matt F. was "You're DIGAUGFN... I <B you."
(and I still don't quite know how to say
how much the jumble of letters "DIGAUGFN"
still makes my stomach flutter.)
I've made sure not to replicate
with current lovers things I've done
things I've said
special phrases, special actions
with past lovers
Memories are sacred, see.
I don't believe that any men or women
have hindered my ability to love
but at the same time I want to hold
the ones that I've loved
(or maybe don't want to admit to myself
that I still do love)
in the back of my brain,
in the bottom of my heart,
in my palms, rolling them into joints
and inhaling them until all that's left
is a labyrinth of white smoke and a smile,
lightheadedness and a moment of peace
I want to make this explicitly clear:
Just because I have loved many
and still hold many dear to me...
That does NOT hinder my ability to love
any given person at a time.
After breaking up with my boyfriend of 3 years
for a man whom I didn't know I could love
as much as I do
I realise that with all the people in my heart
I still have room
and as awful as it sounds,
I live in the past
as well as the present.
I can't let memories of people
things, places go
but please do remember that
I do know how to be faithful
in mind and in action.
I know how to hold only one,
how to kiss only one,
how to date only one,
how to marry only one,
how to live with only one,
when I say I'll never leave,
please believe that my words ring true
but I'm sorry...
I do not know how to love
only one.
Mike Essig Dec 2015
the constant of fluxation

truth merely a moving power
mortality merely mereness

a genuine body
sincere energy
a spiritual purpose

quarks, leptons, bosons, berryyawns. mesons
lead to electrons, electronic, electric, energy

this too is a syntax

letters, words, phrases, sentences & soforth

syntax added meaning unfolds
the human becomes

a life lived with intelligence, patience and whimsy

unfolding
like a lily

syntax sails a real world
but only one of many

mind without cause is a noisome thing
it is possible that your ears will bleed


meanings
        diverge
               for
                  different
                           readers


there is really only one sentence per reader

for each line only
one proper break
    or silly jabber
         becomes toxic tropes

     it can take days to understand one idea

I have never understood the
significance of garter belts

proceed with addition

let us go then you and I
out beneath the weeping sky
and attempt to make something new
from what has been

Allow the brain's raw edge
to blow away the fluff and
bore down to pure syntax
unadorned.

most ideas are only nostalgia

writing on the computer
an imaginary ribbon types back

purge the fluff

blow away the frills

what really remains?

Culture?

the moaning and bleating
of cattle from a
moving truck's ***
                   doomed

consider all poetry
               a Lost and Found of consciousness

plagiarism an invention of  
lady freshman English teachers
with withered ******* seeking job security

oh poets of the world
find your lines here
be glad they were chosen
no longer in old ink frozen

made new  made new  made new

Born Again!

(can i get an amen...)

the Poet appropriates and incorporates
making the old new

oh! bursting creation!

fresh fire from fallen twigs

make it new! make it new! make it new!
(old ez bombastic but on point)

everything you
imagine is possible

alphabet, words, syntax = narrative
narrative the only reality
and you are The Magus
with power to create

but this calls for courage

again it is an alphabet
making a word endowed
by syntax with meaning

meaning as always
just one of so many
possible realities

created out of lack of time

if there were world enough and time
you could embrace multitudes

you could spasm out
a plethora
of galaxies nebula planets

only cursed by time
is limitation introduced

know the silent voice of the gods made visible

find the Center of Self
just what is and no more
    sentence
            syntax
                  skein

unr­avelling back to the Source

we are more
than we can ever be

  ~mce
Butch Decatoria Dec 2015
Just call me Fish-Sparrow
from atop ten mountains
the dream king of the fountain
guardian for the Light

I am the hermit hangman
balancing with butterfly wings
The Liger with dragon fire
Dancer of four thousand winds

I am yin to mother yang
the light and shadow's bane
the butcher and the lamb
reclaiming God's tears from Cain...

I am Magus, Gossamer prince
Eye of phoenix slayer of sphinx
Harbinger of goddess / kissed
the one who fell to transcend this

I am the clay you shape
the gift of future days
Buddha's peace / grandfather's tree
the secret sword & way

Fish-Sparrow Dream King
Eye of O, Bane of Ys
Lion whom slayed the serpent sphinx ;

to no one I am nothing

A simple poet for the Beloved
A new day's Spring.
I am tomorrow / her Lion king.
A spur of the moment spirit write / out comes the inner verse... take it for what it is, or image big the possibilities are endless...
We are all talking much louder
Than your shoulders can translate
There are escaped sovereigns hiding from
Modern anthems of star spangled spasms
Underneath our hearts there are cars and cartridges
Condoms and consoles coiled around our flagpoles
We are through being told what not to do
So whenever we fool around with tiny tyrants
Please know that we are talking about you
And I am supplying your mind with ecstatic silence
In order to finance these fading fitness regimes
And measure your symbols in systematic struggles
We are all insignificant bundles of nerve fibers
Hoping to one day be born again
As an alchemical magus fluent in many languages

— The End —