I met him on the Amtrak line to Central Jersey. His name was Walker, and his surname Norris. I thought there was a certain charm to that. He was a Texas man, and he fell right into my image of what a Texas man should look like. Walker was tall, about 6’4”, with wide shoulders and blue eyes. He had semi-long hair, tied into a weak ponytail that hung down from the wide brim hat he wore on his head. As for the hat, you could tell it had seen better days, and the brim was starting to droop slightly from excessive wear. Walker had on a childish smile that he seemed to wear perpetually, as if he were entirely unmoved by the negative experiences of his own life. I have often thought back to this smile, and wondered if I would trade places with him, knowing that I could be so unaffected by my suffering. I always end up choosing despair, though, because I am a writer, and so despair to me is but a reservoir of creativity. Still, there is a certain romance to the way Walker braved the world’s slings and arrows, almost oblivious to the cruel intentions with which they were sent at him.
“I never think people are out to get me.” I remember him saying, in the thick, rich, southern drawl with which he spoke, “Some people just get confused sometimes. Ma’ momma always used to tell me, ‘There ain’t nothing wrong with trustin’ everyone, but soon as you don’t trust someone trustworthy, then you’ve got another problem on your hands.’”—He was full of little gems like that.
As it turns out, Walker had traveled all the way from his hometown in Texas, in pursuit of his runaway girlfriend, who in a fit of frenzy, had run off with his car…and his heart. The town that he lived in was a small rinky-**** miner’s village that had been abandoned for years and had recently begun to repopulate. It had no train station and no bus stop, and so when Walker’s girlfriend decided to leave with his car, he was left struggling for transportation. This did not phase Walker however, who set out to look for his runaway lover in the only place he thought she might go to—her mother’s house.
So Walker started walking, and with only a few prized possessions, he set out for the East Coast, where he knew his girlfriend’s family lived. On his back, Walker carried a canvas bag with a few clothes, some soap, water and his knife in it. In his pocket, he carried $300, or everything he had that Lisa (his girlfriend) hadn’t stolen. The first leg of Walker’s odyssey he described as “the easy part.” He set out on U.S. 87, the highway closest to his village, and started walking, looking for a ride. He walked about 40 or 50 miles south, without crossing a single car, and stopping only once to get some water. It was hot and dry, and the Texas sun beat down on Walker’s pale white skin, but he kept walking, without once complaining. After hours of trekking on U.S. 87, Walker reached the passage to Interstate 20, where he was picked up by a man in a rust-red pickup truck. The man was headed towards Dallas, and agreed o take Walker that far, an offer that Walker graciously accepted.
“We rode for **** near five and a half hours on the highway to Dallas,” Walker would later tell me. “We didn’t stop for food, or drink or nuthin’. At one point the driver had to stop for a pisscall, that is, to use the bathroom, or at least that’s why I reckon we stopped; he didn’t speak but maybe three words the whole ride. He just stopped at this roadside gas station, went in for a few minutes and then back into the car and back on the road we went again. Real funny character the driver was, big bearded fellow with a mean look on his brow, but I never would have made it to Dallas if not for him, so I guess he can’t have been all that mean, huh?”
Walker finally arrived in Dallas as the nighttime reached the peak of its darkness. The driver of the pickup truck dropped him off without a word, at a corner bus stop in the middle of the city. Walker had no place to stay, nobody to call, and worst of all, no idea where he was at all. He walked from the corner bus stop to a run-down inn on the side of the road, and got himself a room for the night for $5. The beds were hard and the sheets were *****, and the room itself had no bathroom, but it served its purpose and it kept Walker out of the streets for the night.
The next morning, Texas Walker Norris woke up to a growl. It was his stomach, and suddenly, Walker remembered that he hadn’t eaten in almost two days. He checked out of the inn he had slept in, and stepped into the streets of Dallas, wearing the same clothes as he wore the day before, and carrying the same canvas bag with the soap and the knife in it. After about an hour or so of walking around the city, Walker came up to a small ***** restaurant that served food within his price range. He ordered Chicken Fried Steak with a side of home fries, and devoured them in seconds flat. After that, Walker took a stroll around the city, so as to take in the sights before he left. Eventually, he found his way to the city bus station, where he boarded a Greyhound bus to Tallahassee. It took him 26 hours to get there, and at the end of everything he vowed to never take a bus like that again.
“See I’m from Texas, and in Texas, everything is real big and free and stuff. So I ain’t used to being cooped up in nothin’ for a stended period of time. I tell you, I came off that bus shaking, sweating, you name it. The poor woman sitting next to me thought I was gunna have a heart attack.” Walker laughed.
When Walker laughed, you understood why Texans are so proud of where they live. His was a low, rumbling bellow that built up into a thunderous, booming laugh, finally fizzling into the raspy chuckle of a man who had spent his whole life smoking, yet in perfect health. When Walker laughed, you felt something inside you shake and vibrate, both in fear and utter admiration of the giant Texan man in front of you. If men were measured by their laughs, Walker would certainly be hailed as king amongst men; but he wasn’t. No, he was just another man, a lowly man with a perpetual childish grin, despite the godliness of his bellowing laughter.
“When I finally got to Tallahassee I didn’t know what to do. I sure as hell didn’t have my wits about me, so I just stumbled all around the city like a chick without its head on. I swear, people must a thought I was a madman with the way I was walkin’, all wide-eyed and frazzled and stuff. One guy even tried to mug me, ‘till he saw I didn’t have no money on me. Well that and I got my knife out of my bag right on time.” Another laugh. “You know I knew one thing though, which was I needed to find a place to stay the night.”
So Walker found himself a little pub in Tallahassee, where he ordered one beer and a shot of tequila. To go with that, he got himself a burger, which he remembered as being one of the better burgers he’d ever had. Of course, this could have just been due to the fact that he hadn’t eaten a real meal in so long. At some point during this meal, Walker turned to the bartender, an Irish man with short red hair and muttonchops, and asked him if he knew where someone could find a place to spend the night in town.
“Well there are a few hotels in the downtown area but ah wouldn’t recommend stayin’ in them. That is unless ye got enough money to jus’ throw away like that, which ah know ye don’t because ah jus’ saw ye take yer money out to pay for the burger. That an’ the beer an’ shot. Anyway, ye could always stay in one of the cheap motels or inns in Tallahassee. That’ll only cost ye a few dollars for the night, but ye might end up with bug bites or worse. Frankly, I don’t see many an option for ye, less you wanna stay here for the night, which’ll only cost ye’, oh, about nine-dollars-whattaya-say?”
Walker was stunned by the quickness of the Irishman’s speech. He had never heard such a quick tongue in Texas, and everyone knew Texas was auction-ville. He didn’t know whether to trust the Irishman or not, but he didn’t have the energy or patience to do otherwise, and so Walker Norris paid nine dollars to spend the night in the back room of a Tallahassee pub.
As it turns out, the Irishman’s name was Jeremy O’Neill, and he had just come to America about a year and a half ago. He had left his hometown in Dublin, where he owned a bar very similar to the one he owned now, in search of a girl he had met that said she lived in Florida. As it turns out, Florida was a great deal larger than Jeremy had expected, and so he spent the better part of that first year working odd jobs and drinking his pay away. He had worked in over 25 different cities in Florida, and on well over 55 different jobs, before giving up his search and moving to Tallahassee. Jeremy wrote home to his brother, who had been manning his bar in Dublin the whole time Jeremy was away, and asked for some money to help start himself off. His brother sent him the money, and after working a while longer as a painter for a local construction company, he raised enough money to buy a small run down bar in central Tallahassee, the bar he now ran and operated. Unfortunately, the purchase had left him in terrible debt, and so Jeremy had set up a bed in the back room, where he often housed overly drunk customers for a price. This way, he could make back the money to pay for the rest of the bar.
Walker sympathized with the Irishman’s story. In Jeremy, he saw a bit of himself; the tired, broken traveler, in search of a runaway love. Jeremy’s story depressed Walker though, who was truly convinced his own would end differently. He knew, he felt, that he would find Lisa in the end.
Walker hardly slept that night, despite having paid nine dollars for a comfortable bed. Instead, he got drunk with Jeremy, as the two of them downed a bottle of whisky together, while sitting on the floor of the pub, talking. They talked about love, and life, and the existence of God. They discussed their childhoods and their respective journeys away from their homes. They laughed as they spoke of the women they loved and they cried as they listened to each other’s stories. By the time Walker had sobered up, it was already morning, and time for a brand new start. Jeremy gave Walker a free bottle of whiskey, which after serious protest, Walker put in his bag, next to his knife and the soap. In exchange, Walker tried to give Jeremy some money, but Jeremy stubbornly refused, like any Irishman would, instead telling Walker to go **** himself, and to send him a postcard when he got to New York. Walker thanked Jeremy for his hospitality, and left the bar, wishing deeply that he had slept, but not regretting a minute of the night.
Little time was spent in Tallahassee that day. As soon as Walker got out on the streets, he asked around to find out where the closest highway was. A kind old woman with a cane and bonnet told him where to go, and Walker made it out to the city limits in no time. He didn’t even stop to look around a single time.
Once at the city limits, Walker went into a small roadside gas station, where he had a microwavable burrito and a large 50-cent slushy for breakfast. He stocked up on chips and peanuts, knowing full well that this may have been his last meal that day, and set out once again, after filling up his water supply. Walker had no idea where to go from Tallahassee, but he knew that if he wanted to reach his girlfriend’s mother’s house, he had to go north. So Walker started walking north, on a road the gas station attendant called FL-61, or Thomasville Road. He walked for something like seven or eight miles, before a group of college kids driving a camper pulled up next to him. They were students at the University of Georgia and were heading back to Athens from a road trip they had taken to New Orleans. The students offered to take Walker that far, and Walker, knowing only that this took him north, agreed.
The students drove a large camper with a mini-bar built into it, which they had made themselves, and stacked with beer and water. They had been down in New Orleans for the Mardi Gras season, and were now returning, thought the party had hardly stopped for them. As they told Walker, they picked a new designated driver every day, and he was appointed the job of driving until he got bored, while all the others downed their beers in the back of the camper. Because their system relied on the driver’s patience, they had almost doubled the time they should have made on their trip, often stopping at roadside motels so that the driver could get his drink on too. These were their “pit-stops”, where they often made the decision to either eat or court some of the local girls drunkenly.
This leg of the trip Walker seemed to glaze over quickly. He didn’t talk much about the ride, the conversation, or the people, but from what I gathered, from his smile and the way his eyes wandered, I could tell it was a fun one. Basically, the college kids, of which I figure there were about five or six, got Walker drunk and drove him all the way to Athens, Georgia, where they took him to their campus and introduced him to all of their friends. The leader of the group, a tall, athletic boy with long brown hair and dimples, let him sleep in his dorm for the night, and set him up with a ride to the train station the next morning. There, Walker bought himself a ticket to Atlanta, and said his goodbyes. Apparently, the whole group of students followed him to the station, where they gave him some food and said goodbye to him. One student gave Walker his parent’s number, telling him to call them when he got to Atlanta, if he needed a place to sleep. Then, from one minute to the next, Walker was on the train and gone.
When Walker got to Atlanta, he did not call his friend’s family right away. Instead, he went to the first place he saw with food, which happened to be a small, rundown place that sold corndogs and coke for a dollar per item. Walker bought himself three corndogs and a coke, and strolled over to a nearby park, where, he sat down on a bench and ate. As Walker sat, dipping his corndogs into a paper plate covered in ketchup, an old woman took the seat directly next to him, and started writing in a paper notepad. He looked over at her, and tried to see what she was writing, but she covered up her pad and his efforts were wasted. Still, Walker kept trying, and eventually the woman got annoyed and mentioned it.
“Sir, I don’t mind if you are curious, but it is terribly, terribly rude to read over another person’s shoulder as they write.” The woman’s voice was rough and beautiful, changed by time, but bettered, like fine wine.
“I’m sorry ma’am, it’s just that I’ve been on the road for a while now, and I reckon I haven’t really read anything in, ****, probably longer than that. See I’m lookin’ to find my girlfriend up north, on account of she took my car and ran away from home and all.”
“Well that is certainly a shame, but I don’t see why that should rid you of your manners.” The woman scolded Walker.
“Yes ma’am, I’m sorry. What I meant to convey was that, I mean, I kind of just forgot I guess. I haven’t had too much time to exercise my manners and all, but I know my mother would have educated me better, so I apologize but I just wanted to read something, because I think that’s something important, you know? I’ll stop though, because I don’t want to annoy you, so sorry.”
The woman seemed amused by Walker, much as a parent finds amusement in the cuteness of another’s children. His childish, simple smile bore through her like a sword, and suddenly, her own smile softened, and she opened up to him.
“Oh, don’t be silly. All you had to do was ask, and not be so unnervingly discreet about it.” She replied, as she handed her pad over to Walker, so that he could read it. “I’m a poet, see, or rather, I like to write poetry, on my own time. It relaxes me, and makes me feel good about myself. Take a look.”
Walker took the pad from the woman’s hands. They were pale and wrinkly, but were held steady as a rock, almost as if the age displayed had not affected them at all. He opened the pad to a random page, and started reading one of the woman’s poems. I asked Walker to recite it for me, but he said he couldn’t remember it. He did, however, say that it was one of the most beautiful things he had ever read, a lyrical, flowing, ode to t

The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold, dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The suave, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfulfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the Ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

"Do you have family?"

"Family?" Delleto gives her a sad smile.

She didn't want an answer and then she gets right into it.

"I met my older sister in Baltimore yesterday." She tells the man with sad eyes.' Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why?

"She called me Little Sister. I felt nothin. I had so many questions and you know what? I didn't ask one."

Jack is finishing his beer.

"If you knew the reasons, now, what would it matter, anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore?" Jack Delleto wonders.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch, Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end buried in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is an adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken him to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells her boy, "they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised, unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                                    

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You're not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                              

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, the bar full of people and you're alone. Why?"

"I like it that way. You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your blue note pad and write in it.
What do you write about?  Are you goin to write about me..."

"Maybe. How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                                    

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and re-stitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and Jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got, HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When Bob reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Dell, why do you do it? You always lose."

"If you don't fight you've already lost."

"Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and squeezes affectionately. Bob looks across the room at Theresa. "Yeah, she is beautiful." Theresa's mother has stopped crying. Her father drinks whiskey and stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the nighttime sky, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and then down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper, and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the branches at the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, he knew the shadows had erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Wings of shadow furled and unfurled. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Shadows," Delleto candidly tells his friend, then, "Ah, Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, "What should I call you?"

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do well.

And Kathleen was impressed.

But Dell wasn't like them. Dell never talked about himself. Did he have a dream? Was there something he wanted more than anything?

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes. "I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew that one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No. not at all"

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match. The flame flickering in her eyes. "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                        


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME, TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This is Kate."

Joesph Martin takes Kathleen by the arm and gently squeezes, "Hello Kate, such a pretty women, ah, if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifies his eyes as he looks from Kathleen to Jack, "Have fun now, because when you're dead, you're going to be dead a long, long time." And Martin smiles.

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone.

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he cannot determine if the footsteps are leaving or approaching.

The crowbar is under his pillow.

He grabs it. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms. She can feel his lips on hers and his warm breath as the kiss ends.

They walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above tree line heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the brightly lit kitchen.

Dell, leaning in the doorway, two black eyes, looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Specter singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend."

His hands slide up her thighs. "I'll be your friend, " says Jack.

Her voice is a roaring whisper in his ear. "*** always ruins everything," He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


They are sitting on a couch in the room that at one time had been a sun porch.

Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."

"How did you get those round scars on your arm?" Dell wonders.

"Don't ask. I don't talk about it. Do you have family?"

"Yeah. A brother. Tell me about those scars."

My ****** foster dad. He burned me with his cigarette. That's how I got these ****** scars.

And when I knew he was coming home, I'd get sick to my stomach, and when I heard his key in the door, I'd *** myself. And I got a beating.

But that wasn't the worst of it.

When they didn't beat me or burn me, they ignored me, like I didn't exist, like I wasn't even there. And you know what, I didn't hate him. I hated my father who put in all those foster homes."



                                             Chapter 10



Spring. All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you."

The rain pounds the roof.

Jack Delleto sits down on the bed, caresses her shoulder. "I hate the rain. Come on, give me a smile. "Kathleen pulls away and faces the wall.

"Well, I don't need anyone."

"People need people."

"Yeah, but I don't need you." There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"You're an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

Then silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed, and she holds him close. The ghost of relationships past haunt her and although they are all sad, she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the dark street to his Harley.

High in reach less branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and the singing goes on and on.



                                                  



The ringing phone. The clock on the dresser says 5 a.m.

"Who the hell is this?"

"Jack, I'm scared."

"Kate? Is that you?"

"Someone broke into my apartment."

"Is he still there?"

"No, he ran out the door when I screamed. It was hot and I had the window open. He slit the screen."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6," says Jack. The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack eyes narrow. He starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"Who are you Jack Delletto? What is it with you two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on the T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands too close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy," the little girl with her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform, grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughter's hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain-soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain-soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever-present receding waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride is slowly stopping, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the Casino amusement park door. "****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all of her dreams crawls into her like a dying animal from its hidden hole.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the street of broken buildings filled with broken people. From the emptying lot of scattering thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                            

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack, does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man goes down. Jack looks at him.

"You lose, I win," and Delleto's smile is a sad, knowing one.



                                                  CHAPTER­ 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled-up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear.

"Till i find another place," Jack whispers.

Straightening up, O'Malley looks at Dell, "I know you 're hurting Dell, I'm sorry, I'm sad about Kate, too."

"Kate had a kid. A boy, four years old."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, " the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard," Bob tells him.
Bill Wain knock down four times in the sixth round, he lost consciousness in the dressing room, and died at the hospital."

"I heard. What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you lose all track of time."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure, they do, " O'Malley assures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? June bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                                

Jack Delleto goes into his room above the bar, studies it. The light from the unshaded lamp on the nightstand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the overhand right, three left hooks. He punches the wall and his knuckles bleed. He punches and kicks the blood-stained wall.

At last exhausted, he collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy.

The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the nightstand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifies. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"DA DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant, wind-blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM, WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                             


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you, Jack Delleto."

"I'm glad someone does, I miss you, too, Kate."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bear to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                                *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.


Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you?"
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull, and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt is curious, growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The huge mutt has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for a while.


"Conversations With a Dead Dog..."

In a past life she was a mermaid.
Her eyes seaweed green;
bright watery globes,
flecks of aquamarine.

Bones made of coral,
and skin from wet sands.
She devoured lost sailors
and made treasure their hands.

She rolled with the waves
of the great Celtic Sea,
and pulled with the undertow
‘round County Kerry.

I know this quite well,
‘cause in my past life
I was a drunk Irishman --
she was my wife.

Kaiser Clown

borrowed shoe:
stolen foot.

- - - - - - - - - - - - - - - - - - - -

auf die frei zungen ich kennt -
   (of the three tongues i know) -
ich kennt zwei
    und kennen eine:
    (i know two and know of one):

auf die frei: ich lieben dieser
                        äußerst
(of the three: i love this utmost)...
                      
    in my youth i spent a good deal of time
watching Disney's Robin "fox" Hood
cartoon in German, somehow it rubbed off
on me...

      i was never born with anything even remotely
resembling the love of the English language...
can there be a love akin to the Anglophile
that excludes the love of the language?
i love everything English except for the language...

each day i'm slowly planning my escape
into womb of the mother of the isles that
was first spoken in Saxony...
         tired Bavarians? tired Pomeranians?
but the Saxons were a landlocked people
who gave them the courage and adventurous
spirits to claim the seas with more than
oars and steer the winds with
sails?

      English didn't come to me as some
poor Romanian kid listening to current pop music
or back then, early 1990s... movies from Hollywood...
i didn't want to speak gimmicks...
i was ****** into the deep-end of speaking this
tongue by starting off a mute...
even with the influences of cartoon network
none left a too great impression on my ears
as the German version of the Disney cartoon
of Robin Hood...

   even after watching the English version many years
later... i can still hear the German dubbing
and i can't escape it...

auf die frei zungen ich spre(s)chen es
mit ein konkurs auf substantive...
(of the three tongues i speak it
with a bankruptcy of nouns)...

        at least i have made progress with predispositions
and conjunctions:
i am better coordinated...
but how... how can one be an Anglophile
without a love of the language?
i can adore the way the English care for
the countryside... how traffic is managed...
how taxes are collected how foreign cultures
can slowly integrate and everyone can feel
somehow, seemingly at home:
even if the natives do not for a while...
but without a love for the language
i cannot be a true Anglophile...

                the beauty of Shakespeare disintegrates
when a simple German neo-folk is played to me...

   in der zwölften stund (sage vom untersberg)

- in der zwölften stunde -
at the twelfth hour
- wenn die raben fliegen um den berg -
when the ravens fly around the mountain
- tun sie lautstark kunde -
they loudly proclaim
- von des kaiser macht und tagewerk -
the emperor's power and legacy
- solang der kaiser schlafet -
as long as the emperor sleeps
- tief drunt' im dunklen bergensschloß -
deep down there in the dark mountain *****
- solang fliegen auch die raben -
the ravens will fly
- hoch über seinem marmelschloss -
high above this castle of marble...

   no words in English, and their meaning make much
for... however simple they might be in German:
the simple fact that... they're spoken in German!
das: sie sind gesprochen im Alt...
    
it is only natural that i sought out the origins of
the English tongue in German,
as much as i am not interested in the etymology
of designated word:
i could never be this youth exposed to too much
English culture wishing to sing pop songs
or utter single line pin-pointers from
films: ehrilch mein schatz,
   ich tun nicht ein pflege
   (frankly my dear,
    i don't give a **** / care)
    or... ich wille wieder (i will be back)...

so the indentations of learning English in a later
developmental stage of language acquisiton
didn't rub off on me: as it does on people
with accents of their mother tongue
who never lose it... and merely culturally appropriate
English as a spoken tongue of culture
and not a "cultured" tongue...
native tongue: a shape-shifting accent
of an educated "class"...
    even today! West Ham was playing Everton,
Toffees... ******* Scousers... Liverpool dwelling folk...
two younglings asked me to speak to one
of the managers who took their banner away
expressing disgruntlement with
how the football club was being managed...
huh?! am i still in England...
i have an easier time understanding Scots
than i have understanding anyone from
Manchester or Liverpool!
i can't understand them!
maybe that's why the Scots are like the Irish:
they come from a proud literary history...
oh... i spoke to an Irishman today at
the football game... woke up at 3am to come
to the game... i understood him perfectly...
i can understand a Scot and an Irishman...
i wouldn't be able to tell you an Irishman
from a North Irishman...
but i could tell you decipherable English
of the Scot and the Irishman from
an undecipherable, local, "polyglot"
mishandling of the English language with
such local accents and idioms as that of
Liverpool or Manchester...
can't understand the *******: even if i tried...

obviously i can't relate to a love of Russian...
as they might say in Poland:
better 6 years of **** rule: by fire...
than the subsequent how many decades it was
under the rule of the Soviet rule: by ice...
a slow burn of war is more demoralising
than a quick stretch of spandex and all hell
and all fury and all hearts united
than this scuttling of rats and shadow-bullets
shot from shadow-pistols!

of course i would naturally side with the Germanic
side of my upbringing:
i have no itch for rekindling any Russian brainwashing!
and i know that the Germanic side of "things"
has become a breeding ground for feral creature-oids
that resemble as best cuckoldry and at worst
the shadiest parts of the ***-scenes in Amsterdam...
but... bone-headed Russians and their
pride... that Russian pride... it's one of those intoxication
liquid i want to drink any of!

hmm...
   perhaps because i know English as a utility,
there's nothing romantic in it for me:
i buy bread with it, i ask: i used to ask for directions
in it, i ask someone in that conventional
formal way how they are and hope for the less *******
that most Americans reply with: how all is dandy
and it's all Texan blue above and not
the grey of the island skyline...

i did think for a moment: i should haven taken a step
further and attached myself to Swedish...
or Norwegian...
but then that's what a German would do...
as an Anglo-Slav it was only natural for me to succumb
to the allure of German...
the natural dynamo...
i fall on German and the German falls on Swedish...
or Danish...
**** knows who the Scandinavians fall on for
inspiration... the Finns?!
after all: the Finns are somewhat Scandinavian:
more Inuit people than...
        
one is a tongue one learned: or, was rather thrown
into learning...
but it's unlike a learning from it being passed on...
no one passed English down to me...
i'm a first generation immigrant...
i learned the tongue in the same time
as my parents learned it...
unlike all those 2nd generation immigrants
who were born in this land
and learned this tongue outside the dynamic
of their parents learning the language:
the only difference being...
i kept the mother tongue, the native, intact...
by refusing my parents' claim that:
if i only spoke English at home,
the English i acquired from being schooled
in the English educational system...
if i forwent me speaking my native tongue
to them: their English would somehow improve...
that they would, somehow, miraculously not have
a foreign accent!
as a child i picked up three majors things...
Catholicism wouldn't take me... i might have been
baptised without my consent...
but i had all the necessary obligations to
give or not give my consent when it came to confirmation:
i haven't been confirmed... i head too many
Gnostic Heresy texts as a teenager...
their idea that somehow i would mistreat my native tongue
in order for them to gain something for it...
like most Pakistani 2nd generation children...
perhaps, maybe... a few slip through the netting...
who still pride themselves on knowing Urdu...
most? with their loss of the mother tongue pick up
their own idiosyncratic accents within the confines
of English: they are literally children robbed
of bilingualism by their parents...

i mastered it and by mastering it found it with
shortcomings that only the tongue i was born
with could expose...

today this alpha looking male sat next to me on the train
and spread his legs... smiling... listening to music...
**** me mate... how much spreading do you need to do?
what i found:
poetry, best read when commuting...
i'm building up a complimentary package for a friend
of mine... she sent me macadamia nut shells
and dried pineapple and honey and...
a feather... i said to her: i will not send you anything
before i compliment a feather you sent me with a feather
of my own... i went cycling two days prior
and: imagine my luck! some magpie... ELSTER...
was either shedding her feathers or was in a fight...
i picked up about half a dozen ELSTERGEFIEDER...
magpie feathers...
on the train... you're better off reading a book
of poems than a newspaper...
the optics are much more clarifying...
none of the claustrophobia and oczopląs
               of a tightly-knitted (printed) column or opinion
paragraph... spread out text...
  poetry books as an alternative to reading newspapers
in transit... that's how i imagine "it"...
once upon a time newspapers were tightly knitted
beyond the scope of the printed paragraph:
it would require the solitudes of Sundays
to sit in calm and quiet and read them...
these days: that tabloid press with headers
and exploding wordings for the newly acquired
people of literacy: the addition of pictures...

nothing new, therefore nothing old...
mein herzenskummer ist was giBt
                   der Sonnenaufgang seine
      rinnsal auf schüchtern farben...
und! unt!
        der Sonnenuntergang seine
    busen-auf-verkörperung:
                auf: das nie vergeht!

                   how easily the displaced spiders...
turn to new architecture of the spider web
should their former and no sooner
than sooner: distraught with the havoc
of a man's quill of fingers having to differentiate
walking into a spider-web confusing it
with: are my eye-lashes camel's now?!

some shifts at work are terrible,
esp. when working with two females...
everything is wrong...
even telling after-work jokes is wrong...
talk of fish fingers... loads of ketchup...
that's wrong too...
top it all of this one is joking about the other
and the other is lesbian
and she has a new girlfriend
and fish-fingers: well... i am a man and i never
equated the smell of ****** with fish...
i know that tadpoles and ****...
but never fish... fish fingers... *******...
ketchup? i joked: that time of the month?
no laughter... no laughter...
if women are joking about their horrid ****
i better not be asked to, ******* joke!

better working with mute men on zombie mode...
i'm already a year behind having my social medial
stalked... sure... they can stalk me when they
figure out my middle name and some Slovak
diacritical markers... not until then...
just because i look silly when ice-skating
and everyone has seen the video doesn't
mean i'll give up my internet presence so easily: so...
i have a project aligning myself to German
so close to my heart i can find it forgiving...
to desire in the heart-of-hearts
to: **** this tongue enough to speak it when drinking!
because i find that Wilhelm was sort of right...
about how Germany was no empire
expect something on the continent
that gobbled up a part of
the Polish-Lithuanian Commonwealth...
because the Germans were an established people
and there was no sailing spirit in them...
after all: one might be inclined to think they
wanted to upkeep the romantic, familial orientation
of Christianity...
but the powers, the colonial powers at be...
whether the French the English or the Spanish...
who does, Christianity belong to, these days?
one might have asked the same question
before Christianity spread to the Nord Lands...
prior to its prior occupation with the Syrians
and North Africans and the Greeks...
Romans as a side joke?
who are the current mass of Christianity if not
the former colonies of the English
the Spanish and the French?
i know of Christians in South America from
the cross being dumped by the Spaniards with
vain hope... vain hope of the French in Africa...
and the English in Africa... and North America...

at least the Germans didn't... spread this...
Christianity might be allocated to about 12 individuals
within the confines of a single generation...
beyond that? money-grabbing money-laundering:
a religion with only the sole focus on LOGOS
while reading up on Zhuangzi you have several
other, dutiful terms to meditate on...
i might have been smitten by Hindu thinking before
being doubly smitten by Taoist dialogues...
one still remains a categorical imperative...
outside the realm of dialogue:
the best way you can help the world is
to help the world forget you and you in turn forget
the world...
obviously i'm doing X and counter-X...
i'm writing... by extension of writing i "want"...
or is that: "i" want to be remembered...
but thinking is no telekinesis nor is speaking
any telepathy...
             i speak... like today... i get this oddity of looks...
first she asks me: oh what should i reply
to my friend... just been to a Hen-do...
strippers? oh sure... there were strippers...
first time married? no... second... so what's the ******* point
of a hen-do? cluck x2 laid eggs x4?!
  
so her friend sends me a photograph of her newly bought
dress... laces... or whatever the ******* call
a would-be reimagined-curtain...
i tell her: she could pull it off... if she was a size 0...
the lace could really add dimension and curves to
a thin body...
to hide the skeleton...
but you know what would work for her?
a meringue dress...
you know the type? a one piece...
cut just above the ***** line...
simple: smoothed over... no patterns...
all the way from the cleavage to the feet...
so then she shows me her wedding dress...
it cost her £130 while her friend paid over £2000...
exactly what i was describing...
she just sent an AWW and tried to deflate the question,
or simply avoid it...
yeah... she looks like a flayed torso...
because... SHE's fat...

           eat all you want and as much (perhaps)
but at least burn it off...
if there's no work in the fields:
then there's no work in the fields...
but there's enough rubber burning on the bicycle
to escape the monotone drudgery of
urban living... as i found today,
upon Hook Lane cycling up to Chigwell Row...
there's no need to eat excessively...
no comfort in all that fat without
a leather chair or enough warm clothing...

treating people as these existential morons:
conceptualizing the non-existence of free-will is one thing,
another: to debrief them: life is without agency...
a choice-less Darwinism where
jelly-fish are somehow automated: sprouts:
well... no other life could or would ever be!
people without free-will is one thing:
the shackles of the dynamic of choice...
one choice sets you free, subsequent choice shackles
and inescapable binary of freedom-no-freedom...
science governing the flip of a coin...
but... people, robbed of any sort of agency?!
of self-authority over themselves:
so, so easily mangled and mishandled leaving
their fate unto... no fate: double sure...
unto others?!
i watched a few horror movies in my lifetime...
none seem as horrifying as this +mundaneness
of the horrible leftover: forgotten...

i must have a Germanic attitude toward these matters...
i was born into the living spirit of the ****** tongue,
the membrane in situ staging the conflict
of Rome vs. Greece...
or Germany vs. Russia...
i see no end to it...
i was born from the Germans trying to burn out
the Jews from "my" lands
while the Russians trying to subdue the flames
all the while...
i was still borne from a history that required
a solitary antagonist...
less so an protagonist of solitude...
either way: i was going to slither my way through...
like water like serpents...
wie wasser wie schlangen...

mein herz bricht aus hungrig flammen
als ich stürzen blind Samson's
already toppled temple
            
i know i that i will not write the sort of beauty
that's poetry that's everything that's
Zbigniew Herbert's
Godly Claudius
the Game of Mr. Cogito
Mr. Cogito observes his face in the Mirror
the Seventh Angel
   (my favourite of the angels listed?
Dedrael - the apologist and cabalist)
   to name but a few of the poems...

it brings such relief that i can't bring such
beauty into this world: perhaps if my mind was
not muddled by the utility of English
and my romance with German -
perhaps but only perhaps:
i don't even know why i started to write poetry:
maybe it was my lowest ebb
psychotic running on steam and pretend
legs between Edinburgh, Glasgow,
London, Dover, Athens, Belgrade,
Katowice...
                    walking into a bookshop buying
a copy of Rumi's verses...
buying Dostoyevsky's the Brothers Karamazov
and, just by chance... Bukowski...
what was so supposedly special and hiding
within the poetry of this man?
absolutely nothing: i was mad enough
to try it then and to keep at it:
not really knowing why...
  
compared to Zbigniew Herbert i write trash:
perhaps i read too much fiction,
even autobiographical prose: prose in general:
i don't know how to shut up the ten mouths
on the tips of my fingers but
i know how i can seem menacing
on a shift at work... hood pulled over my head
leather gloves squeezing each knuckle
asked by the atypical extroverted woman
whether something is wrong...
pulling my hood up, smiling, yet still being
compared to the grim reaper...
jokes aside: someone is counting the time...

a welcome break from Knausgaard...
this little safe-haven of poetry read in transit...
finally! something that's not mine
and not in English!

that's the terrible difference between men and women...
going to the Fulham shift i was sitting
behind three women... i'm guessing two were
newly arrived brides of war from Ukraine
who also picked up a Thai-surprise bride...
birds sound chirpier and more pleasant to talk
to... sitting behind them reading my little poetry
book... with a magpie's feather for a bookmark...
the women talked... about?
photographs... filters... instagram models...
plastic surgeries of people wanting to look
like their photographs...
impossible dreams! dreams of women...
and some womanized-men...
on my way back... same book same bookmark
and a young man sat down next to me...
put on some decent music i could
make out through the headphones...
angled his horizon to look over my shoulder
as to why i was reading a book with so much
open space and so little words...
not any fiction, not some constipated prose
of imaginary conversations...
and i could feel his leg pressing against mine...

perhaps i am not gay but i can't imagine
being friends with a woman...
i truly can't... there's either *** for me: with women...
or there is friendship with men...
with each man i meet i can achieve this
transcendent: otherwise unpackaged will
of subduing and seduction that only a woman
can provide me... but a conversation with a woman
is painful: at least for the majority of times:
there might be a special place for a woman
who might not necessarily:
but is probably older than me and shares
the same sentiments as me...
probably lives far away and thinks that hand-writing
is like exposing herself all naked...
will go out of her way to send me a feather of a bird
from over 3000miles away...

while i will send her a necklace with a single amber
stone on it... or i will send her a crab's pincer with a hole
drilled in it and ask her to buy some leather-string
to have herself a second necklace...

at work Stephanie the supervisor had to make it adamant
for me alone to know that i would be her Alpha...
whatever the hell that meant...
Alpha... well yeah... because i do try to ensure that
everyone is treated fairly...
the Asians boys of Bangladesh and Pakistan caved it...
this work or this cold of England
finally bit them...
     it's an unrewarding work if you don't have
an escape plan, like i do...
i'm always flying to other pursuits outside of this
work... customer service... being polite to people
that might not be polite to you or simply ignore you...
but even my standards i thought they were
taking it too far...
but i made a pact with them...
they took out a bottle of Jack Daniels and poured
out shots... if there's going to be a snitch among
us... it will be the man who does drink...
so when asked if i'd like a shot i replied: why not!
the weather calls for it... whiskey to warm up!
mixer? oh no no... straight!
plus... you can't mix Jack Daniels with Fanta, can you?
a few new colts were bullied into peer pressure
of silence, asked if they wanted a drink: said no...
me? i had a drink... i'm not snitching...
well i did when Stephanie was coming round
when i just said: nothing about the drinking...
but if there are 7 of us standing in one place...
but i'm the only one giving any customer service
by giving directions and good-evenings while
they're just standing talking to each other,
having a good time? apparently some people still
can't internalise being drunk for their own
self-amusement, drinking is somehow: getting together...
clearly these boys haven't been alone
and drank a litre of whiskey each and every single
night for months on end...

what really bugged me is when they took out a spliff
and smoked it between the four of them...
even as the customers were coming to see
Tottenham beat Fulham 1 - nil...
oh for ****'s sake... it's one thing having a cheeky sip of
whiskey on a cold day to warm up...
but to also smoke marijuana on a shift?
in full view and easily scented air of winter
before customers?
these guys don't want this ****** job...
thank god none of them are either bus drivers
or train drivers or plumbers for that matter!
maybe doctors who forgot to take out a pair of
scissors from a patient's body when
the patient is getting stitched up?

the worst i ever did was drink the night before
and sobered up on my way to work...
ah... not to mention that one time this
girl tried to scout her paranoia from prior relationships
with abusive alcoholic boyfriends onto me:
a man she just met... pampered with an array
of chemicals whether that be a cologne or this alcohol
containing face spray...
who i later tried to sooth by bringing her my homemade
weisserwein... cloudy... like any weisserbier...
chirpsin'... 3 way conversation conspiracies...
until the lie stood on dwarf's legs rather than stilts...
and to think: no i wasn't thinking seriously about
getting into a relationship with her...
she tried to get me fired for "apparently" drinking
on the job! a person she just me...
neurotic ******* *****... it's good that i showed her
what she would never, ever... get...

the difference between men and women...
the shift finished... prior to finishing we already knew
that there was some major ****-up on the tube...
the signals went down...
no Circle line, no Hammersmith & city services...
no services on the District line
from East Ham to Earls Court...
ergo? you'd think there might be a northbound
service to Edgware Rd. from Putney Bridge...
nope... Earls Court is a 4 x 4 junction...
sure... there was the southbound service
from Putney Bridge to Wimbledon...
and whatever service that's a station after
Earls court toward Richmond and Ealing Broadway...
as i'm guessing from Upminster to East Ham
and from one station after Earls Court
to Edgware Rd....
this girl was supposed to come with me
to Stepney Bridge from either Romford or Chadwell
Heath for the shift...
i was 15 minutes late because i felt like getting some
tea and an almond croissant...
she was? an hour late...
by the end of the shift when the transport invonvenience
was building up we went for our debrief
and she was all irritated in the eyes
when she wanted to get an Uber to Hammersmith
or whether it was she thought about going
without telling me: where that would cost her £50+
quid...
                  so when i told her...
i'm not going down the Putney High Street rail connection
because: (a) look at the ******* congestion
of the crowd and (b) i don't need to go to *******
Waterloo because that's ******* south of the river...

mmm hmm mmm... what, should we do?
i told you... i'm either walking or getting the bus 220
to Hammersmith...
debriefing over: she stayed behind for banter
and all the things that hinder an extrovert,
esp. a female extrovert... un-decisive, fatalist,
everything just ******* happens by some whisper
from astrology...
    Aquarius said to Libra that the waters were
about to spill... i ****** off from the stadium
like a hart... shook hands with the managers
thank you goodnight... as i was walking out
toward Hammersmith some young stewards were
shuffling really quickly it all looked very much like
they might be scratching vinyl...
i asked... you heading to Hammersmith?
yes yes... see! that's i like to see!
male to male camaraderie...
we have this unconscious motif of: from *****
you came to ***** you shall return...
it's a bit senseless to go to war these days...
less senseless when you're trying to get from
point A to point B...
there was about 40 of us running for the bus...
amongst us? 1 woman...
***** AHOY!
   obviously i left this girl behind...
her other option was asking one of the managers
to giver her a lift... ******* free-loader...
by the time the manager would have clocked out
all the other parties i would have wasted an hour...
just to get a lift... and then what?
stranded with her? even though we weren't going
to the same point B?
   i left with the *****-mentality... happy too:
because i could read my poetry book in the prized
possession of solitude... and no solitude...
because given the hour... something freakish was
bound to happen on the train or tube...
and it did... some proper English boys talking about
not wanting to take a nightcap in Romford heading
all the way to Shenfield joked when this guy started running
down the train carriage...
and those SKANKS so drunk who were blocking
the doors: subsequently delaying us
subsequently not catching their train blah blah...

well... just as today happened: talking so freely to men,
boys, young men, first point of "concern" / conversation?
establishing "taboos" or habits...
you smoke? you drink? first time you got drunk...
when did you start smoking marijuana first?
and then a natural progression into...
so... what music do you like... just... so naturally?
with women? even with Francesca,
this butcher boy of a lesbian...
it's a cul de sac sort of conversation...
she only talks about herself,
even today i received a text from her...
i broke up with Natalie... broke up i.e. she met her
on Tinder... she stayed round her house
for three nights... Natalie made her lunch for
work one time... cooked dinner another time...
4 days and nights they dated... already broke up...
there you go... Tinder-dating-shoplifting hearts...
window-shopping romances...

free market capitalism? sure... but not when
capitalism overstretches its influence
and we're worse off than the despairing existentialist:
PHILOSOPHERS of the 19th... the precurosor
fabric... i'd say the 20th century existentialist
philosophers had it easier...
but anyone in the 21st century, thinking, even remotely:
would be hard pressed not to express something
of substance bugging all of us:
no great war, no great upheaval,
proxy wars, the Thespian dictatorship over all
the other arts (with the exception of pop music, perhaps)
and the journalistic juggernaut of the quickened
availability of almost anything and nothing...
the free market of capitalism having invested
in creating this... Frankenstein in pieces...
this IKEA ******* LEGO model of a Frankenstein:
but at least Frankenstein bothered to construct
the entire monster rather than creating this
shattered Pandora's box... left in pieces and in
some realisation of a Copernican West...
in a Copernican East... Copernican "west"?
there's a "west" without a setting sun?!
up in outer space?
                         capitalism all fine and dandy:
but not outside the realm of a couple worrying about
how many kettle and toasters sets they will
have to buy during the year or even the wardrobe
needs revisions, or whether it might be worthwile
to change the wallpaper in the living room,
or what movie to watch on a date night at the cinema...
all of that is gone when the free market made
us profile ourselves... with some of us being pushed
so far as to fake cubist like pictures of ourselves
and subsequently implement plastic surgery to
double-fake ourselves...

the shrapnel-shelving-of-self...
it's like people are a library with no alphabetical order:
free market on psychology, morphed beyond
any concern for dreams: if there were any
as the luxury of the Freudian rich...
this... what happened to historiology in the modern
sense as stressed by Heidegger?
a study of history of the people by the people
or at least by individuals... morphed into this grotesque
pop psychology: archeological mapping back
to the primordial Pharisee of Ape and Aping...
farce: Darwin's Curtain of History...
   will we ever remember the beauties and horrors
of centuries from the 16th to the 19th?
no... everything of said years is nil: null...
because the ape's origins quickly morphed into
the man hunched over a microwave adamant in his
belief that... the carbon footprint of producing
a kilogram of chicken meat somehow, somehow would
"save the planet" than producing a kilogram
of tomatoes... given that a kilogram of tomatoes would
only yield a fraction of the necessary calories
than a kilogram of meat... and still the growing
of one kilogram of chicken would cost the planet
less than growing a kilogram of tomatoes...
who needs tomatoes in winter?!
eat, your, ******* root vegetables! carrots boyo! carrots!
but chickens don't need solar energy, nor suntans,
nor greenhouses... chickens cluck just as much
in winter as in summer... and eggs are a year round
product... plus you only need a barn in winter
to keep chicken!
tomatoes rot... chickens? they grow old and die...
until they grow old they still produce eggs...
and when they die? you eat them...
you can't exactly call a chicken rotten if it isn't already
days X already dead, can you?
it might not be as fresh... but...
ugh... no wonder

Zbigniew Herbert: from mythology (of Rome) -

   in the end only the superstitious
neurasthenics carried in their pocket a little figurine
made from salt, resembling the god of irony;
since then there wasn't a greater god.

then the barbarians came, they too greatly prized
the idol of irony.
           they pounded it with their heels and sprinkled
it into their dishes.

no clay-monster of the Levant can intimidate
me now!
not armed with these words:
let us witness the great divorce of man from woman!
let us watch!
pray... let us be brothers and friends and
secretly wishing we were lovers:
in the thinning air... let us talk about the strange
glow above the Thames hanging over Kew Gardens
as if: as i said to him:
as if the sunset still claiming an eye
in the night...
      what woman? what woman could i share
this romantic conversation with?
my interaction with women is so blatant so cold
so forced to claim the male in me and the woman
in her that it's only ******...
oh sure... i was going to the brothel...
but i was coming home already late...
i had two pairs of socks on, drawers, trousers...
a tank-top a shirt gloves and a thick coat...
by the time i would get out of all those layers
and have a quick shower...
half an hour i would have paid for would have become
nothing more than 15 minutes...
not enough time to get a hard-on
of being in the mood...
i already had more than ***...
a conversation... and no woman has yet to actually
provide me with one...
perhaps we are not in the trenches...
but men have always managed without women...
for as long as time knows...

a shift prior... at West Ham... ******* guy with a bald
head and a face as endearing as a plump baby
we great with a handshake that turns into
a thumb against thumb contest and a hug
tells me that i should come and find him at Cavern Cottage
and he'll sort me out with some free food...
hey presto i go and find him
i get a free steak and ale pie...
i know it's a one off...
    we already get discounts for burgers from the burger
van... but it's nice to give a reminder when
being invited...

     we do our rounds in the park...
among the Pakistanis and the Bangladeshi who at first
thought i was British when asked:
oh no... i'm not British... an Anglo-Slav at best...
from that lineage of Anglo-Saxons...
the Saxons who came among post-Rome rule
Britain and mingled or not mingled
with the local Celtic and Welsh and Britton populace...
i'm the second wave that didn't make it
because the British Empire collapsed
and the eastern Europeans were not too dearly minded
in the history of the British Empire...
but they know that i'm from Poland
so when asked: where are you from? there...
and "there"... but i've been living here since i was
7 so there's no "born and bred" argumentation
with me and those in your ethnic stratum
concerning any anti-Pakistani villification
of those in the "upper-castes"... blah blah...
they know... while the three of us walked around
this 40 year old Yugoslav woman
who escaped the Yugoslavian collapse of
circa 1992... starts talking as i switch her around
so she can have a walk with us to warm up her legs
from standing stiff still...
where are you from? oh... here...
i'm not going to tell her what i told the boys...
not after she deflects my attraction to her
by paying more attention to the Pakistani boy
of 20... i'm closer to her age...
but... then she does this sick thing of asking
me to hold her empty cups of tea that
have an unused teabag in it and some dried milk...
oh... right? i'm going to be your waiting boy?

******* testing women... this woman is past her prime...
i know it she thinks she can "test" my patience
by me being her ******* pet-shop-boy?!
fine! fine...
the more and more i talk to women
the more i find them diametrically opposed
to any sort of psychologically asexual universalism of:
ecce ****...
                 women have: and will have to...
sexualize everything from Aristotle to Zeno...
there was once a maybe female version of Aristotle if
only the: give me the drill... i need a bigger hole to see through:
these eyes aren't large enough...
if only there wasn't an oppressive patriarchy...
the oppressive "patriarchy" of autistic geniuses?!
oh... that one... the sort of men cowering
from female sexuality?
  wow! how oppressive!
                    magnificently oppressive!
we all should be so magnificently oppressed by the man
who discovered the wheel by meditating
the O(micron) - what came first?
the wheel or the omega, or was it the sun?
if Prometheus brought down fire... by teaching man
that scratching flint against flint could illuminate
the cave and give man a second womb of poison-fire...
before the forests turned to ash...
before Pompeii's negative of a whiplash of history...

i tried loving women... i loved them for:
the many months i would rather not use
the fingers of both my hands for...
    absolutely un-relate-able creatures...
what *** beside that of female would whisper in
man's heart to leave their minds without
reason to stage the Trojan War
                        or bring architecture to kneel:
like Xerxes: but the madness of Xerxes was rather
beautiful wanting to lash the Aegean into submission
rather than that little Pharaoh ***** who might
have said: best to chisel down a rock face
and glue together sand with egg-whites and spit
into bricks and polish up a craggy mountain:
lest we forget: from a lineage of a people
that once said: let us "reinterpret" the mountains!
pyramids...
                at least the South American tribes invented
the pyramid as an altar... not a tomb...
but we're no smarter than they were dumber:
the myopic-vision strategy of the vantage point
of: what came prior... with hindsight...
but hindsight only works in reverse...
the unmistakeably irreversible past
within the confines of the motto: the terrible
has already happened!
  
                       and some variation of the historically
terrible isn't already happening,
on some microscopic level?
                           not if / not yet?!
                                             hardly...

poetry is air and not the prose of water...
i am stranded between wanting to breathe air
and at the same time more in need to drink water:
no wonder i cannot rest with merely breathing air...
if only i were to breathe air and leave my efforts
with so much nuance as to allow others to breathe
the same air... alas i am like that saying of Heraclitus...
i'll pour you a glass of water
i have prior to drank... leave it for you to drink a day
later: it will not be the same water that i have drank...
i wish i could write like these words might be air...
but it's... aqua post scriptum et plus aqua
post scriptum ad fluenta...

                    verschließen dein augen:
    sehen wieder... immer wieder:
                               bis: es gibt
                             nicht freude:
noch aufschub träumen...
                              kalt silber-rasierer
                                 schneiden auf
mondklären... nacht als auch wirklichkeitstoff.

i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.

He thought that he had been evicted like a raucous Irishman, late once again on the rent, his belongings and furniture strewn on the lawn
His cold, deadly stare and ruffled red, said the same, with haughty indignation written all over him
As could be expected with any eviction, belongings strewn to the street, it started to rain; large splattering drops falling from the sky with an audible impact, adding insult to the injury
But he was just a child, set free and off to learn on his own, his perch and roost along with his chair, moved to his new home
He had outgrown the large screen porch, which was such a ridiculous place for an Owl anyway
Wood and glen gone, surrounded by girder and screen, locked into the realm of old peoples coffee and cigarettes
Tucked up into the eaves ignominiously, or sitting on the lamp, grooming flesh from his over large and taloned  feet
He would sit silhouetted by the dim red glow of the bulb, relaxing, until a noise would spin his head and he would become hooded and glaring death
The lamp added a glow to his eyes, which already burned with a raptors fire and he would become the personification of evil to the world of prey
Low and crouched, wings slightly spread; he would become the terrifying story that small warm animals tell their children at night to keep them in line and safe
But now he has been moved outside and all of his familiar belongings with him, or most anyways
Now he perches outside, either on the rough, twisted branches near his roost, or his favorite chair, and contemplates late into the night
But it seems that he prefers the comfort of his living room and he rests on the arm of the chair, quiet and pensive in the still and humid darkness
He stares at me while I smoke; the white plumes drifting like iridescent fog into the moonlight, while I observe him from his former home, illuminated by the dim lamp light
His saffron eyes gleam in the darkness, his dark form robed in that of the raptor, wings held down, with the tips outstretched like fingers
He stares at the lamp, standing like a pedestal against the wall and I wonder to myself
Does he want his ****** lamp moved out there too?

While reading an article last night about fathers and sons, memories came flooding back to

the time I took me son out for his first pint.

Off we went to our local pub only two blocks from the cottage.

I got him a Guinness.  He didn't like it, so I drank it.

Then I got him a Kilkenny's, he didn't like that either, so I drank it.

Finally, I thought he might like some Harp Lager?   He didn't.   I drank it.

I thought maybe he'd like whiskey better than beer so we tried a Jameson's, nope!

In desperation, I had him try that rare Redbreast,Ireland's finest.   He wouldn't even smell it.

What could I do but drink it!

By the time I realized he just didn't like to drink, I was so feckin ****-faced I could hardly

push his pram back Home.

When you paint houses
bring your little brother
Hoffa couldn't keep his mouth shut
Mannlicher Carcano carbines
cleave off
the tops of skulls
Cosa Nostra prove
The idiocy of convertibles
Pretty boy politicians
sprayed across Jackie's face
Kennedy never should have rocked the boat
Bufalino brotherhood born for bloodshed
Irishman knows that
.32 goes in but doesn't come back out
Turning grey matter into brain sauce pudding
Hoffa couldn't keep his mouth shut
Got what he wanted
kept demanding more
Stupid Sicilian stooges get sliced up in pork store backrooms
limbs spread to the four corners of Michigan
Irishman painted his house
Hoffa couldn't keep his mouth shut

Don’t come home late she says
As she always says
Her heart beating a drum inside her chest.

He looks into her eyes soulfully
The soul of innocent intent
His mouth promising he won’t

She believes him
As she always believes him
Her soul praying that he will.

Please don’t drink too much she begs
As she always begs
Her stomach cramping from the shame.

He touches her face with his fingertips
and with  promises of eternal love in his eyes
He tells her that he loves her.

He means it.

He never hits me she thinks
I know that he loves me.
Except that she doesn’t.

He never hits me she thinks
It’s not that bad
And wonders why

She

Always

Feels

So

Empty .