Capturing scenes from fashion shows in the past, Glamourizing Ladies And Men modeling hosted their annual spring fashion show.

The event was a runway-style fashion show, with looks recreated from GLAM’s past. The show also featured talents ranging from poetry and singing to painting.

Patrick Davis, a senior general studies major, and Christina Brown, a freshman biological sciences major, hosted the show.

The introduction of the show was called “Once Upon a Time.” The scene was from a 2012 show and centered on a little girl’s favorite fairytales taking a twisted turn in her dreams.

It opened with the little girl getting told bedtime stories from her father.

After getting the stories read to her, the rest of the GLAM models emerged from under her bed and began to torment the little girl.

The ladies of GLAM then emerged for a scene named “Pop Art.”

“Pop Art” was created in 2012 and incorporated the use of recyclables such as newspaper, duct tape, water bottles, cups and more in the model’s outfits.

The models were dressed in outfits that they created.

The first model wore a dress made out of a plastic bag and yellow caution tape.

The next model wore a dress that was fitted and made of plastic bags and duct tape.

There was a flare skirt made out of newspapers, and another skirt was made using old magazines.

There was also a fitted skirt made only of caution tape and a flare skirt made of white foam cups.

The final outfit of the scene was a dress made of black plastic bags and caution tape. The caution tape was also made into a necklace.

The following scene was titled “Lust/Burlesque.”

Burlesque was created in 2013 for GLAM’s Halloween show “The Seven Deadly Sins.” It incorporated tasteful dancing and runway style walking.

This scene opened up with three models dressed in all black attire, performing a dance routine.

The models hit the stage in several costumes, many of which were handmade by the models themselves.

One model wore black shorts, a black cropped shirt and blue high heels with blue and white wings.

Another outfit used a cheetah print swimsuit, with pink coverings and a back piece made of twigs and feathers.

Alexis Scott, a junior pre-nursing major, performed her poetry piece titled “Honest Truth.”

In her poem, she spoke about a broken relationship with her father. She also spoke about hiding all of her feelings and often putting on a fake smile to the world.

“Yesterday I tripped on my self-esteem and landed on my pride,” Scott said.

The next scene of the show was titled “Concrete Jungle.”

This scene was adopted from a 2014 show and featured business attire with a fashionable twist.

Outfits from this scene included a pleated black dress with white stripes at the bottom, a gray handbag, and black heels.

Another outfit included a purple blazer, a crème and yellow floral printed top, black dress pants and black high-heeled shoes.

A model wore a blue fitted miniskirt, a black and white cheetah print satin shirt and black heels.

The scene after this was titled “Criminology” and was taken from a 2011 show titled “FAME University.”

This scene gave a glimpse into the mind of a woman when she has snapped.

The scene opened up with red flashing lights with four models doing a dance routine to Beyoncé’s “Ring the Alarm” and a monologue.

The monologue told the story about how each woman killed their husbands. The models wore outfits such as black shorts, black leather shirts, black boots and black high heels.

In a talent section, while Keyana Latimer, a sophomore sociology major sang, she was accompanied by Taleiya Baker, a junior music education major.

While they were singing, D’Ajah Douglas, a freshman studio art major, and Yasmine Washington, a freshman studio art major, painted pictures while Latimer also performed a tap dancing piece.

The show concluded with a final walk from all of the GLAM models wearing black and purple shirts with GLAM Modeling written on them, blue jeans and high heels.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses

Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream

Goth Glam was a 2010 daydream.

I’ve detached myself
So far
From everything
That
When I got there
I realized,
I was staring at the very
edge of nothing
In the
Darkest parts of
Outer-mental space.
Space
Is
Cold&Empty;
So I am.
Here’s to finding
Light in darkness.
Until then,
I’ll be
Swimming in the slimming,
Black Sea.

she dances to imitation elvis
with the toy cowboy guns blazing
from their sunflower and daisy barrels
fuzzy kittens are hunters in the jungle
of laundry-land
she a sorceress retro-edition neo glam girl
and she might have a moment for your version
long as the colors dont clash
shes a horse girl in a slack jaw rabbit world

i thought to spare you
i thought that you would break under the burden

they led the weak ones to slaughter
and she was in her coloring books
the blood washed up on the tiles like a tide
and she wished so hard not to see
that it was just a dream
she is no weak child
she could hold back the mountain back
but her tears break on this blade of sunlight like
a thousand voices wailing in pain

i cannot bear to see you this way
wrapped in rags in the fashion capitol
shivering in the cold before a warm fire
hungry in midst of feasts
rise up woman
rise up and take your wrath
take your children under your protection
take me home to the river road
where i was happy in your arms

she dances with imitation elvis
with the toy cowboy guns blazing
from their sunflower and daisy barrels

We were promised
Glitz and glam
Love and security

Never the beating down
Of our own
Never the feeling
Of an unlovable soul

Waterfalls into the night
We all know something ain't right
The nonsensical millennial
Smokes into the night

The harder we work
The harder we fall to our dying depths
And you wonder why
We haven't slept yet

We were promised
And now we are *******

It’s something that try we should
To provide the parrot its basic food
Apple minus seeds mango banana
Grape orange guava papaya
As for vegetables cooked dried bean
With beet broccoli its heart you can win
Cucumber carrot and cauliflower
They surely love like they love a shower
Corn on the cob is fun for parrot
They aren’t fussy as them you thought
Hot peppers peapod lettuce
For them delicacies you can choose
Sweet and baked potato well cooked yam
They devour in delight add to their glam
Parrots are cute friendly and nice
Give them oatmeal millet brown rice
They’re not greedy from you they won’t beg
Though these birds love scrambled boiled egg
The parrot is innocent gorgeous and sweet
Can’t call them carnivore yes they like meat
Must talk to them and not keep your mouth shut
Your loving pet the parrot loves occasional nut.

Now words of caution what don’t do them good
Candy and chocolate and all junk food
I know you are smart and not at all mean
To offer this wonder bird mushrooms caffeine
Believe my words they aren’t my opinion
Use them in your food don’t give them onion
Dairy products for them are a big ‘no’ ‘no’
You surely want them to healthily glow
Give the parrot shower keep its cage clean
Give them just fresh foods no sugar no caffeine
Say ‘no’ to pesticides choose only organic
See in their bowel nothing goes toxic
Follow what I’ve said the task is not hard
Spend your time well with this beautiful bird.

I want money till I can drown in it
I want fame to the point of suffocation
I want glam that will make 'em think twice
I want that oh-so-golden life!

well... feminism has had its three waves
of revisionism -

    and there i'm sitting on
the windowsill,
   smoking out of my window -

watching the moon sloth the sky like
an demonic snail -

in the misty haze of a large patch
of cumulonimbus -
    right up there at around 50,000 feet...

thinking to myself?
   why are there two orbs of varying
light concentration
penetrating the sky
   and embedding the moon
in an eerie aura?

never mind -
   i still don't know what the chemical
formula for timber is,
or what sort of material is on
the moon that allows it to reflect
light from the other side
of the Greenwich Mean Time...

last time i heard: can a rock surface
reflect light?

          well then... ah... never mind...

but feminism has had its three waves
of instigation and two subsequent
waves of revisionism -

so it made me think:
   why not a second wave of fascism?
a revisionist wave...
    well... as far as i am concerned
the Italians were much paler -
   in their intentions than the Germans...

fascism 2.0 -
and the sort of fascism that would allow
me to be men...
    drunks, foul mouthed, you name it...
athletic, not-giving-a-**** losers of
sorts, among the glam of whatever else
it is that a man is...

working on the idea,
i had to think of a list -

   hmm...

          who then?
ah!

      Stanley Kowalski
   (from a streetcar named desire)...
John Wayne
  (notably from true grit)
    Charlton Heston
(from the planet of the apes)
   Tony Curtis...
              Hemingway,
Bukowski,
               Ezra Pound...
     Clark Gable
    Gregory Peck
                   the list is seemingly
endless -
   at least in the portrayal of
said characters...
ah... ****!
   Kevin Spacey as
Lester Burnham to boot!
            ah... double ****:
Denzel Washington as
Troy Maxson...
    because apparently "being"
a "poet" is little more than
the lesser stature
of a garbage man...
             unless of course:
you fiddle into a cosmopolitan
fixture.

    oh... and certainly an appreciation
for a traditional Turkish barber
shop...

something very much akin / borrowed
from America circa 1950s...
   and an unabashed sensibility
concerning good tailoring -
   but then also the prophetic
vagabond look from time to time...

just a vague idea -
    but something along these lines -
but then again, what a silly idea -
what is racial purity in
21st century England?
   some sort of vague notion
       of an even vaguer dream?

but i guess the notion of
individualistic purity:
   the purity of the individual is related
more to: who can and who won't
be swayed by alien opinions -
2nd or 3rd party -

        which includes this opinion...

i'd subscribe to put the idea on
the following zenith:

              grammatical cleanliness -
linguistic order -
            a literary tact -
   something along these lines -

after all: the 20th century is not the end
of a theory -
given 20th century communism this,
while 21st century socialism that...
ideas prevail...
   evolve - or devolve - regress
or make alternative progress -

               also given:
    there already is a fascist movement
elsewhere, other than in England -
where: it would be completely
impractical -
                  
                       prime tenet would also
be, what it already shows:
   non-expansionism of a culture
or a people -
                           more akin to
American isolationism under
                                                  F.D.R.:
i­ have a strange sentiment
for that president.

Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Kourtney Kardashian usually displays some quirky style when shooting her reality show Keeping Up With The Kardashians.

And on Monday the 36-year-old single mom was at it again as she wore a baggy army green jumpsuit when landing with her three kids Mason, aged five, Penelope, aged three, and Reign, eight months, in St Barts to shoot her E! show.

Looks like mom Kris Jenner, 59, did not get the fashion memo as she was seen descending the steps of a private jet alongside Khloe, 30, Kim, 34, and Kendall, 19, in the exact same getup.

The jumpsuit seemed to hang off Kourtney, who paired the staple with clunky platform black and beige jazz shoes, gold necklaces and gold-rimmed aviators. The ex of Scott Disick played down the glam with a ponytail and minimal makeup.

Kris wore her suit in a more fitted manner that showed off her slim waistline.

The ex of Bruce Jenner (now Caitlyn of I Am Cait fame) added beige combat boots and a small beige Hermes bag to her look.

Her hair was worn styled in a spiky fashion and she didn't forget to glam it up with vintage sunglasses and lipstick.

Khloe was playing good auntie as she carried Penelope, who was cute in a white dress.

The girlfriend of NBA star James Harden had on a black sleeveless mini dress and black high top sneakers. The E! babe carried a large neon yellow Hermes purse and wore her blonde locks up in a messy top knot.

Kim, who carried daughter North, was the most dressed up by far.

The pregnant wife of rapper Kanye West had on a tight beige dress that showed off her baby bumpy (she is expecting a son in December), beige rain coat and strappy beige heels. Her hair was worn down and parted in the middle.

North had on a summer dress and beige sandals, and her hair was worn in a top knot.

Kendall had on a plunging blue outfit with black and white Adidas sneakers.

The Calvin Kelin model had a black purse on her shoulder and gold-rimmed aviators on, copying her older half-sisters Kourtney and Khloe.

Her younger sister Kylie, who turned 18-years-old over the weekend, was not seen.

The crew for Keeping Up With The Kardashians could be seen holding cameras and a boom as the stars walked off a red, white and blue private jet.

The family has been shooting the next season of the E! show, which will air after I Am Cait ends.

The Kardashians often film their reality show when on vacation as they did in Armenia earlier this year and in Greece in 2014.

This show of unity comes the day after Kim and Khloe were seen arguing with Cait on I Am Cait.

Jenner's comments about her family in her Vanity Fair cover interview have become a running bone of contention among the Kardashian clan.

Kris confronted her ex-husband over what she has said about her in a powder keg moment that was teased after Sunday night's episode.

Kris tells her in a video posted on E: 'You're sensitive and amazing to all these new people in your life, you're just not so sensitive and amazing to the family that you left behind.'

Caitlyn gives her side, responding: 'I try to do everything I can to be nice, reach out. You have to see it from my perspective, be an ally when it comes to dealing with the kids.'

Then the former Olympian says, 'Don't go there, this is not the issue. I was defending myself. It was a distraction from the sense of who I was, that doesn't mean I didn't love you or the kids.'

Throughout Sunday night's episode Caitlyn is shown getting into arguments with her stepchildren, first with Kim and then with Khloe.

When Kim comes to visit Caitlyn first complains about how her family had all kept their distance.

She said: 'Nobody's come out [to visit], Kourtney hasn't made a move at all, obviously Khloe hasn't come close - I feel so isolated out here. All of a sudden there's this wall that's up there.

'I just want everybody to be happy. I love, love, love all my kids. I wish you guys were here every **** day.'

But it is not long before Caitlyn is also being criticized, firstly due to her nature and then due to what she has said about her family to Vanity Fair.

Kim said: 'You still have a little Bruce in you. I thought Caitlyn would be a little kinder. I think that there's some things that you said that you might not realize are hurtful.

'You said that Kendall and Kylie were a distraction. When they read that - I don't know that they'll quite understand that.'

The conversation then turned to Kim's manager mother, with explosive results.

Kim said: '[The interview] said, "had Kris been accepting to who I am, we still would be together" - and that is the most unfair thing in the world to say.

'You're a woman now and she is not a lesbian - she does not want to be with a woman, that's not fair to ask.'

Caitlyn defensively insisted: 'As time went on our relationship changed drastically. In my eyes it's like, "Well, I don't need him any more - I've got all the girls." I felt it in the way she treated me. She wanted me out of the house.'

Kim, insisting Caitlyn should have been thrilled and saying 'good riddance' to a relationship that 'wasn't mean to be', told her: 'If I was with someone for 25 years I would look for the positive things and try to end it on a good note.

'You said "Kris mistreated me" - it sounded like she beat the s**t out of you. You could have a little more respect.'

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My throat’s all scratched from this screaming I’ve done
My diaphragm is all rubbery from these animal calls
But I carry on until you answer my distresses

O Captain, o Captain! Take me away from these generic hoes
I’m too swag for this ghetto
These ******* be hatin’ but you were always mine for the takin’

So take me now—like I did you…
Please. We’re friends. We’ve partied together and cried together.
I even bought you taco bell.

Take me away on your disco stick because
This club can’t handle me and my electric *** pants

What good is your love when just our chakras touch…
I need your grasp, I need your smell…and your ****, dramatic stare

Captain, my Captain, you may not be fly like Kanye
And I may not be glam like Beyoncé,
But this club can’t handle us right now