Submit your work, meet writers and drop the ads. Become a member
His army perched above in trees,
Watching the front become a feast,
Who wins, care not, in the least?

"The cawing clan of Koronos..."

The thousands black they view the fight,
Staying late for supper -feeding at night...
Picking tender morsels in illumed moon-light,

"Swarthy minions of King Koronos!"

Corvid follow Man wherever he may go,
Feathery tomes of knowledge their treasure trove,
The messengers in the House of Jove...

"His static barbizon Aves; Koronos!"

There are many kings who come and go,
Becoming part and parcel in a wicked show,
But none of them will ever match the Crow...

"Engrosser of the dead; Koronos!"
Koronos is a king from the pseudo-historical Hercules accounts by Appollodorus and Pausanias. His name means, "Crow," in Greek. With the title this piece contains 96 words and two types of verse; rhyming verse and verse. Adding the metered count by line number you get 6, 7, 7, 8, and 20 or 48 times two types of verse; 96. So the metered count works two ways as the Greek and Hebrew mystics intended. The Greeks doublet'd coronae with the Celtic Kornus. The Greeks may be word-playing off Coronae saying that the King does anything and everything that is seen as good and bad?
r  Jan 2015
Corvid soul
r Jan 2015
I don't know the word
for this restless almost breathless
feeling  in my chest -

the opposite of a bluebird
- a ******* crow, at best

a last call cawing
or is it a raven's kraa-kraa

this feeling -
like a shadow in clothes
- a fly in the eye of those

who pray for repose
of my soul.
r ~ 1/25/15
Donall Dempsey Mar 2019
CORVID COMPANY

crow lost in crowd
just another commuter
trying to get to somewhere

packed train
everyone makes way
for our avian friend

crow gets off
at next stop
hops on escalator

at the top
crow and I
go our separate ways

crow takes to the skies
telling his friends all about
his journey with the humans

“Naw!” they all caw
“Yeah…yeah!” crow crows
they fall about the sky laughing
Madeleine B  Feb 2016
Aspect
Madeleine B Feb 2016
Her laughter pumps the gas, dumps the clutch shakes and rattles from each intersection
Her wet feet leave monster tracks long damp claws arching across the cement
Her hair grows brambles collecting thorns and twigs with the best of bushes
Her senses, corvid, snatching up dropped coins, pencils, paperclips
Her tongue unfettered, butterfly breath reels with snips of story and songs
Her eyes hold drops of honey, sticky sweet lashes follow the sun
sunflower cheeks blush cardamom on yellow velvet
glow butterfaced with dandelion kisses

Rough, regular under hand, stubbornly slate, unchanged unmoved.
if her soul is a garden there is a cinderblock there
holding down the sunflowers,
along with the grass at her core, it grows roots,
     but no moss.
Keith J Collard Jul 2012
In flight, cloud pours winged ink,
feathered in atmospheric caption,
in and out, as a cursor blinks,
gliding portal-- ground casting.

a falling feather stroking air,
day's mind--now nigrescence,
torch waving in drip drop lair,
corvid "kaaw"--all sides pressing.

blackness: it is infinite cursive,
folded 'round a writer's eyes.
A hearse' undulating curtain,
the wings-- as the crow flies.
*
sound of the internal chasm,
shamen of post-mortem height,
feathered pen will spasm,
with morsel--writhing in and out of light.
Dark n Beautiful Jan 2021
Every poet should be responsible for his poetic language
Every scientist should be held responsible for his/her own action
My birthday in the year of the corvid 19, will be different
I wouldn’t bother to confirm with the ground hog on this matter.
He too is refusing to come out, he detest the humans
The righteous will possess the earth, and they will live forever on it.”. — Psalm 37:29.
From what is going on I might have to debate this verse.
Would you agree with the poet?
Where there is action they will be a reaction
Leadership money and power
Is this what we are dying for?
"Whoever keeps his mouth and his tongue?
keeps his soul from troubles"
We all love a good story.
With a good ending,
What is going on today is not a story
Our next generation is going to have a hard time
Explaining this to their next generation of survivors
What happen in 2019, was an act of greed
It is the reality, of mad virology scientist went mad.
If this vaccine doesn’t work what will be our next move?
When your boss take his clean non corvid 19 facilities and
Turn it into a corvid 19 center,
What would a poet call this move (greed $$$)
All this poet can say.. “Let wait and see”.
Crave all loss all. one who wants everything, may lose it all
We fought wars,
Rough, ferocious and deadly deadly,
Genocides and Holocausts,
We killed, got killed and lived to tell the tale,
We still touched our mouths, noses and faces,
We sneezed, coughed and had high fevers,
We shook hands, hugged and kissed,
Yet we survived and lived to tell the tale at the tail-end.


Wars were fought throughout the world,
World wars and wars for supremacy,
Nuclear wars and cold wars,
Religious wars and wars against colonialism,
Tribal wars and civil wars,
Trade wars and industrial wars
Insurgencies and conventional wars,
Wars against Ebola and wars against the SARS virus,
Wars against slavery and apartheid; and wars against oppression,
Wars about us against them and them against those that are against them,
Some, really senseless wars.


We emotionless watched them fight their wars with arms folded,
As they emotionless watched us fight our wars with arms folded,
It is not our war, they felt,
It is not on our soil, we reckoned,
They are not our people, we believed,
Our economy will not be affected, they said,
After-all, we share no common Ancestry,
With pride, we developed a defensive “Them” and “Us” attitude,
Every nation for herself and only God for us all,
We never wanted to be part of others’ wars,
Neither did they want to be part of ours,
Depositing the spirit of Worldianship into acute non-existance.


Today, a horrendous and cataclysmic war has been declared against the world – them and us,
Ruthlessly savaging, ravaging and bulldozing the lugubrious world full of them and us, like a demented storm really gone mad,
A devastating and ruinous world war 3 with some shift of gear,
An atrocious insurgency against a common but deadly and hostile enermy,
A silent, ruthless and predatory bandit which intentions are catastrophically loud, heavily thudding and explosively explosive,
The wide world has been dolorously and traumatically held to ransom,
And ransom of the worst order and disorder,
Plunging the outrageous and despicable West and the rest of the cultured world on one side,
Fighting side by side in a war they never wanted to fight,
Not even side by side,
Desperately befriending my unspeakable enermy because he is the enermy of my enermy,
And the enermy of the enermy of the enermy who is my enermy,
Just imagine the symbiosis,
Just imagine.


Desperate and distressed children of the world have been unintentionally isolated and agonisingly violated,
Tightly curfew-ed and strictly quarantined against their will,
Some, with neither food nor means of survival,
All, converted into Inmates in their own homes and excuses for homes,
As the catastrophic war notoriously spreads like a ravaging bushfire on defenceless nations,
Taking with it innocent children of the subconscious and powerless world,
With some, falling dual victims of the calamitous virus and also the armies,
Little-minded combat and action-hungry armies that are supposed to be protecting them,
Siding with their own enermy and the enermy of their own people,
Shame on the children of the sorrowful soil,
Children of Kunta Kinte, Zwangendaba, Mzilikazi kaMashobana, and Chaminuka,
Children of Moshoeshoe, Kgabo, Kaguvi and Kazembe,
Children of Skwati, Sikhukhuni, Shaka and Shiriyadenga,
Children of Soshangana, Christopher Columbus, Jan Van Riebeck and Vasco Da Gama,
Shame.


A little child distantly cries elsewhere in Africa’s distant peripheries of domineering poverty,
She sickly cries her last cries for food and last cries ever,
A little bundle of a network of visible veins lying on a reed mat like a ragged rag doll,
A tiny, vulnerable innocent crossfire victim of the massive deadly disorderly war,
Last in a family of twelve, that never had food since the first day of the lockdown,
As father and mother sadly gaze at each other, tears are shed and shared in capitulation,
They cannot leave their landlocked tiny shack to go out to look for food,
Their poor offspring lackadaisically closes her tiny eyes for the last time,
Departing from the weird world in a war that was never hers to fight,
Not even her “church mice” parents,
She dies in painful hunger and of a painful hunger that was the grandchild of Corona’s making,
A child of the African dusty soil prematurely returning to the African dusty soil,
A crossfire victim of corvid19 of the Chinese ancestry,
An indiscriminate weponous weapon of mass destruction,
Shame.


Amidst all this, songs get sung phonetically in different languages and tunes,
By different nationalities of different nations and nationalisms,
Touching and emotional songs, embodying and incarnating just but one and the same theme,
Coronavirus, corvid 19, the heartless witch which is son to a heartless witch,
Where do we run or even crawl to for safety?
Where really, at this humanity’s tattered and shattered darkest hour,
Our hour no longer our hour,
We have fought worse wars with worst enermies than you,
More titanic, more ravaging, more calamitous, more faceless,
Albeit, we lived to tell the tale,
The fearless warrior children of the fearless warriors that we fearlessly are,
We do not fight to fight another day,
And we cannot just fold our cold arms as you recklessly scotch our lovely earth to oblivion,
Rapacious Corona, it is just a matter of time,
Just a matter of time,
Corvid 19 – obnoxious bandit father of an obnoxious bandit wizard,
Heartless dissident son of a heartless dissident witch,
The epitome of prolific disrespect, involuntary solitude and proliferated solicitude,
The personification of convulsive misery, spasmodic destruction, and multitudinous deaths,
What goes around, comes around,
Just a matter of time.
Nigel Morgan Dec 2014
The Open Studio

Usually the journey by car flattens expectation, and there’s that all-preoccupying conversation, so one only takes in the view where there’s a halt at a traffic light or at the occasional junction. A pattern on a wall, a damaged sign, a curtained window. Waiting, one looks and sometimes remembers, and what one sees later reappears in dreams or moments of disordered contemplation. A train journey is another matter: you sit and look, and when it is a trip rarely made, you put the book away and gaze beyond the ***** windows to a living landscape that scrolls past the frame of view. When you arrive there’s inevitably a walk: today through a town’s industrial hinterland, its pastness where former mill buildings have tactfully changed their use to become creative places, peopled with aspiration and strange activity. Walking reveals the despair of forlorn roadside business falling back into alleys ending in neglected and empty buildings, so much *******, silences of waste and decay.

But here’s the space, there’s a sign on a board outside, OPEN STUDIO TODAY. Entering inside it is quiet and cold, the door remaining open to let in the December air and the hoped-for visitors. But it’s bright and light: a welcoming presence of work and people and coffee and cake. And here’s the studio, a narrow space between make-shift walls where the artist works, where the work awaits, laid out on the surfaces of desks and tables, on shelves and walls, specimens of making; ‘stuff’, the soon-to-be, the collected, the in-progress-perhaps, the experimental.

Good, a heater blows noisily onto cold fingers. In the turbulent air pieces tremble slightly from their hangings on the walls. They are placed at a good height, a ‘good to be close to examine the detail’ height, the constructed, the made, the woven, the stitched, the printed, all assembled by the actions of those quiet, intent, those steady hands. There, a poem on a wall next to the window. Here, photographs of places unlabelled, unrecognised, but undoubtedly significant as a guide to the memory. Look, a dead badger lying in a road.

Next to the studio, a gallery space. Two walls covered with framed prints, well lit, a body of work captured behind glass, in limbo, waiting patiently for the attentive eye to sort the detail, that touch of the object on paper, that mark found and brought out of time and place. Perhaps these ‘things’, some known, some mysteriously foreign adrift from their natural context, have been collected by that bent form on a windswept beach, by the hand reaching out for the  gift in the gutter, struck by the foot on the track, unhidden in the grass by the riverside, what we might pass as without significance and beyond attention. This artist gives even the un-namable a new life, a collected-together form.

Moving closer let the eye enter the artist’s world of form and texture - and colour? There is a patina certainly, colour’s distant echo, what is seen on the edges, a left-behindness, more than any subtlety of language knows how to express, beyond comfortable descriptions, not excitable, where the spirit is damped down and is restful to the mind, a constancy of background, like a capturing of a cloud but bulging full of hints and suggestions, where texture is everywhere, nature’s rich patterns colliding with things once invented and made, used once, once used left and changed, thrown away, to be brought before the selecting eye and the possibility of form with meaning its patient partner.



J.M.W.Turner writes  on poetry and painting

Poetry having a more extensive power
Than our poor art, exerts its influence
Over all our passions; anxiety for our future
Reckoned the most persistent disposition.

Poetry raises our curiosity,
Engages the mind by degrees
To take an interest in the event,
And keeping that event suspended,
Overturns all we might expect.

The painter’s art is more confined,
Has nothing to equate with the poet’s power.
What is done by painting must be done at once,
And at one blow our curiosity receives
All the satisfaction it can know.

The painter can be novel, various and contrast,
Such is our pleasure and delight when put in motion.
Art, therefore, administers only to those wants,
And only to desires that exercise the mind.



Twilight

A day aside and diaried into busy lives
So to a morning walk to Turner’s View
Above the River Wharfe and Farnley Hall
Where it is said the inspiration came
For his famous oil of Hannibal,
with elephants and storm-glad Alps.

On to lunch where six around a table
Souped with salad before we homed
Mid afternoon the day in decline
We were done with words so watched
The edge-timed light flow between our hands.

Inevitably we climbed the stairs to lie
In twilight’s path beneath the skylight’s
Square a sliver-moon we couldn’t see
Gracing the remaining daylight hour
Marbled with shadows our collected
Curves and planes lay as sculptures
In the approaching dimity and dark
Each experimental stroke of touch
Holding us dumb to speech and thought
As night’s soft blanket covered us entire


Northcliffe Woods

Oh nest in the sky, empty of leaves,
Those tangled branches
Reaching out from twisted trunks
Into the sullen clouds above, when

Suddenly a crow -
Corvidae’, she said -
And simultaneously pulled
a hank of ivy from a nearby tree.

Hedera Helix I thought
But did not say, instead
I whispered to myself
Those ancient names I knew.

Bindwood, Lovestone
(For the way it clings
To bricks but ravages walls),
A vine with a mind of its own. But

She, in a different frame that day,
Apart, adrift and far away
From our usual walk and talk,
Fixed her gaze on the woodland floor,

Whilst skyward I sought again that
Corvid high in the branches web
Black beyond black beyond black
Against the pale white canopy above.


Franco*

Blow She Still
Ed insieme bussarono
Sweet Soft Frain
Cloche Lem Small
Spiri About Sezioni
Portrait Eco Agar
Le ruisseau sur l’escalier
Etwas ruhiger im Ausdruck
Jeux pour deux
For Grilly Fili Argor
Atem L’ultima sera
Omar Flag Ave
The Heart’s Eye*

play joy touch
code panel macro
refraction process solo
quick-change constrained
hiatus sonority colour
energy post-serial scintillating
aleatoric reuse transformation

A lonely child who imagined music
on sunday walks, he would talk about
how one lives with music as someone
would talk about how one might live
with illness or a handicap. He said,
‘You cannot write your life story in
music because words express the self
best whereas music expresses something
quite beyond words’.
This is collection of new and previous verse and prose gathered together as a gift for Christmas 2014 and New Year 2015. Each poem was accompanied by a photograph or painting. Sadly the wonderful Hello Poetry has yet to allow such pairings. The poem constructed from the words of J.M.W.Turner makes a good case I think for bringing image and word together - at least occasionally.
Scott Sinnock Nov 2014
I watched some crows this very eve,
Play upon a blustery, early November breeze.
Wave upon wave of those corvid beasts,
Now going west, now going east.
Now rising up, now darting down,
Now racing east,
Now tacking west.
No sailor on the seven seas
Can tack so well as one of these.

Now up, now down
Now left, then down.
One flies north
Another south, then darts east.
Yet flock drifts by despite these feats.
Another joins in synchronous dance
Then up, then down, then back again
Waving together till parting perchance.
Then each alone, up,
Then down, then back again.

Some stall for several ***** and blows,
Remaining still to trees below,
Then a feather's twitch
Banks into the wind

And soar, ...... soar, ..... soar,
Soar away.

Down a ***** only birds can know
Racing faster than the wind
Above the trees below.

*It seems so wasteful, this fighting of the wind,
Futile and vain as a skein does not.
It's not hunting, I think, nor ***,
Except perhaps for showing off.
But I suspect play at play.
Jonathon Seagull's desire, it seems
Infects these playful playing memes.

Perhaps I see play where there is no play,
Projecting wishes onto senses.
But corvids do play, it seems.
Do you too so seem?
Perhaps they even dream.
I have a special affinity for corvids. I watched a raven preen and strut for 5 minutes in Canyonlands, then looked me right in the eye as if to say, "Aren't I beautiful!". But perhaps he just said, "What? No treats after that great show?" In either case, off he flew without looking back. He was definitely aware, as I suspect these crows out my window are.
Pagan Paul Dec 2017
.
The branches of the trees bend and sway
as the breeze plays its tickling games.
Sitting beneath the mighty Oak
he closes his eyes and drifts back home.
His thoughts, like his arrows, true,
finding its destination with consummate ease.
A figure, a face, a smile, he sees.
The portrait of Her.
Burning a cold image in his mind.
An alien sound he hears, and startles,
intruding on his moment of reverie.
A bird lands on a tree, close,
giving him the eye, akin to the intelligent
stare of the capricious corvid.
It whistles and takes flight
calling him to follow.
Thoughts of Her portrait, now wisps of smoke,
disappear as intrigue beckons.
Insistent chirping, the clever eye,
leads him hither and thither,
ever away from home.
Caught in the enchantment, of following the Never bird.....

The mist crawls and curdles and climbs
in a rising, coalescing film of fog.
To befuddle the unwary, alone in the Trees.
His nerves, his eyes, captivated
as the Never bird commands attention.
Leading him on, deeper.
Home is but a distant sigh in his heart,
ignored with intensity, unloved.
The journey steps take him far, wayward
with no direction, no destination.
Singing sweet, swooping swift
the bird stops. Disappears into the gloom,
not once looking back, abandoning he who followed.
Lost. So very lost. So very lost.
Moments fly, rustling, footfalls, an apparition.
A Goddess of beauty unveils herself,
and steps, soft and gentle into the light.
Enraptured he takes her into his arms,
they sink and rut like animals, primal,
on the cool mossy carpet.
Banished are the thoughts and portraits.
Caught in the enchantment, of loving the Never bird.....

The cobalt sky in a haze of heat
swirls about before his eyes.
Laying beneath a Mighty Oak.
Goose-bumped skin. Alone.
He wakes. The forest still and silent.
His thoughts like drunken dogs
blurred by memories that excite and disturb.
The Portrait of Her.
Awakening a fuzzy, picture in his mind.
Scanning the trees, the lady is gone,
and missing is the Never bird.
Unknown magiks have been worked on him,
he felt, rather than observed.
The sigh in his heart for home, broke forth,
strange noises burst the mood.
The ache in his heart,
constrained within by abnormal form,
teetered on the edge of pain, sorrow.
A song of hope escapes, a decision made,
as wisps of smoke form a Portrait.
He spreads his wings,
caught in the enchantment, of being the Never bird.



© Pagan Paul (2016/2017)
.
There can only be one Never bird in existence at any one time,
so now he has got to go and find a Lady to ****** ...
.
black crow bird
pecks road ****.

pheasant.

haute cuisine.
crow bird,
pecks package.

hoping for a sandwich.

b.l.t.
nawke  Jun 2018
Corvid
nawke Jun 2018
Cawing crows' calling
They try to gather but fail
Attempted ******

— The End —